Mock Sides: Original Scripts for Workshop Actors IN A FUGUE. Written by. David Dalton & Chad Schnackel

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22: Negotiation & Refusal Skills


Transcription:

IN A FUGUE Written by David Dalton & Chad Schnackel Pages: 3+ Characters: Dr. Moon, 30+ Rose, 30+ Synopsis: Rose claims she is innocent of murder despite the overwhelming evidence. Dr. Moon, FBI Psychologist, suspects a possible reason for her denial. PERMISSION FOR USE Educational Use: YOU HAVE PERMISSION to use this script for acting classes & workshops, general auditions, audition workshops, school entry auditions, school scholarship auditions, personal practice, and school related competitions where no monetary awards or prizes are given. Film or Video Productions: YOU HAVE PERMISSION to film or videotape a performance of this script for the purpose of demonstration (demo reel or show reel) as long as the writer's names appear in the film/video credits in the finished production. Expansion/Development/Film Festivals: YOU MUST OBTAIN expressed written permission from the MockSides administrators (writers David Dalton & Chad Schnackel) to expand or develop this script into a short film, feature, or any sort of episodic series for commercial use or for entries into film festivals and competitions where a monetary award or prize is offered, in which case, monetary compensation may be required by the writers. NOTE: Most film festival organizations and their sponsors may not even allow a produced video/film of this script to be entered, since there may already be produced versions of this script by others, making it an "unoriginal film". We recommend you commission the writers of this script to create original content for your use only.

INT. INTERROGATION ROOM - NIGHT sits in the darkness. A single light shines down upon her. Out of the darkness comes SPECIAL AGENT DR. ALLEN. He reads a folder as he approaches the table. Hello, Ms. Manson. Could we talk about what happened last night? You can call me Rose. I don t know what else I can tell you. I didn t hear or see anything. I was sleeping pretty soundly, I usually do. Okay, Rose. What is it you do? I m a bookkeeper for Anderson Publishing. What hours do you work? I m usually at work by 9:30. I m supposed to be off by 5:00, but it s been really busy lately, so sometimes I don t get home until 6:30. Your boss told me you ve been late to work for the last few weeks. Why is that? I know, I ve been having trouble getting myself out of bed. What time did you get home last night? I think it was 7:00. Can t really say. I wasn t paying attention. It doesn t matter. I had dinner, then went straight to bed. (beat) I m telling you, I don t know anything.

The man in the car, the coroner determined he was killed sometime around 4:30 this morning. Do you remember being outside your building at that time? I told you I was in bed all night. Why don t you believe me? Moon reaches over and takes Rose s hands and holds them gently. Rose, look into my eyes. Tell me the last dream you can remember. What do you mean? Your dreams, you know, when you sleep at night? I don t usually remember the details. Why? Try to remember the dream you had before you woke up today. Rose pulls her hands away and turns away from Moon. It was...personal. How so? Rose retreats into her thoughts. You know, sexual. Not in a romantic way, either. It was kind of scary. Why are you asking me about that? Were you being attacked by someone in your dream? (surprised) Yes, how did you know?

I m going to have to do some tests with you, would you mind? If you need me to give some kind of DNA or blood sample, that s fine. I didn t do anything. That s not the kind of tests I want to do. They re just evaluations...you know, to get to know you better. If you believe me, than why do we need to do anything? The agents have a witness that saw you sitting in his car at that time. The knife used has your finger prints, the man s blood is in your sink and on your blouse. That s impossible. I was in bed all night. Why don t you believe me? Rose, it s all right. I believe you believe you didn t do anything. Oh my God, you re not a cop. You re a shrink, aren t you? You think I m crazy? I am not a killer and I m not crazy. Rose, do you know the name, Belinda?. No. Am I supposed to? Belinda is a prostitute. She walks the streets between 45th and Vineland. All the girls we talked to know her as the new gal. Does that sound familiar to you? She suddenly becomes tired.

What are you talking about? I m tired. I don t want to talk anymore. Okay, Rose. We ll leave you alone for awhile. She puts her head down on the table. Moon closes the folder and quietly leaves as not to wake her.