If I were a rabbit, where would I keep my gloves? Claudia Comte. Opening reception 7th of June 6 8. Wednesday Friday 12 6 Saturday 12 5
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1 If I were a rabbit, where would I keep my gloves? Claudia Comte 8th of June 20th of July 2013 Opening reception 7th of June 6 8 Wednesday Friday 12 6 Saturday 12 5
2 Claudia Comte If I were a rabbit, where would I keep my gloves? 8 th June 20 th July 2013 Opening reception 7 th June, 6 8 pm Claudia Comte creates environments where wall paintings or burnt panels enter into dialogue with her sculptures, video projections add multiple dimensions to the white cube, or colourful objects stand out against monochrome backgrounds. The idea of the Gesamtkunstwerk, adapted into visual arts by Bauhaus, allows Comte to find her inspiration in nature, architecture, popular culture and to then transform these ideas into modernist spaces where her sculptures stand like trees in geometric landscapes. Always inspired by her surroundings, site-specificity plays an important role in the creative process. Working on-site for her most recent exhibitions, Comte decided to return to the studio for If I were a rabbit, where would I keep my gloves? Working from a very precise model of the gallery space, it soon became clear that the space had to give way to the work. Large and colourful paintings, in a way replacing the wall paintings, need room to reveal their full potential. One large space means that each separate work becomes part of the whole. Not just a scenery for her sculptures, Comte s paintings invite us to rediscover colour and geometry. Comte s paintings, inspired by her Swiss geometric art heritage, contrast with her sculptures, which are softer and haptic, akin to the work of artists like Henry Moore and Jean Arp. Although her sources of inspiration are very much real, the final result is not one depicting reality, hence allowing every onlooker their personal interpretation. Starting with a precise model, she will search for the ideal piece of wood and let the chainsaw become an extension of herself, wholly executing her vision. A very physical process that can result in perfectly sharp edges or is given a smoothly curved finish erasing all signs of the brute force of her instrument. With the series that Comte has produced for this exhibition, she proves the control she has over the vigorous production process. Although clearly a series, each work has its own character and stands perfectly on its own, poised uniquely on each plinth. The fact that each element within the total work of art can be reinterpreted is very important for Claudia Comte. A painting from the Cocktails series, made up of 8 rectangles, allows for the rectangles to be meddled up between one another to create a completely different image. Each artwork has a story, but it may be rewritten. When one sculpture is removed from a series, the rest will stand just as strong and the one will find a new meaning. Rather than being taken out of context, a new context is created. Claudia Comte was born in 1983 in Grancy, Switzerland and currently lives and works in Berlin, Germany. She received her BA in Fine Arts from the University of Art and Design Lausanne (ECAL) in Recent and future exhibitions include: Mixed Message Media, Gladstone Gallery, New York, 2013; Claudia Comte & Omar Ba, solo, Centre Pasquart, Bienne, 2013; Summer Villa Extension, solo, Centre Culturel Suisse, Paris, 2013; X, Y, Z, solo, Fri Art, Fribourg, 2013; Harum Scarum, Galerie Blancpain, Geneva, 2013; Trouble Rainbow III, BolteLang, Zurich, 2012; La Jeunesse est un art, Aargauer Kunsthaus, Aarau, 2012; No Lemon No Melon, solo, Tripode, Nantes, 2012; Swiss Art Award, Basel, 2011; Trouble Rainbow II, Favorite Goods, Los Angeles, 2011; Trouble Rainbow, Galleria Marie-Laure Fleisch, Rome, 2011; Scantione-Tensione, solo, Istituto Svizzero di Roma, Rome, 2011; Welcome to Colorful, Galerie Lucy Mackintosh, Lausanne, 2010
3 Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves? Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves?
4 Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves? Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves?
5 Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves? Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves?
6 Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves?
7 Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves? Mary Pickford, 2013, acrylic on canvas, 200 x 240 cm (200 x 16 cm each) Flips 5, 2013, Oak, metal, mdf, car lacquer, 90 x 71 x 58 cm
8 Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves? Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves?
9 Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves?
10 Installation view Claudia Comte, If I were a rabbit, where would I keep my gloves? Grand Carron, 2013, acrylic on canvas, 200 x 200 cm Flips 1, 2013, Oak, metal, mdf, car lacquer, 90 x 84 x 21 cm Flips 2, 2013, Oak, metal, mdf, car lacquer, 90 x 42,5 x 29 cm Flips 3, 2013, Oak, metal, mdf, car lacquer, 90 x 54 x 52 cm
11 Frozen Matador, 2013, acrlic on canvas, 130 x 368 cm (130 x 16 cm each) Grand Ronk 2, 2013, acrylic on canvas, 200 x 200 cm Grand Ronk 1, 2013, acrylic on canvas, 200 x 200 cm
12 Grand Ronk 2, 2013, acrylic on canvas, 200 x 200 cm Grand Ronk 1, 2013, acrylic on canvas, 200 x 200 cm
13 Mary Pickford, 2013, acrylic on canvas, 200 x 240 cm (200 x 16 cm each)
14 Red Snapper, 2013, acrylic on canvas, 240 x 200 cm (16 x 200 cm each)
15 Grand Carron, 2013, acrylic on canvas, 200 x 200 cm
16 Bumpy Grumpy 2/6, 2013, sculpture: Black Locust wood cut with chainsaw, 60 x 40 x 15 cm, plinth: mdf, car lacquer, 115 x 33 x 21 cm Bumpy Grumpy 4/6, 2013, sculpture: Black Locust wood cut with chainsaw, 60 x 40 x 15 cm, plinth: mdf, car lacquer, 115 x 33 x 21 cm
17 Bumpy Grumpy 5/6, 2013, sculpture: Black Locust wood cut with chainsaw, 60 x 40 x 15 cm, plinth: mdf, car lacquer, 115 x 33 x 21 cm Bumpy Grumpy 6/6, 2013, sculpture: Black Locust wood cut with chainsaw, 60 x 40 x 15 cm, plinth: mdf, car lacquer, 115 x 33 x 21 cm
18 Flips 1, 2013, Oak, metal, mdf, car lacquer, 90 x 84 x 21 cm Flips 2, 2013, Oak, metal, mdf, car lacquer, 90 x 42,5 x 29 cm
19 Flips 3, 2013, Oak, metal, mdf, car lacquer, 90 x 54 x 52 cm Flips 4, 2013, Oak, metal, mdf, car lacquer, 90 x 44 x 60 cm
20 Flips 5, 2013, Oak, metal, mdf, car lacquer, 90 x 71 x 58 cm
21 BL- Claudia Comte - If I were a rabbit, where would I keep my gloves (prices excl. VAT & shipping) 1 CLAUDIA COMTE Mary Pickford, 2013 Acrylic on canvas 240 x 200 cm ( 94 1/2 x 78 3/4 inch )8 canvases, 16 x 200 cm each COMTE28014 CHF 8'500 2 CLAUDIA COMTE Flips 5, 2013 Oak, metal, mdf, car lacquer 90 x 71 x 58 cm ( 35 3/8 x 28 x 22 7/8 inch ) COMTE28020 CHF 5'500 3 CLAUDIA COMTE Flips 2, 2013 Oak, metal, mdf, car lacquer 90 x 42.5 x 29 cm ( 35 3/8 x 16 3/4 x 11 3/8 inch ) COMTE28017 CHF 4'500 4 CLAUDIA COMTE Flips 3, 2013 Oak, metal, mdf, car lacquer 90 x 54 x 52 cm ( 35 3/8 x 21 1/4 x 20 1/2 inch ) COMTE28018 CHF 4'500 5 CLAUDIA COMTE Flips 4, 2013 Oak, metal, mdf, car lacquer 90 x 44 x 60 cm ( 35 3/8 x 17 3/8 x 23 5/8 inch ) COMTE28019 CHF 4'500 6 CLAUDIA COMTE Flips 1, 2013 Oak, metal, mdf, car lacquer 90 x 84 x 21 cm ( 35 3/8 x 33 1/8 x 8 1/4 inch ) COMTE28016 CHF 4'500
22 7 CLAUDIA COMTE Grand Carron, 2013 Acrylic on canvas 200 x 200 cm ( 78 3/4 x 78 3/4 inch )4 canvases, 82 x 82 cm each COMTE28024 CHF 6'500 8 CLAUDIA COMTE Red Snapper, 2013 Acrylic on canvas 240 x 200 cm ( 94 1/2 x 78 3/4 inch )8 canvasses, 16 x 200 each COMTE28013 CHF 8'500 Sold 9 CLAUDIA COMTE Bumpy Grumpy 5/6, 2013 Sculpture: Black Locust wood cut with chainsaw Plinth: car lacquered mdf Approx. 60 x 45 x 15 cm ( 23 5/8 x 17 3/4 x 5 7/8 inch )Plinth: 115 x 33 x 21 COMTE22584 CHF 5'500 Sold 10 CLAUDIA COMTE Bumpy Grumpy 6/6, 2013 Sculpture: Black Locust wood cut with chainsaw Plinth: car lacquered mdf Approx. 60 x 45 x 15 cm ( 23 5/8 x 17 3/4 x 5 7/8 inch )Plinth: 115 x 33 x 21 COMTE22585 CHF 5' CLAUDIA COMTE Bumpy Grumpy 2/6, 2013 Sculpture: Black Locust wood cut with chainsaw Plinth: car lacquered mdf Approx. 60 x 40 x 15 cm ( 23 5/8 x 15 3/4 x 5 7/8 inch ) COMTE22581 CHF 5' CLAUDIA COMTE Bumpy Grumpy 4/6, 2013 Sculpture: Black Locust wood cut with chainsaw Plinth: car lacquered mdf Approx. 60 x 45 x 15 cm ( 23 5/8 x 17 3/4 x 5 7/8 inch )Plinth: 115 x 33 x 21 COMTE22583 CHF 5'500
23 13 CLAUDIA COMTE Grand Ronk 1, 2013 Acrylic on canvas 200 x 200 cm ( 78 3/4 x 78 3/4 inch )4 canvases, 82 x 82 cm each COMTE28025 CHF 6'500 Sold 14 CLAUDIA COMTE Grand Ronk 2, 2013 Acrylic on canvas 200 x 200 cm ( 78 3/4 x 78 3/4 inch )4 canvas, 82 x 82 cm each COMTE28026 CHF 6'500 Sold 15 CLAUDIA COMTE Frozen Matador, 2013 Acrylic on canvas 368 x 130 cm ( 144 7/8 x 51 1/8 inch )12 canvases, 16 x 130 cm each COMTE28015 CHF 8' CLAUDIA COMTE Indiana Jones, 2012 Silkscreen print Edition of 12 4 prints of 70 x 50 cm ( 27 1/2 x 19 5/8 inch ) COMTE26181 CHF 1'500
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