1 Capturing Realistic HDR Images Dave Curtin Nassau County Camera Club February 24 th, 2016
2 Capturing Realistic HDR Images Topics: What is HDR? In Camera. Post-Processing. Sample Workflow. Q & A.
3 Capturing Realistic HDR Images Part 1: What is HDR?
5 HDR The Basics What is HDR? H- High D- Dynamic R- Range High dynamic range or HDR photography is a method of digital processing where several exposures of a high contrast scene are mapped / combined into a single file. The goal of HDR processing is to help expand the amount of visible detail in both the brightest and darkest areas of an image, as compared to what can be captured in a single exposure.
7 What is HDR? HDR photography allows you to create a range of luminance & detail in your images, similar to what can be seen by the naked eye. Today s camera sensors are not capable of providing the same range of exposure values within a single exposure as compared to the human eye. HDR processing allows you to capture several shots (or brackets) at different exposure levels, and combine later into a single HDR image. Details will be captured from the shadows, mid-tones, and highlights, then merged into a final HDR image.
9 When Do I Attempt to Use HDR? Excellent Candidates for HDR Photography: Landscapes Especially w/ high levels of contrast between the sky & land. Backlit scenes Helps bring out details that may have darkened due to strong back light. Portraits in harsh sunlight Harsh light can cause dark shadows. HDR can balance these areas, and provide a more evenly lit portrait. Please Note: You must carefully watch when processing of HDR portraits -- skin can develop a very rough and worn look. HDR often enhances many blemishes and wrinkles giving the subject an aged look. With care, these details can be minimized. Scenes w/ Low Light.
10 When Do I Attempt to Use HDR? Great Subjects for HDR Photography: Metallic Subjects Cars, Trains, Planes, Machinery. Subjects w/ Detail & Texture that you d like to enhance. Architectural Structures / Buildings. Real Estate Room Interiors w/ Bright Windows. Reflections Especially in Water & Glass. Landscapes w/ Cloudy Skies.
11 When Do I Attempt to Use HDR? Great Subjects for HDR Photography: Metallic Subjects Cars, Trains, Planes, Machinery. Subjects w/ Detail & Texture that you d like to enhance. Architectural Structures / Buildings. Real Estate Room Interiors w/ Bright Windows. Reflections Especially in Water & Glass. Landscapes w/ Cloudy Skies.
13 When Do I Attempt to Use HDR? Great Subjects for HDR Photography: Metallic Subjects Cars, Trains, Planes, Machinery. Subjects w/ Detail & Texture that you d like to enhance. Architectural Structures / Buildings. Real Estate Room Interiors w/ Bright Windows. Reflections Especially in Water & Glass. Landscapes w/ Cloudy Skies.
15 When Do I Attempt to Use HDR? Great Subjects for HDR Photography: Metallic Subjects Cars, Trains, Planes, Machinery. Subjects w/ Detail & Texture that you d like to enhance. Architectural Structures / Buildings. Real Estate Room Interiors w/ Bright Windows. Reflections Especially in Water & Glass. Landscapes w/ Cloudy Skies.
18 When Do I Attempt to Use HDR? Great Subjects for HDR Photography: Metallic Subjects Cars, Trains, Planes, Machinery. Subjects w/ Detail & Texture that you d like to enhance. Architectural Structures / Buildings. Real Estate Room Interiors w/ Bright Windows. Reflections Especially in Water & Glass. Landscapes w/ Cloudy Skies.
20 When Do I Attempt to Use HDR? Great Subjects for HDR Photography: Metallic Subjects Cars, Trains, Planes, Machinery. Subjects w/ Detail & Texture that you d like to enhance. Architectural Structures / Buildings. Real Estate Room Interiors w/ Bright Windows. Reflections Especially in Water & Glass. Landscapes w/ Cloudy Skies.
22 When Do I Attempt to Use HDR? Great Subjects for HDR Photography: Metallic Subjects Cars, Trains, Planes, Machinery. Subjects w/ Detail & Texture that you d like to enhance. Architectural Structures / Buildings. Real Estate Room Interiors w/ Bright Windows. Reflections Especially in Water & Glass. Landscapes w/ Cloudy Skies.
25 When HDR is the Wrong Choice HDR is perfect for scenes that do not change much from the start to finish of your brackets. Avoid HDR for scenes with lots of movement if your main subject moves between the first and second shots, the final processed image won t look good. Portraits in general that is unless you re in harsh light, or want the subject to have hardened / aged features.
26 Capturing Realistic HDR Images Part 2: In Camera
27 HDR Photography: In Camera What are the in-camera considerations, requirements, and settings needed to produce a realistic HDR image?
28 Capturing Realistic HDR Images HDR In Camera: Considerations, Requirements, Settings Camera Modes / Exposure Settings Auto Focus Considerations Bracketing (AEB) Camera Stability Image File Type
29 HDR Photography: In Camera What are the best camera modes & exposure settings to use when I shoot HDR?
30 HDR Photography: In Camera Important Considerations: Camera that Allows for Aperture Priority (Av or A) or Manual Settings (M). Basic Understanding of the 3 Main Components of Exposure: Exposure Triangle: ISO Sensitivity to Light. Aperture Size of lens opening (controls depth of field). Shutter Speed Speed at which camera s shutter is opened & closed. Changing one element in the Exposure Triangle impacts the other two.
31 HDR Photography: In Camera Exposure Triangle Example: If you meter a scene to be perfectly exposed using the following settings: ISO = 100, Aperture = F/4, Shutter Speed = 1/250 To increase depth of field, you d have to change the aperture: Example: Change aperture from F/4 to F/8. Change of 2 stops. To keep the same amount of light entering the camera, and maintain correct image exposure, you d need to adjust either the shutter speed, ISO, or both. One option would be to allow more light in by reducing the shutter speed: Change shutter speed from 1/250 to 1/60. Image will still be correctly exposed w/ greater DoF. Another option would be to change both shutter speed & ISO: At F/8 -You could change ISO=200, and Shutter speed to 1/125, and image would still be exposed correctly.
32 HDR Photography: In Camera Best exposure mode for HDR photography is the Aperture Priority (Av or A) setting. Aperture Priority Setting: Allows you two set 2 out of the 3 legs of the Exposure Triangle (ISO & Aperture), and allow the camera to automatically adjust the shutter speed on the darker (EV: -2) & lighter brackets (EV: +2). Maintains a consistent depth of field & noise level throughout your bracketed shots. The only adjustment made is to shutter speed which is done automatically by the camera.
33 How do I shoot to produce an HDR image? Aperture Priority Setting (AV or A): Consider shooting in Aperture Priority mode rather than Manual. Some camera s AEB (Auto Exposure Bracketing) systems may adjust the aperture instead of shutter speed when capturing the +/- brackets. Be sure to check your camera s adjustments when bracketing in M mode. AEB gives you the ability to quickly take multiple shots at different exposure levels without having to manually change settings between frames.
34 HDR Photography: In Camera Important Exposure Settings: ISO Use the lowest ISO possible... Typically in the Range. Lower ISO values will minimize the amount of noise generated in the image. Tripod use will allow you to keep the ISO low, while adjusting the Aperture & Shutter Speed to a value appropriate to the scene that you re attempting to capture. If there s a lot of noise generated in your brackets, it will become very apparent upon combining / mapping of the images in the HDR software. If you re shooting in Aperture Priority mode, and set a low ISO, the only other exposure decision left to make is the Aperture setting (depth of field).
35 HDR Photography: In Camera Important Exposure Settings: Aperture Use wide aperture for shallow depth of field... Typically F/2.8 F/4 are widest settings on many lenses. Will help blur objects / background around the main subject. Use small aperture for greater depth of field... Example aperture settings that will provide expansive DoF: F/11, F/16, F/22. When shooting in aperture priority mode Set the ISO and aperture, and the camera will compute the required shutter speed. When shooting brackets (AEB) the camera will compute the required shutter speeds for each EV. Example: (EV: -2 / 0 / +2). When metering for HDR consider using the camera s spot or evaluative metering methods.
36 HDR Photography: In Camera Can I use Auto Focus When Shooting HDR?
37 HDR Photography: In Camera You can use Auto Focus when shooting HDR, but be careful Be sure not to adjust your auto focus point while shooting brackets. Some older cameras only let you bracket 3 images at a time, and require an adjustment to the camera settings to cover other exposure levels. You don t want to have the focus point change while you were making this adjustment, otherwise you might have a different focus point between the original and second bracket sets. You can use either back button focus (separates auto focus from shutter release) if available, or set to manual focus after desired focus has been achieved. There are many different options available depending on the camera / lenses used.
38 HDR Photography: In Camera What is Bracketing and the AEB Camera Setting?
39 What are HDR Brackets? EV: -2 (EV -2/ 0 / +2) EV: 0 EV = Exposure Values. EV s are more commonly referred to as: Stops. EV: +2
40 What are Brackets? EV: 0 Brackets are commonly shot in groups of 3, 5, 7, or 9. Typically in odd numbers. The number of stops between images can be set for 1 stop, 2 stops, or even smaller increments in between. Typically brackets are set to either +/- 1 stop or +/- 2 stops in between. If you re shooting 3 brackets, consider 2 stops in between each to cover a wider dynamic range. If you re shooting 5, 7, or 9, consider 1 stop in between as you ll have more images in between to pull detail from. Use a greater number of brackets when trying to cover a wider dynamic range. Always meter the shot to achieve a perfectly exposed image, and the auto bracketing feature of the camera will handle the +/- images.
41 HDR Photography: In Camera What about Camera Stability when it comes to HDR Photography? Do I really need a tripod???
42 HDR Photography: In Camera It s not required, but you definitely should use a tripod Hand held image brackets are more difficult to align in post-processing. Helps eliminate camera shake that can ruin images w/ longer exposure times. You can shoot HDR images without a tripod, but post-processing results will almost always be better with a tripod. HDR software can merge hand-held shots, but often the long exposure bracket will suffer from some camera shake. You ll want each of the brackets to be tack sharp to produce the highest quality HDR image.
43 HDR Photography: In Camera Use a Shutter Release cable, remote, or timer. Prevents additional camera shake when pressing the on-camera release button. Consider using mirror lockup mode if image you re capturing is extremely sensitive to any vibration. > Example: Close-up of Moon at Night. Without a stable tripod, mirror lockup will not be of any help in stability.
44 HDR Photography: In Camera Which Image File Type is Best for HDR?
45 HDR Photography: In Camera Which Image File Type is Best for HDR: Always shoot RAW. RAW files help you produce higher quality images, and give yourself a much better chance to correct problems that would be unrecoverable if shot in JPEG.
46 HDR Photography: In Camera Characteristics of RAW Files: RAW images contain the complete data that was captured from the camera s sensor. RAW files are uncompressed they are similar to a TIF file w/ regards to compression. RAW files are quite large due to the how much image data is taken from the camera s sensors. My typical RAW file size is MB each Canon 5D-Mark II is a 21MP camera. RAW files are higher in dynamic range provides a greater ability to display both the highlights and shadows. Not ready for printing without some post processing. Lower in contrast looks flatter, washed out, and not as sharp unprocessed. Changes made to a RAW file are non-destructive, and can be reset back to the original image.
47 HDR Photography: In Camera Characteristics of JPG Files: Initially processed in camera -- Higher in contrast, sharper, and immediately ready for printing or sharing on social media. Standard image file format that can be used by all post processing software. JPG files are highly compressed think of how text data is compressed in a zip file. High rates of compression lead to fairly small file size high quality JPGs can be around 2-3MB in size compared to 20MB RAW file. Lower in dynamic range. Can still be post-processed. JPG files are compressed further with each save, and lose a little quality with every subsequent save -- opposite of lossless files like RAW or TIF.
48 HDR Photography: In Camera Characteristics of TIFF or.tif Files: TIF files are used for saving high quality image files, and are typically large in size. TIF files are lossless (uncompressed), and were created to allow graphic artists and photographers to archive photos without compromising quality. Standard format image file capable of being read by almost any image post processing software / image viewers. TIF can be used as input to some HDR post-processing utilities. I typically use TIF files as both input and output for my HDR work. Some HDR processing utilities accept RAW files as input for HDR processing. The processed HDR file can later be saved as a TIF.
49 Capturing Realistic HDR Images Part 3: Post-Processing
50 HDR Photography: Post-Processing Now that I ve captured some bracketed images What s next? What software do I need for an HDR Workflow?
51 HDR Photography: Post-Processing Start w/ Your RAW Images & Process w/ Adobe Camera Raw (ACR).
53 HDR Photography: Post-Processing Open the RAW files (YOURIMAGES.CR2) from Bridge Perform minor adjustments in Adobe Camera RAW (ACR): White Balance: Adjusts the Color Temp of the Image. Clarity: Adjusts midtone contrast Helps make your images sharper without actually sharpening them. Vibrance: Makes only dull colors in the image more vibrant and colorful. Saturation: Makes every color more vibrant and colorful (even the ones that are already vibrant and colorful). Tread lightly with this adjustment. Lens Correction
54 HDR Photography: Post-Processing Adobe Camera Raw (ACR) Perform some minor adjustments in ACR: Ensure that all bracketed shots needed for the HDR image are loaded into ACR. Ensure that all images are selected so ACR adjustments are applied to all images. When all images adjustments have been completed, save the resulting files as *.TIF. The TIF files will be used as your input into the HDR processing software. Open the TIF files in Photoshop before processing in the HDR software plan to remove noise from the images prior to processing. HDR software does include feature to remove noise, but some noise reduction plugins can do a better job of cleaning it up.
55 HDR Photography: Post-Processing HDR Processing Software There are many different HDR software programs to choose from: HDRSoft: Photomatix Pro or Photomatix Essentials (Standalone program or Lightroom Plugin). HDR Program used in my workflow. Current version of Photomatix Pro is v HDR Pro Available directly in Photoshop CC. From Photoshop Main Menu Select: File > Automate > Merge to HDR Pro Nik: HDR EFEX Pro HDR Express 3, and many other titles.
56 HDR Photography: Post-Processing Photomatix Pro
58 HDR Photography: Post-Processing Perform some minor adjustments in ACR: Photomatix Pro Load all bracketed shots into Photomatix to combine into a single HDR image that shows detail in the darkest darks and the lightest light areas. Photomatix can use both RAW and TIF files as input to merge brackets into single HDR image. My preference is to use TIF files that include previous ACR adjustments & noise reduction.
64 HDR Photography: Post-Processing Photomatix Pro / Photoshop Considerations After the new Photomatix HDR image is complete: Do not perform contrast adjustments or sharpening in Photomatix. Wait to perform those tasks in Photoshop during final post-processing. Work on new image in Photoshop... Make additional modifications as needed / desired. Save the new working HDR file as a PSD file to include Photoshop layer adjustments. When complete with all Photoshop modifications, flatten the image, save as TIF file. If desired, save the TIF file again as JPG for use on the web, social media, etc.
65 HDR Photography: Post-Processing Photoshop Continue with final processing of the HDR image: Save the new HDR file as a TIF file. Bring the TIF file into Photoshop to continue post processing. Additional adjustments include fixing problems areas, cropping, straightening, color correction, etc. Do not perform contrast adjustments or sharpening in Photomatix. Wait to perform those tasks in Photoshop during final post-processing. The new file created in Photomatix will be available now in Adobe: Bridge. Double click the file to bring into Photoshop.
66 Capturing Realistic HDR Images Part 4: Sample Workflow
67 HDR Photography: Post-Processing Sample Workflow From RAW brackets to Finished Image: Workflow Summary Start with RAW files Open in Adobe Bridge. Make Adobe Camera RAW adjustments as desired. Save RAW files as TIF files Make sure ACR changes are applied to all brackets. Load TIF files into Photomatix and process to construct a processed HDR image. Save completed Photomatix HDR file as a new TIF file.
68 HDR Photography: Post-Processing Sample Workflow From RAW brackets to Finished Image: Workflow Summary Load New HDR TIF into Photoshop and make additional post processing adjustments. Save as a PSD file in Photoshop until all desired post processing has been completed. Flatten completed image, save as TIF file. If necessary, save another copy as JPG file, ready for publication on the web, social media, or use in other applications.
69 Capturing Realistic HDR Images Part 5: Q & A.
70 Capturing Realistic HDR Images Thank you!!! I m always available if you ever have any questions. Please visit me on Facebook (Dave Curtin Photography) - or -
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