Palmer & Hughes Book 3 Session 5 Instruction and Companion Material
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1 MastertheAccordionWorkshops PHBook Session5 PalmerHughes Book Session5 InstructionandCompanionMaterial Presenters SheliaLeeMarkRopel MastertheAccordionWorkshops Sponsoredy 501(c)Non Profit 1 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
2 MastertheAccordionWorkshops PHBook Session5 Session5 ReviewofBKSKILLS: Duringyourpracticesessionseachweek pleasegrabatleastoneormoredrillsandoneor morescalesthisway youwon thavetodoallthedrillseverypractice utwillhitthemat leastonceeachweek ReviewofDrills o Full AllWhite lockarpeggios(1++5+1) SayMaororSayMinorwhenyouhiteach o Full AllMAJOR lockarpeggios o C,G,F,D,A,BEScale FullOctaves o MaorthenMinorChords AllWhiteBlocktheminrhythmicpatternRollthem inrhythmicpattern o LeftHandMaorScaleBassSoloExercises o PracticeMovingetweentheI IV V7chordinthekeyofC G F Song#5 PHBook CielitoLindo CompanionSongs: 1 IHeardtheBellsonChristmasDay 2 OhChristmasTree Rockin Roin MoreChordChartWork KeyofF Rockin RollChords BassScaleFingering RhythmExercises(writingassignment!) Let sgetstarted: Step1PlayFirst Performfavoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO BOOs Step2Theory BassExerciseBassScales SpeedDrill#6 Slow Even Shortthensmooth BassCScale ThiswillefingeringforALLBassScales! o Note thechangedfingering o 2(C) 4 2 shiftupthe2(g) 4 2 o ThisisOURBASSSOLOswehavealreadyeendoing! BassSolo LongLongAgoExercise o FingeringcorrectedtonewScalefingering 2 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
3 MastertheAccordionWorkshops PHBook Session5 HAPi*1547SRicheyRd,Pasadena,TX77550*
4 MastertheAccordionWorkshops PHBook Session5 4 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
5 MastertheAccordionWorkshops PHBook Session5 Write the count elow the notes and rests Clap the rhythms while counting out loud Rhythm Exercises (PH Lesson 5) Example ã (te) A Cielito Lindo ã 4 1 la le 2 ã B Oh, Susanna! ã 4 ã C Alouette ã 4 ã w 5 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
6 MastertheAccordionWorkshops PHBook Session5 Step2Theory ChordExercise(KeyofF) o (IChord)PlayFScale2octaves doarpeggiochord FingeringRule o AllFlatScales alwaysoneand4 th onb o (V7Chord)PlayCMScale 2octaves doarpeggiochord Locate7 th toneandflatitfor7 th Chord o (IVChord)PlayBMaor2octaves doarpeggiochord FingeringRule o AllFlatScales alwaysoneand4 th onb o PracticeChangingthroughtheseChords Step2Theory RhythmExercise o GraYourPencil Exercise Writethecountsunderthenotes WriteEVERYBeatandONLYwritetheTe() whenanotehitsonit Triplets count1 la le PlaytheExercise PickaNOTE andnowplaytherhythm 6 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
7 MastertheAccordionWorkshops PHBook Session New Scales, Arpeggios, Chords aor Scale Arpeggio - 2 Octaves Key of F has 1 Flat - B Relative Minor - Dm (AND Gm Scale) Shelia Lee w D Minor Scale Arpeggio - 2 Octave This is called the Relative Minor (More on Minor Scales Later) Key of F has 1 Flat - B (use the Flat Scale Fingering - 4 on B) w B Maor Scale Arpeggio - 2 Octaves Key of B has 2 Flats - B E Relative Minor Scale Built on 6th tone of Maor Scale NOW PLAY THE Dm Scale So Good Productions 7 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
8 Master the Accordion Workshops PH Book Session 5 8 HAPi * 1547 S Richey Rd, Pasadena, TX * *slee@shelialeecom
9 MastertheAccordionWorkshops PHBook Session5 9 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
10 MastertheAccordionWorkshops PHBook Session5 StepNewSongTechnique Block/Asor/Vertical o CielitoLindo KeyofC MasterShift(allreedssounding) Asor PlayScalesofC,F,GwitharpeggioChord Block PlayChordsONLY(Put5onC) Dynamics allwellmarked WalktheasssolousingScalefingering(differentthan marked) Vertical DoCountingExercise One Two Three Noticeall7 th chordsalternatefirst Checkouthowthesongrepeats NowUseSightReadingRulesandPlay Playslowlynostops CreateaUniqueEnding o Add O le V7chordtoIchord 10 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
11 MastertheAccordionWorkshops PHBook Session O 2 Christ-mas Christ mas tree! tree! O Christ-mas O Christ mas tree You stand in tree, Much pleas ure ver - doth dant eau - ty! - - thou G m - ring me! O Christmas Tree 4 1 Traditional arr y Shelia Lee 2 1 O O 5 2 Christ-mas Christ mas tree! tree! O Christ- O Christ mas mas tree, You stand tree, Much pleas ure in ver - doth dant eau - ty! - - thou G m - ring me! J Your For 9 4 oughs ev' - are ry 5 green year J in the J sum - Christ mer's mas glow, And do not fade in win- tree, Brings to us all oth oy ter's and snow glee G m 1 4 J 2 1 O O Christ-mas Christ mas tree! tree! O Christ O Christ mas mas tree, You stand in tree, Much pleas ure doth ver dant - thou G m - eau ty! O ring me! 2009 So Good Productions 11 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
12 MastertheAccordionWorkshops PHBook Session5 Step4SightReadingRules o OChristmasTree KeyofF MiddleLowerReedshift ScanforKeyandChordChanges PlayChordsONLY(Put5onF) UseChordChart withpinkyonf locatef,gm,c7 Dynamics youshouldcrescendointothephraseand diminuendotowardtheend Notice ONLYI,ii,V7chordisinsong Vertical DoCountingExercise o Playeighthnoteslikedottedeighthnotefollowed ysixteennote(long short) ScanforRepeatsandCoda GeneralRule:WhenyourepeattoaSIGN youtakethe 2 nd endingandgoon PlaySlowingandEvenly Playslowlynostops don tstopformistakes CreateLARGEreaksatphraseends stopellows! UniqueEnding RememerHowtheBeatlesdidalotof OOOOOSattheend trytoimitateit! 12 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
13 MastertheAccordionWorkshops PHBook Session5 StepNewSongTechnique Block/Asor/Vertical o IHeardtheBellsonChristmasDay KeyofF(coolpattern F Dm Gm C7 F) MiddleLowerReedshift(orALL Master) Asor PlayaorScaleRHANDLH PlayBMaorScaleRH(tryforoth) RuntheBassStylePatterns notice5willproalye playingthebineachasssolo! Block PlayChordsONLY(Put5onF) UseChordChart (IfyouHAVETO) o withpinkyonf locatedm,gm,a7 o YoushouldeanexpertattheKeyofFNOW o Practicethischordprogression F Dm Gm C7 F Dynamics crescendointophraseanddiminuendoout PUTaCrescendowitheachasssolo Vertical DoCountingExercise Noticetherearealotofdoulenoteswiththeottom noteeingthesamenotesetupyourfingering with thumontheottom Buildthesongackwards Playslowlynostops LowerLedgerLines toecoverednextweek! o Justreadthelinesackwards 1 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
14 MastertheAccordionWorkshops PHBook Session I Heard the Bells on Christmas Day Ó I A! wild and sweet the F F B - # # # n heard the ells on Christ-mas day, their old fa-mil iar D - m car- ols play, And G m CM # words re - peat of A 7 B I 14 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom F F B will peace on earth, good - - # thought how,as the J to men - # # n day had come, the e-fries of all Chris - ten-dom had rolled a long the unrok - en song of D m G m A 7 peace on earth, good F F B - - J 1 will to men I So Good Productions Words y Henry Wadsworth Longfellow Music y John Baptiste Calkin arr y Shelia Lee # will to men - CM
15 MastertheAccordionWorkshops PHBook Session5 StepNewSongTechnique Block/Asor/Vertical o Rockin Roin KeyofF MiddleLowerReedshift Asor(Yeahwehavealreadydonethesetoday!) PlayaorScaleRHANDLH PlayCMaorScaleRHandLH PlayBMaorScaleRHandLH Block PlayChordsONLY(Put5onC) BlockoutF,Em,Dm,C,Am,E7,D7,G7,A7 Onceyouarepasttheintro thechordsareeasy! BlockoutHandpositions Dynamics youshouldcrescendointothephraseand diminuendotowardtheend Vertical DoCountingExercise fortheintroandmeasure A o Dasher 1te(2)tete(4)te o A 1te(2)te4 ReviewBassSolos NowUseSightReadingRulesandPlay Playslowlynostops CreateaUniqueEnding ReviewopportunitiestouseRUBATOinIntro Recap you llgodowninhistory foracoolending 15 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
16 MastertheAccordionWorkshops PHBook Session5 4 4! J Rockin' Roin B M 1, 2 Jimmie Thomas arr y Shelia Lee 4 J 6 % Ó " 8 J Ó " Ó " Ó 1 14 J B M 16 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom 2012 So Good Produtions
17 MastertheAccordionWorkshops PHBook Session5 2 Rockin' Roin To Coda fi 2 1 J J B M 26 B M J 0 DS al Coda J 1 fi Coda! J B M 2 1, 2 17 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
18 MastertheAccordionWorkshops PHBook Session5 Step5CoolDownSection o PlayEasyTones canesameyoustartedwith o Endeachsongwithauniqueending o AddaasssoloatphraseendingortheendwithaArpeggio o Startaddingchordsonlongernotes CONGRATULATIONS!LookatwhatyouhaveLEARNED! Rememertofollowthesestepsforeachofyourpracticesessions: 1 WarmUp Starteachpracticesessionwithyourfavoritesongs 2 TechniqueBuilder doadrillor2 WorkonNewSongs practiceassignedsongs 4 SightReadingreadanewsongor2(sight read) 5 CoolDown withyourfavoritesongs MusicNoteook Youwillhaveover40SongsinyourEASYTUNEsectionofyourRingBinderandyoushoulde practicingthemallforyourfuturewarmuporcooldowntunes NewSelectionsFromPH WilliamTellOverture HappyWanderer JingleBellRock WalkLikeAMan HoundDog Don tbecruel RidingontheRange HereComesSantaClaus WaltzingMatilda TheWaltzingCuckoo BlueEyesCryingintheRain AllAloneAmI LetItSnow! ToEachHisOwn RudolphtheRed NosedReindeer AllMyLoving AnnieLaurie LittleBrownJugPolka SilentNight CielitoLindo IHeardtheBellsonChristmasDay OChristmasTree Rockin Roin 18 HAPi*1547SRicheyRd,Pasadena,TX77550* *slee@shelialeecom
Palmer & Hughes Book 3 Session 7 Instruction and Companion Material
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