PREVIEW with works by. Eric Baudelaire. Nina Canell. Ian Kiaer. Kim Yong-Ik. Shimabuku. Haegue Yang
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1 Art Basel Hong Kong March 29 31, Preview Days: March Booth 3C17 (Level 3) PREVIEW with works by Eric Baudelaire Nina Canell Ian Kiaer Kim Yong-Ik Shimabuku Barbara Wien gallery & art bookshop Schöneberger Ufer 65, 3rd floor Berlin, Germany phone fax -50 mobile
2 Eric Baudelaire Some Tomorrows ongoing Eric Baudelaire about the work: The French daily paper Le Monde comes out in the afternoon and is dated for the following day. In the past fifteen years, I have occasionally made collages from the images of a single daily edition of Le Monde. Together they have add up to a fragmentary and subjective visual record of events and culture since 2005, when I began my work as an artist. Each piece is made according to a simple protocol: my collage of images is reproduced as a silkscreen print on the inside of a piece of glass mounted in a frame, with, below the surface of the glass, a text composed of all the words found on the pages of Le Monde from which the images are extracted. From a distance, this text becomes an abstraction behind the images, a grey pattern silkscreened onto paper. Each year I have made approximately a dozen collages. The framed format is x 80.7 cm and each work from the Some Tomorrows series is unique, with one artist proof. Eric Baudelaire Some Tomorrows (Le Monde, 6 Août 2015) 2016 Silkscreened ink on paper and glass, framed Siebdruckfarbe auf Papier und Glas, gerahmt x 80.7 cm Edition: 1 / 1 a.p.
3 Details Eric Baudelaire Some Tomorrows (Le Monde, 6 Août 2015) 2016 Details Eric Baudelaire Some Tomorrows (Le Monde, 6 Août 2015) 2016
4 Eric Baudelaire Some Tomorrows (Le Monde, 11 Mai 2010) 2016 Silkscreened ink on paper and glass, framed Siebdruckfarbe auf Papier und Glas, gerahmt x 80.7 cm Edition: 1 / 1 a.p. Details Eric Baudelaire Some Tomorrows (Le Monde, 11 Mai 2010) 2016
5 Eric Baudelaire about the work: V-Blank is a vertical triptych in black and white representing three different phases of a given situation during the same day: a house plant facing a switched-on television. The long exposure time means that the images on the television have merged into a simple source of monochrome light, taking over from the fading light of day. Eric Baudelaire V-Blank gelatin silver prints, framed 3 Silbergelatinedrucke, gerahmt Photos each / Fotos je: 51 x 65 cm; frames each / Rahmen je: 53 x 67 x 4 cm Edition: 5 Detail Eric Baudelaire V-Blank 2006
6 Detail Eric Baudelaire V-Blank 2006 Detail Eric Baudelaire V-Blank 2006
7 Nina Canell Coil Fibre-optic cable sheath, metal, concrete Kabelmantel von Glasfaserkabeln, Metall, Beton 87 x 13 x 13 cm
8 Detail Nina Canell Coil Nina Canell Coil
9 Nina Canell Free-Space Path Loss Nr. 7 (ongoing series of unique pieces) 2017 Heat, oxidized fingerprints, copper Wärme, oxidierte Fingerabdrücke, Kupfer 117 x 84.5 x 2.5 cm Detail Nina Canell Free-Space Path Loss 2017
10 Ian Kiaer Endnote, ping (marder/blue/pink) Diptych; each acrylic, pencil on canvas, plexiglass, aluminum Diptychon; je Acryl, Bleistift auf Leinwand, Plexiglas, Aluminium Each / Je 173 x 113 x 1 cm, overall dimensions / Gesamtmaße 173 x 234 x 1 cm
11 Detail Ian Kiaer Endnote, ping (marder/blue/pink) Detail Ian Kiaer Endnote, ping (marder/blue/pink)
12 Ian Kiaer Endnote, ping (marder/green) Acrylic, pencil on canvas, plexiglass, aluminum Acryl, Bleistift auf Leinwand, Plexiglas, Aluminium 92 x 65 x 1 cm
13 Detail Ian Kiaer Endnote, ping (marder/green) Detail Ian Kiaer Endnote, ping (marder/green)
14 Kim Yong-Ik Beyond the Retinal # Color pencil and pencil on canvas Farb- und Bleistift auf Leinwand x cm
15 Kim Yong-Ik The Eye of Poetry # Color pencil and pencil on canvas Farb- und Bleistift auf Leinwand 130 x 162 cm
16 Kim Yong-Ik An Unfinished Finish # Color pencil and pencil on canvas Farb- und Bleistift auf Leinwand 130 x 162 cm
17 Shimabuku Photograph wearing rain boots 2014 Analogue c-print, wood, clips, rain boots Analoger C-Print, Holz, Clips, Gummistiefel 175 x 100 x 47 cm Edition: 3 / 2 a.p.
18 Shimabuku Leaves swim 2011 / 2014 Analogue c-print Analoger C-Print Image size / Bildgröße 46.5 x 69.5 cm, frame size / Rahmengröße 48 x 71 cm Edition: 5 / 2 a.p. Shimabuku Leaves swim 2011 / 2014 Analogue c-print Analoger C-Print Image size / Bildgröße 40 x 60 cm, frame size / Rahmengröße 42 x 62 cm Edition: 5 / 2 a.p.
19 Shimabuku Leaves swim 2011 / 2014 Analogue c-print Analoger C-Print Image size / Bildgröße 40 x 60 cm, frame size / Rahmengröße 42 x 62 cm Edition: 5 / 2 a.p. Shimabuku Leaves swim 2011 / 2014 Analogue c-print Analoger C-Print Image size / Bildgröße 62.5 x 42 cm, frame size / Rahmengröße 64 x 43.5 cm Edition: 5 / 2 a.p.
20 Shimabuku When square becomes circle 2011 Analogue c-print Analoger C-Print Image size / Bildgröße 70 x 105 cm, frame size / Rahmengröße 72 x 107 cm Edition: 5 / 2 a.p.
21 Trumpeting Female Root Root carving (zelkova), wood varnish, powder-coated stainless steel frame, casters, plastic twine, eggs Wurzelschnitzerei (Zelkova), Holzklarlack, pulverbeschichtetes Edelstahlgestell, Lenkrollen, Kunststoffzwirn, Eier 148 x 91 x 65 cm
22 Trumpeting Female Root Trumpeting Female Root
23 Ventilating Bushy Male Root Root carving (zelkova), wood varnish, powder-coated stainless steel frame, powder-coated metal grid, casters, turbine vents, plastic twine, feathers, artificial vegetables, eggs Wurzelschnitzerei (Zelkova), Holzklarlack, pulverbeschichtetes Edelstahlgestell, pulverbeschichtetes Metallgitter, Lenkrollen, Schornsteinventilatoren, Kunststoffzwirn, Federn, künstliches Gemüse, Eier 178 x 92 x 85 cm
24 Ventilating Bushy Male Root Ventilating Bushy Male Root
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26 Details Flat Utopia 2004 Details Flat Utopia 2004
27 Details Flat Utopia 2004 Details Flat Utopia 2004
28 Details Flat Utopia 2004 Details Flat Utopia 2004
29 Details Flat Utopia 2004 Details Flat Utopia 2004
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