Fig. 1 Overview of Smart Phone Shooting
|
|
- Bertram Wade
- 6 years ago
- Views:
Transcription
1 1. INTRODUCTION While major motion pictures might not be filming with smart phones, having a video camera that fits in your pocket gives budding cinematographers a chance to get excited about shooting video. Even if it is not the primary reason you bought your phone, letting your perfectly good camera sitting in your pocket, is a travesty when you could be shooting great video today. In this session we will learn how to get better video with your smart phone including mistakes to avoid, and tips on (See Fig.1) Framing Stabilization Exposure & Focus Lighting Audio and Accessories Fig. 1 Overview of Smart Phone Shooting Whether you are just getting to know the video features of your new phone or you are a seasoned veteran, knowing some ground rules for shooting with a smart phone can get you vastly improve results without breaking the bank. 2. COMMON MISTAKES Before we dive into some standard shooting fundamentals we need to address two most common mistakes people make when shooting with their smart phones Shooting orientation Zoom In
2 The first thing what you want to do is make sure you hold your phone in a horizontal position, while still photos might work either way, traditional video is always shot in landscape. (See Fig.2) Fig. 2 Shooting Orientation Horizontal positioning for video recording Fig. 3 Zoom Control Avoid using this option The second thing you need to avoid is using the zoom control. This will artificially enlarge your footage and resulting in a pixilated image and reduce clarity. (See Fig.3)
3 If you need a closer shot, the best option is physically move closer to your subject. (See Fig.4) Fig. 4 Camera physically moved closer to the subject While smartphones have their own set of strengths and weaknesses certain shooting fundamentals remain the same no matter what camera you are shooting with. 3. RULE OF THIRDS One secret to a great footage is proper framing. A key element to understand how to achieve proper framing is known as the rule of thirds. (See Fig. 4) Fig. 5 Rule of Thirds the key element for video recording
4 Imagine a shot divided into thirds, both vertically and horizontally, apps like camera awesome for ios and android have the option to super impose these lines right on your screen. Fig.6 Four intersecting points The dividing lines intersect at four points (See Fig.6) for visually pleasing composition horizontal and vertical elements within the scene should closely follow the horizontal and the vertical lines, with key elements placed at or near the points of intersection. The rule of thirds is also the foundation for framing your shots with proper 3.1 Headroom Head room and Lead room Headroom refers to the space between the top of your subject s head and the top of the frame. In this scene the person s head is too close to the top of the frame, which gives it a claustrophobic feeling, any upward movement will cause our subject head to touch or extend beyond the top of the frame. (See Fig.7) Conversely, it is also possible to have too much head room. In this scene there is an inordinate amount of room or dead space between the top of the subject s head and the frame. This can cause them to appear small, isolated and insignificant, and can leave the audience confused or distracted by other elements within the scene. (See Fig.8)
5 Fig.7 Framing with no headroom Fig.8 Framing with inordinate amount of room or dead space When framing people the primary area of focus should be their eyes, keep the eyes on the upper line of third, preferably at or near a point of intersection. Let s take a look at few examples. In this close-up, we have placed the subject s eye on the upper line and even though the top of the head gets cut off the framing looks good. (See Fig. 9) Fig.9 Framing with subject s eye on the upper line
6 Fig.10 Framing included a portion of the subject s shoulders Moving out to medium shot we still have the eyes placed near the upper line, notice how we have included a portion of the subject s shoulders. (See Fig.10) The same shot without including the shoulders make it look the subject s head is floating in the frame. (See Fig.11) Fig.11 Framing looking the subject s head is floating in the frame Another thing we definitely want to avoid is, cutting off your subject s chin. This example clearly demonstrates the awkward feeling that this gives the viewer. (See Fig.12) Fig.12 Framing cutting off your subject s chin
7 3.2 Lead room 2017 Lead room refers to the space in front of the subject in the direction they are facing or in which the action is moving. In this scene the subject is framed properly according to the rule of thirds, but there is too little lead room. The subject looks cramped and claustrophobic. Not enough lead room cuts off the energy to the front and is unsettling to the audience. (See Fig. 13) Fig.13 Framing with too little lead room Here is the same shot with proper lead room. Notice how there is ample space in the direction of the action is moving. (See Fig. 14) Fig.14 Framing with proper lead room
8 Of course human beings are not the only things that benefit from having the right amount of lead room, moving objects such as a rolling ball, or a moving car should have plenty of lead room in the direction in which they are travelling. (See Fig. 15) Fig.15 Framing providing lead room in the direction of the rolling ball Even still object such as a tree may give more way to one direction or another. If so, provide lead room in that direction. (See Fig. 16) Fig.16 Framing providing lead room in the direction of the tree
9 3.3 Placing the Horizon Another common application of the rule of thirds is placing the horizon in your short. Whether it s a sun set or mountain range, you should place the horizon on the upper and the lower line of the grid to get a well composed shot. You definitely should avoid placing the horizon, dead centre. (See Fig. 17) Fig.17 Framing the horizon on the upper and the lower line of the grid 4. KEEPING THE SHOTS STEADY Now you know little bit about composing shots, let s talk about keeping those shots steady. Because of the phone factor and weight of your phone, it s impossible to get a shot without the phone moving on both horizontal and vertical axis. Sure in a pinch you can pull your phone out of your pocket and start shooting. But this typically results in a pretty shaky footage. Ideally you have some type of basic stabilizer, but if you don t you can minimize shaky camera movement by leveraging your body. (See Fig. 18) Instead of holding your arms outside with your elbows forward, try resting your elbows against your body for more stable shot, leaning against the wall or object can also help you steady the shot. In some situations you may even be able to rest the phone on a flat surface, for a completely steady shot.
10 Fig.18 Resting the elbows against the body for more stable shot The fact that your phone is so much lighter than a traditional camera can be an advantage. Using a bit of gaffers tape, a special type of tape extensively used in the video production, you can try mounting it in a variety of locations. This not only keeps the phone stable, but also offers some unique camera angles. (See Fig. 19) Fig.19 Gaffers tape, a special type of tape extensively used in the video production
11 If you already have some stabilizers for different cameras such as a tripod, you can get an accessory for your phone that has a standard quarter twenty mount. A quarter twenty mount is an industry standard size that will allow you to mount your phone to just about any support accessory, to get rock solid shots. (See Fig. 20, 21) You can even mount it to a Jib and get shots like this. Fig.20 Accessory for your phone that has a standard quarter twenty mount Fig.21 Mount your phone to just about any support accessory, to get rock solid shots
12 5. CONTROL THE IMAGES So you know how to frame a decent shot. And you have got some options for keeping those shots more stable. Now you need to have more control over our images, using camera controls. Using the right apps, there are typically two things you should try to control to get the image you want. 5.1 Exposure Exposure and Focus Exposure controls how bright your image is and helps prevent your shot from being underexposed or over exposed. An underexposed image will appear too dark with the darkest areas of the shot becoming pure black, with no detail. (See Fig. 22) Fig.22 An underexposed image An over exposed image will appear too bright with the brightest areas of the shot becoming pure white with no detail. (See Fig. 23) Fig.23 An overexposed image
13 5.2 Focus Focus controls the point in your scene that will look perceptibly sharp with other areas potentially being blurred. If you fire up the built-in video app for most phones, it s typically going to be auto everything. (See Fig. 24) If you ever tried to shoot inside with the bright window on the background, you likely being frustrated will be frustrated that your subject looks like they are in the witness protection program (See Fig. 25) Fig.24 Framing in auto focus mode, wherein all options are auto Fig.25 Subject looks dark when there is light exposed from behind
14 5.3 Let s talk about options to gain more control In the case of the I-phone, touching a point on the screen will use that point as the reference for determining the exposure and focus, and holding your finger on the point will lock that point in. (See Fig. 26) Fig.26 Touching a point on the screen for reference Fig.27 Focus and Exposure does not shift So changing the shot won t cause the focus or the exposure to shift. (See Fig. 27) This is a good first step. But, eventually you are going to want a say your exposure and focus separately. While many apps allow you to choose two separate points to determine auto-focus and autoexposure and important feature to look for is the ability to also lock each point separately. Fig.28 Control to set and lock exposure and focus Fig.29 Features preventing from altering the shot Apps like camera awesome for android and camera pro for the I-phone have this feature. This will give you complete control to set and lock exposure and focus, which will prevent the automatic features from altering your shot once you set it up. (See Fig. 28, 29)
15 5.4 Common issues Let s talk about some common issues with exposure. When you set your exposure on your smart phone, it automatically adjust iso and shutter settings to get the best image possible, what you don t need to understand the ISO and the shutter speed, you do need to be aware of the couple of things that are likely to happen. In a very bright scene, your phone will use a faster shutter which will cause fast motion in the shot to appear a bit stuttery. In a dark scene your phone will use a higher ISO and a slower shutter speed, which can cause your footage to have unwanted noise in it. (See Fig. 30, 31) Fig.30 Faster shutter for fast motion Fig.31 Higher ISO and a slower shutter speed When it comes to focusing, Simply select the point you want to be shot. If you are looking to get a nice soft background and a crisp foreground your best bet is to put much distance between the two as you can. And get as close to the foreground object as possible. (See Fig. 32) Fig.32 Selecting the point to be shot
16 5.5 How these Functions work Now let s take a look at an example of how these functions work. Here is our shot on Automatic while a bright background is shot with a decent exposure. Our intention is to have the little mushroom in focus, and properly exposed. (See Fig. 33) We can get the exposure we want by dragging the icon to the mushroom, while may be even part of the table. Once we get the look we want, we make sure it s locked in. Our background ends up over exposed, and that s preferable to underexposing our mushroom. (See Fig. 34) Fig.33 Framing a shot on Automatic Fig.34 Getting the exposure wanted by dragging Now we can drag the focus icon on to the mushroom, and make sure its locked. Notice that we have got a nice soft background, because we are so close to the mushroom. (See Fig. 35) And the background has a lot of separation from it. This effect is known as the shallow depth of field. (See Fig. 36) Fig.35 Distinctive in foreground and background Fig.36 Shallow depth of field So, we gained some control over focus and exposure.
17 6. LIGHTING Now, let s talk about lighting. Even if you are not using a professional lighting setup, you still want to try and control the natural lighting in your scene, because it has a lot to do with your final result. When it comes to lighting conditions, there are two things smart phones are very good at. Shooting scenes with High contrast or Low light. High contrast means they are very bright and very dark areas occur within the frame of your shot. Getting back to our mushroom shot, the bright background and shaded foreground make it difficult to attain proper exposure for the entire shot. (See Fig. 37) Either the dark areas will lose detail and completely become black or the bright areas will lose detail and become completely white. (See Fig. 38) Fig.37 Difficult to attain proper exposure Fig.38 Shifting the exposure There are a couple of ways to combat this. The easiest option is to try and frame your shot to eliminate high-contrast areas, if you are outside, this might need making sure your entire scene is either in the sun or in the shade (See Fig. 39,40) Fig.39 Framing in a sunny ambience Fig.40 Framing in a shady ambience
18 Also you should avoid shooting in the direct sun at mid day. Having the sun directly over head, gives harsh shadows on your subject while shooting in the earlier late hours of the day provides softer lighting. (See Fig. 41) Fig.41 Harsh shadows on the subject If you need to shoot mid-day, one relatively affordable accessory you can get is a 5 in 1 reflector. This will allow you to bounce light like the sun back on to your subject to help filling the dark shadow. In a pinch, you can also use a piece of white foam card board, to achieve a similar effect. (See Fig. 42) Fig.42 Reflector bouncing the light
19 If you are indoors, try avoiding shots with windows in the background, as the outside light is sure to overpower the indoor light. (See Fig. 43) Fig.43 Avoid shots with windows in the background If you are attempting to shoot indoors with existing light, make sure all the lights are on and have full brightness if they are on a dimming system. Without enough light you might get an image but it is likely to have a lot of noise in it. Some video apps will allow you to keep the flash bulb on while shooting which can help a little if your shot is too dark. (See Fig. 44) Fig.44 Shooting with flash bulb on Fig.45 More light yields less noise in the shot Basically the rule of thumb here is that the more light you have the less likely you are going to end up with a footage that is noisy. (See Fig. 45)
20 7. AUDIO With all these video settings and techniques, it is easy for audio to get lost in the shuffle. But in reality, people would too know bad audio with good video a lot faster than a bad video with pristine audio. To get better audio on your phone, the best solution is to use an external microphone, if you are just recording audio, the rode smart alarm is a great choice and it even comes with a free app. (See Fig. 46, 47) Fig.46 External microphone Fig.47 Rode app.for audio gain control Fig.48 Limitation in controlling audio gain while recording video This allows you to control the audio level manually to get good results. Unfortunately that manual gain control can t function if you are using a camera app. (See Fig. 48) If you need audio and video at the same time, a better option is something like irig-pre. This is a physical gain control, you can set the level of the audio, without an app. (See Fig. 49)
21 Fig.49 irigpre a device to control the gain physically Fig.50 Third party apps., with audio meters Pairing it with the video app, like Pro cam, that has the audio meter, with full control. (See Fig. 50) Once you start getting great looking footage and audio from your phone, you will be clamoring to take your shooting to the next level. And that means it s time to accessorize with lenses, lights and stabilizers.
22 8. ACCESSORIES 8.1 Lenses 2017 Let s start with lenses. Lens on your smart phone is fixed. (See Fig. 51) As we mentioned before, the zoom function on any app is merely enlarging your image artificially, luckily for us manufacturers have developed optical lenses that gets placed over the existing lens, to alter how much of the scenery camera sees without digitally manipulating the image. (See Fig. 52) Fig.51 Lens on smart phone is fixed Fig.52 Optical lenses to enhance the picture quality This will essentially allow you to get different looks from your phone that were previously a possibility. Here s our shot with a standard lens. And here is the same shot with I-Pro Fisheye Lens. Notice how much more of the scene was able to be captured from the same location. (See Fig. 53) Fig.53 Shot captured with Standard lens and I-pro fisheye lens
23 8.2 Portable LED light 2017 If you want to add a kick of light to a scene that is a bit dark, you can mount a battery powered LED light with a right setup like this clip light for Monfrotto. (See Fig. 54) 8.3 Stabilizers Fig.54 Battery powered LED light for dark scene While keeping the shots static preferable than shaky hand held footage, eventually you are going to want to introduce motion in your shots, to do this the right way, you need proper stabilizers to avoid going back to shaky town. If you looking for something affordable, this walks and sling shot acts as a small tripod, gives hand held control and has as a recorded twenty mount. (See Fig. 55) Fig.55 Impressive results with affordable stabilizers
24 This eye stabilizer dolly can give you pretty impressive results, used on a flat surface. Let s take a look at an example. If you are looking for better follow shots, the steady cam smoothie is one of many options to get the job done. Let s see it in action. (See Fig. 56, 57) Fig.56 Steady cam smoothie for the follow shots 9. CONCLUSION Fig.57 Resulting in remarkable outputs While smart phones are designed to make shooting easy, great footage needs a little bit of extra work. With proper framing, stable shots, well exposed sharp footage, you truly do have a way of great video, right in your pocket. Take that phone out and start shooting. Courtesy - Videomaker
Impact With Smartphone Photography. Smartphone Camera Handling. A Smartphone for Serious Photography?
A Smartphone for Serious Photography? DSLR technically superior but photo quality depends on technical skill, creative vision Smartphone cameras can produce remarkable pictures always at ready After all
More informationTAKING BETTER PHOTOS ON ANY DEVICE
TAKING BETTER PHOTOS ON ANY DEVICE Sarah Dudik Public Information & Marketing HOW TO TAKE BETTER PHOTOGRAPHS The device you use isn t as important as how you are looking through it Any device can be used
More informationDIGITAL PHOTOGRAPHY CAMERA MANUAL
DIGITAL PHOTOGRAPHY CAMERA MANUAL TABLE OF CONTENTS KNOW YOUR CAMERA...1 SETTINGS SHUTTER SPEED...2 WHITE BALANCE...3 ISO SPEED...4 APERTURE...5 DEPTH OF FIELD...6 WORKING WITH LIGHT CAMERA SETUP...7 LIGHTING
More informationTo start there are three key properties that you need to understand: ISO (sensitivity)
Some Photo Fundamentals Photography is at once relatively simple and technically confusing at the same time. The camera is basically a black box with a hole in its side camera comes from camera obscura,
More informationName Digital Imaging I Chapters 9 12 Review Material
Name Digital Imaging I Chapters 9 12 Review Material Chapter 9 Filters A filter is a glass or plastic lens attachment that you put on the front of your lens to protect the lens or alter the image as you
More informationPhotomanual TGJ-3MI. By: Madi Glew
Photomanual TGJ-3MI By: Madi Glew i Table of Contents Getting to know Your Camera... 1 Shutter Speed... 3 White Balance... 4 Depth of Field... 5 Aperture Settings... 7 ISO (Film Speed)... 9 3-Point Portrait
More informationFOCUS, EXPOSURE (& METERING) BVCC May 2018
FOCUS, EXPOSURE (& METERING) BVCC May 2018 SUMMARY Metering in digital cameras. Metering modes. Exposure, quick recap. Exposure settings and modes. Focus system(s) and camera controls. Challenges & Experiments.
More informationBuxton & District U3A Digital Photography Beginners Group
U3A Group Lesson 7: Controlling exposure / focal length / perspective / composition for a better picture & Taking Pictures of people 3 December 2013 Programme Buxton & District 19 September Exploring your
More informationBLACK CAT PHOTOGRAPHIC RULES-OF- THUMB
Page 1 of 5 BLACK CAT PHOTOGRAPHIC RULES-OF- THUMB These 50+ photo-cyber-tips are meant to be shared and passed along. Rules-of-thumb are a kind of tool. They help identify a problem or situation. They
More informationIntroductory Photography
Introductory Photography Basic concepts + Tips & Tricks Ken Goldman Apple Pi General Meeting 26 June 2010 Kenneth R. Goldman 1 The Flow General Thoughts Cameras Composition Miscellaneous Tips & Tricks
More informationCAMERA BASICS. Stops of light
CAMERA BASICS Stops of light A stop of light isn t a quantifiable measurement it s a relative measurement. A stop of light is defined as a doubling or halving of any quantity of light. The word stop is
More informationPHOTOGRAPHING THE LUNAR ECLIPSE
1/29/18 PHOTOGRAPHING THE LUNAR ECLIPSE NICK SINNOTT CHICAGO PHOTOGRAPHY CLASSES PREPARATION TIMING AND FINDING LOCATION https://www.timeanddate.com/moon/phases/ - Dates of Lunar Phases 1 PREPARATION TIMING
More informationPhotographing Marquetry Revisited Again By Dave Peck
Photographing Marquetry Revisited Again By Dave Peck This article was originally published in a fall 1996 issue of Marquetry Society of America. It was revised for the Spring 2009 issue of the American
More informationCameras. Mounts. IMPORTANT: Check the battery charge + memory space. Mobile (Phone or Tablet) DSLR (Digital Single Lens Reflex)
Cameras IMPORTANT: Check the battery charge + memory space DSLR (Digital Single Lens Reflex) Mobile (Phone or Tablet) Web Cam (Internal or external) Action Cam Handy Cam Drone (Aerial) Mounts Tripod Monopod
More informationOUTDOOR PORTRAITURE WORKSHOP
OUTDOOR PORTRAITURE WORKSHOP SECOND EDITION Copyright Bryan A. Thompson, 2012 bryan@rollaphoto.com Goals The goals of this workshop are to present various techniques for creating portraits in an outdoor
More informationCamera Exposure Modes
What is Exposure? Exposure refers to how bright or dark your photo is. This is affected by the amount of light that is recorded by your camera s sensor. A properly exposed photo should typically resemble
More informationOutline for Tutorials: Strobes and Underwater Photography
Outline for Tutorials: Strobes and Underwater Photography I - Strobes Conquering the Water Column Water column - depth plus distance from camera to subject; presents challenges with color, contrast, and
More informationH Photography Judging Leader s Guide
2019-2020 4-H Photography Judging Leader s Guide The photography judging contest is an opportunity for 4-H photography project members to demonstrate the skills and knowledge they have learned in the photography
More informationIntroduction to camera usage. The universal manual controls of most cameras
Introduction to camera usage A camera in its barest form is simply a light tight container that utilizes a lens with iris, a shutter that has variable speeds, and contains a sensitive piece of media, either
More informationGet the Shot! Photography + Instagram Workshop September 21, 2013 BlogPodium. Saturday, 21 September, 13
Get the Shot! Photography + Instagram Workshop September 21, 2013 BlogPodium Part One: Taking your camera off manual Technical details Common problems and how to fix them Practice Ways to make your photos
More informationPHOTOGRAPHY Mohamed Nuzrath [MBCS]
PHOTOGRAPHY Mohamed Nuzrath [MBCS] Coordinator HND IT / Senior Lecturer IT BCAS Kandy Campus Freelance Photographer Freelance Web/Software Developer PHOTOGRAPHY PHOTO - Light GRAPHY Drawing PHOTOGRAPHY
More information1. This paper contains 45 multiple-choice-questions (MCQ) in 6 pages. 2. All questions carry equal marks. 3. You can take 1 hour for answering.
UNIVERSITY OF MORATUWA, SRI LANKA FACULTY OF ENGINEERING END OF SEMESTER EXAMINATION 2007/2008 (Held in Aug 2008) B.Sc. ENGINEERING LEVEL 2, JUNE TERM DE 2290 PHOTOGRAPHY Answer ALL questions in the answer
More informationShooting Manual. Set your shooting mode to M
Shooting Manual WHY Shooting Manual Set your shooting mode to M Shooting Manual 3 variables that determine your exposure: 1. ISO 2. Aperture 3. Shutter Speed Shooting Manual 1. ISO The camera s general
More informationHow to Photograph Fireworks
How to Photograph Fireworks Whether you're celebrating Independence Day, Guy Fawkes Day, or Diwali, it's always tempting to take pictures of the fireworks exploding in air. After all, a good firework show
More informationEach of the three aspects of the triangle relate to light and how it enters and interacts with the camera.
Learning about Exposure - The Exposure Triangle Bryan Peterson has written a book titled Understanding Exposure which is worth a read if you re wanting to venture out of the Auto mode on your digital camera
More informationPresented by Craig Stocks Arts by Craig Stocks Arts
Presented by Craig Stocks Arts www.craigstocksarts.com 2010 by Craig Stocks Arts Basic camera settings for point and shoot cameras (resolution, quality) Resolution - how much can you enlarge a picture?
More informationCapturing The Beauty of God s Creation Through The Lens Session 2 Building Your Craft January 14, 2013
Capturing The Beauty of God s Creation Through The Lens Session 2 Building Your Craft January 14, 2013 Donald Jin donjin@comcast.net Course Overview Jan 6 Setting The Foundation Jan 13 Building Your Craft
More informationTABLETOP WORKSHOP. Janet Steyer
QUALITIES OF LIGHT There are 6 qualities of light. TABLETOP WORKSHOP Janet Steyer 03-19-05 The first 3 QUALITIES OF LIGHT can be measured. They can also be manipulated after a photograph is taken. You
More informationBASIC IMAGE RECORDING
BASIC IMAGE RECORDING BASIC IMAGE RECORDING This section describes the basic procedure for recording an image. Recording an Image Aiming the Camera Use both hands to hold the camera still when shooting
More informationby Don Dement DPCA 3 Dec 2012
by Don Dement DPCA 3 Dec 2012 Basic tips for setup and handling Exposure modes and light metering Shooting to the right to minimize noise 11/17/2012 Don Dement 2012 2 Many DSLRs have caught up to compacts
More informationComparison of the diameter of different f/stops.
LESSON 2 HANDOUT INTRODUCTION TO PHOTOGRAPHY Summer Session 2009 SHUTTER SPEED, ISO, APERTURE What is exposure? Exposure is a combination of 3 factors which determine the amount of light which enters your
More informationTAKING GREAT PICTURES. A Modest Introduction
TAKING GREAT PICTURES A Modest Introduction HOW TO CHOOSE THE RIGHT CAMERA EQUIPMENT WE ARE NOW LIVING THROUGH THE GOLDEN AGE OF PHOTOGRAPHY Rapid innovation gives us much better cameras and photo software...
More informationIntroduction To Photography
Introduction To Photography THETIPS STORYTELLING POWER OF PHOTOGRAPHY FOR TAKING BETTER PHOTOS WITH YOUR PHONE What is photography? Photography is a tool that allow us to share inspiring and important
More informationField Production Workshop Handout
Field Production Workshop Handout Objectives: Fundamental Camera Theory & Operation Type of Camera we use (Though these fundamentals can be applied to most video cameras with slightly different operation)
More informationProduce stunning. Pro photographer Chris Humphreys guides you through HDR and how to create captivating natural-looking images
Masterclass: In association with Produce stunning HDR images Pro photographer Chris Humphreys guides you through HDR and how to create captivating natural-looking images 8 digital photographer 45 masterclass4produce
More informationHowever, it is always a good idea to get familiar with the exposure settings of your camera.
296 Tips & tricks for digital photography Light Light is the element of photography. In other words, photos are simply light captured from the world around us. This is why bad lighting and exposure are
More informationPhoto Workshop. Make better pictures on your trip Photo tips from Oceanwide Expeditions
Photo Workshop Make better pictures on your trip Photo tips from Oceanwide Expeditions Protect your gear During your trip in the Arctic or Antarctic you and your camera equipment will be exposed to a variety
More informationOn Camera Flash. Daniel Foley
On Camera Flash Daniel Foley Topics How does E-TTL Flash Work? General Flash Points E-TTL Flash and different Program Modes Flash Techniques Diffuser Options Get the most out of E-TTL How I approach Flash
More informationBy Mark Schutzer Coast Division Meet June 2013 Copies of this presentation can be found at
Model lph Photography h By Mark Schutzer Coast Division Meet June 2013 Copies of this presentation can be found at http://www.markschutzer.com com Model Photography Clinic Overview This clinic will discuss
More informationTENT APPLICATION GUIDE
TENT APPLICATION GUIDE ALZO 100 TENT KIT USER GUIDE 1. OVERVIEW 2. Tent Kit Lighting Theory 3. Background Paper vs. Cloth 4. ALZO 100 Tent Kit with Point and Shoot Cameras 5. Fixing color problems 6. Using
More informationFailure is a crucial part of the creative process. Authentic success arrives only after we have mastered failing better. George Bernard Shaw
PHOTOGRAPHY 101 All photographers have their own vision, their own artistic sense of the world. Unless you re trying to satisfy a client in a work for hire situation, the pictures you make should please
More informationTake Better Portraits
SEPTEMBER 4, 2018 BEGINNER Take Better Portraits Learn the elements of a good portrait photograph Featuring GARY SMALL It can't be that difficult, right? Your friend/spouse/child asks you to take his/her
More informationDrive Mode. Details for each of these Drive Mode settings are discussed below.
Chapter 4: Shooting Menu 67 When you highlight this option and press the Center button, a menu appears at the left of the screen as shown in Figure 4-20, with 9 choices represented by icons: Single Shooting,
More informationBy Mark Schutzer PCR Regional Convention, Fremont, CA April 2009 Copies of this presentation can be found at
Model lph Photography h By Mark Schutzer PCR Regional Convention, Fremont, CA April 2009 Copies of this presentation can be found at http://www.markschutzer.com com Model Photography Clinic Overview This
More informationImprove Your Photography by using Simple Camera Settings and Techniques
Improve Your Photography by using Simple Camera Settings and Techniques Francis J Pullen 2012 +44 (0)7768 364 567 images@francispullen.co.uk www.francispullen.co.uk Introduction Digital Cameras offer tremendous
More information#1) Focus and Hold Still
Suggestions: This would be an excellent lecture for the first couple of weeks of school. Depending on your class time, you could do the first 5 one day and the last 5 the next day. I like to do it that
More informationHow to Photograph Desert Plants and Flowers
How to Photograph Desert Plants and Flowers Item Type Article Authors West, Joanne Publisher University of Arizona (Tucson, AZ) Journal Desert Plants Rights Copyright Arizona Board of Regents. The University
More informationChapter 6-Existing Light Photography
Chapter 6-Existing Light Photography All of these images were taken with available light. Painting with light-using available light Photography that includes artificial light which naturally exists in
More informationPhotography Help Sheets
Photography Help Sheets Phone: 01233 771915 Web: www.bigcatsanctuary.org Using your Digital SLR What is Exposure? Exposure is basically the process of recording light onto your digital sensor (or film).
More informationEducation and Training
The magazine dedicated exclusively to the technology of evidence collection, processing, and preservation Volume 4, Number 2 March-April 2006 Education and Training SOME OF THE TOPICS IN THIS ISSUE Learning
More informationDigital camera modes explained: choose the best shooting mode for your subject
Digital camera modes explained: choose the best shooting mode for your subject On most DSLRs, the Mode dial is split into three sections: Scene modes (for doing point-and-shoot photography in specific
More informationAs can be seen in the example pictures below showing over exposure (too much light) to under exposure (too little light):
Hopefully after we are done with this you will resist any temptations you may have to use the automatic settings provided by your camera. Once you understand exposure, especially f-stops and shutter speeds,
More informationFilm Cameras Digital SLR Cameras Point and Shoot Bridge Compact Mirror less
Film Cameras Digital SLR Cameras Point and Shoot Bridge Compact Mirror less Portraits Landscapes Macro Sports Wildlife Architecture Fashion Live Music Travel Street Weddings Kids Food CAMERA SENSOR
More informationCameras and Exposure
Cameras and Exposure As we learned with our pinholes, every camera is just a lightproof box with a method of letting in an amount of light for just the right amount of time. This "right amount of time"
More informationTAKING GREAT PICTURES. A Modest Introduction
TAKING GREAT PICTURES A Modest Introduction 1 HOW TO CHOOSE THE RIGHT CAMERA EQUIPMENT 2 THE REALLY CONFUSING CAMERA MARKET Hundreds of models are now available Canon alone has 41 models 28 compacts and
More informationPhotographer... and you can too.
Izzy Learned to be a Photographer... and you can too. A story about photography basics by Bruce Philpott My granddaughter, Izzy, was visiting us when she was eleven years old and she looked at a photo
More informationThe four principles of Composition
The four principles of Composition 1. Simplify the picture 2. Use the rule of thirds 3. Use frames, lines, curves and diagonals 4. Vary your perspective Simplify the picture Try to make your photos have
More informationPhotographing your dog running towards you.
Photographing your dog running towards you. There is a reason that I didn t start off with action. You need a strong foundation in the other aspects of photography. The guidelines here are based on the
More informationSeniors Photography Workshop
Seniors Photography Workshop Some images stand out from the crowd & make viewers say WOW! Today we will look at how you can give your images that WOW Factor.. So let s think about what makes an
More informationFirst Things First 1) Charge the Battery
1 First Things First 1) Charge the Battery 2) Turn Off Notification Sounds Recommended: Canon BP-828 Optional 3-4hr Battery Touch FUNC Touch MENU Touch Wrench Folder Scroll to Notification Sounds & Touch
More informationDSLR Essentials: Class Notes
DSLR Essentials: Class Notes The digital SLR has seen a surge in popularity in recent years. Many are enjoying the superior photographic experiences provided by these feature packed cameras. Interchangeable
More informationYour objective: maximum control, maximum manageability
Your objective: maximum control, maximum manageability Know how the light works Know how photography works Know the camera you re using Making the most of what you have to work with. ISO This is the first
More informationTechnical Guide Technical Guide
Technical Guide Technical Guide Introduction This Technical Guide details the principal techniques used to create two of the more technically advanced photographs in the D800/D800E catalog. Enjoy this
More informationReasons To Capture Motion
3 2 1.ACTION! Reasons To Capture Motion Beginning photographers have likely seen captivating photographs that capture motion which they d like to duplicate. There are several ways to accomplish this and
More informationMastering Y our Your Digital Camera
Mastering Your Digital Camera The Exposure Triangle The ISO setting on your camera defines how sensitive it is to light. Normally ISO 100 is the least sensitive setting on your camera and as the ISO numbers
More informationOTHER RECORDING FUNCTIONS
OTHER RECORDING FUNCTIONS This chapter describes the other powerful features and functions that are available for recording. Exposure Compensation (EV Shift) Exposure compensation lets you change the exposure
More informationA Beginner s Guide To Exposure
A Beginner s Guide To Exposure What is exposure? A Beginner s Guide to Exposure What is exposure? According to Wikipedia: In photography, exposure is the amount of light per unit area (the image plane
More informationPhotographing the Seasons. Spring
Photographing the Seasons Ralph Russo and Jim Wildeman This program will provide ideas and projects to help you make pictures that capture the essence of each season. Although each season provides very
More informationAutumn. Get Ready For Autumn. Technique eguide. Get Ready For
Get Ready For Autumn Blink and you may have missed it, but our summer is behind us again and we re back into the short days and long nights of autumn. For photography however, the arrival of autumn means
More informationH Photography Judging Leader s Guide
2017-2018 4-H Photography Judging Leader s Guide The photography judging contest is an opportunity for 4-H photography project members to demonstrate the skills and knowledge they have learned in the photography
More information10 TOP TIPS TO INSTANTLY IMPROVE YOUR NATURE PHOTOS
10 TOP TIPS TO INSTANTLY IMPROVE YOUR NATURE PHOTOS THINK OUTSIDE THE BOX 1 Don t be afraid to break some rules and experiment. Nature photography doesn t need to follow the traditional methods that you
More informationBlue Hour and HDR Tutorial by John Strung
Blue Hour and HDR Tutorial by John Strung the Blue Hour is a wonderful time of night when photography can yield images of intense blue colours. Blue Hour is a bit of a misnomer for two reasons. There are
More informationTroop 61 Self-Teaching Guide to Photography Merit Badge
Troop 61 Self-Teaching Guide to Photography Merit Badge Scout Name: Date: Adapted from: Kodak Self-Teaching Guide to Picture-Taking Scout Name: Date: Init Date 1. Take and paste pictures into your booklet
More informationBASIC IMAGE RECORDING
BASIC IMAGE RECORDING BASIC IMAGE RECORDING This section describes the basic procedure for recording an image. Recording a Simple Snapshot The camera s Program AE Mode (P Mode) is for simple snapshots.
More informationUntil now, I have discussed the basics of setting
Chapter 3: Shooting Modes for Still Images Until now, I have discussed the basics of setting up the camera for quick shots, using Intelligent Auto mode to take pictures with settings controlled mostly
More informationPhotography Basics. The Media Co-op. An introduction to taking great photographs - print edition
Photography Basics An introduction to taking great photographs - print edition For anyone who has little or no photographic experience and wants to take photographs for journalistic, activist or documentary
More informationIntro to Digital Compositions: Week One Physical Design
Instructor: Roger Buchanan Intro to Digital Compositions: Week One Physical Design Your notes are available at: www.thenerdworks.com Please be sure to charge your camera battery, and bring spares if possible.
More informationLITESTAGE USER'S GUIDE
LITESTAGE USER'S GUIDE Note: This is a general user's guide for all of the Litestage models. Equipment shown is not included on all models. For more information on additional equipment and accessories,
More informationAperture Priority Mode
Chapter 3: Shooting Modes for Still Images 23 The Program Shift function is available only in Program mode; it works as follows. Once you have aimed the camera at your subject, the camera displays its
More informationOTHER RECORDING FUNCTIONS
OTHER RECORDING FUNCTIONS This chapter describes the other powerful features and functions that are available for recording. Exposure Compensation (EV Shift) Exposure compensation lets you change the exposure
More informationAF Area Mode. Face Priority
Chapter 4: The Shooting Menu 71 AF Area Mode This next option on the second screen of the Shooting menu gives you several options for controlling how the autofocus frame is set up when the camera is in
More informationTopic 6 - Lens Filters: A Detailed Look
Getting more from your Camera Topic 6 - Lens Filters: A Detailed Look Learning Outcomes In this lesson, we will take a detailed look at lens filters and study the effects of a variety of types of filter
More informationUnlimited Membership - $ The Unlimited Membership is an affordable way to get access to all of Open Media's community resouces.
Introduction to Digital Photography Introduction: Your name, where you work, how did you hear about DOM, any relevant experience, why do you want to learn to shoot video with your DSLR camera? Purpose
More informationCapturing God s Creation Through The Lens An Adult Discipleship Course at Grace January 2013
Capturing God s Creation Through The Lens An Adult Discipleship Course at Grace January 2013 Donald Jin donjin@comcast.net Course Overview Jan 6 Setting The Foundation Introduction and overview Understanding
More informationEquipment list. Tripod. Plenty of Batteries or external battery source. Camera. Good High ISO performance. Bulb Mode. Raw
Equipment list Tripod Plenty of Batteries or external battery source Camera Good High ISO performance Bulb Mode Raw Long Exposure noise reduction Intervalometer either in camera or external Live view Equipment
More informationLandscape Photography
Landscape Photography Francis J Pullen Photography 2015 Landscape photography requires a considered approach, and like fine wine or food, should not be rushed. You may even want scout out the desired location
More informationPHIL MORGAN PHOTOGRAPHY
Including: Creative shooting Manual mode Editing PHIL MORGAN PHOTOGRAPHY A free e-book to help you get the most from your camera. Many photographers begin with the naïve idea of instantly making money
More informationDSLR VIDEO KEY AREAS TO CONSIDER. Moving into Motion. Film like a photographer. Settings
DSLR VIDEO KEY AREAS TO CONSIDER Moving into Motion Despite the widespread use of DSLR cameras on professional sets, most photographers still have yet to tap the motion-making potential housed within their
More informationPhotography Basics. Exposure
Photography Basics Exposure Impact Voice Transformation Creativity Narrative Composition Use of colour / tonality Depth of Field Use of Light Basics Focus Technical Exposure Courtesy of Bob Ryan Depth
More informationThe Basic SLR
The Basic SLR ISO Aperture Shutter Speed Aperture The lens lets in light. The aperture is located in the lens and is a set of leaf like piece of metal that can change the size of the hole that lets in
More informationTable of Contents. 1. High-Resolution Images with the D800E Aperture and Complex Subjects Color Aliasing and Moiré...
Technical Guide Introduction This Technical Guide details the principal techniques used to create two of the more technically advanced photographs in the D800/D800E brochure. Take this opportunity to admire
More informationPhotography. Taking better photos
Photography Taking better photos Composition Composition is the arrangement of the visual elements of the photograph, such as Geometric elements, such as lines, shapes, and curves Contrasts of tone, color,
More informationOne Week to Better Photography
One Week to Better Photography Glossary Adobe Bridge Useful application packaged with Adobe Photoshop that previews, organizes and renames digital image files and creates digital contact sheets Adobe Photoshop
More informationL I F E L O N G L E A R N I N G C O L L A B O R AT I V E - FA L L S N A P I X : P H O T O G R A P H Y
L I F E L O N G L E A R N I N G C O L L A B O R AT I V E - F A L L 2 0 1 8 SNAPIX: PHOTOGRAPHY SNAPIX OVERVIEW Introductions Course Overview 2 classes on technical training 3 photo shoots Other classes
More informationSEEING THE WORLD THROUGH A. April 6, 2013 FRIENDSHIP FORCE LENS
SEEING THE WORLD THROUGH A April 6, 2013 FRIENDSHIP FORCE LENS WHY DO WE TAKE PICTURES WHEN WE TRAVEL? To capture memories the moment To share experiences To document where we have been To share where
More informationHyperfocal Distance vs. Focus Stacking
Photography Group: Pictorial Session Hyperfocal Distance vs. Focus Stacking by Stephen Jones What is Hyperfocal Distance? It is an in-camera technique whereby at a particular focus point, specific for
More informationElements of Exposure
Elements of Exposure Exposure refers to the amount of light and the duration of time that light is allowed to expose film or a digital-imaging sensor. Exposure is controlled by f-stop, shutter speed, and
More informationImproving Your Basic Photography
Improving Your Basic Photography Steve Dell Tonight s Topics Camera Styles & Types Camera Selection Tips Shooting Tips Shooting Techniques Shooting Triumphs 1 2 Camera Styles & Types Point & Shoot (P&S)
More informationPanoramas. Featuring ROD PLANCK. Rod Planck DECEMBER 29, 2017 ADVANCED
DECEMBER 29, 2017 ADVANCED Panoramas Featuring ROD PLANCK Rod Planck D700, PC-E Micro NIKKOR 85mm f/2.8d, 1/8 second, f/16, ISO 200, manual exposure, Matrix metering. When we asked the noted outdoor and
More informationLove Your Camera (Introduction to D-SLR)
Love Your Camera (Introduction to D-SLR) Photography Workshops and Tours in New York City Phone: (646) 736-3231 Email: info@rememberforever.co Web: www.rememberforever.co Copyright 2009-2013 - Remember
More information