ST IVES PRINTMAKING
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1 ST IVES PRINTMAKING
2 Austin/Desmond Fine Art St Ives Printmaking PAUL FEILER TERRY FROST NAUM GABO DAVID HAUGHTON PATRICK HERON ROGER HILTON BRYAN INGHAM PETER LANYON ALEXANDER MACKENZIE DENIS MITCHELL BEN NICHOLSON JOHN WELLS BRYAN WYNTER
3 1. PAUL FEILER 2, B Balcony With Beach, 1954 Lithograph Signed and dated in pencil lower right. Printed on white wove paper, from the numbered edition of 20 impressions. With margins x 45.5 cm
4 2. TERRY FROST 3, Untitled, Double Quay, 1952 Linocut Signed and dated lower right. Printed by the artist on wove paper. There was a proposed edition of fifty impressions printed in black only. Although early numbered copies exist, the full edition was never realised. A small number of colour variants proofs were printed. With margins. 15 x 15 cm Ref: Austin/Desmond Contemporary Books, Terry Frost: Prints , 1990, No.7-8 Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.7 Coll: Tate Gallery, recorded as Boat Shapes (printed in black and brown) P07982
5 3. TERRY FROST 3, Scammel, Banbury, 1967 Drypoint with hand colouring and collage Signed and dated lower right. Printed on heavy wove paper by the artist, Banbury. An extremely rare, and possibly unique early state. The plate was extensively reworked. No edition x 21.2 cm Ref: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.31
6 4. TERRY FROST 2, Quadrant and Circles, 1967 Etching Signed and dated lower right. Printed by the artist at the University of Reading. On heavy wove paper. No edition, a few proofs exist x 27.5 cm Ref: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.40
7 5. TERRY FROST 2, April, 1984 Linocut with hand colouring Signed, titled and dated lower left, signed and dated verso. Printed by the artist on wove paper, at his Newlyn studio. A hand coloured proof. Edition of 5 (printed in black only) x 20.8 cm Ref: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.83
8 6. TERRY FROST 2, Untitled, c.1983/89 Linocut with hand colouring Signed and dated lower right Printed by the artist on wove paper at his Newlyn studio, No edition. A reworking of Kemp No x 23 cm Ref: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonné, Lund Humphries, 2010, No.81
9 7. TERRY FROST 1, At Five o'clock in the Afternoon II, 1990 Etching Signed and dated, Edition of x 37 cm Lit: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonne, Lund Humphries, 2010, No.121
10 8. TERRY FROST 1, Lorca Portfolio: Cancion De Jinete (Rider's Song), 1989 Etching with hand colouring in red gouache Signed and dated lower right Edition of Aps (10 numbered I - X) 56.5 x 38.5 cm Lit: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonne, Lund Humphries, 2010, No.99
11 9. NAUM GABO 6, The Lyre Bird (Opus Four), 1950 Monotype Signed and titled in pencil, printed from an end-grain wood block on thin wove paper. With margins x 13.7 cm Ref: Gabo Estate WE 299
12 10. NAUM GABO 6, Opus 5 (The Constellations), 1950/51 Linocut Inscribed lower right "Gabo for Becky, Titled lower left "O.P x 22.9 cm Prov: Gift of the Artist Collection of Bernard & Rebecca Reis, NY, USA Collection of Barbara Poe Levee, Los Angeles, USA (by descent) Private Collection, Denver USA, (by descent)
13 11. DAVID HAUGHTON St Just, 1960 Etching Signed in pencil lower right. Printed on wove paper. Published by the artist/st Georges Gallery Prints. Edition of x 50 cm Lit: Norman Levine, David Haughton s St. Just, The Painter and Sculptor, Vol. 4 No.2, Summer 1961
14 12. PATRICK HERON Assisi, 1953 Etching with drypoint Signed and date d in pencil; signed in the plate top left. Inscribed in pencil verso: Eric: Christmas 1953/Here is a print of my first (and, so far, only) etching. I hope you like it. It s subject reverse of course is the church at Assisi with Giotto and Chimabue frescoes and in the crypt of which is the tomb od St Francis./See you in the New Year./Pat. Extremely rare. No edition x 27 cm
15 13. PATRICK HERON 1, Grey and Black Stripes,1958 Lithograph Unsigned proof. Printed on white wove paper by Stanley Jones at Fore St Studios, St. Published by the artist. Edition of 25. Full margins x 41.6 cm Exh: Lit: Coll: Tate Gallery, Artists at Curwen, 1977, Cat. 296 Pat Gilmore, Artists at Curwen, Tate Gallery Publications, 1977, Pg. 145 Tate Gallery (DP.6287)
16 14. PATRICK HERON 1, Grey and Brown Stripes, 1958 Unsigned proof. Printed on white wove paper by Stanley Jones at Fore St Studios, St. Ives. Published by the artist. Edition of 25. Full margins x 41.6 cm Lit: Coll: Pat Gilmore, Artists at Curwen, Tate Gallery Publications, 1977, Pg. 145 Tate Gallery (DP.6710)
17 15. PATRICK HERON Interlocking Pink and Vermilion with Blue, 1970 Screenprint Signed and dated lower right. Printed by Chris Prater at Kelpra Studios on wove paper. Published by Waddington Galleries. Edition of 100. Full margins 59.4 x 78.7 cm Coll: Tate Gallery (P04275)
18 16.PATRICK HERON 5, Interlocking Scarlet and Pink in Deep Green, 1970 Screenprint Signed and dated lower right. Printed by Chris Prater at Kelpra Studios on wove paper. Published by Waddington Galleries in an edition of 100. Full margins 59 x 78.5 cm Coll: Tate Gallery (P04276)
19 17. PATRICK HERON 6, Monotype VI,1994 Monotype Signed, titled and dated verso. Printed to the edge of the sheet by the artist at the Camden Arts Centre. A group of approx. 8 variations of this image were produced at a workshop during Patrick Heron: Big Paintings exhibition, Sept.- Nov x 57 cm
20 18. ROGER HILTON 2, Untitled (Nudes and Dog), Etching. Printed on laid paper by the artist. A very rare proof, only one other proofed copy known. With margins. 13 x 17.8 cm Prov: The Artist s brother
21 19. ROGER HILTON 1, Put it in Your Pipe - Up You, 1974 Lithograph Initialed and dated lower right, inscribed Artist's Proof. Drawn by the artist onto a zinc lithographic plate supplied by Peter Barton who arranged the printing. On lightweight cartridge paper. Published by the artist, edition of 12. With margins x 32 cm Coll: Tate Gallery (P07481)
22 20. ROGER HILTON 1, Untitled (Seated nude), 1974 Lithograph Initialled and dated in the plate. Drawn by the artist onto a zinc lithographic plate supplied by Peter Barton who arranged the printing. Inscribed verso Mr Barton Tmx 20 ½ flat Gold. On lightweight cartridge paper. Published by the artist Edition of 12. With margins. 31 x 45 cm Coll: Tate Gallery (P07480)
23 21. BRYAN INGHAM Morning, 1978/79 Etching Signed, titled and dated in pencil. Printed by the artist on cream wove paper. Edition of 75. Full margins 49 x 64 cm Lit: John Russell Taylor, Bryan Ingham: Sculpture and Related Prints & Drawings, The Book Gallery, St Ives, 1996.
24 22. BRYAN INGHAM Stilleben Worpsvede (2), (pink and green), 1984 Etching, aquatint with hand-colouring Initialed, dated and inscribed viii/xii in pencil. Printed and published by the artist, on white wove paper. With margins x 7.5 cm
25 23. BRYAN INGHAM Red and Blue Still Life, 1985 Etching,aquatint with hand-colouring Initialed, dated and inscribed iv/xii in pencil. Printed and published by the artist, on white wove paper. With margins x 9 cm
26 24. PETER LANYON Figure Study, c.1958 Etching Signed and titled in pencil by Shelia Lanyon; with the PL studio stamp lower right. From the posthumous edition of 25. On white wove paper. With margins x 10.7 cm
27 25. ALEXANDER MACKENZIE 2, Drawing May 14, 1956 Monotype and collage Signed and titled in ink. Constructed using four layered and/or collaged paper sheets, each with printed and drawn surfaces. Worked to the edge of the top sheet. 37 x 41.5 cm Prov: Michael Snow
28 26. ALEXANDER MACKENZIE 2, Untitled Landscape, 1958 Coloured lithograph Signed in pencil, dated '58 and numbered 27/30 in the bottom margin. From the edition of 30. Printed on white wove paper x 48 cm Prov: Michael Snow (an exchange of work), thence by family descent
29 27. ALEXANDER MACKENZIE 1, Hillside, 1973 Hard and soft-ground etching. Signed and dated in pencil. Printed on white wove paper at the Penwith Gallery print workshop. Edition of 50.This is plate 6 from a portfolio of fifteen images produced by members of the Penwith Society of Artists to contribute to the cost of the new Penwith gallery and museum in Full margins. 27 x 45 cm
30 28. ALEXANDER MACKENZIE 1, Scrimshaw, 2002 Etching and aquatint Signed and dated lower right in pencil. Printed by Hugh Stoneman on Velin Arches Blanc 270gram paper. Published by Austin/Desmond Fine Art. Edition of 20. Full margins x 30 cm
31 29. ALEXANDER MACKENZIE 1, Winter Fields, 2002 Etching and aquatint Signed and dated lower right in pencil. Printed by Hugh Stoneman on Velin Arches Blanc 270gram paper. Published by Austin/Desmond Fine Art. Edition of 20. Full margins x 20.5 cm
32 30. DENIS MITCHELL 2, Flags, 1951 Colour woodcut Signed and dated in pencil lower middle; signed, titled and dated on the original frame backing board. Printed by the artist on thin cartridge paper. Unknown edition (if any). No margins. 27 x 25 cm
33 31. DENIS MITCHELL 1, Red, Green and Black Abstract Linocut in three colours Inscribed verso "A very happy Christmas and new year love Dennis and Jane" 11 x 15.5 cm Prov: This was sent from Mitchell to the family of Robin Nance (cabinet maker and founder of Penwith Society, 1949)
34 32. BEN NICHOLSON 2, Paros with Balcony, November 1965 Etching Unsigned proof. Printed by Ateliers Lafranca, Lonarno. Published by Ganymed and Marlborough. Unrecorded edition size. Full margins x 24.8 cm Prov: The François Lafranca Collection Ref: Lafranca, Ben Nicholson: Etchings printed by Lafranca, No. 8, this copy illustrated
35 33. BEN NICHOLSON 3, Olympia, 1965 Etching Signed and dated lower right. Printed by Ateliers Lafranca, Lonarno, on Zerkall Bütten paper. Published by Thames & Hudson, London. Edition of 50. Full margins x 22.6 cm Ref: Lafranca, Ben Nicholson: Etchings printed by Lafranca, No. 10
36 34. BEN NICHOLSON P.O.A Tuscan Church Portico 2, 1965 Gouache and brush and ink over etching and aquatint on paper hinged to artist's mount. Signed, dated and titled on the verso of the sheet; signed, dated and titled Tuscan Portico 2 on the reverse of board. This work is executed on one of approximately four proofs of this image. The print was never editioned x 32.4 cm Ref: Lafranca, Ben Nicholson: Etchings printed by Lafranca, No. 7
37 35. BEN NICHOLSON P.O.A Complex of Goblets, 1968 Etching with oil wash, gouache and pencil Signed and dated 68 in pencil, Inscribed 'mixed media ' verso Sheet size: 36 x 29 cm Prov: Bears Waddington Galleries, London label verso Professor & Mre Shear Ref: Lafranca, Ben Nicholson: Etchings printed by Lafranca, No. 98
38 36. JOHN WELLS 2, Topsail, 1950 Etching with tone, on wove, with full margins Signed, dated and numbered 14/25 in pencil. Printed by the artist at Penzance School of Art. Published by the artist 14.6 x 12.1 cm Coll: British Museum (2002, ) Tate Gallery (P77130)
39 37. JOHN WELLS Cliff Figure, 1950 Engraving Signed in pencil lower right; dated and inscribed T.P. (Trial Proof) in pencil lower left. Dedicated in pencil verso To Gillie from John Wells. A very rare impression of the 1 st state (of 3). Proposed edition of 25, this total may include all states and proofs. There was a later restrike of the plate in Printed by the artist. Full margins x 15 cm Prov: Henry Gilbert, owner of the Wills Lane Gallery, St. Ives, and a close friend of the artist Coll: British Museum (2002, /73/74) Tate Gallery (P77132)
40 38. JOHN WELLS 1, Untitled (Red Abstract), 1959 Monotype Signed and dated lower right. Printed by the artist on light wove paper. No Margins. 18 x 22.5 cm Exh: Mottisfont House, New Connections: Modern British Art at Mottisfont, Hampshire, April June 2011
41 39. BRYAN WYNTER Prawn Cocktail, 1949 Lithograph Signed and dated in pencil. Printed on light wove paper, in an intended edition of fifty impressions. With margins. 20 x 30 cm Exh: Michael Parkin Gallery, Cornwall , No.148, 1985
42 40. BRYAN WYNTER 2, Untitled (Abstract), 1958 Lithograph Signed and dated in pencil. Printed on wove paper by Stanley Jones, at Fore St Studios, St. Ives on behalf of the Curwen press. Edition of 50. Full Margins x 32.5 cm
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