Decoding cultural heritage objects
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1 Decoding cultural heritage objects
2
3 Yale Center for British Art The Pencil of Nature (Cover of first fascicle) William Henry Fox Talbot, Nicolaas Henneman, Benjamin Cowderoy, and Brown Longman London: Longman, Brown, Green, & Longmans, 1844, 1844, 1846 Metropolitan Museum of Art
4 Yale Center for British Art The Pencil of Nature (Cover of first fascicle) Talbot, William Henry Fox, Nicolaas Henneman, Benjamin Cowderoy, and Brown Longman London: Longman, Brown, Green, & Longmans, 1844, 1844, 1846 Metropolitan Museum of Art
5 The Reading Establishment, William Henry Fox Talbot & Nicolaas Henneman, 1846 Salted paper prints from paper negatives, overall cm
6 Plates from The Pencil of Nature, Metropolitan Museum of Art
7 Mounted prints, History of Science Collection, National Museum of Scotland Unmounted prints, History of Science Collection, National Museum of Scotland
8 Prints from The Pencil of Nature, Yale Center for British Art
9 The Object Challenges: Object heterogeneity Rates of changes Study scaling & tool deployment Data analysis & sharing What was it? Decoding What is it? What is it becoming? Technique limitations: In-situ measurements Non-destructive or microdestructive Monitoring & Risk management
10 Posters Elizabeth Coquillette Application of handheld Laser-Induced Breakdown Spectroscopy (LIBS) to develop quantitative calibration curves for the analysis of heritage copper alloys Pablo Londero Portable laser ablation sampling for elemental and isotopic ICP-MS analyses Kate Schilling Mahogany Species Identification by Thermal Desorption GC/MS Kate Schilling, Paul Whitmore, Rui Chen Noninvasive techniques for detecting chemical changes in cultural heritage objects
11 What is it? In-situ & non-destructive spectroscopies X-ray fluorescence spectrometers Bruker Tracer III-SD Handheld, large spot size Bruker Artax micro-focus, small area mapping Bruker M6 Jetstream: micro-focus, large area mapping
12 What is it? Portable non-contact imaging of surface topography Micro-RTI (Reflectance Transformation Imaging)
13 What is it? Portable non-contact imaging of texture: Texturescope High-throughput, inexpensive, repeatable, easy-to-use Easy to replicate & deploy: Museum of Fine Arts, Houston
14 Robert Mapplethorpe platinum and palladium prints
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16 83_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Texture affinity Robert Mapplethorpe platinum and palladium prints
17 What is it becoming? In-situ & non-destructive tracking of color change Microfading tester Stable and sensitive color measurement Filtered visible SPD (near-uv optional) Very high intensity focused spot (50 Suns) Equivalent light dose ca. 1 year per minute
18 BW1 BW1 BW2 BW3 BW2 BW3
19 What is it becoming? In-situ & non-destructive tracking of color change Areas of highlight: bleach (paper bleaching) Image density intensifies (darkens and becomes more neutral) - to a greater degree for darker areas Microfading tests of Pencil of Nature images
20 World map w dots for locations of PoN Red: Complete or significantly complete copies in six fascicles Yellow: Significantly complete copies bound as one volume or disbound Gray: Multiple part holdings Light Blue: Single parts Purple: Significant miscellaneous collections Countries/cities with multiple holdings (total): England:28 Scotland: 6 NYC: 7 California: 6 Germany: 2
21 Contributors Posters Paul Messier Paul Whitmore, Rui Chen Pablo Londero, Colette Hardman-Peavy Chitra Ramalingam, Yale Center for British Art Elizabeth Coquillette Application of handheld Laser-Induced Breakdown Spectroscopy (LIBS) to develop quantitative calibration curves for the analysis of heritage copper alloys Pablo Londero Portable laser ablation sampling for elemental and isotopic ICP-MS analyses Kate Schilling Mahogany Species Identification by Thermal Desorption GC/MS Kate Schilling, Paul Whitmore, Rui Chen Noninvasive techniques for detecting chemical changes in cultural heritage objects
22
23 What is it? In-situ & micro-destructive sampling and analyses Portable UV laser ablation sampling module Prototype setup with IR laser Yale IPCH Laser ablation ICP-MS instrumentation Institute for Geosciences, Johannes Gutenberg- Universität Mainz
24 What is it? In-situ & micro-destructive sampling and analyses Portable UV laser ablation sampling module Prototype setup with IR laser Yale IPCH Photo credit: Yale University Art Gallery Rummer, dated 1770 Clear flint glass (leaded) with enamel Probably made in Bohemia; formerly said to have been made in Manheim, Pennsylvania
25 What is it? Method and data analysis development Mahogany Species Identification by Thermal Desorption GC/MS Application of handheld Laser- Induced Breakdown Spectroscopy (LIBS) to develop quantitative calibration curves for the analysis of heritage copper alloys Photo: Yale University Art Gallery Photo: Metropolitan Museum of Art
26 Bruker M6 Jetstream XRF: micro-focus, large area mapping Fe Kα map Pb Lα map
27 Welcome Collection A meeting of the Royal Society at Somerset House in the Strand. Engraving by H. S. Melville, 1844, after F. W. Fairholt, 1843
28 Victoria and Albert Museum, London. Portrait miniature of Sir Peter Hesketh- Fleetwood, Bt., Sir William Charles Ross, 1826 Watercolor on ivory, 11.1 x 8.3 cm Victoria and Albert Museum, London. Anonymous portrait miniature of John Laing. ca Painting on ivory, 8.8 x 6.7 cm
29 Photo by J. Paul Getty Museum. View from the Window at Le Gras, Joseph Nicéphore Niépce, ca GernsheimCollection, Harry Ransom Center. Bitumen on pewter, Image 11.9 x 17.8 cm Photo by J. Paul Getty Museum. Reproduction of Joseph Nicéphore Niépce s View from the Window at Le Gras, Helmut Gernsheim & Kodak Research Laboratory, Harrow, England, 1952 GernsheimCollection, Harry Ransom Center. Gelatin silver print with applied watercolor
30 Still Life with Casts, Louis Jacques Mandé Daguerre, 1837 Whole plate daguerreotype, approx x 21.5 cm Collection of the Société Française de Photographie Boulevard du Temple, Paris, Louis Jacques Mandé Daguerre, 1838 Daguerreotype
31 The Roofline of Lacock Abbey, William Henry Fox Talbot, probably Salt-fixed photogenic drawing negative, 11.1 x 11.7 cm The J. Paul Getty Museum, Los Angeles (84.XM.478.9) Boulevard du Temple, Paris, Louis Jacques Mandé Daguerre, 1838 Daguerreotype
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