Conference Report 1st March 2016, Warrington

Similar documents
Collections Access Marketing Training.

Circuit Programme Handbook

bringing spaces to life travel environments: project examples

Doing, supporting and using public health research. The Public Health England strategy for research, development and innovation

Opportunities for the Visual Arts and how it can contribute to Unlocking Potential, Embracing Ambition

Canadian Clay & Glass Gallery. Strategic Plan

Knowledge Exchange Strategy ( )

Strategic Plan Public engagement with research

Plenary Presentation

THE GALLERY AT BAYSIDE ARTS & CULTURAL CENTRE BOARD STRATEGIC PLAN

THE STAINED GLASS MUSEUM. Developing a national centre for the discovery, appreciation and preservation of stained glass

WELLINGTON CITY COUNCIL ARTS AND CULTURE STRATEGY

UNIVERSITY ART MUSEUMS AUSTRALIA: SUBMISSION TO THE NATIONAL CULTURAL POLICY

2050 Edinburgh City Vision. One Year On

Candidate Brief. Head of Interpretation Science Museum. November Contact: Liz Amos

Carbon Literacy Centre pilot phase 1 brief for tender

BIGGIN HILL MEMORIAL MUSEUM. Biggin Hill; inspiring generations, Remembering the Few and honouring the Many

response Ukie response to Arts Council England Sector Dialogue on Funding 2018 and Beyond Consultation

STRATEGIC PLAN

VISUAL ARTS COLLECTION COORDINATOR

Circuit Plus Tate partners

United Lincolnshire Hospitals NHS Trust. Occupational Health & Wellbeing Service. Mindfulness for Wellbeing Courses Overview.

Creative Informatics Research Fellow - Job Description Edinburgh Napier University

Newcastle: Vision for Culture

Engaging UK Climate Service Providers a series of workshops in November 2014

Creative Scene Development Plan

A Science & Innovation Audit for the West Midlands

Our digital future. SEPA online. Facilitating effective engagement. Enabling business excellence. Sharing environmental information

GOVERNING BODY MEETING in Public 25 April 2018 Agenda Item 3.2

)XWXUH FKDOOHQJHV IRU WKH WRXULVP VHFWRU

The work can be paint and/or light based, and be a permanent installation for the town.

Strategic Plan Engaging People with Art

We are embarking on a new and exciting phase of dance development in the North West. This is where we get to dream big.

Mindfulness Training in Kent

CO-ORDINATION MECHANISMS FOR DIGITISATION POLICIES AND PROGRAMMES:

New Expressions 3 Evaluation Report: Executive Summary

III. developed through a series of one-to-one interviews and a workshop with the town s cultural and creative business partners.

INDUSTRY & INSTITUTION ENGAGEMENT 2017 EVENT ANALYSIS

Case Study real practice, real impact Gwynedd Museum and Art Gallery audience engagement through technology and nudging

In accordance with the Trust s Syndication Policy for BBC on-demand content. 2

Concept Note 22 November 2018

Science for Policy. Impact of Social Sciences & Humanities. David Mair (chair) Antti Pelkonen Mihiri Seneviratne. Gemyse 1,

Developing the Arts in Ireland. Arts Council Strategic Overview

A CREATIVE FUTURE FOR ALL

ACHIEVING E-QUALITY by CONNECTING the REGION THE VI ANNUAL FORUM OF THE EUROPEAN UNION STRATEGY FOR THE BALTIC SEA REGION

Neath Port Talbot Destination Management Plan 2015 to 2020

TENANT PARTICIPATION. Laura O Dowd Support Services Manager Supporting Communities

Arts Catalyze Placemaking Webinar: Self-Reporting Requirements

Yorkshire Dales National Park Authority Interpretation Strategy (Revised July 2011)

REPORT FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT AND THE COUNCIL. on the evaluation of Europeana and the way forward. {SWD(2018) 398 final}

NEMO POLICY STATEMENT

INSPIRE CONNECT LEAD. A five year strategic framework for developing the arts Draft for Consultation

Making London the Heart of the Sport Tech World. A Strategic Plan of Action for Technology in London

COVENTRY S GREAT PLACE SCHEME

Innovation-Based Economic Development Strategy for Holyoke and the Pioneer Valley

Museum Collections Manager. Job description

Experience Industries. Lublin - a meeting place for the exchange of ideas and experiences

ECONOMIC AND SOCIAL RESEARCH COUNCIL IMPACT REPORT

. Faye Goldman. July Contents

Dear all, Enjoy our Newsletter, CITIES Communication Team. Cofinanced by the European Regional Development Fund

Module Catalogue Faculty of Architecture and the Built Environment Undergraduate Study Abroad 2018/9 Semester 2

A Field Guide to Exploring

Digital Project Co-ordinator (1 year contract)

Buffalo & Erie County Public Library Strategic Plan

COMMUNICATIONS POLICY

Applying Regional Foresight in the BMW Region A Practitioner s Perspective

Welcome to the Work and Health Programme.

Collaboration Agreement

Draft resolution on Science, technology and innovation for. Technology for Development as the United Nations torch-bearer

OECD-INADEM Workshop on

2nd Call for Proposals

Inspiring Australia A national strategy for engagement with the sciences

Cultural Metropolis, Consultation

Design and Technology Subject Outline Stage 1 and Stage 2

City of London Cultural Strategy Executive Summary. We want to:

FUTURE NOW Securing Digital Success

In accordance with the Trust s Syndication Policy for BBC on-demand content. 2

Call for contributions

JOB PROFILE. Corporate Communications Team Leader (Change Programme) Stratford upon Avon

Colin J. Smith. Principal Consultant The Glamis Consultancy Ltd.

Cheshire, Warrington and Wirral Area Team Commissioning for Value Pack

CHILDREN S GLOBAL MEDIA 5-7 DECEMBER MANCHESTER, UK GENERATION U. The future of media for an Unlimited Generation CGMS17.COM

DIGITAL DISRUPTION. QTIC External - Project Scoping Document

ERDF Stakeholder Workshop 4 th May 2016: Overview and Priorities

the royal society of new zealand: gateway to science and technology strategic priorities

Artist Residency as part of TATE EXCHANGE at Beaconsfield Gallery Vauxhall, Gasworks and Pump House Gallery

Request for Proposal WELLINGTON MUSEUM SUFFRAGE125 CONTEMPORARY ARTWORK. Page 1 of 8

The Trustees and the Director present the National Gallery s Corporate Plan

Gardens, Libraries and Museums. Digital Strategy Termly Update, June 2018

Strategic Plan. A WORLD CLASS university creating social and economic impact through science, technology and innovation.

CHAPTER TWENTY COOPERATION. The objective of this Chapter is to facilitate the establishment of close cooperation aimed, inter alia, at:

CCG 360 o stakeholder survey 2017/18

National Workshop on Responsible Research & Innovation in Australia 7 February 2017, Canberra

Committee on Development and Intellectual Property (CDIP)

the Companies and Intellectual Property Commission of South Africa (CIPC)

EU-European Arctic Dialogue Seminar Information

Robot Thought Evaluation Summary

Call for applications: Artist in Residence Deadline: 11 July 2016, 10am BST. 1 of 7

Vice Chancellor s introduction

The IET Strategic Framework. Working to engineer a better world

Transcription:

Conference Report 1st March 2016, Warrington This report summarises the presentations and discussions at Museums of Cheshire s first full conference.

Museums of Cheshire Conference - 1 st March 2016 Venue: The Pyramid, Warrington The Museums of Cheshire (MoC) welcomed a total of 891,000 visitors in 2014/5, and was supported by 664 volunteers and 229 full time equivalent staff across the 21 venues. Session One: Cheshire, The Big Picture Peter Sandman, Local Enterprise Partnership for Liverpool City Region This presentation outlined what Liverpool s Local Enterprise Partnership (LEP) does and how MoC members can potentially get involved. The LEP s primary aim is to develop domestic and international markets in Liverpool city region (LCR). It does this as a destination management organisation, through its partnership with Marketing Liverpool, through quality and evaluation services and by developing relationships with local boroughs and strategic partners. The importance of the visitor economy to LCR was emphasised in 2013 it was worth 3.64bn and supported 48,600 jobs. Liverpool welcomed 58m staying and day visitors, however 90% of them did not venture beyond the city. The aim is to create and then market an offer that will encourage visitors to visit both Liverpool and the rest of LCR. Liverpool itself is the lead brand for the group, having an international reputation and an existing infrastructure, and should be the starting point for discovering hidden gems further afield and bringing an additional 1.2bn into the local economy by 2025. A number of current marketing, demographic and economic trends were outlined. The presentation then went on to discuss how MoC venues could capitalise on Liverpool s position and their proximity. Ideas included: creating visitor focused thematic and geographic packages/tours; entering marketing partnerships with Visit Liverpool, Manchester etc; increase familiarity and visibility through a strong marketing campaign; work on better transport connectivity and journey services; personalise the product; make the social and economic case for Cheshire through intelligence and advocacy work. The LEP investment strategy was also seen as a good opportunity for partnership working and resourcing. 2 Museums of Cheshire conference report, 1 st March 2016

Alison Duckworth, Marketing Cheshire Tourism and Marketing Marketing Cheshire s aim is to raise the profile and awareness of Chester and Cheshire as a short break destination, and to increase the value of the visitor economy. The presentation initially outlined what is known about tourism in the borough and how it compares with the rest of England, ie total spend, where people come from, when, how long they stay, what they come for etc. While digital and print marketing are still important, word of mouth continues to be the strongest driver for visitors to the county. There is a 93% satisfaction rating for those who visit which compares well with the rest of the country. General exploring and visitor attractions are proving more popular than events and specific interests, and it was noted that while heritage activities are often part of the trip they are not the main driver for visits by domestic visitors. The presentation broke down the main visitor segments, eg exploring families, considering what they came for, the type of accommodation they seek etc. Marketing Cheshire s approach was then examined. Chester s brand position is to be further capitalised upon, along with the perceived lifestyle available in Cheshire. This will be promoted through the full mix of media channels including online, broadcast, print, PR, famous visits and collaborations. In each case the aim is to produce thematically, geographically and demographically targeted material that drives awareness of and engagement with Cheshire s tourism offer. Rebecca Mason, Heritage Lottery Fund The presentation aimed to inform about the Heritage Lottery Fund s (HLF) programmes and potential for funding MoC projects. The HLF priority topics and areas were outlined geographically this does not currently include Cheshire but this may change in future. The issue of outcomes was considered, ie the difference HLF wants to make to heritage, people and communities through its projects. The presentation considered what these outcomes could be, how they work and how to incorporate them in any application. The application process was explained including the project enquiry/expression of interest service which is available in almost all funding programmes. It was noted that, excluding the places of worship stream, the main grant programmes have given 19,354,300 to Cheshire projects. This is a relatively low and could definitely be improved upon. The presentation then presented examples of local projects that had successfully delivered HLF-funded projects. These included the British Deaf History Society s training for deaf volunteers programme, Nantwich Museum s The Impact of War on a Market Town project, and Grosvenor Museum s Cheshire s Great War Stories project. The variety in the projects was emphasised, as was Rebecca s willingness to talk about any potential applications. 3 Museums of Cheshire conference report, 1 st March 2016

Questions from the audience Q. What is happening in Liverpool with regard to cruises? It would be good to have tours from the terminal in Liverpool to venues. A. Venues or the MoC need to contact Angie Redhead. Their offer will need to match the profile of the tourists and their interests. There s lots of potential here. Q. The presentations emphasised Liverpool as the lead brand but not so much the rest of the region, including Halton. This is a plea to remember the boroughs. A. It is true that Liverpool is the lead brand for the region but it is also important to create packages of products which include venues in the boroughs. Placement and packaging are both really important and a dialogue between venues is needed. The trick is to make to it a unique offer and to remember that tour operators will want their own financial return so it needs to be something special. Q. The message this morning has been that collaboration is key. Is there a formal structure in which to do this? A. Suggest that this needs to happen through MoC maybe its Facebook page. It s important not to over-engineer this keep it simple. Discover England s funding offer is good you have to show collaboration so it becomes a catalyst for future work. Q. Is there any advice on how to work with LEPs? A. Not really. They all work differently. Some are very small while others like Liverpool are large and far reaching. Liverpool s Investment Strategy is a quite novel way of looking at strategic funding opportunities it could possibly be brought back to the MoC group. It s all about getting private sector traction. Q. There s been a lot said about links with Cheshire and LCR but not about North Wales Cheshire has strong historic and thematic links. A. Agreed. This will be part of the Marketing Cheshire plan. It will also look towards Manchester, the Wirral etc, basically taking bits of boroughs! Visitors don t recognise geographic boundaries like we do, so we need to get better at grouping attractions. 4 Museums of Cheshire conference report, 1 st March 2016

Session Two: People, Creativity & Wellbeing Mike Candler, Museums of Cheshire research consultant Horizon scanning and research Brief: conduct baseline research on the social and economic impact of MoC and undertake stakeholder analysis for a better understanding of the local policy landscape. Method: contacted 70+ local organisations asking what s your strategic priority? Headline point:...overwhelmingly, the most exciting thing about the Museums of Cheshire is the diversity, range and quality of the collections and activity on offer throughout the year The intention is that everybody in Cheshire has an understanding of the value and impact of museums and culture and the role of MoC in the social and economic development of Cheshire. By demonstrating value MoC can develop new approaches and resilience. This can be done by building and developing relationships with various sectors, including the public sector, the business community and education providers. The emphasis in on proving worth and fostering long term, mutually beneficial relationships. Also, establish a brand through marketing to the tourism sector, profile raising and champion recruitment. It is important to develop the product through partnerships with destination management agencies, creation of a bespoke offer for cultural tourists, instigating an audience development strategy etc. Plan long term. Also, develop the workforce through skills audits and development, and remember resourcing - recruit a specialist fundraiser who can make applications, evaluate and report back. Also, market venues spaces etc as a commercial enterprise. Case Studies: Pete Regan, De Profundis at Warrington Museum & Art Gallery Creative Remedies is a programme of arts activities that aims to improve the health and wellbeing of adults in Warrington. It was set up seven years ago to offer non-medication based treatment for people experiencing or recovering from mild to moderate mental health issues, such as anxiety and depression. One of the projects Pete Regan presented was with a recovering alcoholic and explored that recovery through his music and a band of likeminded people. Another project was with Warrington Museums & Art Gallery where the Creative Remedies group was commissioned to produce short films about objects in the Cabinet of Curiosities exhibition. The group had great fun and felt a real sense of pride and ownership. A third showcased Pete s own photography and its role in his recovery from depression. The message of the presentation was that art is being used to profoundly change people s health and wellbeing. 5 Museums of Cheshire conference report, 1 st March 2016

Laura Armitage, Learning and Visitor Services Manager at Tatton Park - Shakespeare Week Shakespeare Week aims to make people s first/early encounter with The Bard a positive one. Laura s team presented a week of Shakespeare-related events and activities at the park s Tudor Old Hall which included living history, archery and performances. It was considered a real success with 250 people attending, and really good reviews and feedback. The team also learnt a lot and Laura was asked to talk about the experience at the 2015 Museums Association conference. There have been many benefits to taking part. Playing a part in a national event Working in partnership with likeminded people at the Shakespeare Birthplace Trust Being part of a fantastic learning initiative Attracting new audiences most attendees hadn t visited before. Playing a role in challenging the stereotype that Shakespeare is far removed from everyday life or boring. Tom Hughes, Selling Egypt West Park Museums took part in an ACE-funded project with five other northwest museums with Egyptian collections, all of which had been gathered by women who had pioneered Egyptian exploration and collecting. The project had several aims: to explore the collections; to connect non-specialist curators with Egyptologists; to develop products that could be sold in their shops, and to sell workshops. The project also worked to alter ideas about Egyptian collections being just about mummies. How did the objects get here? What are their stories? How do the collections complement each other? As well as the general public the target audience was schools, researchers and funders. Working in a group had the benefit of joint procurement, allowing them to commission stock, animations, artworks etc that they could never manage individually. It also allowed them to develop partnerships with larger venues like the Petrie Museum, and to send the Beyond Beauty exhibition of their collections to Two Temple Place, London. The initiative showed that success is possible if museums can find connections and work together. 6 Museums of Cheshire conference report, 1 st March 2016

Session Three: Narrative study Catherine Mailhac, Unlocking the potential of our collections and stories Brief: Catherine was commissioned to produce a narrative study exploring the MoC collections and venues. It is intended to act as an advocacy tool as part of Unlocking the Potential, a project to create more resilient and sustainable organisations. Method: primarily desk-based research looking at museum publications and policy documents, venue websites, visitor reviews (including forums) and through discussion with the MoC steering group and partners. Headline finding: there is enormous scope and variety across the MoC venues. Objects tell the tales of human experiences across the millennia, and modern visitors can connect with those stories. By working collectively the MoC venues can offer more ways to engage. The recommendations divide into three and provide a springboard for future development rather than being an exhaustive examination: Championing the diversity of MoC: there is a range of themes and ways in which audiences can be engaged with the collections. They offer a potentially fresh look across the collections as well as a historic overview, eg bite size connections eg eight things that will make you smile at MoC. Championing Cheshire - events and destinations: collections and venues used in celebration of the county s past and present, giving an authentic sense of place and a unique viewpoint, eg horses, flowers, shopping etc. Championing key themes: as well as dipping in it is possible to develop strong themes that span the venues. They may appeal to cultural tourists who have an interest in specific areas, eg commerce, journeys, sanctuary and Cheshire at War. 7 Museums of Cheshire conference report, 1 st March 2016