Multichannel Audio Technologies References

Transcription

1 Multichannel Audio Technologies References Books [1] J. Blauert, Spatial Hearing, MIT Press Cambridge MA, [2] J.W.S. Rayleigh, Theory of Sound, Dover, N.Y., [3] F. Rumsey, Spatial Audio, Focal Press, [4] Bobby Owsinski, The Mix Engineers Handbook, Intertec Publishing Corporation, [5] Ron Streicher and F. Alton Everest, The New Stereo Soundbook, Third Edition, Audio Engineering Associates, [6] M. Bacik, Stereo to 5.1 surround mapping, 2005, Masters thesis, Trinity College Dublin. [7] G. Kearney, Auditory scene synthesis using virtual acoustic recording and reproduction, PhD Thesis, Trinity College Dublin, [8] G. Martin, Introduction to Surround Recording, [9] Rumsey, F. and Mc Cormick, T., Sound and Recording: An Introduction, Elsevier, Binaural [10] Harald Viste and Gianpaulo Evangelista, Binaural source localization, in Proceedings of the 7th international conference on Digital Audio Effects (DAFx 0 4), Naples, Italy, October [11] Jean-Marc Jot and Scott Wardle, Approaches to binaural synthesis, in 105th Convention of the Audio Engineering Society, San Francisco, California, USA, September 1998, Paper [12] C. Brown and R. Duda, A structural model for binaural sound synthesis, [13] E. M. Wenzel, M Arruda, D. J. Kistler, and F. L. Wightman, Localization using non-individualised Head Related Transfer Functions, The Journal of the Acoustical Society of America, vol. 94, July [14] Corey I. Cheng and Gregory H. Wakefield, Introduction to Head-Related Transfer Functions (HRTFs): Representations of HRTFs in Time, Frequency, and Space, SIMULATION, vol. 49, no. 4, pp , [15] Pauli Minnaar, Soren Krarup Olesen, Flemming Christensen, and Henrik Møller, The importance of head movements for binaural room synthesis, in Proceedings of the 2001 International Conference on Auditory Display, Espoo, Finland, July 2001, pp [16] A. McKeag and D. McGrath, Sound field format to binaural decoder with head-tracking, in 6th Australian Regional Convention of the AES, 1996, Paper [17] A. McKeag and D. McGrath, Using auralisation techniques to render 5.1 surround to binaural and playback, in 102nd Convention of the Audio Engineering Society, Munich, Germany, March 1997, Paper 4458.

2 Localisation [18] Adelbert W. Bronkhorst, Localization of real and virtual sound sources, The Journal of the Acoustical Society of America, vol. 98, no. 5, pp , [19] W. M. Hartmann, Localization of sound in rooms, The Journal of the Acoustical Society of America, vol. 74, pp , Nov [20] B. Rakerd and W. M. Hartmann, Localization of sound in rooms, II: The effects of a single reflecting surface, The Journal of the Acoustical Society of America, vol. 78, pp , Aug [21] B. Rakerd and W. M. Hartmann, Localization of sound in rooms, III: Onset and duration effects, The Journal of the Acoustical Society of America, vol. 80, pp , Dec [22] B. Rakerd and W. M. Hartmann, Localization of sound in rooms, IV: The Franssen effect, The Journal of the Acoustical Society of America, vol. 86, pp , October [23] W. M. Hartmann, How we localize sound, Physics Today, pp , November [24] E. A. MacPherson and J. C. Middlebrooks, Listener weighting of cues for lateral angle: The Duplex Theory of sound localization revisited, The Journal of the Acoustical Society of America, vol. 111, pp , May [25] H. L. Han, On the relation between directional bands and head movements, in 92nd Convention of the Audio Engineering Society, Vienna, Austria, February [26] G. Kearney, E. Bates, D. Furlong, and F. Boland, A comparative study of the performance of spatialization techniques for a distributed audience in a concert hall environment, in 31st International Conference of the Audio Engineering Society, London, UK, June 2007, Paper 13. [27] V. Pulkki and T. Hirvonen, Localization of virtual sources in multichannel audio reproduction, IEEE Transactions on Speech and Audio Processing, vol. 13, no. 1, pp , [28] Douglas S. Brungart and William R. Rabiowitz, Auditory localization in the near-field, in Proceedings of the 1996 International Conference on Auditory Display, Cross Modal Perception [29] M. P. Hollier, A. N. Rimell, D. S. Hands, and R. M. Voelcker, Multi- modal perception, BT Technology Journal, vol. 17, no. 1, pp , Ambisonics [30] Roger K. Furness, Ambisonics-an overview, in 8th International Conference of the Audio Engineering Society, Washington D.C., USA, April 1990, Paper [31] Jeffery S. Bamford and John Vanderkooy, Ambisonic sound for us, in 99th Convention of the Audio Engineering Society, New York, New York, USA, October 1995, Paper [32] D. G. Malham and A. Myatt, 3-D sound spatialisation using Ambisonic techniques, Computer Music Journal, vol. 19, no. 4, pp , 1995.

3 [33] M. A. Gerzon, Ambisonics in multi-channel broadcasting and video, Journal of the Audio Engineering Society, vol. 33, no. 11, pp , [34] M. A. Gerzon, Periphony: With-height sound reproduction, Journal of the Audio Engineering Society, vol. 21, no. 1, pp. 2 10, [35] E. Benjamin, R. Lee, and A. J. Heller, Localization in horizontal-only Ambisonic systems, in 121st Convention of the Audio Engineering Society, San Francisco, California, USA, 2006, Paper [36] D. G. Malham, Experience with large area 3-D Ambisonic sound systems, Institute of Acoustics, vol. 8, no. 5, pp , [37] J. Schacher and P. Kocher, Ambisonics spatialization tools for max/msp, [38] B. Wiggins, The generation of panning Laws for irregular speaker arrays using heuristic methods, in Proceedings of the 31st International AES conference, London, UK, [39] S. Moreau, J. Daniel, and S Bertet, 3D sound field recording with Higher Order Ambisonics- objective measurements and validation of a 4th order spherical microphone, in 120th Convention of the Audio Engineering Society, Paris, France, 2006, Paper Acoustics [40] Leo Beranek, Acoustics and musical qualities, The Journal of the Acoustical Society of America, vol. 99, no. 5, pp , [41] B.J.P.M. Van Munster, Acoustics of sound recording control rooms - past, present and future, Tech. Rep., Eindhoven University of Technology, the Netherlands, Department of Architecture, Physical aspects of the built environment group (FAGO), April [42] F. Everest, The Master Handbook of Acoustics: 3rd Edition, TAB Books, McGraw-Hill, Stereo [43] Fritz Sippl, Stereo sound for TV and video, in 1st UK Conference of the Audio Engineering Society, April 1988, Paper SWP-A1. [44] F.K. Harvey, J.G. Cisek, D.J MacLean, and M.R. Schroeder, Some aspects of stereophony applicable to conference use, Journal of the Audio Engineering Society, vol. 11, no. 3, pp , July [45] A. Blumlein, Improvements in and relating to sound transmission, sound recording, and sound reproducing systems, British Patent Specification , Spatial Music [46] Jean-Marc Jot, Synthesizing three-dimensional sound scenes in audio or multimedia production and interactive human-computer interfaces, in 5th International conference: Interface to Real & Virtual Worlds, May [47] John M. Chowning, The simulation of moving sound sources, Journal of the Audio Engineering Society, vol. 19, no. 1, pp. 2 6, [48] Espaces Nouveaux/ Ircam, Spatialisateur, the spat processor and its library of max objects, October 1994, 1st Edition, IRCAM, Centre Georges

4 Pompidou. [49] J. M. Jot and O. Warusfel, A spatial processor for musicians and sound engineers, in CIARM: International Conference on Acoustics and Musi- cal Research, DTS [50] DTS, DTS-HD high definition audio, 2007, dts-hd/, accessed [51] Inc. Digital Theater Systems (DTS), Dts coherent acoustics encoder, 2006, Dolby [52] Dolby, Surround sound, past present and future, 1999, English_PDFs/Professional/2_Surround_Past.Present.pdf, accessed [53] Dolby Laboratories Inc, 5.1-channel music production guidelines, 2005, [54] Dolby Laboratories Inc, All about audio metadata, 2001, com. THX [55] Lucasfilm Ltd. THX, THX technical documentation, 2002, and [56] Yamaha Corporation, Multichannel Monitoring Tutorial Booklet, October 2005, m2tb_e.pdf. High Resolution Audio [57] Audio Media Richard Elen, Beyond the pale: High resolution audio, October [58] J.A. Moorer, Breaking the sound barrier: Mastering at 96 khz and beyond, in 101st Convention of the Audio Engineering Society, November [59] Blu-Ray Disc Association, Bluray: Application definition blu- ray disc format, March 2005, pdf. [60] Bob Auger Numerique, HD-DVD: A technical introduction, 2005, DVD Forum, 24.pdf. Listening Test Procedures [61] The ITU Radiocommunication Assembly, Recommendation ITU-R BS *General methods for the subjective assessment of sound quality,

5 Interaural Cross Correlation [62] I.M. Lindevald and A.H. Benade, Two-ear correlation in the statistical sound fields of rooms, The Journal of the Acoustical Society of America, pp , April [63] M. Tohyama and A. Suzuki, Interaural cross-correlation coefficients in stereo-reproduced sound fields, Acoustical Society of America Journal, vol. 85, pp , Feb [64] D. H. Cooper, Notions of conventional stereo in Interaural crosscorrelation coefficients in stereo- reproduced sound fields [J. Acoust. Soc. Am. 85, (1989)], Acoustical Society of America Journal, vol. 86, pp , Dec [65] T. Hidaka, L. L. Beranek, and T. Okano, Interaural cross-correlation, lateral fraction, and low- and high-frequency sound levels as measures of acoustical quality in concert halls, The Journal of the Acoustical Society of America, vol. 98, no. 2, pp , [66] T. Okano, Image shift caused by strong lateral reflections, and its relation to inter-aural cross correlation, The Journal of the Acoustical Society of America, vol. 108, no. 5, pp , The Precedence Effect [67] Ruth Y. Litovsky, H. Steven Colburn, William A. Yost, and Sandra J. Guzman, The precedence effect, The Journal of the Acoustical Society of America, vol. 106, no. 4, pp , Apparent Source Width [68] M. Barron and A. H. Marshall, Spatial impression due to early lateral reflections in concert halls: The derivation of a physical measure, Journal of Sound and Vibration, vol. 77, no. 2, pp , [69] T. Okano, L. L. Beranek, and T. Hidaka, Relations among interaural cross-correlation coefficient (IACC), lateral fraction (LF), and apparent source width (ASW) in concert halls, The Journal of the Acoustical Society of America, vol. 104, no. 1, pp , DVD-Audio [70] Sonic Solutions, Understanding DVD-Audio: A Sonic White Paper, Mobile Multimedia [71] V. Algazi and R. Duda, Immersive spatial sound for mobile multimedia, in Proceedings of the Seventh IEEE International Symposium on Multimedia (ISM 0 5), Quadraphonics [72] J. G. Woodward, Quadraphony - a review, Journal of the Audio Engineering Society, vol. 25, no. 10/11, pp , 1977.

6 [73] G. Theile and G. Plenge, Localization of lateral phantom sources, Journal of the Audio Engineering Society, vol. 25, no. 4, pp , VBAP [74] V. Pulkki, Virtual sound source positioning using Vector Base Amplitude Panning, Journal of the Audio Engineering Society, vol. 45, no. 6, pp , [75] V. Pulkki, Localization of amplitude-panned virtual sources I: Stereophonic panning, Journal of the Audio Engineering Society, vol. 49, no. 9, pp , [76] V. Pulkki, Coloration of amplitude-panned virtual sources, in 110th Convention of the Audio Engineering Society, Amsterdam, The Nether- lands, May 2001, Paper [77] V. Pulkki, Localization of amplitude-panned virtual sources II: Two and three dimensional panning, Journal of the Audio Engineering Society, vol. 49, no. 9, pp , Wave Field Synthesis [78] A. J. Berkhout, A Holographic Approach to Acoustic Control, Journal of the Audio Engineering Society, vol. 36, no. 12, pp , [79] J. Daniel, Further investigations of High Order Ambisonics and Wavefield Synthesis for holophonic sound imaging, in 114th Convention of the Audio Engineering Society, Amsterdam, The Netherlands, 2003, Paper [80] K. Hamasaki and K. Hiyama, Reproducing spatial impression with multichannel audio, in 24th International Conference of the Audio Engineering Society, Banff, Canada, 2003, Paper 19. Visual Tracking [81] Gary R. Bradski, Computer Vision Face Tracking for use in a Perceptual User Interface, Intel Technology Journal, vol. Q2, pp. 15, [82] Intel, OpenCV: Open Computer Vision Library, 2007, Digital Consoles [83] Japan YAMAHA CORPORATION, Hamamatsu, Yamaha 02r manual, version 2, 1997, Recording Techniques [84] Audio Engineering Associates, Decca tree manual, 2007, posthorn.com/images/aea/deccatreed2.pdf. [85] Berlin UDK, Decca tree recording mit neumann-druckempfngern m50, 1994, accessed [86] Francis Rumsey, Microphone and mixing techniques for multichannel surround sound, Journal of the Audio Engineering Society, vol. 46, no. 4, April 1998.

7 [87] G. Theile, Multichannel Natural Music Recording Based On Psychacoustic Principles, October 2001, IRT, Extended version of the paper presented at the 19th International Conference of the Audio Engineering Society, May [88] M. Williams, Unified theory of microphone systems for stereophonic sound recording, in 82nd Convention of the Audio Engineering Society, London, UK, March 1987, Paper [89] K. Hamasaki, Multichannel sound in television: Technical and aesthetic approach, in 3rd International Multichannel Sound Forum, 2000, pp Surround Sound [90] ITU, Rec. ITU-R BS : Multichannel stereophonic sound sys- tem with and without accompanying picture, Tech. Rep., International Telecommunications Union, [91] The Recording Academy Producers and Engineers Wing, Recommendations for Surround Sound Reproduction, October 2004, Engineers/5_1_Rec.pdf. [92] Christian Landone and Mark Sandler, Surround sound impact over large areas, in 110th Convention of the Audio Engineering Society, Amster- dam, The Netherlands, May [93] Brad Rakerd, William M. Hartmann, and Timothy L. McCaskey, Identification and localization of sound sources in the median sagittal plane, The Journal of the Acoustical Society of America, vol. 106, no. 5, pp , [94] C. J. MacCabe, C. Pestel, and D. J. Furlong, Virtual imaging capabilities of surround sound systems, in 92nd Convention of the Audio Engineering Society, Vienna, Austria, October 1992, Paper [95] J. Robert Stuart, The psychoacoustics of multichannel audio, 11th UK Conference of the Audio Engineering Society, February 1996, Paper ANM-12. [96] D.J. Meares, Perceptual attributes of multichannel sound, in 12th International Conference of the Audio Engineering Society, Copenhagen, Denmark, May 1993, Paper [97] Kyle A. Holbrook, Multichannel and surround sound reinforcement: Past, present, and future, in 6th International Conference of the Au- dio Engineering Society, Nashville, Tennessee, April [98] P. A. Ratliff, Properties of Hearing Related to Quadraphonic Reproduction, BBC Research Department, Report BBC RD 1974/38, November [99] M. A. Gerzon, Criteria for evaluating surround-sound systems, Journal of the Audio Engineering Society, vol. 25, no. 6, pp , me.html. [100] Dave Malham, Homogeneous and non-homogeneous surround sound systems, in 14th UK Conference of the Audio Engineering Society, 1999, Paper ASC-04. [101] C. H. Knapp and G. C. Carter, The generalized correlation method for estimation of time delay, IEE Transactions on Acoustics, Speech and Signal Processing, vol. 24, no. 1, pp , 1976.

8 [102] K. Hamasaki, S. Komiyama, K. Hiyama, and H. Okubo, 5.1 and 22.2 Multichannel sound productions using an integrated surround sound panning system, in 117th Convention of the Audio Engineering Society, San Francisco, California, USA, 2004, Paper Spatial Impulse Response Rendering [103] V. Pulkki and J Merimaa, Spatial Impulse Response Rendering II: Reproduction of diffuse sound and listening tests, Journal of the Audio Engineering Society, vol. 54, no. 1/2, pp. 3 20, Software [104] Waves Audio Ltd, Waves 360 surround tools, September 2002, http: // [105] Cristina Bachmann, Heiko Bischoff, Birgit Grossmann, Sabine Pfeifer, and Claudia Schomburg, Cubase 4: Advanced music production system, October 2006, Steinberg Media Technologies, GmbH. [106] H. Wittek, Image assistant 2.0, 2007, [107] D. McGriffy, Visual virtual microphone, 2002, audio/ambisonic/vvmic/. [108] D. Malham and A. Field, VST ambisonic tools, 2003, York University Music Technology Group, audio/vst/welcome.html.