PA System in a Box. Edwin Africano, Nathan Gutierrez, Tuan Phan

Similar documents
PA System in a Box. Nathan J. Gutierrez, Edwin Africano, Tuan Phan

SQN-5S Miniature 5:2 ENG Audio Mixer

StudioLive MIXER INPUTS.

SQN Electronics Ltd. SQN-4S Series IVe Miniature 4:2 Sound Mixer The original broadcast quality stereo portable mixer for TV, film and radio locations

ELECTRONIC COMPONENTS LP444 USER MANUAL

SQN Electronics Ltd. Page 1 of 6

ELECTRONIC COMPONENTS LP4 32 USER MANUAL

Interactive Tone Generator with Capacitive Touch. Corey Cleveland and Eric Ponce. Project Proposal

A102 Signals and Systems for Hearing and Speech: Final exam answers

Overview. Features. Technical Data Sheet 1 / 6. Mixing Console MG20. MG20 is a versatile mixer suitable for a wide range of users and applications.

LIVE 16 ORDERCODE D2211

[Q] DEFINE AUDIO AMPLIFIER. STATE ITS TYPE. DRAW ITS FREQUENCY RESPONSE CURVE.

NE SERIES. ne Models ne800 ne1600 ne2400

Chapter 6. Meeting 6, Controlling Gain and Processing Signals

Small Signal Audio Design

What is Helix??? It s a

Project 2. Project 2: audio equalizer. Fig. 1: Kinter MA-170 stereo amplifier with bass and treble controls.

33609/J Limiter/Compressor

OBSOLETE. Microphone Preamplifier with Variable Compression and Noise Gating SSM2165

EUROPOWER PMP580S. Powered Mixers

CS 3570 Chapter 5. Digital Audio Processing

ALM473 DUAL MONO \ STEREO AUDIO LEVEL MASTER OPERATION MANUAL IB

SEEBURG acoustic line. active systempanel 2. owner s manual

CABINET POWERED MIXING CONSOLE

Mic Inputs: 12 high-performance, digitally controlled, auto-sensing mic pres, switchable +48V

APPLICATION 1 - LIVE SOUND REINFORCEMENT USING DELAY IN REINFORCEMENT SYSTEMS

TOA ELECTRIC CO., LTD.

Before You Start. Program Configuration. Power On

ILD252 INDUCTION LOOP DRIVER

Gerhard Schmidt / Tim Haulick Recent Tends for Improving Automotive Speech Enhancement Systems. Geneva, 5-7 March 2008

ZM 84 Audio Mixer. User Manual. Order code: CRAM41. Audio Mixer ZM 84 AUX 3 AUX 1 AUX 2 AUX 4 MASTER 1 MASTER 2 OFF BASS BASS TREBLE TREBLE BASS BASS

Final Project Stereo Audio Amplifier Final Report

Additional Reference Document

SOUNDMASTER VF 400 MOS-FET POWER AMPLIFIER OWNERS MANUAL

BENCHMARK MEDIA SYSTEMS, INC.

Chapter 7: Signal Processing (SP) Tool Kit reference

Multi-Channel, Network-Enabled

Summit Audio ECS-410 Everest

MultiMix FX Series Product Overview

Lock in Amplifier. Introduction. Motivation. Liz Schell and Allan Sadun Project Proposal

Build Your Own Bose WaveRadio Bass Preamp Active Filter Design

CSP & CSL-SERIES MIXING CONSOLES. Item ref: UK, UK, UK, UK, UK, UK User Manual. Version 2.

StageSource L2m Compact, 2-Way Powered PA Speaker with Studio-Quality Sound

Table of Contents. Owner s Manual. 1. Overview & Getting Started. 2. Engines. 3. FX Modules. 4. Rhythms. 5. Flux. 6. X-Y Pad & Macros. 7.

Analog Circuits. Operational Amplifiers (Opamps) DC Power Supplies Oscillators

VERSATILE AUDIO AGC CIRCUIT Dave Kenward G8AJN

Operating Instruction Manual ELECTRONIC MUSIC AMPLIFICATION SYSTEM. Model KD-1. Toa Electric Co., Ltd. KOBE, JAPAN

User Manual. MA 240 Mixing amplifier

Lauren Gresko, Elliott Williams, Elaine McVay Final Project Proposal 9. April Analog Synthesizer. Motivation

PRELIMINARY INFORMATION

How a Mixing Board Works

Vacuum Tube Amplifier

Z44R. Multi-purpose Rack Mixer. Item ref: User Manual

Guitar Reamping Guide

Overview of the EQ50 Filter Functions. Bypass Hardwire Bypass

Shattered Glass Audio

ECE 203 ELECTRIC CIRCUITS AND SYSTEMS LABORATORY SPRING No labs meet this week. Course introduction & lab safety

The Future of Sound. Made Perfectly Clear.

Audio in ecall and Cluster. Clancy Soehren MSA Applications FAE Summit 2016

mix 502, mix 802, mix 1202FX mixer user manual

M-16DX 16-Channel Digital Mixer

SERIES ALLEN&HEATH. Multipurpose USB Mixers for Live Sound and Recording AP7205 ZED-14 ZED-420 ZED-436

Introduction. 1. Theory of Operation

Audio Primer V2. Basic introduction to Calrec functionality and applications

Active Filter Design Techniques

HOOKING IT UP. Unpacking and Inspection. Installing in a Rack CHAPTER 3: Hooking It Up

Overview. Features. Technical Data Sheet 1 / 6. Portable PA Systems STAGEPAS 400BT

TOA NEW 900 SERIES MIXER PREAMPLIFIER M-900A

Low Voltage Microphone Preamplifier with Variable Compression and Noise Gating SSM2167

Neve sound for the surround age...neve sound for the surround age [ 8051 ]

PRE32 and A34.2. preamplifier and stereo power amplifier. the sound and vision of scandinavia

Designing Microphone Preamplifiers. Steve Green 24th AES UK Conference June 2011

TABLE OF CONTENTS. 1 Introduction. 2 Precautions. 3 Wiring and Specifications. 4 Front Panel Connections Diagram. 5 Front Panel Connections

EE 332 Design Project

Overview. Features. Technical Data Sheet 1 / 6. Portable PA Systems STAGEPAS 600BT

profile pre-set Factory User how range not position not User User Saved Loaded DP2 DP3 Filter Type Not Used, Low Pass , High Pass , Band Pass

DUAL LEVELAR. Two Channel Tube Compressor/Leveling Amplifier

Sound Skulptor MC624 User manual

Analog/Digital Guitar Synthesizer. Erin Browning Matthew Mohn Michael Senejoa

IMPORTANT SAFETY INSTRUCTIONS

MFJ-722 INSTRUCTIONS

PB 700 PB 1000 PB 1100 PB 1500 PB 2600 PB 1200 PB 1700 PB 2200 PB 2700 USER'S MANUAL.

1. General Outline Project Proposal April 9, 2014 Kayla Esquivel and Jason Yang

EFFECTS OF PHYSICAL CONFIGURATIONS ON ANC HEADPHONE PERFORMANCE

INTRODUCTION USER MANUAL SI X CHAN N EL PERFORMAN CE MI XER DESI GN ED FOR EURORACK

Tuned Radio Frequency Receiver (TRF) The most elementary receiver design, consisting of RF amplifier stages, detector and audio amplifier stages.

SE4 DSP + High Performance Professional Digital Stereo Encoder With DSP Filters

Radio Receivers. Al Penney VO1NO

Dual preamplifier with ALC

A-119 Ext. In. 1. Introduction. doepfer System A Ext. Input / Envelope Follower A-119

UMA 4300 Professional Series Installation Power Amplifer Owner s Manual

Summit Audio Model DCL-200 Dual Compressor-Limiter Operating Manual

Table of Contents. Chapter 1 Overview Chapter 2 Quick Start Guide Chapter 3 Interface and Controls Interface...

A-128 Fixed Filter 110 Hz

Dante. Dante Network Class D Professional Audio Amplifier D-3000

WESTREX RA-1712 PHOTOGRAPHIC SOUND RECORD ELECTRONICS

Callouts Front Rear 1. INPUT Jacks 2. THRU Jacks dB / -30dB Pad switch 4. STEREO/MONO Switch 5. GROUND LIFT Switches 6. BALANCED OUTPUT Jacks

Stereo Clipper 15KHz LPF. Stereo audio clipper with active 15KHz filters

Audio Measurements with a Network Analyser

EE 210: CIRCUITS AND DEVICES

Transcription:

PA System in a Box Edwin Africano, Nathan Gutierrez, Tuan Phan

Overview A public address system (PA System) is an electronic sound distribution system that allows music and speech to reach a large amount of people. Goal: Create a portable and easy to setup system with the features of larger, more expensive systems.

Motivation Sound translates naturally to the analog domain Unnecessary to convert to digital for majority of applications Most PA systems are large and expensive How can we package modules together Relatively affordable Practical Personal playback / recording On-campus group events Parties We love sound

Block Diagram Signals between all modules are single ended and at an average of +4 dbu (1.23 Vrms) (professional line level) Signals on right side of diagram are all stereo

Microphone / Line Input Channel Receives balanced (differential) or unbalanced signals ranging in amplitude (microphone level to line level) and outputs a single +4 dbu signal. Preamplifier Up to 60 db of adjustable gain 15dB pad switch Filter (Sallen Key) Switchable lowpass and highpass LP 900 Hz -> 8 khz HP 33 Hz -> 185 Hz EQ (Wien Bridge) Single-band parametric ±12 db of boost or cut 120 Hz -> 1300 Hz sweepable frequency Peak Detection Provides visual indication for setting average input levels (should light up only on peaks)

Mixer Allows multiple signal sources to be mixed together in stereo while providing sends and returns. Volume Faders Panning LR Bus Signal attenuated with logarithmic relation Moves sound between left and right speakers Follows 3 db pan-law The summation of the various input channels Send / Returns Buffered and switchable Allows the audio signal to be sent to another module for processing Balanced Output Allows for connection to recording devices Outputs a balanced differential signal

Compressor Purpose: To maintain a more consistent dynamic level. Lowers the signal level for loud transients. With gain allows for boosting the level when the signal is too quiet. Gain Control Element: Attenuates or boost the signal based on control voltages created by the. Make-up Gain: Provides gain to output signal to make-up for loss of level after compression Feedback Element: Allows user to set response of the compressor (Attack, Decay, Threshold) Converts audio signal into control voltage for gain control element

Power Amplifier Purposes: To amplify the input signal for the speakers. Class G Amplifier: Input Stages: Uses a differential pair of transistors Minimal noises and bandwidth from 20 Hz - 20 khz Voltage Amplification Stage: Boost incoming line level feeding into the output stage full voltage swing. Class G output: Enhance version of class AB Allows use of multiple power rails Inner drive - class B; Outer class - class C

Power Supply Motivation: Provide power for our system Make the system portable Minimize footprint Design: Transformer and linear rectifier for AC-DC Filtering to reduce noise and minimize ripple Take ± 35 V rails from this output Buck converter circuit: -15 V Boost converter circuit : 15 V http://sound.westhost.com/articles/smps-primer.html#s3

Physical Build Motivation: Ensure that the system is portable and user friendly Design: Plexiglass/Acrylic enclosure Design using Coreldraw Manufacture using EDS Must consider cooling User panel ease of access and use Integrate LED Metering / Visualization Consideration of internal components layout

Challenges / Stretch Goals Making sure relations between controls and audio make sense I.E. Volume controls should be logarithmic, pan controls sin-cos like Maintain low noise and full frequency response Ensure enclosure meets cooling requirements and is also as small as possible Minimize power supply noise/ripple while meeting power requirement Headphone Amplifier Class AB, fed from mixer output Allows use of equipment without speakers Graphic EQ PCBs Placed as an insert on mixer Allows frequencies to be boost or cut Graphic refers to visual representation of interface (sliders correspond to frequencies) If time allows, create PCBs for modules

Timeline Week of April 11th Have initial designs completed Breadboard prototypes of core modules Week of April 18th Have core modules functional and meeting specs Begin integration of core modules Complete construction of power supply and finish testing Week of April 25th Continue testing and debugging Work on stretch goals Design enclosure Week of May 2 Testing and debugging Package modules into a single enclosure Demonstration of project