5. COMM 120M: Media Stereotypes An examination of how the media present society s members and activities in stereotypical formats.
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1 Job Listings: Communication Department Fall COMM101: Introduction to Audiovisual Media Practices This upper-level undergraduate course is required as the gateway to all future media production courses in the department. The course is designed to teach students about historical and theoretical contemporary media practices such as film, video, Internet, and social media production and how these practices are informed by technical and social constraints. In lab, students work hands-on with video and new media equipment to apply what they have learned through genre and practical technique. Required Qualifications: PhD or MFA; proven ability to teach 2. COMM108C: Politics of Bodies How do political contests and debates come to be organized on and around bodies? In what sense is the natural body a sign system and how does its organization represent and reproduce cultural values, moral assumptions, social relations, and economic rationales? This course examines these and other questions through political, historical and media analysis. 3. COMM106A: Cultural Industries This course examines the organization of some of the many industries (e.g., film, music, gaming, and publishing) that make up the cultural landscape with an eye toward discerning the conditions that shape the production cultural goods and services: how is production organized within cultural industries; how are products distributed; and what is the impact of both the organization and distribution of goods on the conditions of work and labor? 4. COMM 106G: Tourism: Global Industry and Cultural This course is designed to explore the far-reaching cultural ramifications of the largest industry in the world, and takes the perspective of the toured as well as that of the tourist to examine tourism s history and its contemporary cultural effects. 5. COMM 120M: Media Stereotypes An examination of how the media present society s members and activities in stereotypical formats. 6. COMM 111T: Cultural Politics of Sport Examines sports as play, performance, competition, an arena where there are politics, culture, power, identity struggles. Establishing the social meanings of sport, the course addresses ethics, race, class, nation, gender, body, science, technology, entertainment industries, commerce, spectatorship, consumption, amateurism, professionalism.
2 7. COMM 162. Advanced Studies in Cultural Industries Proposed topic must be submitted at the time of application. 8. COMM 111A: Communication and Cultural Production: Introduction This course examines the products of culture industries (e.g., music, television, fashion, food, landscape, architectural design) to analyze, specifically, how culture is consumed and by whom. How are spectators hailed and audiences fostered and shaped? And what is the role of audiences in fostering and shaping cultural forms and products? 9. COMM 102D Practicum in Child Development A combined lecture and laboratory course for students in Human Development and the Department of Communication. Students should have a background in communication or human development. Students will be expected to spend four hours per week in a supervised practical after-school setting at one of the community field sites involving children. Additional time will be devoted to readings and class prep, as well as six hours a week transcribing field notes and writing a paper on some aspect of the field. Required Qualifications: PhD in Communication, Education or related/relevant discipline; experience with working with diverse communities; proven ability to teach; familiarity with La Clase Mágica, the after-school program that serves children and adults in under-served neighborhoods throughout San Diego. 10. COMM105G Computer Games Studies Course considers computer games both as media and as sites of communication. Games are studied through hands-on play and texts from a variety of disciplinary perspectives. Course encompasses commercial, academic, and independent games. 11. COMM106T Television Culture and the Public How and what does television communicate? Emphasis will be on contemporary US television programming, placed in comparative and historical context. Special topics may include: TV genres, TV and politics, TV and other media. Frequent in-class screenings. 12. COMM 179. Global Nature/Global Culture Considers globalization s impact on concepts of nature in and through media texts, information systems, circulation of consumer goods and services, the emergence of global brands, science, health initiatives, environmental media activism, technology transfer in the twentieth and early twenty-first centuries.
3 Winter COMM103F: How to Read a Film This course is explores a range of methods and approaches to film interpretation. 2. COMM109D: Advertising and Society This course examines advertising in historical and cross-cultural perspectives with a particular focus on: the ideology and organization of the advertising industry; the meaning of material goods; gifts in capitalist, socialist, and nonindustrial societies; and approaches to decoding the advertising messages. 3. COMM114N: Communication and the Law: The Body in Law Bodies and Law This course concentrates on one area of law specific to the concerns of communication: the relationship between privacy, personhood, and bodily autonomy. Using a combination of legal texts, court cases, and theoretical literature, students consider the changing nature of each dimension of this relationship as the courts have been called upon to adjudicate conflicting claims and visions in matters of reproduction, sexual identity, genetic engineering, and the commodification of body parts. 4. COMM152: Global Economy and Consumer Culture This course critically examines social and economic forces that shape the making of this new global consumer culture by following the flows of consumption and production between the developed and developing worlds in the 1990s. Students consider how consumers, workers, and citizens participate in a new globalized consumer culture that challenges older distinctions between the First and the Third World. 5. COMM102M: Studio Television This course offers students the opportunity to produce and engage in critical discussions around various television production formats. Students study and produce a variety of projects, including public service announcements, panel programs, scripted drama, and performance productions. Required Qualifications: PhD or MFA; proven ability to teach undergraduate lecture/studio classes. 6. COMM114E Gender, Labor, and Culture in the Global Economy This course introduces students to different theories of globalization and of gender. Against this theoretical background, students critically examine the gendered (and racialized) nature of labor in the production of material, social, and cultural goods in the global economy.
4 7. COMM 162. Advanced Studies in Cultural Industries Proposed topic must be submitted at the time of application. Spring COMM106F: Film Industry A study of the social organization of the film industry throughout its history. Who makes films, by what criteria, and for what audience? The course will also explore the changing relationships between studios, producers, directors, writers, actors, editors, censors, distributors, audience, and subject matter of the films. 2. COMM108G: Gender and Biomedicine This course explores the historical and cultural aspects of media, information, imaging technology used in biomedical research, clinical care, health communication to constructions of gender and identity. Students approach the subject through audiovisual texts and writings from fields including science and technology studies and cultural studies. 3. COMM175: Culture of Consumption This course examines the cultural politics of consumption across time and cultures through several concepts: commodity fetishism; conspicuous consumption; taste; class; and identity formation; consumption s psychological, phenomenological, and poetic dimensions; and contemporary manifestations of globalization and consumer activism. 4. COMM155: Latino Space, Place, and Culture This course is designed to foster a critical understanding of the history, politics, and poetics of the Latino barrio as a distinct urban form; key concepts include the production of space, landscapes of power, spatial apartheid, everyday urbanism, urban renewal and gentrification. 5. COMM102P- Television Analysis and Production An advanced television course that examines the history, form, and function of the television documentary in American society. Experimentation with documentary techniques and styles requires prior knowledge of television or film production. Laboratory sessions apply theory and methods in the documentary genre via technological process. Integrates research, studio, and field experience of various media components. Required Qualifications: PhD or MFA; proven ability to teach undergraduate lecture/studio classes. 6. COMM105P: Photographic Technology
5 This course examines photographic technologies as a set of instruments and practices that modern societies have developed and used to tell stories about themselves and make particular claims about truth and reality, focusing on the domains of science, policing, journalism, advertising, and selfexpression. 7. COMM 146. Advanced Studies in Cultural Production Specialized advanced study in cultural production with topics to be determined by the instructor. Proposed topic must be submitted at the time of application. 8. COMM109P: Propaganda and Persuasion Propaganda, in political-economic, national settings; Soviet Union; Nazi Germany; US World War I and II. Propaganda films, contribution of filmmakers to propaganda campaign. Explore issues in propaganda; persuasive communication; political propaganda; persuasive advertising; public relations; practical, ethical perspectives. 9. COMM 162. Advanced Studies in Cultural Industries Proposed topic must be submitted at the time of application.
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