BMO VAN GO 2018/19 TEACHER S RESOURCE GUIDE VISUAL ARTS WORKSHOP

Similar documents
Community-based Art Curriculum Archive

Project activity sheet 2 Units 7 12

"Beasts of the Sea" Lesson: Henri Matisse Created by Art in Action

For Immediate Release March 29, 2016

RIO TINTO VAN GO PROGRAM TEACHER S GUIDE

These lessons are very thorough. I like how each detail is explained, making art accessible to any level of artist (even me)!

Sea Creatures. Study & Draw. Teach Yourself To Draw.org

Expressive Arts Curriculum Map

Emily Carr On the Edge of Nowhere

As seen in the July 2010 issue of. American. Collector

Marionette Taboniar 89 X-RAY MAG : 61 : 2014

Learning Ladder Year 7: Natural Forms

Show a ppt. presentation (Landscapes 1) with different landscapes describing the main elements in each one : city / sea / landscapes.

In my little wishing boat, I cast off with moonlit tide, Unfurling sails to chase the wind. And explore the oceans wide.

CAEA Lesson Plan Format. Specific Lesson Title: Sand Dollar Mixed Media Journal Spread, Grade Five (Figure 0 gives a sample spread, deconstructed)

BIRD READING ASSIGNMENT

Lesson Overview. Value: lightness or darkness of color Texture: how an actual object feels or how a 2-demensional object appears to feel.

TOOLS AND MATERIAL. Practical Guidelines (Secondary Level) Tools and Material. Notes

NEW RIVER COMMUNITY COLLEGE DUBLIN, VIRGINIA. Syllabus

Classroom-Based Assessment 1: From Process to Realisation

Collection, Connection and the Making of Meaning. Introduction:

SUBJECT: YEAR: Half Term:

The Painter X Wow! Study Guide

Key Stage 3 Curriculum Map

Module 3: Additional Teachers Notes: Sketching in the Gallery

Studio Art at the Morris Museum - Summer 2015

Why do animals change their living area during the year? Which animals travel the greatest distances?

5th Grade Art Scope and Sequence

Having Fun With Watercolours

Clifton Community School Curriculum Overview KS3 Art, Textiles and Graphics

Shrewsbury Borough School District ART Curriculum Guide Kindergarten 2017

Written Comment: Sydney Basin and Orpheus Graben Areas

Term 3 Term 4 (Part 1)

Beginning Drawing: Portrait Drawing

Stratford School Academy Schemes of Work

Overdale Community Primary School. Progression of Art Skills EYFS

KIDS HOPE AUS THEMED MENTOR HOUR

OF A DOG Brenda Hoddinott

YEAR 7 Visual Arts. Self-Portraiture

4 HUMAN FIGURE. Practical Guidelines (Secondary Level) Human Figure. Notes

Year 6 Visual Arts Unit 2016 Perspective Art Term: Week:

Pastel is her primary medium as its flexibility allows her to capture more expressively the beauty and depth of the scenes that she is drawn to.

Art overview

2. A painting of fruit, flowers or insects is called. 3. Paintings made from millions of tiny coloured dots are typical of the style.

N U U - C H A H - N U LT H AFSA R

How To Paint: A Course In The Art Of Oil Painting By Gloria Foss READ ONLINE

Botanical Art Workshops 2018

Listen to the Voice of the Ocean

UnderWater. Word problems

Let s get you started on the joys of landscape quilting.

Through the Looking Glass

Year 2 Home and Away

F12 BEGINNER: HATCHING. seahorse look more realistic, by creating a contour drawing. illusion of form by shading the sections in shadow.

Delta RV Art II Revised-2012

Cost: $13 per student includes registration materials, morning refreshments and a boxed lunch.

Darina Denali 92 X-RAY MAG : 83 : 2018

Welcome to Post-16 Fine Art at JCSFC

FACULTY OF CREATIVE AND CRITICAL STUDIES DEPARTMENT OF CREATIVE STUDIES

Step-By-Step Guide To Painting Realistic Watercolors By Dawn McLeod Heim READ ONLINE

You Can Paint Vibrant Watercolors In Twelve Easy Lessons PDF

(B) PAINTING Code No.: 049 ( )

ART CLASSES FOR TEENS ADULTS

Art A LA CARTE: Cultural Art

WRITING AN ARTIST STATEMENT

Click here to register online.

BRIEFING FOR PARENTS OF PRIMARY 2 STUDENTS

Liberty Pines Academy Russell Sampson Rd. Saint Johns, Fl 32259

Plein Air Painting: Utah s Plein Air Painters

Criticism: Analyze the artist s use of sensory, formal, technical, and expressive properties in a work of art.

Shrewsbury Borough School District Art Curriculum Guide Grade

Learning Plan. My Story Portrait Inspired by the Art of Mary Cassatt. Schedule: , Grades K-5, one class period of approximately 60 min.

Extension material for Level 2 Design and Visual Communication Study Guide (page 33)

Art Curriculum Overview More than one skill may be covered under one learning objective- Addressed in the success criteria

Dive into the amazing adventures of Emily Windsnap, half-girl, half-mermaid, and discover a whole new world under the sea. TEACHERS NOTES SYNOPSIS

Contents. Teachers Notes 4 Handy Hints 5 Colour 7 Techniques Explained 8 How To Use This Book 9

Winter 2009, Volume 4, Issue 1

1 st Grade Art Scope and Sequence

The implementation of Ramsar Convention in Lebanon

LVPA Summer Studio Series:

Brief Description Students will look at masks in various cultures and then create their own mask along with a written story about the mask.

DEEP SPACE 40-MINUTES PA U L K L E E. DEEP SPACE SPARKLE/PATTY PALMER All Rights Reserved.

ARTS ENVIROCHALLENGER EnviroFriends Reuse and Recycle Teaching Environmental Sustainability, Visual Arts, and Science

Exhibition / Education Guide

THE LANGUAGE OF ART AND DRAWING. What learners will know by the end of the unit

Lower Primary Prep to Grade 2

Drawing Negative Space

Art Overview Breadth of Study. Autumn Spring Summer

Follow the Directions & Draw It All by Yourself!

ART 137: Fundamentals of Drawing Summer Session 2010 Professor Erik Shearer

MONOCHROMATIC WATERCOLOUR LANDSCAPES

Third Grade Visual Arts Curriculum Overview

COLOURED PENCIL DEMONSTRATION

Richmond Art Gallery SCHOOL ART PROGRAM TEACHERS GUIDE

Art Timeline Grade: 3

Art at Cox Green Curriculum Plan. Key Stage 4 Year 9 Term I Term 2 Term 3 Term 4 Term 5 Term 6

Nature-based and Eco-tourism

ISBN B1OH-B

701 CCA Summer Workshop

Georgia O Keeffe 6 TH GRADE ART

After School Art Workshop

Transcription:

BMO VAN GO 2018/19 TEACHER S RESOURCE GUIDE VISUAL ARTS WORKSHOP

VISUAL ARTS WORKSHOP 90 minutes Prepared by: Maureen Procter WORKSHOP OVERVIEW The waters of the Pacific Coast are a wild environment teaming with life from rivers with frolicking otters, wide-eyed harbour seals, tidal pools filled with small hermit crabs, starfish, clams, and sand dollars, to the open sea, hosting orca whales, dolphins, jelly-fish, squid, and the elusive octopus. Bordered by the sea, Vancouver, the Lower Mainland, and surrounding islands, are home to this extraordinarily rich and varied range of flora and fauna. In this workshop, students will have the opportunity to complete a realistic drawing or painting that depicts the marine life in this unique coastal environment. LEARNING OUTCOMES All students will learn Elements of composition for seascapes and landscapes; How to use simple geometric shapes to create sea creatures; How to use blending pens to create unique color combinations; How to use metallic paint to create water effects. Primary learning outcomes Establish and develop drawing skills using geometric shapes; To be the artist making individual choices in use of images; Learn new techniques using oil pastels and blending sticks; Brush and metallic paint techniques to create water and other effects; Encourage confidence in making completed art projects, and feeling proud of work accomplished. Intermediate learning outcomes Learn formal structure of landscape and seascapes; Further develop drawing skills, tone, value, and realistic renderings; Create varied colour combinations using blending sticks; Transfer small images to large format to understand scale and proportion; Remind students of the artist within themselves. MEET THE INSTRUCTOR Maureen Procter is a painter and educator. Born and raised in Vancouver, she attended the Nova Scotia College of Art & Design, and graduated from Emily Carr University. Maureen has taught drawing and painting at Arts Umbrella for 30 years. She s also maintained a strong focus on the Van Go outreach programs for the last 27 years.

WORKSHOP ACTIVITIES Students gather around the instructor for an introduction to theme and demonstration of the art project. Next, students choose a visual reference of sea-life from the images provided and find a workspace on the floor. Each workspace will have the following materials: 24 oil pastels blending stick t-shirt 9" x 12" paper 18" x 24" construction paper Students will first do a test drawing of their chosen sea creature, in pencil on 9" x 12" paper. Once they have practiced their drawing, they will draw the creature on 18" x 24" construction paper. Using oil pastels, students fill in the background to complete the seascape or landscape. Finally, students will add metallic paint to highlight elements of the drawing, like the water or sky. After everyone has finished, all art materials are collected. Students may view their peer s art, and positive feedback or discussion is encouraged. Materials 24 oil pastels blending stick t-shirt 9" x 12" paper pencils erasers 18" x 24" construction paper metallic paint fine brushes

EXTENDED LEARNING ACTIVITIES THE GREAT BLUE WHALE If possible, plan a field trip to the Beaty Biodiversity Museum at UBC. This museum is home to a skeleton of the largest creature on earth: The Great Blue Whale. The whale s skeleton is suspended from the ceiling at the museum a large glass structure that allows the skeleton to be viewed from two sides of the building. Maureen Procter has taken many classes to see this whale, and the students may sit outside to draw the skeleton. There s no charge to do so. Activity steps Take a 12 x 24 piece of paper and fold into four equal parts. Apply the workshop lesson of using geometrics shape to draw the head, tail, ribcage, vertebrae, and tail. This exercise helps students to understand scale and proportion. Next, draw the skeleton using oil pastels. Finally, add a watercolour background to create a home for Big Blue. Materials oil pastels 12" x 24" paper watercolour paints for background brushes

RESOURCES Books Miettunen, Anita. Big Blue Forever: The Story of Canada s Largest Blue Whale Skeleton, Red Deer Press. Websites Vancouver Aquarium: vanaqua.org National Geographic: nationalgeographic.com/animals/ mammals/b/blue-whale Fisheries and Oceans Canada: dfompo.gc.ca/species-especes/profiles-profils/ blue-whale-pac-rorqual-bleu-eng.html GLOSSARY OF TERMS Perspective A viewpoint used in landscape Proportion Balance of form Symmetry Equal on both sides Blending Sticks Used to blend Composition Arrangement of images on art Geometric Shapes Circle, square, and triangle Migration To travel from one area to another Pod A family whales (a pod of orcas) ADDITIONAL READING Kraulis, JA. Wild Pacific Coast, Book Sales. Smith, Miranda. Eyewitness Living Earth, DK Publishing, Eyewitness series. Froom, Barbara. The Turtles of Canada, McClelland & Stewart. Kalman, Bobbie. Sea Otters, Crabtree Publishing Company. Lambert, David, Mammals, DK Publishing. Bingham, Caroline. Whales and Dolphins, DK Publishing. Steiner, Barbara. Whale Brother, Walker & Co. Sheldon, Dyan. The Whales Song, Penguin Random House. National Geographic Society. Whales Dolphins and Porpoises. Helman, Andrea. Northwest Animal Babies, Little Bigfoot. Meredith, Susan. Undersea Life to Colour. Usborne Publishing Ltd. Bash, Barbara. Ancient Ones, San Francisco: Sierra Club Books for Children.