Digital Game Mechanics

Transcription

1 Bachelor Thesis Digital Game Development Thesis no: TA-2013:10 May 2013 Digital Game Mechanics - to create an analog board game prototype Emil Rudvi School of Computing Blekinge Institute of Technology SE Karlskrona Sweden

2 This thesis is submitted to the School of Computing at Blekinge Institute of Technology in partial fulfillment of the requirements for the degree of Bachelor of Science in Digital Game Development. The thesis is equivalent to 10 weeks of full time studies. Contact Information: Author(s): Emil Rudvi Adress: Gränsvägen 29, Ronneby University advisor(s): Martin Lanner & Hans Tap School of Computing School of Computing Blekinge Institute of Technology SE Karlskrona Sweden - 1 -

3 ACRONYMS & ABBREVIATIONS FPS - First Person Shooter Prototype - Analog board game prototype - 2 -

4 ABSTRACT Analog games misses a lot of quick games in terms of game time and play time in the FPS genre. This genre often takes more time to play in an analog game. Could the game play become quicker by examining the different game mechanics in order to give the players a smoother game play by a reduction of downtime. Game mechanics that could be found in a digital FPS game such as Doom III, were converted to a prototype. These digital gameplay mechanics were converted so that an analog game could be played simultaneously. These game mechanics decrease the game time and down time in a way that a game using a turn based game order would not. The digital game Doom III was used to create the prototype and eight analog games of different types and genres were examined to collect more unique game mechanics. All were suited for a multiplayer type of gameplay. To get an understanding of what game elements were well liked in both digital and analog games, a questionnaire was created with twelve questions. The participants answered questions on the subjects of their favourite genre, missing game mechanics in both digital and analog games, well liked game mechanics, and also what the participants thought was impossible to create in a game in terms of game mechanics. The results of both the analysis of the eight analog games and the answers from the participants created the base plan for the development of the prototype focusing on low downtime, re-playability, and an average amount of luck. Several game mechanics were discussed and some of them were play tested. This resulted in keeping some game mechanics while others were removed because these game mechanics did not provide a rewarding gameplay. Several game mechanics were nearly impossible to implement without the use of a digital representation. An example on this type of issue was the first person view in the digital game. The perception of skill based game mechanics could be moved to an analog board game but would have to be determined by other game mechanics instead of the player s physical capabilities. The conclusion lead to a prototype that could be played in an hour, which is a low game time for games in this genre. The FPS gameplay mechanics was converted to an analog game, but all game mechanics could not be transferred to the prototype without a conversion. Keywords: Digital games, Analog games, First person shooter, Board game, Game mechanics - 3 -

5 CONTENTS 1 Introduction Game History Earlier Analog Games Research Questions Research Methods Step 1 - Digital and Analog Games Analysis, and General Survey Step 2 - Selection of Game Attributes Step 3 - Creation and Evaluation of a Prototype Making of a Prototype Prototyping Analysis Digital Game Analysis Analog Game Analysis Questionnaire Summary Game Attributes Digital Game Attributes Digital and Analog Game Attributes Analog Game Attributes Workflow Discussion The Analog Board Game Prototype Discussion Simultaneous Movement Board Type and Environment Skill Based Gameplay Equipment and Weapons Shooting and Randomizing Factors Hybrid Suggestions Evaluation of the Research Conclusion Future Work References List of Figures Appendix Digital Games Analysed Analog Games Analog Games Questionnaire Analog Game Pyramid Diagrams Game Descriptions

6 1 INTRODUCTION In analog games not many games are played simultaneously. Since most similar games take a long time to play, this prototype was designed to reduce game time. Thereby making a quicker gameplay than other analog games in the FPS genre, based on play testing and time estimations from the publishers. Focusing on the conversion of gameplay from a digital FPS game into an analog board game. The focus was on the multiplayer gameplay, where the players were fighting each other. Digital game mechanics and components of the FPS game Doom III could be associated with most FPS games as they are today. The Doom series is also one of the oldest, originating in 1996 and still played in this genre. This was the reason that Doom III was selected. Some of the game components and mechanics that were selected was the real-time based movement, FPS view, environment setting, reaction time of the player, marksmanship for accuracy, hidden movement for moment of surprise, weapons, equipment, ammunitions, camping, and cover. All of these above mentioned components and game mechanics are important for a FPS gameplay. Doom III:s mechanics and components captures a large part of the gameplay of a FPS game. Typical analog game mechanics and components of a board game are in most cases based on strategic selections such as moving, pawn placement, dice rolling, card drawing, turn based, resource collection, unhidden movement, and rules that need to be learned before the players can play the game. These rules are often learned through reading. 1.1 GAME HISTORY The earliest FPS game was Hovertank3D created by id Software in This was the beginning of a series of comparable games of the FPS genre such as Quake, Unreal, Halo, and Battlefield 3. Digital games are not as old as their analog game ancestors first found in burial sites of Egypt. These games were over 5000 years old. The analog games have evolved over the years. A majority of the older games have been lost and forgotten, in terms of rules for these games, described by Wikipedia [8]. From the early 20th century the game industry was starting to change intensively with games like Monopoly, Risk, followed with miniature games like Warhammer, role playing games such as Dungeons and Dragons, and Kult. 1.2 EARLIER ANALOG GAMES There have in fact been several attempts to convert a digital FPS game mechanics into an analog game ditto, for example the games Tannhäuser, Space Hulk, and Mutant Chronicles: Siege of the Citadel. The analog board game Tannhäuser is close to a FPS game in many aspects, such as the player versus player mode that was used in the prototype. In Tannhäuser the game board is fixed, which means that in terms of re-playability the players only get two sides of the board to choose from. This is indicated by the - 5 -

7 questionnaire as a downside. To compensate this loss of re-playability the game uses a variety of equipment to be chosen by the players at the beginning of each game session for each playable character. Both Space Hulk and Mutant Chronicles: Siege of the Citadel use a form of storytelling player that takes the role of the monsters, which is played more like a single player mode in Doom III. 1.3 RESEARCH QUESTIONS - Can a digital FPS game mechanics be converted into an analog board game? - How can the game mechanics found in a digital game be implemented to give the most suitable gameplay? Figure 1: Workflow chart description in three steps 2 RESEARCH METHODS To describe the workflow of the methods which are used for this bachelor thesis a workflow chart was created, see Figure 1. The workflow chart is divided into three individual steps

8 2.1 STEP 1 - DIGITAL AND ANALOG ANALYSIS, AND GENERAL SURVEY The FPS game Doom III, was reviewed to collect information about the gameplay that was needed to create the prototype. To understand how the gameplay was played in a multiplayer mode videos at YouTube [9] were viewed and game component such as weapons and environment of Doom III, to get an insight of how the players move, attack, and get a good understanding of the gameplay, as well as to play test of the game Doom III. The analysis was made through reading general rules of the selected analog games and also by examining the games components to break down the differences between the analog and digital gameplay mechanics. The gathered information of each game was then stored in separate pyramid diagram information such as game mechanics, components, conditions, and types. Each of these pyramid diagrams were divided into four categories, where the third category was the category that the majority of the games mechanics were found in order to create a prototype and to make a more unique gameplay. The eight analog games that was used are Citadels, Claustrophobia, Junta!, Neuroshima Hex!, Pandemic, Race for the Galaxy, Tannhäuser, and Tide of Iron. These games were selected through personal experiences and the fact that they did not have anything in common, except for interesting game mechanics that could work well for the created prototype. The creation of the prototype paid attention to the analog and digital gameplay, by the use of a questionnaire with twelve questions that was handed out to an amount of participants. The knowledge, desires, and thoughts of the participants on both gameplay and game mechanics were collected anonymously. The questionnaire was focused on both digital and analog games, to see if the result was different from participants that prefer either analog or digital games. These questions, see Appendix 12.4, were answered by a random group of individuals where the only specified data was their gender and age. The specifications were in addition to find out if there were any differences in the gender and age perspective of gameplay. This step can be found for further reading in Chapter 3.1, 3.2, and STEP 2 - SELECTION OF GAME ATTRIBUTES The analog and the digital game attributes, are the result of the mixture between the analysis and the answers that came from the questionnaire. The different attributes are divided into the diagram shown in Figure 1, in Step 2. This diagram is divided in three areas that weave together to explain the merge of the analog and digital game attributes. This diagram describes where each individual attributes are placed and where each attribute fits the best. More information of this step could be found in Chapter 3.4 and STEP 3 - CREATION AND EVALUATION OF A PROTOTYPE The prototype was created using both the information from Step 1, Step 2, and the information from Pulsipher [1] book on game design, trying to receive a well played gameplay. These gameplay methods of the prototype were discussed in group, after a game session where information about important game elements and game mechanics were reviewed from a FPS point of view. This step can be found in Chapter 4 and

9 2.4 MAKING OF A PROTOTYPE In some cases a prototype is manufactured in the development of a digital game, according to Pulsipher [1]. To answer the research questions where conditions are reversed, a prototype was created to break down the digital game mechanics to an analog board game. One of the most important factors in the conversion was to maintain a game value by creating an entertaining gaming experience, even in the case of this prototype. Figure 2: Prototype example with a 6 player setting and token placement 2.5 PROTOTYPING Digital and analog game mechanics and components were used in the creation of the prototype. Converting a digital FPS game mechanics into an analog board game, was done by mixing the analog and digital components and game mechanics to create a playable prototype. The prototype was focused on keeping a low downtime 1, getting a high re-playability 2, and reducing the chance of luck 3 described by Pulsipher [1] book and Woods [3] in Chapter 7. It was important to give the players the option to select different types of weapons, actions and movement during the game, like in the game Doom III. In the setup the participating players should be able to choose if they want to start either with or without weapons, get weapons at random or by preplaced tokens in specific board tiles described on the setup. This choice was made to give more variety to the gameplay. See Figure 2. 1 Downtime: Describes the time the player spends passive, waiting for other players to complete their actions. In a real-time based game such as Doom III the players may act at the same time, but real-time is rarely used in board games. The passive waiting time could in most cases be quicker by reducing the amount of actions or by the reaction where the players play at the same time. 2 Re-playability: Means that the gameplay is not static, that the gameplay may change from one game session to another. Examples of methods using this type of game type to give a game more re-playability by drawing different cards, to build up the game board by board tiles like the prototype see Figure 2, encounters or events that differ in each game session. 3 Luck: A large amount of luck in a game is not well liked, according to Woods [3] in Chapter 7 book. For example a dice roll and cards can be used to give a better understanding on luck and the players do not want to have a 1/100 chance of getting a specific card or that a roll is crucial in order to win a game. It is important to get the right mixture of luck, chaos, and choice to get a working game

10 To give the prototype a low downtime more research was made by analysing other analog games to find methods of simultaneous actions. This type of action was supposed to give the players a shorter game time as well as a low downtime. Players would not have to wait until it was their turn to play like in a standard turn based game. To describe this type of game style, games with these game mechanics were reviewed. The analog game 7 Wonders uses a similar game mechanics. When the prototype was created the objective was to keep the most significant game mechanics and components from the digital FPS game and to maintain a well-balanced gameplay. According to Pulsipher [1] the gameplay is the most important part of the game, because players does not want to play a game with a bad gameplay. Different categories of people may have other opinions or experiences of gameplay, these categories are described more in Pulsipher [1]. In the prototype just like in a FPS game, the player was only able to control one character at any given time. As an added feature the game could be more complex and would make the prototype more time consuming, in terms of game time. This is based on the simultaneous gameplay, which is discussed later. By adjusting the number of board tiles in relation to the number of characters, the number of players is no longer a crucial part of the prototype in terms of game time. Additional players that participate in an analog game would normally increase the game time of a turn based game. But the game time is also depending on the players earlier experiences. Decision making in each game round was taking different amount of time, for example the picking of a target to shoot at, could be one of these time consuming game situations that could appear during a game session. The prototype was prepared so that the game could be played using a cooperative gameplay. This gameplay was most suitable with four or more players due to keep the interaction between the players at a high level, based on play testing of the prototype. If played in team play an even number of players are highly recommended to keep the game more balanced. Otherwise the opposing team could get a real advantage because of their number of actions. The analog and digital games mentioned could be found in the Appendix 10.1, 10.2, and Appendix 10.6 explains the different game mechanics, components, conditions, and types to get a better understanding of the description of the analysed games in each of the pyramid diagrams. These gameplay descriptions were based on the commonly used terminology in gaming circuits. To make it easier for the reader and to understand the functions of the different game mechanics used in the prototype

11 3 ANALYSIS In Chapter 3.1 the digital FPS game Doom III was analysed. Breaking down Doom III:s core gameplay mechanics and describing each of them in more details. See Figure 1, Step 1. Eight analog games were selected in order to sort out the game mechanics, components, conditions, attributes, settings, and modes. These elements were sorted out and placed in the pyramid diagrams to build up the majority of the game elements of each analog game, in Chapter 3.2 take a look at Figure 1, Step 1 for further information. In Chapter 3.3 the extracted data from the answers of the questions from all participants thoughts on analog and digital gameplay mechanics were overviewed. See Figure 1, Step 1. The results of the combination of both the answers from the questionnaire and the pyramid diagrams were needed to get a clear overview of more suitable solutions for the mixture of gameplay attributes that were necessary to convert a digital game mechanics to an analog game, by the use of analog game mechanics in Chapter 3.4, see Figure 1, Step 2 The answers were reviewed and discussed more ingoing in Chapter 3.5 before entering Chapter 4 where the research was further exploring the choices that was needed in the creation of the prototype. See Figure 1, Step DIGITAL GAME ANALYSIS Doom III is played using first person view. Players playing an analog game cannot see from the character s field of view in the same way as in a digital game, where the players use a digital display as the main source of view. First person perspective makes it impossible to detect opponents that are behind the character by sight, instead the player has to rely on other senses, such as hearing. In a FPS such as Doom III a player only plays one character at the time. Real time based digital games are constructed on calculations when a player presses specific keys on a keyboard, joystick or any other form of game control. In FPSs the players often use the keyboard combination WASD for this type of realtime based movement. W to run/walk forward, A to rotate/strife to the left, D to rotate/strife to the right, and S to run/walk backwards. Equipment and weapons are important for the gameplay, for the players to achieve the goal of shooting the other opponents in the game. The opponents may be artificial computer controlled opponents (also called AI or Artificial Intelligence) or other players. In FPS games such as Doom III there are several types of weapons to the player s disposal as well as armour, health packs, and key cards to open new sectors on a map. The weapons also hold a limited amount of ammunition, which could be restocked either by collecting a similar weapon or by ammunition packs that could be found on the ground. In the multiplayer mode, weapons, armours,

12 ammunition, health packs, and power ups are placed at specific locations on the map so that the players may automatically collect these items by stepping on them. Doom III uses a graphic user interface, to describe the players current health, armour value, the amount of ammunition, collected weapons, and used weapon. The collected weapons are shown when the player picks a weapon from the ground and will be hidden after a couple of seconds. Skill is based on the use of the controls (mouse/keyboard or joystick) and the player s marksmanship is important in order to hit the opponents, which could be hard if the player is not used to the controls. The player must aim at the opponent and shoot at the right time to get a kill. So this shows that the player also needs to react quick this is also why the reaction time was important, in order to kill the opponent, before the opponent was able to kill your player character. The environment was often used to get an advantage, to hide in a dark corner or to climb up a ladder to hide from the opponent. In some areas the player may be more vulnerable for example when the player runs in a small corridor unable to side-step to safety. The lighting was also important for the settings and in Doom III this was used so that the players needs to use the flash light to see the opponents lurking in the shadows. Doom III also uses a lot of sounds to get the players attention of where adjacent opponents are located. This element effect elevates the gameplay experience by creating an atmosphere where the players can not feel safe. This element was especially hard to deliver into an analog game, although more often used in films and digital games. Moving, sidestepping, jumping are several of the movement mechanics in the FPS to avoid being hit, in a digital game this make much sense because the players reacts in real-time. This game mechanics are crucial to a digital game of the genre. Cover or camping are gameplay mechanics used to hide from the players and are more often used in capture the flag. In this gameplay the players may wait at specific strategic locations on the map to gain advantages when a player moves in line of sight. In analog games the players are often given bonuses from cover. Situations like the capture the flag, where the other players are often picking a flag from the other player s team s base. The player that holds the flag is then supposed to bring the flag to their own base. The digital FPS game has an age recommendation, because of the amount of graphic violence and a rough language. Doom III has a recommended age of eighteen. In analog games the age recommendations are different more representing the complexity of the games rather than the graphics and the rough language. An exception to this was the analog card game Kult that was highly criticized by the media in the middle of the 1990s, this game has an age recommendation of fourteen according to Board Game Geek. This may be due to its extreme graphic content and rough language, but this was not confirmed

13 3.2 ANALOG GAME ANALYSIS The goal of this analysis was to sort out game mechanics and components that were used to create the prototype. Analog game analysis was made using the gathered information from the eight analog games listed in Chapter 2. More information from the full analysis could be found in the Appendix SETUP AND USER INTERFACE Two of the game mechanics from the game Tannhäuser were used, where the players could start with a set of combined equipment and weapon tokens which are combined in any way the player chooses and the players may also be able to collect equipment on fixed positions on the game board. The user interface of this game holds similarities to a FPS such as Doom III, because it holds the amount of health, an amount of equipment or abilities, and statistics of the character. REACTION TIME The reaction time from Tide of Irons initiative was used to create a game mechanic that decides which of the players that shoots first in the prototype. This game mechanic is similar to the FPS reaction, such as the counter attack. BOARD LAYOUT, LINE OF SIGHT AND WEAPON RANGE Claustrophobia has a game board that is built using board tiles to give the game its environment in terms of narrow corridors and rooms. This type of environment is frequently used in FPS games, as well as the rules for line of sight, the range of weapon attacks, and was also used for the prototype. SIMULTANEOUS ACTIONS Junta! holds actions that were used for the simultaneous movement that was required to simulate the real-time movement. This type of action also gives the prototype a moment of surprise, because the players are able to hide their specific movement. DIRECTIONS The selection of the character direction plays a big role in the prototype. The game mechanics from the game Neuroshima Hex! Was used to describe the direction of a player s field of view similar to the FPS game Doom III. EQUIPMENT AND WEAPONS In Citadels the players builds districts to win the game, some of these district cards give advantages to the player during the game. This game mechanic was used for equipment and weapons that were picked up during the game session, just like in a FPS such as Doom III

14 HIDDEN COLLECTION CARDS AND RESOURCE COLLECTION Race for the Galaxy is a card game that uses action based gameplay, where the player is using a hand of hidden cards and each turn selects one of these action cards to get advantages in the game. This game mechanic was used to create the movement cards for the prototype. In Race for the Galaxy the players also draw an amount of cards which could be used as resources or to play the card for a given bonus. This game mechanic was working well for the gameplay of the action cards for the prototype. TELEPORTATION BOARD Pandemic uses cards in order to teleport from one place to another. This game mechanic was borrowed for the prototype, to be used for the special movement card warp which lets the player teleport from one portal to a random portal on the game board. The reason why only the game Tannhäuser and no other similar games of the same genre were selected was because Tannhäuser was the only game that was played player vs. player. The games Tannhäuser, Space Hulk, and Descent: Journeys in the Dark are also slow in terms of gameplay, referring to the stated game times of these analog games. But all of these games are also played turn based, which means that one player take one action and then another player takes one action. Rather than the already existing game mechanics from similar shooter games. The prototype was not made to recreate existing work, where game mechanics and components are mixed from other analog games in order to build a more unique setting of a FPS game, such a majority of the game mechanics used to create the prototype. With the help of the different game mechanics the prototype could manage to achieve a lower game time, more re-playability, and the reduction of downtime, proved during a game session where the time was clocked to 1 hour this means that the game is at least half an hour shorter than the game Tannhäuser. Based on a group with players that was totally new to the game

15 PYRAMID DIAGRAM Diagrams of each game were created like the one below in Figure 3. This diagram was made through a design decision to describe an analog game and its structure. The pyramid diagram describes the information of how the analysed games were placed and categorized, this was done after each game was analysed. The pyramid system was based on the gameplay analysis of the diagram presented in Woods [3] Page 148, Figure 7.1, with game mechanics. The complete game definitions of each game could be found in the Appendix 10.6, game definitions are based on the rulebook functionality of the game mechanics, component, types, and elements. Names of these game definitions is just a short description of the specific type and its functions. Presenting each category to explain their specific purpose and function to clarify the diagram setup. The focus will later be centred to the third category of Specific Game Mechanics. Figure 3: Pyramid diagram setup

16 GAME TYPE DEFINITION The first category, in the top of the pyramid diagram describes the basic type of the game, genre, and how the game is played in order of play style. Some games could have more than one genre and play style. BASIC GAME COMPONENTS & MECHANICS The second category, describes the core types of the components of the game, such as board type, collection types, turn order, victory conditions in terms of how many ways the players can complete the game and which types of randomizing mechanics that play a role in this type of game. SPECIFIC GAME MECHANICS The third category, describes more unique game mechanics and conditions of the game, in order to make the game stand out from games within the same genre. This category will be called the "fun factor". These are vital game mechanics to get a fascinating gameplay. This was the category where most of the game mechanics for the prototype were found or invented. Such as the conditions by mixing existing game mechanics or conditions from other games. OTHER GAME MECHANICS The fourth category, describes the needed game mechanics and conditions, in order to get the game working. These game mechanics and conditions are often similar to the same type of genres as in any of the analog games in the same genre. The analog games in this category do not hold any extraordinary game mechanics to make the game stand out. Instead the game mechanics and conditions are still important in order for the game to work as predicted, but not for the purpose of this bachelor thesis. The majority of the game mechanics described in this Chapter 3.2, are collected from the third category also described as the "Fun factor" in the pyramid diagram at Figure 3. Where "Fun factor" are just the definitions of more rare mechanics

17 3.3 QUESTIONNAIRE SUMMARY In this Chapter 3.3 the questionnaire was summarized, to get an overview of the participant s relationship towards the digital and the analog games. This was done in order to get a deeper understanding of why the participants played analog and digital games and to understand if there were any differences between age, gender or player perspective. The summarized result of this questionnaire analysis was discussed and reviewed further in Chapter 3.5. A total of 31 anonymous participants answered twelve individual questions about gameplay, game mechanics, most liked genre, and if they were playing games. The participants stated their proper age and gender in the survey. Result: 24 of the participants where male Result: 7 of the participants where female AGES UNKNOWN * PARTICIPANTS Figure 4: Describes the age of the participants of the questionnaire GAMER PARTICIPANTS Figure 5: Describes the amount of gamer that the participant think they are, where 1 was considered no I am not a gamer. The answers from the questionnaire combined with the analysis of the digital and analog games were used to create the diagram in Chapter 3.4 with the mixture of the digital and the analog game attributes. Though some of the answers on the questions 3-6 about missing game mechanics were removed, because personal experiences of already existing games that were using these type of game mechanics. The age and gender could not show any statistical significant result, with the low amount of replies from the questionnaire. There was a huge difference in the response to question 3-6, when the participants answered depending on the value on last question "Are you a gamer?. Where there was no answers at all from 7 of these participants that answered the result 1-3. The most important information of the questionnaires answers was the response to the analog and digital gameplay mechanics, because the prototype should keep the wanted game mechanics. For more information about the questions answered in the questionnaire, see Appendix *The unknown category describes a participant that missed to fill in their proper age

18 RESPONSE TO THE ANALOG GAMEPLAY AND MECHANICS The main response to why, the participants played analog games, was because of the social aspects, which was often played with friends and family. The participants would like to experience more of the following mechanics in analog games, low downtime, re-playability, dynamic boards or cards, sounds, simple rules, player vs. game, and hidden movement. The participants claim that the following mechanics would not work in an analog game: real-time based movement, massive multiplayer gameplay, player elimination, player vs. game, resource management, and physics. The participants that preferred to play analog games, seem to like games with social interaction, such as parlour games and role-playing games. The majority of the female participants answered parlour games and the majority of the male participants answered role-playing games. RESPONSE TO THE DIGITAL GAMEPLAY AND MECHANICS The major response to why, the participants played digital games, was that the digital games were easier just to jump into without reading a lot of rulebooks, but also the creativity of the digital world in expressions of emotion towards the graphics, sounds, and video. The participants would like to experience more of the following mechanics in digital games, social interaction mechanics, where the player may be able to draw on a map or improve cooperative gameplay, realism in looting, consequences such as NPC gets killed or cities wiped out, improved AI, interaction though new types of controls or more games like uses the Playstation Eye camera, strategic or tactic gameplay, simple gameplay, additional single player content, true virtual reality, and more advanced physics. The participants claim that the following mechanics would not work in a digital game, true role-playing gameplay, true virtual reality with smell and sound, the shuffling of cards through the cause they differ, turn based, real life social interaction, and a logical thinking AI. Of the participants who preferred to play digital games, the majority preferred to play FPS games and role-playing games. CONCLUSION OF THE RESULTS FROM THE QUESTIONNAIRE The answers on what the participants wanted to play could be a coincidence but according to both Woods [3] and Pulsipher [1] books the majority of the research shows nearly the same result on the gameplay mechanics and that the females liked to play more of the social games. Most of the participants would like to play more analog games if they were able to do so, but because of the aspects of gathering a group of people for an analog game session. The most preferred game form was the digital type among the participants

19 3.4 GAME ATTRIBUTES When the analysis of the digital and analog games had been made, a new diagram was made. This diagram depictures the mixture of game attributes which were needed to convert the FPS game mechanics to the prototype. The collected information from both the game analysis and the answers of the questionnaire were gathered and positioned in this diagram see Figure 6. The digital game attributes that were found in the FPS Doom III was discussed with a group of individuals through the social media of Facebook that played a lot of first person shooter games, through observations of gameplay videos, and play testing of Doom III. The analog game attributes were collected from both the game analysis and discussions on Facebook, on suitable game mechanics that could be used for the creation of the prototype, before the mixing of both the analog and digital type of attributes. The diagram explains the different type of game attributes. Explaining how the digital and analog games are weaved together, to organize a diagram of most commonly used game attributes in either digital or analog games. This made a bridge between the two game types where they meet each other, to form game attributes that could work well in both of the above mentioned game types. Figure 6: Describing game attributes

20 3.4.1 DIGITAL GAME ATTRIBUTES The digital side to the right of Figure 6 describes the digital game attributes that work better in a digital game application. Some of these game attributes may be used on an analog game, but the attributes often need some conversion in order to work. RESOURCE COLLECTION Collection resources are in most cases very time consuming. This is the reason of why resource collection fits better in digital games, because the computer may store the information examples of games using a large amount of resource collection are the games: StarCraft, Warcraft II, and Dune II: The Building of a Dynasty. REAL TIME BASED GAMES This game type is very hard to implement in an analog game, because the digital platform is able to calculate the incoming data quicker than a normal person may calculate the same amount of data. For example the characters reactions, movement speed, directions, movement penalties, jumping, shooting which would be extremely hard to obtain in an analog game. Sonic the Hedgehog or Super Mario are examples of real time based games. FIRST PERSON BASED GAMES The closest form of analog gameplay based on first person was probably live action role-playing (LARP) or Soft Air. This bachelor thesis did not look into this type of gameplay. This game form is better preserved in a digital game rather than an analog game. Example of games which are first person based are Thief, Doom III, and Battlefield 3. PERCEPTION BASED GAMEPLAY Where the players need to aim in order to hit a target. The perception based gameplay are often seen in terms of sports in an analog way but seldom in games, by sports referring to games like dart, football, or hockey. This type of gameplay were used in FPSs such as Doom III, Unreal, Quake, and Halo. CAMPING Camping are often used in FPS games. Camping is when players stays on a strategic position waiting to shoot their opponent when a player s character gets within range. This could work in an analog game but the game mechanic is more suited for digital gameplay, rather than the analog gameplay. This attribute could increase both the downtime and the game time of an analog game, because these game mechanics encourage a passive game style, and is highly depending on the other player s activity in order to function. If a game mechanics for a mixture of camping and hidden movement would be used the camping could work in an analog game

21 HIDDEN MOVEMENT This type of game attribute is often used in real time strategy games such as Warcraft III, StarCraft, and Warhammer : Dawn of war. There are analog games that could be played using the hidden movement but these games often need an additional game of the matching type with a screen in-between like Battleship, or with Axis & Allies that have house rules ( see Appendix [10.6] ) for this type of gameplay. The most common form of hidden movement is the Fog of War. Fog of War are used to hide parts of the game board that is not visible to the players units. COMPLEX RULES These are rules which could be extremely time consuming to use. Many players who play analog games according to the questionnaire want to play games with rules that are simple to learn and with a low game time. In a digital game the players do not need to read rulebooks of five to forty pages in order to play the game, this does not mean an analog game cannot be complex. War games like Advance Squad Leader and World in Flames are examples of analog games with extremely complex rules and may take weeks in order to finish a game session. PROGRESSION Works on both platforms, but the progression attribute performs better on a digital platform. Role-playing game is the type of analog game that uses progression. There are some other analog games that use this type of game mechanics like Necromunda, Blood Bowl, and the expansion Descent: Journeys in the Dark, Descent: The Road to Legend. Digital games often use progression to maintain the players in a game. Diablo III, World of Warcraft, and XCOM: Enemy Unknown are just some examples of games with progression. VIDEO This media uses a digital platform and the closest part was to make some form of puppet show or theatre in the conditions of video reference. It is still not a video representation, though this attribute is more suited for digital games. Examples of video representations in games are Diablo III, Dragon Age II, and Disciples III. SOUND This media could be used in terms of an analog game, but the mixing and the timing was harder to achieve in an analog version for sound representations. There are some analog games that deliver a sound track, examples of these games are Last Night on Earth: The Zombie Game and A Touch of Evil: The Supernatural Game though these games are still played using an electronic device such as a DVD player, CD player or Blue ray player

22 3.4.2 DIGITAL AND ANALOG GAME ATTRIBUTES The mixture of the digital and analog attributes in the centre of Figure 6 describes digital and analog game attributes that work well in both analog and digital applications without losing a large amount of gameplay value. Even though the feeling of the different attributes may differ, depending on the type of the attribute. For example card shuffling for a board game gives a different feeling than the card shuffling on a computer, but both of the attributes work well in either way. TURN BASED GAMES: INVOLVING A MAXIMUM OF TWO PLAYERS A turn based game with two players, would work for both a digital and an analog game. The analysis of Race for the Galaxy online and Heroes of Might and Magic series are good examples of this attribute. Common for players that play digital games like Race for the Galaxy Online, is that they are impatient and very eager to begin to play a game with more than two players. The online players often drop out of games that does not start right away. Sometimes there were not even a chance to chat with the online players until they left the game session. Players playing these type of games are missing the webcam possibilities, this was discovered through the questionnaires. CARD DRAFTING Where each player receives a hand of cards, draws a number of cards, and passes the rest to the next player. Because this is a simultaneous game mechanic this type of attribute could work well on both the digital and the analog platform. Card drafting are used in the analog games 7 Wonders and Citadels. COOPERATIVE GAMEPLAY VERSUS THE GAME Games where the player plays alongside with each other to fight the game itself or another player that takes the role of the storyteller, work well in both the analog and the digital games. For example game mechanics used in games like Pandemic, Arkham horror, StarCraft, and Diablo III. DICE ROLLING Rolling of dices works well on both analog and digital games. Randomizing is used in a large quantity of both of these game types. This attribute works until the amount of dices reaches a certain limit where it would be too complex to calculate all of the dices to get the results in an analog game. CARD SHUFFLING Could work well in both game forms, through analog games because of the function of the card shuffling, and in the digital game because of the card shuffling in order to save time. Card shuffling is used in games such as Dominion, Race for the Galaxy, Ticket to Ride, Race for the Galaxy Online, and Magic the Gathering

23 3.4.3 ANALOG GAME ATTRIBUTES The analog side on the left of Figure 6 describes analog game mechanics, and what works best in order of gameplay in analog games. This means that it is impossible to achieve these game attributes in a digital game. PHYSICAL MODEL INTERACTIONS Physical interaction is almost used in all type of analog games. This attribute involves the sense of feeling, touching the materials of the components for example moving figures on the game board, drawing physical cards, and rolling dices. RULE CHANGING By changing attribute in the game, for example when the player moves into the room it shall rotate 180 degrees and all players may draw a card instead of just moving and turning, would have been done in five seconds in an analog game. But this rule change could take hours in a digital game if it should be implemented in code and most of the digital games would need a large amount of code experience. TURN BASED GAMES: INVOLVING MORE THAN TWO PLAYERS Heroes of Might and Magic series is a digital game that could be played with more than two people, but in terms of downtime the gameplay is becoming too slow and there are a lot of waiting times before the player would be able to play the next game round. The digital versions of Race for the Galaxy and Citadels, Race for the Galaxy Online and Citadels Online. These games were nearly impossible to play, due to the waiting time of game sessions with more than two players. PROTOTYPING This game attribute could be used to quickly produce a prototype of an analog game for the purpose of play testing. To find out if the game is worth the time and effort for the developers. In an analog prototype the rules and the design decisions could easily be changed early in the production. Instead of spending hours on coding to accomplish the same result in a digital game, according to Pulsipher [1]

24 3.5 WORKFLOW DISCUSSION With the analysed material from Chapter 3.1 to Chapter 3.4, there was enough of information as well as observation to configure the prototype. The prototype was based on the game mechanics collected from the analysis of the analog games and the clarity from the game mechanics from the digital FPS game. The answers from the questionnaires, gave a picture of what the participants were missing in games and also what they wanted in form of mechanics. In the terms of what the participants thought was impossible to create in a digital game or an analog game, could be discussed further. There are game mechanics that the participants thought would not work in a game, which have been used in games in the past. Gameplay similar to Pandemic and Arkham Horror where the player or players team up against the game was a mechanic that the participants would like to see in analog games and some participants thought would be impossible to recreate in an analog game. The participants wanted to play analog games that had a low downtime. This could be achieved by collecting the most time consuming elements by finding out what sequence that is taking the most time, with this information the players need to check if that sequence could be played simultaneously. The analog games should also according to the participants include more re-playability, such as a dynamic boards or additional cards. The participants also wanted to include sounds in an analog game, there are two games which are described in the digital game attributes in Chapter 3.4.1, that are sold with a CD sound track that could be played during the game session. Participants wanted simple rules, the use of a DVD film with a tutorial of how the game should be played could solve this issue or simply by making a game with less complexity. Hidden movement was used in some games such as the Dungeon Crawler game Space Hulk. Hidden movement could be used in board games such as Axis & Allies and Risk. Players could use more than one game board and a screen between the two game boards to hide their armies (house rules) such as the game Battleship. There are several analog games that have been transformed to digital games. This was discovered early in the analysis of the eight analog games. This does not mean that every game worked either better in the digital version. This depends more on how the developers converted the games. Some games had some issues with unstable servers and locked chat possibilities for new players which causes some problem when trying to put together players for a game session

25 4 THE ANALOG BOARD GAME PROTOTYPE In this Chapter the prototype of the FPS game, was created using game mechanics, found in the games that was analysed in Chapter 3 and the information given from the participants answers from the questionnaire in the same Chapter and at Figure 1 in Step 3. Figure 7: Setting of the prototype The main focus of the prototype in this specific situation was the game mechanics for the turn actions. This enables all players to play simultaneously, such as moving, shooting, and spawning to get a gameplay that is similar to a FPS game. The prototype needed a game board for all players to interact with, see Appendix The analog board type that was picked is the dynamic type to give the player more variations on how the game board is built up during setup, see Chapter 3.3 for further details. Corridors and rooms were used to create the game board setting, where rules were different in terms of line of sight to mimic a FPS. This type of board setting will also give the game re-playability through the large amount of different combinations of board setting, see Figure 7. To become better at playing the game over time like in a FPS, the game mechanics of the analog games were studied to find ways to convert the marksmanship to the prototype. To make the game skill based, the prototype uses an amount of action cards that the player is able to combine in different ways to give the player, for example a better chance of hitting the opponent with a shot, new weapons, strategic advantages, and a reaction time value based on the players combined amount of command points. This gives the player a strategic skill based gameplay, where the players have to decide how they want to play. The action phase was also giving the prototype a moment of surprise. By having unexpected things happening during a game session, there was a chance that

26 players might miss their opponent and even chances to hit their own teammates in a team player game mode, with for example special weapons, grenades, and rocket launchers. This action was also giving the players the ability to overview the total amount of luck and chaos, because the players may be able to influence their own odds, by playing action cards or changing dice values. This was giving the prototype a more stable gameplay than just pure luck of dice rolls and once again giving a gameplay more similar to a FPS game. Ammunition used in FPSs like Doom III, in terms of resource collection see Appendix 10.6 is more time consuming in an analog board game such as the prototype. Ammunition may be of interest on specific weapons, such as grenades which could only be used one time. Regarding gameplay it was not important to use ammunition in the prototype, because the players were intended to get killed several times during a game session. In FPS games, the killed character often loses their weapons and equipment so the purpose of the prototype was supposed to be the same. In some digital games a player might be able to pick up a weapon or equipment used by the killed character, like in the game Battlefield 3. This was a rule that could be used in the prototype. The players should never be cast out of a game when they got killed according to Pulsipher [1] on player elimination. Instead they should be returned to the game board, on the following round. All the necessary game mechanics are then placed in a pyramid diagram just like the other analog games that was analysed see Appendix This was done by taking a closer look at each category and explained them in detail to describe the design process of the prototype. GAME TYPE DEFINITION Game setting board game, Player vs. Player, All for themselves meaning that all players should fight against each other, or team cooperative which means that players may play in a team if they have a group with four to six players. Genre of game was set in a science fiction, to explain the setting of the prototypes background story. The gameplay is that of the strategic shooter. BASIC GAME COMPONENTS & MECHANICS The prototype contains a number of action cards and movement cards. The movement cards are used in order to travel in the game, described later in Chapter 5.1. The action cards are used in order to change the results of a characters action, described in Chapter 5.3 and 5.4. There will be four types of tokens in the prototype which will be used to keep track of the amount of kills, spawn points, poison counters, and victory points. Like in Doom III the number of kills is the way to determine a winner at the end of the match. The amount of victory points collected by a player like in the game Tannhäuser, is used for special victory conditions such as Capture the Flag game mode. Spawn point numbers for the portals used on specific board tiles just like Pandemic, was made so that the characters may teleport from one board tile to another on the board. Poison

27 counters are used when a player plays a specific action card from the players hand in order to poison a board tile. There was six coloured figures which the players could choose from, red, green, blue, yellow, black, and white. Just like in the FPS Doom III the player may only play one character. The game also contains Reference sheet, such as Character sheets for each participating player to keep track of their character s health, just like the user interface in Doom III. The game contains two dices for each player of their corresponding figure colour, described above, to use the principles of dice rolls described in Knizia [2], where the players add the two rolls together to form the result. Room & Corridor board tiles were used in order to create the game board, this made the board setting dynamic and made it possible for the players to create a large quantity of levels. The dynamic board setting of tile placement was using the same type of setting as the analog board game Claustrophobia. The request from the answers of the questionnaire, where the participants wanted re-playability. Re-playability was gained through the dynamic board setting and the large amount of action cards. The prototype uses a combination of dices and cards in order to randomize the attack results. The turn was divided in two different actions; the reaction phase, and the action phase. Dices roll and the result of luck was the highest factor during the reaction phase. During the action phase the players instead got to choose how to play cards. The dice rolls could be determined by the choice of discarding cards for a specific change of the dice result of one of the two dices, this decision must be made before the dices are rolled. To give the players the alternative to use dices rolls, or to play the prototype more strategic in forms of a precise values, such as the change of a dice to a value of four before rolling the second dice. This would then give a value from five to ten. These actions will be discussed later in Chapter 5.5. The players can only win one way in the prototype, other methods are discussed in Chapter

28 Figure 8: The prototype pyramid diagram SPECIFIC GAME MECHANICS The core part of gameplay of the game is described with the following game mechanics; Special rule, Teleportation board, Decision making, Open attack, Changeable initiative, Simultaneous action, and Opponent interaction. SPECIAL RULE The players chose one of their eight movement cards in each movement phase. Unless the player is playing a special movement card in the previous round, then they may only select from the four directional movement cards. The reason for implementing this limitation was because the special movement cards were too powerful to be used in every game round. TELEPORTATION BOARD Players may use the Warp movement card to teleport to a random portal on the game board. Both the Movement selection and the Teleportation board give the players a type of hidden movement, like the participants would like to see in an analog game according to the Questionnaire in Chapter 3.3. This movement also made it possible to flee if the characters were heavily wounded

29 DECISION MAKING When the players play specific action cards or movement card. Which could be the Special movement cards follow, stand ground, advance, or warp. It is important that the players decide to play their cards right in order to win. Participants wanted a high amount of re-playability. The decision making is also described in Woods [2] as a well-liked game mechanic according to Woods research. OPEN ATTACK In this prototype there will be two types of open attacks, determined by dice rolls. One in the movement phase and one in the action phase, described earlier in this Chapter Basic game components & mechanics. These two attacks are constructed to give a better average of luck and chaos, this gives the player the ability to change the outcome of the attacks final results. CHANGEABLE INITIATIVE The prototype was also using a changeable initiative in form of a reaction time, the initiative is based on the action cards actual command point cost. Like the reaction time in a FPS game like Doom III. The reaction time is further described in Chapter 5.3. SIMULTANEOUS ACTION All players will move at the same time after each player have selected their movement card. The movement cards will be revealed at the same time, all players will then move their own figures on the board according to their own movement card. All players will also roll attack dices and play action cards at the same time, this is why all players are using coloured dices of their characters specific colour. All dice could in this case be rolled by one player, to make the gameplay quicker. This way the game gets a low downtime explained by Pulsipher [1] and it comes as close to a real-time movement as possible. OPPONENT INTERACTION This game mechanic describes the effect a player could use to interact with their opponents. Opponent interaction could be used through specific action cards such as the trip mines or the poison that could be used to damage the opponents. This is to give the game more interaction when the players move around on the game board. This game mechanic also provides more gameplay action and gives the game more variety than just shooting

30 OTHER GAME MECHANICS These three game mechanics describe fundamentals that are needed for the directional movement, Hidden collection cards, and the games Victory condition. HIDDEN COLLECTION CARDS The players will draw a number of action cards from a face down action deck. Just like in the most card games for example, Citadels, Race for the Galaxy, and Junta!. These drawn cards are then kept hidden until the action cards are played or discarded. DIRECTIONS Depending on the layout on the board tile the players may move in 1-5 directions, depending on if a character may use a spawn point. Like the game Claustrophobia, that uses similar game mechanics. The directions for the prototype depends on the door pass way, this describes that the player may move in that specific location. VICTORY CONDITIONS The game will end when the amount of kills reaches a number decided before the game starts, at this point the most victory points collected will be the winner of the game. Victory points are awarded for killing an opponent

31 5 DISCUSSION In this Chapter 5 the prototypes different game mechanics were overviewed and discussed in detail, to explain why the prototype was played in a specific way. How it was changed to improve the prototypes gameplay. Looking closer to the core game mechanics of the prototypes movement mechanic which was the simultaneous movement. Without this game mechanics the game would gain a higher level of downtime which would cause the players to spend more time passive. Real-time movement could solve this issue, but this is a problem that have become too hard to be solved for this short amount of time. The game should not rely on the turn based gameplay used in analog games such as Tannhäuser, Space Hulk, or Descent: Journeys in the Dark, described earlier in Chapter 3.2. After the discussion of the simultaneous movement in Chapter 5.1. Chapter 5.2 the selection of board type will be described the selection of board type and the board layout of the board tiles and also why the specific board type was selected. The prototype was made using a more dynamic board than the one used in the analog game Tannhäuser. This decision of the board design is a design decision to obtain a high re-playability as mentioned earlier. The fact that the board tiles were using square based board tile was not only to save some time on the cutting but also to limit the amount of directions that a character may travel to in each round. The size of the game board should be managed during the setup based on the amount of players that should participate in the game session. Recommendations was to 9-12 board tiles to build the game board for a game session with 3-4 players. This recommendation was discovered after several game sessions, oversized game boards made the game sessions longer. The characters spent many rounds moving and was not involved in combat as frequently, as on the smaller game board. The re-playability was also increased with the amount of action cards and the different amount of weapons discussed in the Chapters 5.3, 5.4 and 5.5. Time consuming game mechanics that did not fit well in the prototype were removed to reduce downtime and game time of the prototype, but also to maintain a gameplay which will improve the prototype. An example of time consuming mechanics not used is the resource collection of ammunitions

32 5.1 SIMULTANEOUS MOVEMENT Simultaneous movement was important to come as close as possible to the real time movement used in a FPS. Simultaneous movement was also important for the actual moment of surprise and to get a hidden movement. In a FPS the game controls often uses WASD (described in Chapter 3.1) in order to update the direction that the player moves towards. In a digital game the computer takes care of all the moved characters in the game area which makes real time movement more possible in a digital game than in an analog game. The computer also holds the speed of the charactersof how far the player are able to move each update. A board game seldom uses real time movement, because there is no player keeping track of movement in the situation of how far the players may move over a specific time period. This game play may also give the players a natural way of changing their plans described in the example below. For example players may change their prior movement decisions, so that the player gain advantages because the opponent player moved to a specific location. This is both time consuming and boring for the participants of the game. So in order to gain gameplay speed in the prototype, mechanics from the card game Race for the Galaxy were used to make the movement phase. Race for the Galaxy uses a mechanic where each player has a fixed set of cards (seven cards) and the player chooses one (in some cases two) of these cards in the beginning of each round in order to give all players that specific action phase. Rules are changed in order to use the mechanic for movement, because in Race for the Galaxy the players gets a minor advantage from the played actions of a game round, this rule is removed. Race for the Galaxy is also a card game and do not contain a board setting as in the prototype. New rule for the movement cards are that a player may choose one movement card from their own fixed set of cards (one of eight cards see Figure 9) in each movement phase. This card effect does not apply to all players. To make the movement simultaneously all players reveal their own selected movement card at the same time. All the players then move their character on the board according to the rule of the players certain newly played movement card. The idea of using this type of movement was to keep the movement hidden so that the moment of surprise may occur, to replace the fog of war used in a digital game or the perspective of the player s view. In some cases when two players are in the same room or corridor, the players will be given the choice to follow the opponent s player wherever the other player decides to moves. This special movement card was made to make the character able to catch an opponent that tries to escape. In the FPS the players have the opportunity to follow another player and the possibilities to gun down the other player. The rules were changed in the board game to limit these special movement cards. Special movement cards cannot be used the next round if the player used them in the current round. This rule was strictly to get a better gameplay of the board game and to give the players an opportunity to flee. This issue was discovered during a game session in which the prototype was play tested by a group with four participating players

33 Figure 9: Movement cards and special movement cards. There could be other ways to make the hidden movements by the use of a story telling player, so that all players have their own game boards and the story teller can see all of the players boards and tell the players when they run into each other. In this way the players do not need cards but the story teller decides when the players may or may not move, special movements could in this case be told or written down to the story teller. But this type of gameplay would probably just cause more problems than it would add to a "good" gameplay

34 5.2 BOARD TYPE AND LAYOUT The board was one of the fundamental parts of a board game. The game board should be used so that the mechanics of the movement cards could work as intended. The board types using a hexagon board or grid board would not be suited for the prototype. One of the reasons was that this would make the movement game mechanics taking players a very long time to find each other on the game board. The game of Claustrophobia uses a board type, interesting for the prototype, where each board tile holds one room or corridor. There are specific rooms that use special rules, but the main reason for this decision lays in the movement mechanics of Claustrophobia where the players may move one or sometimes two rooms or corridors in one turn. This suits the prototype very well. Figure 10: Corridor and Room board tiles Corridors are tight and in a FPS a player that runs in small corridors cannot dodge bullets in the same way as in an open area. To illustrate this in the prototype players are given no negative values for shooting at opponents in a corridor one room away, if the player has line of sight. If a player in other cases are in a room they can dodge, strafe or jump in a FPS, so the player shooting on an opponent one room away will receive a negative modifier to the shooting players roll. Similar mechanics for this type of rule could be found in war games such as Tide of Iron, where the shooting player gets a modified value when they try to shoot figures placed in for example a forest or a bunker. There are action cards that are restricted for use only in rooms or corridors, to make the players use the map to gain access to a specific action card, like a new weapon or the use of trip mines. The prototype has a large advantage over the digital FPS, because of the flexibility to change the map each time the game is played. This could be done in different digital games through level editors, but it would take a lot of time to make a level. Comparing it to the analog version of a game, described in Chapter in 3.4.3(Prototyping) to change the board tiles in different directions, or even change the board tile during the setup of the game, to create a new game board. The prototyping of an analog game was also discussed by Pulsipher [1]

35 5.3 SKILL BASED GAMEPLAY Skill in a FPS game is based on the mouse speed and the perception of the player. This could also be linked to the player s reaction time when the player shoots. Simulate a player s skill can be done in a several types of ways. The players could be given a certain type of more skill based device if the players would prefer sport based skill, such as an arrow, water pistol. Where the player needs to use their accuracy for example the attacking player throws a coin from a distance of two meters on a small character poster to determine the damage made by the player s character. The character poster has different hit zones that describes the amount of damage made to the opponent s character. This gives a more skill based type of game play and would not work well for this prototype. Thou this might work well in a party game, the participants playing the game should in this case play the game outside to avoid breaking any valuable items. The prototype will focus on a more strategic type of skill where the players earn bonus abilities after a set number of kills. Games that hold these types of game mechanics are games like Descent: Journeys in the Dark or Mutant Chronicles: Siege of the Citadel. In Descent: Journeys in the Dark where the character become better during a game scenario, especially in Descent: The Road to Legend where the players plays in more than one game session. In Mutant Chronicles: Siege of the Citadel the players are given different types of dices in order to give the players a better random chance when the player shoots at monsters. In the prototype players will be given action cards and skill cards. The player will also be given more action cards during a game. When the player has killed another player without dying, the player will receive one additional action card and after killing two players without dying the player will receive two additional action cards. If this player dies, the player goes back to receive their standard hand size of four action cards. This game mechanics were used to give the players a "feeling" of the skill in a digital FPS. The skill card see Figure 11 on the other hand, once the card is obtained, stays with the player throughout the complete game session. Though the skill card may be changed during the game session to a better card, depending on the amount of kills the player has achieved. The amount of stars on the skill card describes the corresponding skill level of the player, see Figure 11. Figure 11: Skill cards for strategic skill

36 Other ways could be to give players a chart where the players may fill in their total amount of kills and store them in order to use the result of kills in their next session of the game. This could be an idea for tournament rules. The reaction time is also very important part of the game mechanics in a digital FPS, because that player would want to shoot and kill their opponent before the opponent may be able to shoot. A way to fix this issue could be to roll a dice to contain a value in the beginning of each round as in the game Tannhäuser, but it does not make the reaction value based on skill, because the value is just a matter of pure luck. There is an out of the ordinary game mechanics used in Tide of Iron to describe the players initiative, where the players receive an amount of command points each round in order to gain the initiative. The command points are also used in order to play special cards. This game mechanic gives the players a choice to either save command points to play first in the next round or to spend the command points to play cards that may help the player in a way described by the specific card. This game mechanic makes it possible for the players to choose their own way of playing style, instead of just getting a lucky roll. A variation of this game mechanics was used in the prototype. Figure 12: Action cards At the beginning of each draw phase the players are given four to six action cards which hold three different values such as, special ability with special rules, dice value from four to six, and a number of command points from one to three. The players should count their total amount of command points after they have drawn their new hand of cards, this combined value is forming the player s reaction time value. The player may play cards at their action phase as usual. At the beginning of the next round the player s draws up to their players full hand size of four to six action cards see Figure 12. In this way the players need to make choices in order to maintain a high reaction time or lose the reaction time in order to save action cards. The negative factor of this game mechanic was that it gave the players a calculation time of five to fifteen seconds each round, depending on the player s mathematical capabilities

37 5.4 EQUIPMENT AND WEAPONS To explain the information of why the prototype uses cards for equipment, weapons, and strategic advantages lays in the background story of the game. To provide the information of the design of the background story a short summary of the game settings. The prototype was as described earlier in this bachelor thesis, set in a FPS environment in a multiplayer setting, the background story of the game was set in an alternative world, in a science fiction setting much like the movie of The Running Man (1987), where the participants are placed inside of a maze, with the only option to kill each other in order to win the game. The action cards represents locked abilities that the players may select in order to give their characters advantages during the game session. This unlock of weapons, equipment, and action cards was based on the cost of command points, by discarding the same amount of action cards. Each weapon card uses a reference sheet for their corresponding weapons damage, and several of the weapons hold one special rule to personalize the specific weapon see Figure 13 to the left. Just like in Doom III the different weapons got their specific features and specializations, for example the rocket launcher that may deal damage to more than one player. If the rocket exploded to close to the shooting players character that character would be damaged by the rocket, or like the chainsaw that cannot be used to hit player characters at long range. Figure 13: New Weapon card (left), Character sheet (right) The layout was also discussed after the game session where the group decided that the reference sheets should be printed on the corresponding action cards instead, see Figure 14. Because the reference sheets were too time consuming for the gameplay so the action cards for the weapons were recreated, with the values of the damage table of the specific weapon used on the card, see Figure 13 (Left). The action cards for the light and heavy armour were also discussed, because these action cards were also too time consuming for the gameplay of this prototype. For the purpose of gameplay the armour lowers the amount of damage taken from weapons. With this in considerations the Doom III use of armour mechanics in the prototype must be reviewed further. Changing the values on the character sheet, see Figure 13 (right) by increasing the amount of damage a character may take or to give additional health points depending on the result of the attack roll could be another solution for this issue

38 5.5 SHOOTING AND RANDOMIZING FACTORS The shooting phase is an important part in a FPS game and to implement this game mechanic in the prototype, game mechanics using a reaction phase between the movement and action phase was added. The reaction phase idea were created after observing a couple of YouTube [9] clips that was focused on the gameplay of Doom III. The reaction phase is based totally on the reaction when a player sees an opponent player as the player enters a room or corridor. The players that play Doom III, was never aware that their opponent is present until the player is able to see or hear their opponent. In order to shoot the player s character there needs to be for example, a line of sight to the player, unless the players uses a grenade or rocket, but then the attack roll would have been based on the result of luck rather than the skill of targeting the player. Unless knowledge of specific strategic positions in the environment was known from earlier game sessions, for example camping described in Chapter With these situations in consideration the players were given a reaction shot whenever they stood in the door well of the next board tile, the shot will in this situation be more based on the actual luck rather than the actual skill of the roll and may not be modified by action cards during the reaction phase. The players roll their two dices and compare the result stated on the reference sheet to determine the damage. The reference sheet holds two different tables of each weapons (R and A), one for the reaction phase (R) and one for the action phase (A). The game mechanic for the roll uses the same techniques as Bewersdorff [4], uses on Page 3-7 in Chapter 1, where the value of the two combined dices are added together to give a value between two to twelve. This dice combination makes the results of both two and twelve a minor chance to be rolled. This game mechanic gives a higher average of the rolls six, seven, and eight. This type of game mechanics would also give a lower chance of the result of a twelve then the roll of a twelve sided dice. This game mechanic was also used in the game Settlers of Catan. Figure 14: Reference sheet

39 The action cards represent actions that the character may take in the action phase. During the action phase, the dice could be changed for a fixed value by the use of action cards, or by applying advantages from specific cards such as the cover card which gave a negative modifier to all incoming attacks. This game mechanic gave the players both advantages to the results of the rolled dices values, or by the manipulation of the result of the players fixed dice value. The advantage of the roll was given by specific action cards. Only one of the two attack dices may be manipulated before a dice roll, by replacing the dice with a fixed value. This game mechanic was used to give the player less randomness and improve the flexibility of the game. The action phase takes place after the players have moved into the centre of the board tile. The game mechanic used in the action phase may be seen in a FPS game such as Doom III for example by taking cover, throwing grenades, collecting power ups. 5.6 HYBRID SUGGESTIONS A hybrid could be created by for example using the digital Microsoft surface 2. The digital screen of the Microsoft surface 2 could then be used as the platform, to contain the game board. Analog board pieces of the player figures, could then be used and put on to the digital game board. The real-time movement could in this case be fixed, because the Microsoft surface 2 can read the markings under the models to obtain the players directions. The directions could then be used to solve the skill based gameplay, with this gameplay the players could be able to aim at their target. The computer used in the Microsoft surface 2 could also keep track of the ammunition, health, and other key statistics. Another possibility of creating a hybrid could be to build a robot prototype and use it on a printed 3D board. Where the players may drive around the robots on the game board to gain real time movement, using for example mobile phones as the digital controls for the robots. This game would cost a fortune to produce but as a relation to FPS games, mounted cameras on the robots head could be used. Where the players could use a phone in order to move and stream video to the phone. The robot may even be able to shoot. By implementing these mechanics the game is even more towards a digital game and in this Chapter 5.6 looking towards the adaption of both digital and analog game mechanics to create a hybrid

40 5.7 EVALUATION OF THE RESEARCH The evaluation of this research in relations of methods used in the analysis for the selection of the games in Chapter 3.2, was based on well-known and played analog games. These games were selected based on personal experiences from those specific games. Instead of this type of selection of the particular games the questionnaire could hold a list of independent games that the participants would like to see in this bachelor thesis, but in that case more information would have been necessary for the questionnaire questions. Games could also have been selected randomly. The questionnaire could have been made digitally to make it easier for the participants to take part in the questionnaire. By this statement referring to a program like Adobe Forms Central [11] where the bachelor thesis could be sent directly to the participants instead of the paper and Facebook [10] recalls online in order to get a higher number of participants in this bachelor thesis. In the research collection of play testing the prototype could have been tested by more groups of participants, where the participants first should play Doom III for thirty minutes and then try out the prototype. In terms of testing the prototype using a standard turn based movement to actually prove that the prototype would have been more time consuming, than the simultaneous action that is used at the moment, but the simultaneous action will reduce the downtime, because the players did not have to sit and wait for their turn. CRITICISM OF THE SOURCES The sources from the webpage Wikipedia [8] may not have the proper information. Wikipedia [8] could in fact be edited by any external user and this might cause a change of information, or even wrong information. Board Game Geek [5] was also a community for gamers, which allows the users to change information described by Board Game Geek [5] FAQ on their webpage

41 6 CONCLUSION All the digital FPS game mechanics cannot be fully converted into an analog board game. Mainly because of the first person view and the real-time based movement. The first person view was in this case totally removed from the prototype. But in terms of the shooter part, the major aspects of the gameplay could be moved from the digital game and into the prototype. Game mechanics that could be successfully converted from a digital FPS game into the prototype are the majority of the game mechanics, described in Chapter 3.1. The game mechanics need to be tweaked, to make the gameplay of the prototype use a more strategic type of skill based gameplay. There were examples in Chapter 5.3 that describe game mechanics that could be used to use the marksmanship. The digital game mechanics can be implemented, to give a more suitable gameplay in terms of low downtime according to the game time of similar games such as Tannhäuser and Space Hulk. This was confirmed in a range of play tests of the prototype. Analysis of analog and digital games in order to sort out the game mechanics would be able to help the developer to get a more suitable gameplay based on facts of studies of the specific game genre and the play test sessions. The game analysis gives the developer a chance to come up with new ideas

42 7 FUTURE WORK The making of a prototype could also be used parallel to the development of a digital game, in order to try out gameplay mechanics and components. This parallel development could give the developer a better overview of the gameplay mechanics and components, so that the rules can be changed quicker without getting into coding issues. Or if the gameplay does not work as intended as described by Pulsipher [1]. From a developers point of view it could be of interest to use the parallel development method in terms of play testing, such as a time calculation with and without the making of a prototype. The prototype was limited to player versus player mode, but could be extended to involve monsters like the game Doom III, with a dungeon crawl type of gameplay this could be the next challenge. Where the players may face the game with a story teller or with the game mechanics to play versus the game. This could be done through tokens placed in different rooms and corridors, with an additional monster deck. The game would in this case need some game mechanics for the monster movements and special rules for the monsters behaviour during combat. Further analysis to find more game mechanics to get a large library of game mechanics that could be used to ease the game development in both the digital and analog game industry. Table top games and role-playing games would certainly be of interests for a more detailed analysis. Roleplaying games because these type of games often contain more rules and stories, than the board games. In this case referring to the Warhammer and the world of Dungeons & Dragons. There are some major issues with the simultaneous actions, if the player wants to control more than one pawn in the prototype during a game session. This issue is linked directly towards the movement cards. When the player s selects one movement card each round would have needed to be changed. This problem could be of interest for future work

43 8 REFERENCES BOOKS [1] Pulsipher, Lewis, Game Design: How to Create Video and Table top Games, Start to Finish, McFarland & Company, Inc., Jefferson, North Carolina, and London, July 25, 2012, ISBN-10: , ISBN-13: [2] Knizia, Reiner, Dice Games Properly Explained, Blue Terrier Press, January 15, 2010, ISBN-13: [3] Woods, Stewart, Eurogames: The Design, Culture and Play of Modern European Board Games, McFarland & Company, Inc., Jefferson, North Carolina, and London, August 16, 2012, ISBN-10: , ISBN-13: [4] Bewersdorff, Jörg, Luck, Logic & White Lies: The Mathematics of Games, A K Peters, Wellesley, Massachusetts, December 10, 2004, ISBN-10: , ISBN-13: EXTERNAL LINKS [5] Board Game Geek Date: and [6] Video game geek Date: and [7] RPG game geek Date: and [8] Wikipedia [8.1] History of video games Date: [8.2] History of Games Date: [8.3] Board game Date:

44 EXTERNAL YOUTUBE LINKS [9] YouTube [9.1] Doom 3 BFG Edition Video Review, IGN Date: [9.2] Doom 3 BFG Edition - Multiplayer Gameplay, Graveside Entertainment Date: [9.3] Doom 3 Online Multiplayer Gameplay, FirstThirtyMinutes Date: [9.4] Doom 3 & Resurrection of Evil - All Weapons & Statistics, tsiripas Date: [10] Facebook Date: [11] Adobe Forms Central Date: IMAGES Toxic, used on the prototype for the poison tokens download.com/images/graphiclarge/biohazard_symbol_clip_art_16150.jpg

45 9 LIST OF FIGURES Figure 1: Workflow chart description in three steps Figure 2: Prototype example with a 6 player setting and token placement Figure 3: Pyramid diagram setup Figure 4: Describes the age of the participants of the questionnaire Figure 5: Describes the amount of gamer that the participant Figure 6: Describing game attributes Figure 7: Setting of the prototype Figure 8: The prototype pyramid diagram Figure 9: Movement cards and special movement cards. Figure 10: Corridor and Room board tiles Figure 11: Skill cards for strategic skill Figure 12: Action cards Figure 13: New Weapon card (left), Character sheet (right) Figure 14: Reference sheet Figure 15: Citadels pyramid diagram Figure 16: Claustrophobia pyramid diagram Figure 17: Junta! pyramid diagram Figure 18: Neuroshima Hex! pyramid diagram Figure 19: Pandemic pyramid diagram Figure 20: Race for the Galaxy pyramid diagram Figure 21: Tide of Iron pyramid diagram

46 10 APPENDIX This is the appendix for listed games mentioned in this bachelor thesis, questionnaire, pyramid diagrams, and game definitions DIGITAL GAMES Game title Battlefield 3 Citadels Online ( ) Diablo series Diablo Diablo II Diablo III Disciples series Disciples: Sacred Lands Disciples II: Dark Prophecy Disciples III: Renaissance Doom series Doom Doom II: Hell on Earth Doom III Dragon Age series Dragon Age: Origins Dragon Age II Dune II: The Building of a Dynasty Heroes of Might and Magic series Heroes of Might and Magic: A Strategic Quest Heroes of Might and Magic II: The Succession Wars Heroes of Might and Magic III: Complete Heroes of Might and Magic IV Heroes of Might and Magic V Heroes of Might and Magic VI Halo series Halo: Combat Evolved Halo 2 Halo 3 Halo 4 Hovertank 3D Quake series Quake Quake II Quake III: Arena Quake 4 Race for the Galaxy Online (Board Game Arena) ( ) Sonic the Hedgehog Spacewar! StarCraft series StarCraft Company Electronic Arts Unknown Blizzard Entertainment Blizzard Entertainment Blizzard Entertainment GT Interactive Software Infogrames Entertainment Akella id Software id Software Activision Electronic Arts Electronic Arts Virgin Interactive New World Computing The 3DO Company The 3DO Company The 3DO Company Ubisoft Ubisoft Microsoft Game Studios Microsoft Game Studios Microsoft Game Studios Microsoft Game Studios Softdisk id Software Activision Activision Activision Unknown Sega Corporation Self-developed Blizzard Entertainment

47 StarCraft II: Wings of Liberty Super Mario Bros series Super Mario Bros Super Mario 64 Thief: The Dark Project Tomb Raider Ultima Online Unreal Warcraft series Warcraft: Orcs & Humans Warcraft II: Tides of Darkness Warcraft III: Reign of Chaos Warhammer : Dawn of War series Warhammer 40,000: Dawn of War Warhammer 40,000: Dawn of War II World of Warcraft XCOM: Enemy Unknown Blizzard Entertainment Nintendo Nintendo EIDOS Interactive EIDOS Interactive Electronic Arts GT Interactive Software Blizzard Entertainment/Interplay Blizzard Entertainment Blizzard Entertainment THQ THQ Blizzard Entertainment 2K Games 10.2 ANALYSED ANALOG GAMES This list is detailed to give the right information, because some of these games have more than one version and may be very different from each other, like rules or setting. Citadels Faidutti, Bruno, third edition, 2010, Fantasy Flight Games Claustrophobia Croc, English first edition, 2009, Asmodee and REBEL.pl Junta! Eric Goldberg, Ben Grossman, and Vincent Tsao, Purgatory English first edition, 2005, Purgatory Publishing, Inc. and West End Games Neuroshima Hex! Michal Oracz, Z-Man Second edition, 2008, Z-Man Games Pandemic Matt Leacock, Nordic first edition, 2009, Lautapelit.fi. Race for the Galaxy Thomas Lehmann, English first edition, 2007, Rio Grande Games Tannhäuser William Grosselin and Didier Poli, Fantasy Flight first edition, 2007, Fantasy Flight Games Tide of Iron John Goodenough, Corey Konieczka and Christian T. Petersen, English first edition, 2007, Fantasy Flight Games

48 10.3 ANALOG GAMES Game title Company Advanced Civilization Avalon Hill Advanced Squad Leader Avalon Hill Arkham Horror Fantasy Flight Games A Touch of Evil: The Supernatural Game Flying Frog Productions Axis & Allies Nova Games Battleship Milton Bradley Blood Bowl Games Workshop Ltd. Call of Cthulhu Chaosium Inc. Castle Panic Fireside Games Chess Unknown Descent: Journeys in the Dark Fantasy Flight Games Descent: The Road to Legend Fantasy Flight Games Diplomacy Allan B. Calhamer Dominion Rio Grande Games Dungeons & Dragons Tactical Studies Rules Inc. (TSR) Fluxx Looney Labs Formula D Asmodee Fury of Dracula Fantasy Flight Games Ghost Stories Repos Production HeroQuest Milton Bradley s Jyhad / Vampire: The Eternal Struggle Wizards of the Coast Kult Äventyrsspel Last Night on Earth: The Zombie Game Flying Frog Productions Lord of the Rings Hasbro/ Wizards of the Coast Magic the Gathering Wizards of the Coast Monopoly Parker Brothers, Mutant Chronicles: Siege of the Citadel Pressman Toy Corp. Necromunda Games Workshop Ltd. Puerto Rico Rio Grande Games Risk Parker Brothers Scrabble Self published Sid Meier s Civilization: The Board Game Fantasy Flight Games Space Hulk Games Workshop Ltd. Talisman: The Magic Quest Game Games Workshop Ltd. The Beer Game Boxer Games The Settlers of Catan Mayfair Games Ticket to Ride Days of Wonder Trouble Kohner Bros. Twilight Imperium series Fantasy Flight Games Warhammer Games Workshop Ltd. War of the Ring Fantasy Flight Games Werewolf Lui-même World in Flames Australian Design Group 7 Wonders Repos Production

49 10.4 QUESTIONNAIRE 1. Why do you play analog games? 2. Why do you play digital games? 3. Is there any mechanics you would like to see in an analog game that is missing today? 4. Is there any mechanics you would like to see in a digital game that is missing today? 5a.Is there any mechanics that you think could not work in an analog game and why? 5b.Referring to the answer in question 3 would this work in an analog game? 6a.Is there any mechanics that you think could not work in a digital game and why? 6b.Referring to the answer in question 4 would this work in a digital game? 7. Which games do you prefer to play, analog or digital and why? 8. Is there any genre of game you like best in analog games? 9. Is there any genre of game you like best in digital games? 10. Are you a Gamer? (1-5) (Where 1 was I am not a gamer)

50 10.5 ANALOG GAME PYRAMID DIAGRAMS These are the eight analog games, that was analysed in Chapter 3.2 to collect game mechanics, components, attributes, genre for the prototype. For further details study the Appendix 10.6 for greater understanding on the conceptual ideas of the game definitions for each of the eight following pyramid diagrams. Figure 15: Citadels pyramid diagram

51 Figure 16: Claustrophobia pyramid diagram

52 Figure 17: Junta! pyramid diagram