ARTISTRY IN A NEW MEDIUM: LONE ECHO AND THE MAGIC OF VR NATHAN PHAIL-LIFF ART DIRECTOR READY AT DAWN
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1 ARTISTRY IN A NEW MEDIUM: LONE ECHO AND THE MAGIC OF VR NATHAN PHAIL-LIFF ART DIRECTOR READY AT DAWN
2
3 Topics Covered Magic (and challenges) of the Medium Immersion, presence, and storytelling Social interactions and multiplayer Content challenges of the medium Environmental design considerations for VR New artistic considerations for VR Balancing style for aesthetics and comfort Avatar design for presence Unique challenges of avatar design in VR Robot roleplaying: attempting to build a vessel for everyone
4 Studio History Founded in 2003 Developed Daxter, God of War: Chains of Olympus, and God of War: Ghost of Sparta for the PSP Built all new engine and tools from scratch for first original IP, The Order: 1886 Recently shipped Deformers, original IP MOBA (released across PS4, XB1, and PC)
5 Lone Echo / Echo Arena Development began mid 2015 Team size of about 45 Built on engine from The Order: 1886 Born out of idea for comfortable, free locomotion Additional goals and challenges AAA quality, but made ground-up for VR Ambitious visuals, aggressive perf target Not so Lone Echo 2017
6 Part I: LONE ECHO AND THE MAGIC OF VR THE MAGIC OF THE MEDIUM
7 Magic of the Medium: Presence and Immersion Complete suspension of disbelief More direct relationship with virtual world
8
9 Magic of the Medium: Presence and Immersion Complete suspension of disbelief More direct relationship with virtual world Real dreams and formed memories from a virtual experience
10 Magic of the Medium: Characters and Storytelling Forming an emotional bond with a virtual character Richer acknowledgement of player presence
11 Magic of the Medium: Characters and Storytelling
12 Magic of the Medium: Characters and Storytelling
13 Magic of the Medium: Characters and Storytelling See SIGGRAPH 2015 Character Session: readyatdawn.com/presentations/
14 Magic of the Medium: Characters and Storytelling Forming an emotional bond with a virtual character
15 Magic of the Medium: Characters and Storytelling Forming an emotional bond with a virtual character Immersive storytelling through world and dialogue interactions
16 Magic of the Medium: Characters and Storytelling Forming an emotional bond with a virtual character Immersive storytelling through world and dialogue interactions Richer acknowledgement of player presence
17 Magic of the Medium: Characters and Storytelling
18 Magic of the Medium: Characters and Storytelling Forming an emotional bond with a virtual character Immersive storytelling through world and dialogue interactions Richer acknowledgement of player presence
19 Magic of the Medium: Multiplayer and Social One-to-one head, hand, finger tracking, voice and spatial audio Incredible depth of social interaction and expression Team play and physical interaction
20 Magic of the Medium: Multiplayer and Social
21 Magic of the Medium: Multiplayer and Social
22 Challenges of the Medium Content Challenges Very aggressive performance target
23 Challenges of the Medium Content Challenges Very aggressive performance target Forgetting what you know
24 Challenges of the Medium Content Challenges Very aggressive performance target Forgetting what you know Comfort is king!
25 Part II: LONE ECHO AND THE MAGIC OF VR ENVIRONMENT DESIGN CHOICES FOR VR
26 Style Comparison
27 Style Comparison
28 Style Comparison
29 Style Comparison
30 Style Comparison
31 Style Comparison
32 Style Comparison
33 Style Comparison
34 Style Comparison
35 Style Comparison
36 Style Comparison
37 Style Comparison
38 Style Comparison
39 Style Comparison
40 Comfort and Environmental Design
41 Comfort and Environmental Design
42 Comfort and Environmental Design Key considerations for visual comfort Value contrast
43 Comfort and Environmental Design Key considerations for visual comfort Value contrast Pixel flow (too much, or too little can be bad)
44 Comfort and Environmental Design Key considerations for visual comfort Value contrast Pixel flow (too much, or too little can be bad) Motion and object proximity
45 Comfort and Environmental Design Lighting and value contrast Target narrower range of mid-tone values Avoid stark white or black values completely
46 Comfort and Environmental Design Lighting and value contrast Target narrower range of mid-tone values Avoid stark white or black values completely
47 Comfort and Environmental Design
48 Comfort and Environmental Design
49 Comfort and Environmental Design
50 Comfort and Environmental Design
51 Material Usage
52 Material Usage
53 Comfort and Environmental Design
54 Comfort and Environmental Design
55 Comfort and Environmental Design
56 Comfort and Environmental Design
57 Comfort and Environmental Design
58 Comfort and Environmental Design
59 Comfort and Environmental Design
60 Comfort and Environmental Design
61 Comfort and Environmental Design
62 Part III: LONE ECHO AND THE MAGIC OF VR AVATAR DESIGN FOR PRESENCE
63 Player Avatar Sample
64 Player Avatar Sample
65 All in the Arms (and Body) Current gen hand tracking limitations (Touch) Tracks 6DoF for hands and head
66 All in the Arms (and Body) Current gen hand tracking limitations (Touch) Tracks 6DoF for hands and head Limited finger tracking (index, thumb, rest as mitt ) No elbow, shoulder, or body tracking
67 All in the Arms (and Body) Current gen hand tracking limitations (Touch) Tracks 6DoF for hands and head Limited finger tracking (index, thumb, rest as mitt ) No elbow, shoulder, or body tracking Psychological Challenges Generally very unsettling if stuff isn t where it should be Elbows at the wrong angle
68 All in the Arms (and Body) Current gen hand tracking limitations (Touch) Tracks 6DoF for hands and head Limited finger tracking (index, thumb, rest as mitt ) No elbow, shoulder, or body tracking Psychological Challenges Generally very unsettling if stuff isn t where it should be Elbows at the wrong angle Arm locked out too early
69 All in the Arms (and Body) Current gen hand tracking limitations (Touch) Tracks 6DoF for hands and head Limited finger tracking (index, thumb, rest as mitt ) No elbow, shoulder, or body tracking Psychological Challenges Generally very unsettling if stuff isn t where it should be Elbows at the wrong angle Arm locked out too early VR immersion makes a virtual body much more personal Mismatching body identity can feel strange Can distract from presence
70 Robot Roleplaying See GDC 2017 Session: Lone Echo: It's All in the Hands
71 Robot Roleplaying Designing an avatar body for everyone
72 Robot Roleplaying
73 Robot Roleplaying Use of Negative Space I m a robot!
74 Robot Roleplaying Tactile Interactions In-world interactions prioritized over button abstraction
75 Robot Roleplaying
76 Robot Roleplaying Tactile Interactions One-to-one virtual parity with players own body Points of interaction need to be predictably rigid!
77 Robot Roleplaying Avatar design for all Attempted to manipulate form cues in character design to allow a wider range of body shape identity
78 Robot Roleplaying Avatar design for all Attempted to manipulate form cues in character design to allow a wider range of body shape identity Negative space allows brain to fill in the gaps
79 Robot Roleplaying Use of Negative Space I m a robot! Identity projection
80 Robot Roleplaying Use of Negative Space I m a robot! Identity projection Glass half empty
81 Robot Roleplaying Use of Negative Space I m a robot! Identity projection Glass half empty Glass half full
82 Robot Roleplaying Natural arm length for everyone Avatar arm automatically extends to match hand Soft design to telescoping elements Designed to adjust to any size with minimal distortion
83 Robot Roleplaying Natural arm length for everyone Avatar arm automatically extends to match hand Character design and rig allow for telescoping elements Designed to adjust to any size with minimal distortion infinity (ESL EU Regionals, Top 4)
84 Robot Roleplaying
85
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