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1 DELMEN ASIGNATURA / COURSE TITLE Literatura y cultura de la primera lengua Código / Course number Materia / Content area Literatura y cultura de la primera lengua / Literature and culture of the main language Tipo / Course type Obligatoria / Compulsory subject 1.4. Nivel / Course level Grado / Bachelor (first cycle) 1.5. Curso / Year 3º / 3rd 1.6. Semestre / Semester 2º / 2nd 1.7. Número de créditos / Credit allotment 6 créditos ECTS / 6 ECTS credits 1.8. Requisitos previos / Prerequisites Conocimientos previos de literatura en lengua inglesa y un nivel avanzado de inglés (B2 y niveles superiores). Las clases se imparten íntegramente en inglés./ Students are expected to have a wide knowledge of the previous literary courses in Literatures in English as well as an upper intermediate level of English (B2 or higher). All course work is carried out in English. 1 de 7

2 1.9. Requisitos mínimos de asistencia a las sesiones presenciales / Minimum attendance requirement Attendance is highly recommended. Minimum attendance requirement: 60% of the sessions Datos del equipo docente / Faculty data Dra. Noelia Hernando Real Profesora Contratada Doctora Departamento de Filología Inglesa/ Department of English Studies Facultad de Filosofía y Letras / School of Arts Despacho Módulo VI BIS / Office 206 Module VIBis Teléfono / Phone: Correo electrónico / noelia.hernando@uam.es Objetivos del curso / Course objectives G3 Conocer el contexto cultural y social de las lenguas del grado. G3 To be familiar with the cultural and social background of the languages studied in the degree. G7 Saber ordenar los datos pertinentes de un texto y su contexto comunicativo para dirigir su análisis y evaluación. G7 To be able to analyze the textual and contextual features of a message in a coherent way and to evaluate those features and the message itself. E1 Reconocer los distintos tipos de discursos orales y escritos y su estructura. E1 To recognize different written and oral discourse types and their structure. E3 Conocer las nociones fundamentales de los distintos modelos teóricos de análisis. E3 To understand the basic principles of the different theoretical frameworks of analysis. E11 Conocer las convenciones relacionadas con la estructura de géneros, los recursos retóricos y el contexto de producción de una obra. E11 To know the conventions of the structure of different genres, their rhetorical devices and the context in which a work has been produced. E12 Estar familiarizado con los periodos, movimientos, obras y autores más importantes de las lenguas del grado y cómo se engranan en su contexto histórico, social y cultural. E12 To be acquainted with the most significant periods, movements, works and authors of the languages studied in the degree and how they fit into their historical, social and cultural context. E13 Interpretar los acontecimientos de las literaturas del grado desde un razonamiento multicausal y una perspectiva comparada. 2 de 7

3 E13 To interpret the landmarks in the literatures of the degree from a multicausal and comparative perspective. E14 Analizar textos y discursos en perspectiva comparada utilizando técnicas de análisis lingüístico, literario y sociohistórico. E14 To analyze texts and discourses from a comparative perspective using techniques of linguistic, literary and socio-historical analysis. E23 Determinar los valores de un texto según parámetros de variación y función textual, interpretarlo dentro del contexto en que ha sido producido y ser capaz de analizar las convenciones que lo enmarcan. E23 To analyze a text according to parameters such as function and variation, to interpret it in the context in which it was produced, and to be able to analyze the conventions of its type. E24 Comparar hechos lingüísticos e hitos literarios en distintas lenguas. E24 To compare linguistic and literary phenomena in different languages. E29 Argumentar de forma adecuada a la audiencia, previendo malentendidos de origen lingüístico o cultural que pudieranobstaculizar la negociación. E29 To present arguments logically to an audience, avoiding linguistic andcultural misunderstandings. E32 Ser consciente del papel que desempeñan la lengua y la cultura en lacreación y transmisión de la identidad y aprender a gestionar lasdificultades que entraña un contexto globalizado. E32 To be aware of the role played by language and culture when creatingand revealing identity, and to learn how to manage the difficultiesinherent in a globalized world. E33 Interpretar los valores éticos, filosóficos y culturales de los textos de las lenguas del grado y su influencia en el ámbito internacional contemporáneo. E33 To interpret the ethical, philosophical and cultural values of texts produced in the languages studied in the degree, and their influencein the contemporary international sphere. T1 Poseer un amplio entramado de referencias culturales. T1 To have a solid background of cultural references. T10 Posicionarse críticamente ante las distintas teorías y ante los distintos enfoques hacia un mismo problema. T10 To adopt a critical stance to different theories and approaches to a given problem. 3 de 7

4 Contenidos del programa / Course contents MODULE 1: BRITISH AND AMERICAN POSTMODERNISM: ENUNCIATION AND THE WORLD OF TEXT 1. The self-questioning awareness of fiction: the playful and the surreal Donald Barhelme The Balloon (and The Indian Uprising ) Robert Coover The Magic Poker (and The Babysitter ) Malcolm Lowry Strange Comfort Afforded by the Profession 2. The Theatre of the Absurd: - Samuel Beckett s Waiting for Godot 3. Scientific and technological realities narrated Don DeLillo White Noise J. G. Ballard Memories of the Space Age MODULE 2: POSTMODERNITY AGAINST CANONICAL HEGEMONY: AMERICAN ALTERNATIVE DISCOURSES 4. The New Journalism The New Journalism (Part One of Tom Wolfe s Anthology of New Journalism) Michael Herr Khesanh Barbara L. Goldsmith La dolce viva 5. A World Elsewhere: The Beat Generation and the tradition of dissent Jack Kerouac On the Road Allen Ginsberg Howl Norman Mailer The White Negro 6. Multiculturalism and emergent literatures Maxine Hong Kingston The Woman Warrior Gerald Vizenor Almost Browne Raymond Carver Cathedral 7. Marginal hegemonies: Afro-American literature and the Southern gothic Ralph Ellison Invisible Man Flannery O Connor A Good Man is Hard to Find Carson Mc Cullers The Ballad of the Sad Café 8. Towards the New Millenium: The New America - Tony Kushner Angels in America 4 de 7

5 A detailed reading list and recommended editions will be provided at the beginning of the course Referencias de consulta / Course bibliography Bercovitch, Sacvan. The Cambridge History of American Literature,vol. 7, Cambridge, CUP,1999 Bhaba, Homi. The Location of Culture, London, Routledge, 1994, especialmente los capítulos Signs Taken for Wonders, The Postcolonial and the Postmodern: The Question of Agency Bradbury, Malcom. The Modern American Novel, Oxford, OUP,1992 Cahoone, Lawrence (Ed.). From Modernism to Postmodernism, An Anthology, Malden, Blackwell, 2003 Chenetier, Marc. Tras la sospecha, La nueva ficción Americana, Madrid, Visor, 1998 Couturier, Maurice, ed., Representation and Performance in Postmodern Culture, Montpellier, Actes Sud, 1983 Elliott, Emory. The Columbia History of the American Novel, New York, Columbia University Press, 1991 Esslin, Martin. The Theatre of the Absurd, London, Penguin Books, Jameson, Fredric. Postmodernism or, the Cultural Logic of Late Capitalism, London, Verso, 1991 Klinkowitz, Jerome. Literary Disruptions: The Making of a Post-Contemporary American Fiction, Urbana, U of Illinois Press, 1980 Malpas, Simon. The Postmodern, London & New York, Routledge, 2005 Mc Hale, Brian. Postmodernist Fiction, London, Routledge, 1991 Tanner, Tony. City of Words, American Fiction , Londres, Cape, 1971 Wilde, Alan. Horizons of Assent: Modernism, Postmodernism and the Ironic Imagination, Baltimore, U of Pennsylvania Press, Lengua de impartición/ Language Inglés 2. Métodos docentes / Teaching methodology Theoretical sessions: Lectures on the topics in the programme. Practical sessions: Oral and written assignments on texts in the programme. Independent study time: Reading, preparation of oral and written assignments. 3. Tiempo de trabajo del estudiante / Student workload 5 de 7

6 Nº de horas Clases teóricas Clases prácticas 35 h Tutorías programadas a lo largo del semestre 11 h Seminarios 7 h Presencial Otros (especificar añadiendo tantas filas como actividades se hayan incluido en la 3 h metodología docente) Realización del examen final 3 h Realización de actividades prácticas 3 h No 13x6=78 Estudio semanal presencial h Preparación del examen 10 h Carga total de horas de trabajo: 25 horas x 6 ECTS 150 h Porcentaje 40% (mínimo) = 50 horas 60% 4. Métodos de evaluación y porcentaje en la calificación final / Evaluation procedures and weight of components in the final grade Convocatoria ordinaria: Final exam 70% Course work: written and oral assignments 30% Convocatoria extraordinaria: Final exam: 70% Course work: written and oral assignments 30% 5. Cronograma / Course calendar A more detailed course calendar will be provided at the beginning of the course by the lecturer. Semana Week Contenido Contents Horas presenciales Contact hours Horas no presenciales Independent study time 1 Introduction de 7

7 Semana Week Contenido Contents Horas presenciales Contact hours Horas no presenciales Independent study time EXÁMENES DEL GRADO 3 16 EXÁMENES DEL GRADO 7 de 7

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