SEESGH13: The Soviet Cultural Experiment I, : Dr. Kristin Roth-Ey (Academic Year 2014/15)

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1 SEESGH13: The Soviet Cultural Experiment I, : Dr. Kristin Roth-Ey (Academic Year 2014/15) View Online Ament, Suzanne, Reflecting Individual and Collective Identities: Songs of World War II, in Gender and National Identity in Twentieth-Century Russian Culture, 1st ed (DeKalb, IL: Northern Illinois University Press, 2006), pp Apor, Balázs, E. A. Rees, J. C. Behrends, and P. Jones, Jan Plamper, The Stalin Cult and Ethnicity, in The Leader Cult in Communist Dictatorships: Stalin and the Eastern Bloc (Basingstoke: Palgrave Macmillan, Borenstein, Eliot, Men without Women: Masculinity and Revolution in Russian Fiction, (Durham, NC: Duke University Press, 2001) Boris Arvatov and Christina Kiaer, Everyday Life and the Culture of the Thing (Toward the Formulation of the Question), October, Vol. 81, Bowlt, John E., and Matich, Olga, Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment (Stanford, Calif: Stanford University Press, 1996) Boym, Svetlana, Byt: Daily Grind and Domestic Trash, in Common Places: Mythologies of Everyday Life in Russia (Cambridge, Mass: Harvard University Press, 1994), pp Boym, Svetlana, Common Places: Mythologies of Everyday Life in Russia (Cambridge, MA ; London: Harvard University Press, 1994) Brooks, Jeffrey, Pravda Goes to War, in Culture and Entertainment in Wartime Russia (Bloomington: Indiana University Press, 1995), pp Christina Kiaer, The Russian Constructivist Flapper Dress, Critical Inquiry, Vol. 28, Clark, Katerina, Chapter XIII : The Quiet Revolution in Soviet Intellectual Life., in Russia in the Era of NEP: Explorations in Soviet Society and Culture (Bloomington: Indiana University Press, 1991), Indiana-Michigan series in Russian and East European studies, , Petrograd: Ritual Capital of Revolutionary Russia, in Petersburg, Crucible of Cultural Revolution (Cambridge, MA ; London: Harvard University Press, 1995), pp , The Return of the Aesthetic, in Moscow, the Fourth Rome: Stalinism, 1/6

2 Cosmopolitanism, and the Evolution of Soviet Culture, (Cambridge, Mass: Harvard University Press, 2011), pp < Clark, Katerina, Petersburg, Crucible of Cultural Revolution (Cambridge, MA ; London: Harvard University Press, 1995) Clark, Katerina, Dobrenko, E. A., Artizov, Andreĭ, and Naumov, Oleg, Soviet Culture and Power: A History in Documents : (New Haven: Yale University Press, 2007), Annals of Communism D. L. Brandenberger and A. M. Dubrovsky, The People Need a Tsar : The Emergence of National Bolshevism as Stalinist Ideology, , Europe-Asia Studies, Vol. 50, Dobrenko, Evgeny, The Disaster of Middlebrow Taste, Or, Who Invented Socialist Realism?, in Socialist Realism without Shores (Durham [N.C.]: Duke University Press, 1997), Post-contemporary interventions, < Dobrenko, E. A., and Young, Sarah J., The Dialectics of the Popular Monarchy, Chapter 1, Stalinist Cinema and the Production of History: Museum of the Revolution (Edinburgh: Edinburgh University Press, 2008) Dyer, Richard, Chapter 11 : Entertainment and Utopia., in Genre, the Musical: A Reader (London: Routledge & Kegan Paul in association with the British Film Institute, 1981), British Film Institute readers in film studies, Enzensberger, We Were Born to Turn a Fairy Tale into Reality : Grigori Alexandrov s The Radiant Path, in Stalinism and Soviet Cinema (London: Routledge, 1993), Soviet cinema, Eric Naiman, Revolutionary Anorexia (Nep as Female Complaint), The Slavic and East European Journal, 37 (1993), < Feldman, Seth, Peace between Man and Machine: Dziga Vertov s The Man with a Movie Camera, in Documenting the Documentary: Close Readings of Documentary Film and Video (Detroit: Wayne State University Press, 1998), Contemporary film and television series, Fitzpatrick, Sheila, The Bolsheviks Dilemma: Class, Culture, and Politics in the Early Soviet Years, Slavic Review, 47 (1988), < Fueleop-Miller, René, Theatricalized Life, in The Mind and Face of Bolshevism: An Examination of Cultural Life in Soviet Russia (London ; New York: G.P. Putnam s Sons, Ltd), pp Geldern, James von, Putting the Masses in Mass Culture: Bolshevik Festivals, , Journal of Popular Culture, Spring (1998), < Gleason, Abbott, Kenez, Peter, and Stites, Richard, Bolshevik Culture: Experiment and Order in the Russian Revolution (Bloomington: Indiana University Press, 1985) 2/6

3 Goldfrank, David M., Hughes, Lindsey, Stites, Richard, and Evtuhov, Catherine, A History of Russia: Peoples, Legends, Events, Forces (Boston: Houghton Mifflin, Gorsuch, Anne, Flappers and Foxtrotters: Soviet Youth in the Roaring Twenties, The Carl Beck Papers in Russian and East European Studies, 1102 (1994), 1 33 < Groys, The Birth of Socialist Realism from the Spirit of the Russian Avant-Garde, in The Culture of the Stalin Period (Basingstoke: Macmillan in association with the School of Slavonic and East European Studies, University of London, 1990), Studies in Russia and East Europe, Hirsch, Francine, Getting to Know "The Peoples of the USSR : Ethnographic Exhibits as Soviet Virtual Tourism, , Slavic Review, 62 (2003), Hoffmann, David L, Social and Cultural Unity under Soviet Socialism, in Stalinist Values: The Cultural Norms of Soviet Modernity, (Ithaca: Cornell University Press, 2003), pp Kelly, Catriona, and Shepherd, David, Russian Cultural Studies: An Introduction (Oxford: Kenez, Peter, Introduction: The Soviet Concept of Propaganda, in The Birth of the Propaganda State: Soviet Methods of Mass Mobilization, (Cambridge: Cambridge University Press, 1985), pp < Kevin, M.F., Terribly Romantic, Terribly Progressive, or Terribly Tragic: Rehabilitating Ivan IV under I.V. Stalin, Russian Review, 58 (1999) 3/6

4 Kiaer, Christina, Imagine No Possessions: The Socialist Objects of Russian Constructivism (Cambridge, Mass: MIT Press, 2005) Kiaer, Christina, and Naiman, Eric, Everyday Life in Early Soviet Russia: Taking the Revolution inside (Boomington: Indiana University Press, 2006) Kirschenbaum, Lisa, "Our City, Our Hearths, Our Families : Local Loyalties and Private Life in Soviet World War II Propaganda, Slavic Review, 59 (2000), < Kotkin, Stephen., Modern Times: The Soviet Union and the Interwar Conjuncture, Kritika: Explorations in Russian and Eurasian History, 2 (2001), < Lawton, Anna, The Red Screen: Politics, Society, Art in Soviet Cinema (London: Routledge, 1992) < Leah Dickerman, The Fact and the Photograph, October, Vol. 118, Mally, Lynn, The Revolution Loves the Theater, in Revolutionary Acts: Amateur Theater and the Soviet State, (Ithaca: Cornell University Press, 2000), pp Mally, Lynn, Culture of the Future: The Prolekult Movement in Revolutionary Russia (Berkeley, [Calif.] ; Oxford: University of California Press, 1990), Studies on the history of society and culture Martin, Modernization or Neo-Traditionalism? Ascribed Nationality and Soviet Primordialism, in Russian Modernity: Politics, Knowledge, Practices (Basingstoke: Macmillan, 2000), pp Matich, Olga, Remaking the Bed: Utopia in Daily Life, in Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment (Stanford, Calif: Stanford University Press, 1996), pp Michelson, Annette, Introduction [to Kino-Eye : The Writings of Dziga Vertov.], in Kino-Eye: The Writings of Dziga Vertov (London: Pluto, 1984), pp. xv lxi Nelson, Amy, Of Cast-off Barroom Garbage and Bold Revolutionary Songs : The Problem of Popular Music, , in Music for the Revolution: Musicians and Power in Early Soviet Russia (University Park, Penna: Pennsylvania State University Press,, pp < Northrop, Douglas, Hujum, 1927, in Veiled Empire: Gender & Power in Stalinist Central Asia, 1st ed (Ithaca: Cornell University Press,, pp Seventeen Moments Slezkine, Yuri, The USSR as Communal Apartment, or How a Socialist State Promoted Ethnic Particularism, Slavic Review, 53 (1994), /6

5 Stites, Richard, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (New York: Oxford University Press, 1989), Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (New York: Oxford University Press, 1989), Russian Popular Culture: Entertainment and Society since 1900 (Cambridge: Cambridge UP, 1992), Cambridge Soviet paperbacks Suny, Ronald Grigor, The Soviet Experiment: Russia, the USSR, and the Successor States (New York: Taylor, Richard, Chapter 2: Ideology and Popular Culture in Soviet Cinema: The Kiss of Mary Pickford, in The Red Screen: Politics, Society, Art in Soviet Cinema (London: Routledge, 1992), pp , Ideology as Mass Entertainment: Boris Shumyatsky and Soviet Cinema in the 1930s, in Inside the Film Factory: New Approaches to Russian and Soviet Cinema (London: Routledge, 1991), pp Taylor, Richard, and Ian Christie, Inside the Film Factory: New Approaches to Russian and Soviet Cinema (London: Routledge, 1991), Soviet cinema < Theodor W. Adorno and Anson G. Rabinbach, Culture Industry Reconsidered, New German Critique, /6

6 Trotsky, Leon, Literatura I Revoli ut sii a, 2. dopolennoe izd (Moskva: Gosudarstvennoe izdatelʹstvo, 1924) Tupitsyn, Margarita, The Soviet Photograph, (New Haven: Yale University Press, 1996) Von Geldern, James, and Stites, Richard, Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, (Bloomington: Indiana University Press, 1995) Weiner, Amir, Saving Private Ivan: From What, Why, and How?, Kritika: Explorations in Russian and Eurasian History, 1 (2000), < YouTube - Broadcast Yourself. 6/6