MESSAGE FROM PRESIDENT MICHAEL D. HIGGINS

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2 MESSAGE FROM PRESIDENT MICHAEL D. HIGGINS I am delighted to send my best wishes to the Cross Border Orchestra of Ireland and to all those involved in the Peace Proms. For almost two decades now the CBOI have been using the beautiful medium of music to bring together young people from all parts of Ireland, both North and South. It is truly special to listen to the voices of so many talented young singers as they unite together so beautifully in a spirit of peace and understanding. I thank the CBOI for their continued dedication to this wonderful and imaginative initiative, and I wish them every success with Peace Proms.

3 CROSS BORDER ORCHESTRA OF IRELAND BACKGROUND The Cross Border Orchestra of Ireland (CBOI) was established in 1995 as a peace initiative and is composed of over 100 exceptionally talented young musicians from all over Ireland and Northern Ireland. Over the past 23 years, the CBOI has played an important role in building and nurturing vital cross border and cross community relations. The CBOI is conductor by one of the UK s most celebrated and outstanding young conductors, Mr. Greg Beardsell. As the orchestra of first choice for National celebrations and commemorations, the CBOI had the honour of officially launching the Ireland 2016 State Commemorations with a showcase performance at the Convention Centre Dublin on January 1st Heather Humphreys Minister for Arts said that the CBOI sends a powerful message about the kind of Country Ireland has become 100 years on, while also showcasing some of our most talented young people who give us hope and ambition for the future. CBOI has also had the honor of performing for Queen Elizabeth II at Hillsborough Castle and for USA President Barack Obama at the White House, Washington D.C. in This internationally acclaimed and award winning youth orchestra has performed to sell out audiences at all major venues in Ireland, and many throughout the world including Carnegie Hall, New York; the Royal Albert Hall, London; Boston Symphony Hall; Chicago Symphony Hall; and the Oriental Arts Centre Shanghai where they won an international music award for Outstanding Performance. The CBOI also plays a vital role in enhancing Music and Arts Education for young people through our Peace Proms program which has been described as Ireland s most valuable Arts Education initiative. Over 25,000 Primary School children from different social, economic, cultural, religious and political backgrounds throughout Ireland and Northern Ireland, actively participate in this programme. The CBOI plays a unique blend of symphonic, traditional and folk music which evokes the rich heritage and culture of Ireland. The full symphony orchestra also incorporates traditional instruments for example Uilleann Pipes and Bagpipes. Our core message of universal peace is central to our music and our message. CBOI is a registered charity in Ireland: 15714; the UK: XT22593 and the USA , and is totally NOT-FOR-PROFIT. We are deeply indebted to all our supporters and sponsors for helping us to bring the joy on music and peace to children, families, schools and communities throughout the world.

4 MUSIC AND ARTS EDUCATION - The CBOI plays a vital role in enhancing Music and Arts education in Ireland and the UK through Peace Proms. This year over 35,000 children will actively participate in our programme. Peace Proms celebrates culture and diversity and promotes peace, unity and tolerance through music. Peace Proms engages children in music and enriches their lives through exceptional musical experiences and performances. Peace Proms makes the Arts more accessible to young people, their school, families and the wider community. Peace Proms can be used to raise awareness of issues surrounding racism, peace and reconciliation, multiculturalism, diversity and inclusivity. The musical programme is tailor made to ensure it is fun and engaging for children, fulfills important educational requirements, is very rewarding to teach, and the end performance is an inspirational and thrilling experience for choirs, teachers, parents and audiences alike! Peace Proms is for everyone. Whether your school choir is established or starting out, Peace Proms gives all choirs the once in a lifetime opportunity to: Participle in a large-scale event which promotes peace, tolerance and unity Sing with a choir of up to 3,000 children Perform with a full symphony youth orchestra - the Cross Border Orchestra of Ireland. Work with one of the UK s leading professional conductors - Greg Beardsell and a host of top soloists Perform at the premier venues Develop vocal technique, presentation and performance Experience a variety of musical styles and genres

5 IMPORTANT INFORMATION EACH SCHOOL PARTICIPATES IN: 1 workshop and 1 concert. Details of your workshop and concert will be forwarded to you as soon as they are available. CONCERT DATES LIVERPOOL - JANUARY Saturday 26th. Echo Arena, Liverpool DUBLIN - FEBRUARY Saturday 2nd & Sunday 3rd. Simmonscourt Arena, RDS, Dublin WATERFORD - FEBRUARY Saturday 9th, Sunday 10th. WIT Sports Arena, Waterford BELFAST - FEBRUARY Sunday 24th. SSE Arena Belfast LIMERICK - MARCH Saturday 2nd & Sunday 3rd. UL Sports Arena, Limerick WORKSHOPS LIVERPOOL - DECEMBER Thursday 5th, 6th or 7th TBC. Liverpool, Echo Arena, Liverpool. DUBLIN - DECEMBER Wednesday 12th, Thursday 13th, Friday 14th. National Sports Arena, Dublin WATERFORD - JANUARY Wednesday 9th, Thursday 10th. WIT Sports Arena, Waterford BELFAST - FEBRUARY Wednesday 13th, Thursday14th, Fri day15th. Queen s University, Belfast LIMERICK - FEBRUARY Wednesday 6th, Thursday 7th. UL Sports Arena, Limerick COSTS There is no charge for participating in the project. Schools are expected to cover the cost of buses to and from the workshop and concert TICKETING: Tickets go on sale to the public on Monday 12th November There will be a special 1 week presale for parents, from Monday 5th Novembr See front cover of this workbook for your Presale Acces Password For ticket information, please visit WORKSHOP The workshop is given by Conductor Greg Beardsell. Try your best to have the music and words learned off by heart for the workshop. The children will benefit much more from the programme if they know all the songs from memory from early in the academic year. The workshop must start at the appointed time. Choirs who anticipate lengthy travel times will need to factor in comfort breaks and allow extra time. Teachers sit with their group for the workshop, and supervise them at all times. The recommended supervision ratio is 1 teacher to 15 students. Students are not permitted to use mobile phones during the rehearsals or the concert. No recording is permitted (audio or visual) of any part of the rehearsal or performance. Some songs may require dance moves / actions. Choreography videos will be sent to you on and are taught during the workshop. Choir members should wear their school uniform to the workshop. TOILET: PLEASE TRY TO ENSURE THAT CHILDREN DO NOT GO OUT TO THE TOILET DURING THE REHEARSAL, AS IT IS VERY DISRUPTIVE FOR OTHERS.

6 CHOIR UNIFORM Choir members must wear a plain white t-shirt/shirt/blouse (no logos) and dark bottoms (uniform bottoms are fine skirt and tights or trousers) On the day of the concert, choirs should arrive dressed in their choir uniform. Coats and lunches can be stored under the children s seats or you may wish to collect their coats in a bin liner (clearly labelled) and store out of sight during the performance. THE CONCERT Choirs will be asked to go directly to their performance positions on arrival. Choirs should be in their performance positions 2 hours before the performance begins. The pre-concert rehearsal must start at the appointed time. Any choir which arrives late will only be allowed to join the rehearsal during breaks between songs. Choirs who anticipate lengthy travel times will need to factor in comfort breaks and allow extra time. Choirs should arrive at concert hall dressed in their choir uniform as there are no changing facilities. Choirs have a 1 hour rehearsal and 40 minute break before going on stage. Choirs should bring a snack to have at the break. The snack should be in a small plastic or paper bag. Do not bring Hold-alls/Hand Bags/Carrier Bags/Ruck Sacks, etc. Choirs should be in their performance positions 20 mins before the concert begins. Once the concert begins, the choirs remain on stage at all times. Choirs may not leave the stage at the interval except where it is necessary. Teachers sit with their group for concerts, and supervise them at all times. The recommended supervision ratio is 1 teacher to 15 students. Students are not permitted to use mobile phones during the rehearsals or the concert. No recording is permitted (audio or visual) of any part of the rehearsal or performance. TOILET: PLEASE ENSURE THAT CHILDREN DO NOT GO OUT TO THE TOILET DURING THE CONCERT. TEACHERS Teachers should dress in semi-formal / cocktail black.

7 General Choreography Notes The choreography accompanying the Peace Proms songs is designed to enhance the music, to reflect the lyrics and to be fun, but never at the expense of singing beautifully. Good posture throughout is essential - feet firmly on floor, slightly spaced apart - weight evenly balanced. Hands are always loosely by your sides. When there s no movement in a song there s no movement, just great posture. Most choreography is upper body only with feet firmly on the floor. Ensure there is no movement (or sound) with the feet. (There are some twisting actions, but foot movement is minimised at all times). Movement should all be at the same level, i.e. to the shoulder, chest, head level as shown in the video. The movements are in the singer s space only, never crossing over into the next singer s space. All movement starts to the right or starts with the right hand, mirroring the video. For further information, please contact: Cross Border Orchestra of Ireland Central Office Open 10 1 and 2 5, Monday to Friday enquiries@cboi.ie Post to: Cross Border Orchestra of Ireland, Room P1175, Carroll Building, Dundalk Institute of Technology, Dublin Road, Dundalk, Co. Louth, Ireland. Join us on #peaceproms18 Join us on facebook: Cross Border Orchestra of Ireland

8 ACTIVITES I Sing Out Using the theme of Be kind to yourself looking at me-myself, confidence and love. Self love, respect and mindfulness. Make Some Noise Have students come up with their own physical warm up routine in class. Matilda Research the book and the author of Matilda. Have a group reading of the book in class Boogie Medley Look at 70 s fashion, culture and dance. Create a poster or collage to reflect the style and themes of the period Celebrate Using the theme of celebration study the kitchens of the world to celebrate food from different cultures around the globe. YMCA Discuss the Homeless crisis in our society today. I will Survive Come up with different ways to get invoved in Anti - Bullying Week or Friendship Week Party in the USA Complete a project on the history of America

9 Peace Proms Choir Lyrics Boogie Medley (Celebrate Good Times) Yahoo! Yahoo! Celebrate good times, come on. Celebrate good times, come on. Celebrate good times, come on. Celebrate good times, come on. (We are Family) We are family. Get up ev'rybody and sing. We are family. I got all my sisters with me. We are family. Get up ev'rybody and sing. We are family. I got all my brothers with me. We are family. Get up ev'rybody and sing. (I Will Survive) Go on now go. Walk out the door. Just turn around now, 'cos you're not welcome anymore. Weren't you the one who tried to crush me with goodbye? Did you think I'd crumble? Did you think I'd lay down and die? Oh no not I. (Freak Out) Ah, Freak out! Le Freak. C'est chic. Freak out! Ah, Freak out! Le Freak. C'est chic. Freak out! All that pressure, got you down. Has your head, spinning all around. Feel the rhythm, chant the rhyme. Come on along and have a real good time. Like the days of stompin' at the Savoy; now we Freak, oh what a joy. Just come on down, to the Fifty Four. Find a spot, out on the floor. I will survive. For as long as I know how to love, I know I'll stay alive. I've got all my life to live, and I've got all my love to give and I'll survive. I will survive. I will survive. (YMCA) Young man, there's no need to feel down. I said, young man, pick yourself off the ground. I said, young man, 'cause you're in a new town there's no need to be unhappy. Young man, there's a place you can go. I said, young man, when you're short on your dough. You can stay there, and I'm sure you can find many ways to have a good time. It's fun to stay at the Y. M. C. A. It's fun to stay at the Y. M. C. A. They have everything for you there to enjoy, you can hang out with all the boys.

10 It's fun to stay at the Y. M. C. A. It's fun to stay at the Y. M. C. A. You can get yourself clean, you can have a good meal, you can do whatever you feel. It's fun to stay at the Y. M. C. A. It's fun to stay at the Y. M. C. A. They have everything for you there to enjoy, you can hang out with all the boys. It's fun to stay at the Y. M. C. A. It's fun to stay at the Y. M. C. A. You can get yourself clean, you can have a good meal, you can do whatever you feel. (Blame it on the Boogie) My baby's always dancin' and it would'nt be a bad thing, But I don't get no lovin' and that s no lie. We spent the night in Frisco at ev'ry kind of dis-co, From that night I kissed our love good-bye. Don't blame it on sunshine, Don't blame it on the moonlight, Don't blame it on the good times, Blame it on the boogie. Don't blame it on sun-shine, Don't blame it on the moonlight, Don't blame it on the good times, Blame it on the boogie. I just can't, I just can't I just can't control my feet. I just can't, I just can't I just can't control my feet. I just can't, I just can't I just can't control my feet. I just can't, I just can't I just can't control my feet. Sunshine, Don't blame it on the moon-light, Don't blame it on the good times, Blame it on the boogie. Don't blame it on sunshine, Don't blame it on the moonlight, Don't blame it on the good times, Blame it on the boogie. Sunshine, Don't blame it on the moonlight, Don't blame it on the good times, Blame it on the boogie.

11 The Greatest Showman Medley (The Greatest Show) Whoa x7 This is the greatest show. It's ev'rything you ever want, it's ev'rything you ever need, and it's here right in front of you. This is the greatest show. It's ev'rything you ever want, it's ev'ry-thing you ever need, and it's here right in front of you. This is where you wanna be. We light it up we won't come down, and the sun can't stop us now. Watchin' it come true, it's takin' over you. Oh, this is the greatest show. We light up we won't come down, and the walls can't stop us now. We light up we won't come down, and the walls can't stop us now. (I Will Come Back Home) From now on, these eyes will not be blinded by the lights. From now on, what's waited 'till tomorrow starts tonight, it starts tonight. Let this promise in me start, like an anthem in my heart. From now on, from now on. From now on. And we will come back home, and we will come back home, home again. And we will come back home, and we will come back home, home again. And we will come back home, and we will come back home, home again. And we will come back home, and we will come back home, home again. And we will come back home, and we will come back home, home again. And we will come back home, and we will come back home, home again. (Come Alive) Live, come alive, go and light your light, let it shine so bright. Reachin' up, to the sky, and it's open wide you're electrified. And the world becomes a fantasy, and you're more than you could ever be, 'cause we're dreamin' with our eyes wide open. And we know we can't go back again to the world that we were livin' in, 'cause we're dreamin' with our eyes wide open. So come alive.

12 And the world becomes a fantasy, and you're more than you could ever be, 'cause we're dreamin' with our eyes wide open. And we know we can't go back again to the world that we were livin' in, 'cause we're dreamin' with our eyes wide open. And the world becomes a fantasy, and you're more than you could ever be, 'cause we're dreamin' with our eyes wide open. And we know we can't go back again to the world that we were livin' in, 'cause we're dreamin' with our eyes wide open. 'cause we're dreamin' with our eyes wide open. So come alive. (This is Me) Look out 'cause here I come, and I'm marchin' on to the beat I drum. I'm not scared to be seen I make no apologies, this is me. Oh, oh, Oh, oh, oh, oh, oh. This is me. Look out 'cause here I come, and I'm march-in' on to the beat I drum. I'm not scared to be seen I make no apologies. This is me. Look out 'cause here I come, and I'm marchin' on to the beat I drum. I'm not scared to be seen I make no apologies. This is me. Oh, oh, Oh, oh, oh, oh, oh. This is me.

13 I Sing Out Some days, it seems like love's in short sup-ply. Instead of understand-ing, what I hear is "an eye for an eye". There's gotta be a better way, I'm primed to do my part. So starting today, from deep within my heart, I sing out peace, I sing out hope, I sing out boldly so that ev'ryone will know, life gets better the future's brighter. Burdens feel much lighter when I sing out, when I sing out. I sing out joy, I sing out love. Here's my chance to show the world, what I'm made of. With my voice I can inspire, I empower, I enlighten, With my voice I can heal my world from the very best part of what I am. I sing out, I sing out, I sing out, I sing out, loud and strong X6 I sing out, I sing out, I sing out, I sing out strong We are the voice the world is waiting for, And so we sing like we never sung before. We sing out peace, We sing out love. We sing out boldly so that ev'ryone will know life gets better the future's brighter. Burdens feel much lighter when we sing out, when we sing out. We sing out joy, We sing out love. Here's our chance to show the world, what we're made of. With our voice we can in-spire, we empower, we enlighten, With our voice we can heal the world from the very best part of what we are. We sing out, we sing out. We sing out. From our hearts we sing out.

14 Make Some Noise I'm not sure what you just heard, but I know a simple trick. You put both hands up, clap them above, Do it, do it just like this. I think I might have caught the dancing sickness, Never ever had a fever like this. But where's the fun in being normal anyway-ay-ay. OK, I feel like turning it up, breaking it down, jump on my feet, don't touch the ground. You got a voice, you got a choice, come on get loud, let's make some noise. Sing it like, Ooh. Ooh. This is the time, it's you and I, let's get la la la la loud. Make some noise. Scream out loud twist, twist and shout, do whatever you want to. And if you're stuck in the middle, boogie just a little and I bet you won't feel so blue. No, tell me do you feel the speakers pumpin'? I ain't stopping 'til the whole room's jumpin'. It's o k to get crazy now and then. Hey! I Feel like turning it up, breaking it down, jump on my feet, don't touch the ground. You got a voice, you got a choice, come on get loud let's make some noise. Sing it like, Ooh. Ooh. This is the time, it's you and I, let's get la la la la loud. Make some noise. Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh. Oh, oh, oh, oh, oh, oh, oh, oh, I wanna get la la la la loud, Get la la la la loud. Get la la la la loud, Get la la la la la loud. I wanna get loud I Feel like turning it up, breaking it down, jump on my feet, don't touch the ground. You got a voice, you got a choice, come on get loud let's make some noise. Sing it like, Ooh. Ooh. This is the time, it's you and I, let's get la la la la loud. Make some noise. La la la la loud, Get la la la la loud, Get la la la la loud, Get la la la la la loud. Make some noise. Come on make some noise! Wooh!

15 Matilda Medley (Naughty) Jack and Jill went up the hill to fetch a pail of water, So they say the subsequent fall was inevitable, They never stood a chance they were written that way. Innocent victims of their story. Like Romeo and Juliet, 'Twas written in the stars before they even met, That love and fate and a touch of stupidity Would rob them of their hope of living happily. The endings are often a little bit gory. I wonder why they didn't just change their story. We're told we have to do what we're told but surely... Sometimes you have to be a little bit naughty! Ev'ry day starts with a tick of a clock. All escapes start with the click of a lock. If you're stuck in your story and wanna get out, You don't have to cry, you don't have to shout. 'Cos if you're little you can do a lot, You mustn't let a little thing like little stop you. If you sit around and let them get on top you won't change a thing. Nobody else is gonna put it right for me. Nobody but me is gonna change my story. Some-times you have to be a little bit naughty! (When I Grow Up) When I grow up, I will be strong enough to carry all the heavy things you have to haul around with you when you're a grown up. And when I grow up, I will be brave enough to fight the creatures that you have to fight beneath the bed each night to be a grown up.

16 And when I grow up, I will have treats ev'ry day and I will play with things that Mum pre-tends That Mums don't think are fun. And I will wake up, When the sun comes up and I will spend all day just lying in the sun. And I won't burn 'cos I'll be all grown up. When I grow up. (Revolting Children) We are revolting children living in revolting times. We sing revolting songs using revolting rhymes. We'll be revolting children 'til our revolting s done, And we'll have the Trunch bull bolting. We're revolting! R E V O L T I N we S I N G U S I N G We'll be R E V O L T I N G it is 2 L 8 4 U We are revolting! We are revolting children living in revolting times, We sing revolting songs using revolting rhymes. We'll be revolting children 'til our revolting s done, We are revolting children living in revolting times, We sing revolting songs using revolting rhymes. We'll be revolting children 'til our revolting s done, It is 2 L 8 4 U We are revolting!

17 Pop Medley 19 (Best Time Ever) It's keeping me awake. Wonder why I feel this type of way. Like I never knew that I could fly, finally got my chance to reach the sky. Now I wanna go out, so I'm gonna go out. No stopping me now, no stopping me now. 'Cause I wanna go out, 'cause I'm gon-na go out. Wave at the clouds, no-one's gonna stop me now. I'm gonna have the best time ever, gonna have the best time ever, I'm gonna have the best time ever, hey-oh, hey-oh. I'm gonna have the best time ever, gonna have the best time ever, I'm gonna have the best time ever, hey-oh, hey-oh. I'm gonna have the best time ever, gonna have the best time ever, I m gonna have the best time ever, hey-oh, hey-oh. Gonna have the best time ever, gonna have the best time ever, It's gonna be now or never, hey-oh, hey-oh. I'm gonna have the best time ever, gonna have the best time ever, I'm gonna have the best time ever, hey-oh, hey-oh. I'm gonna have the best time ever, gonna have the best time ever, I'm gonna have the best time ever, hey-oh, hey-oh. (Party in the USA) I hopped off the plane at L A X with my dream and a cardigan. Welcome to the land of fame excess, whoah, am I gonna fit in? Jumped in the cab, here I am for the first time, Look to my left I can see the Hollywood sign. This is all so crazy. Ev'rybody seems so famous. My tummy's turnin' and I'm feelin' kinda homesick. Too much pressure and I'm nervous. That's when the taximan turned on the radio and the Jay-z song was on, and the Jay-z song was on, and the Jay-z song was on. So I put my hands up, they're playing my song, the butterflies fly away, I'm noddin' my head like yeah, Movin my hips like yeah. Got my hands up they're playin my song, you know I'm gonna be okay. Yeah, it's a party in the U S A. Yeah, it's a party in the U S A. So I put my hands up, they're playing my song, the butterflies fly away. I'm noddin' my head like yeah, Movin my hips like yeah. Got my hands up they're playing my song, you know I'm gonna be okay. Yeah, it's a party in the U S A. Yeah, it's a party in the U S A. (What About Us)

18 Da da da da da, Da da da da da, da da da. We are searchlights we can see in the dark, We are rockets pointed up at the sky. We are billions of beautiful hearts. We are children who just want to be loved. What about us? What about all the times you said you had the answers? What about us? what about all the broken happy ever afters? Whoah. What about us? What about all the plans that ended in disasters? Whoah. What about love? What about trust? What about us? What about us? What about all the times you said you had the answers? What about us? What about all the broken happy ever afters? What about us? What about all the plans that ended in disasters? What about love? What about trust? What about us? What about us? What about us? What about us? (Glitterball) Standing here in the music hall with my microphone and a glitterball, And you walked right in blowing through the doors like a force of nature, a force of nature. I thought I lost you in a crowd, but how can I when you stand out. You're like the sun through the ev'ning rain, The bells are ringing, you got me singing. Ooh, singing, ooh singing, ooh singing, Oh, you got me singing Ooh singing, ooh singing, ooh singing, Oh, you got me singing. And I feel love, do you feel love? and I feel love. And I Ooh, feel love, singing, do ooh you feel singing, love? ooh and singing, I feel love. Ooh, singing, ooh singing, ooh singing, oh you got me singing. (Castle on a Hill) When I was six years old I broke my leg, I was running from my brother and his friends. Tasted the sweet perfume of the mountain grass I rolled down, I was younger then, take me back to when, I found my heart and broke it here, Made friends and lost them through the years, And I've not seen the roaring fields in so long, I know I've grown, I can't wait to go home.

19 I'm on my way, running at ninety down those country lanes, Singing to "Tiny Dancer" and I miss the way you make me feel. It's real. We watched the sunset, over the castle on the hill. I'm on my way. I still remember these old country lanes, when we did not know the answers. And I miss the way you make me feel. It's real. We watched the sunset, over the castle on the hill. Ooh, over the castle on the hill. Ooh, over the castle on the hill. You re the Voice (Chorus only) You re the voice, try and understand it. Make a noise and make clear Ooh Woh oh. We re not gonna sit in silence, We re not gonna live in fear, Ooh Woh oh.

20 Choir Boogie Medley Choir Version Arranged by Paul O'Brien Celebration - Kool & The Gang Tempo di Disco q=122 A 4 f œ œ 2 & 4 Œ Œ Ó Œ Œ Ó Ya - hoo! 9 B œ œ & Ó Œ Œ Ó Œ œ œ œ œ œ œ Ya - hoo! Cel - e - brate good times,come on & Œ œ œ œ œ œ œ Cel - e - brate good times,come on. 20 C 2 & Œ œ œ œ œ œ œ Cel - e - brate good times, come on # & Œ # œ œ œ œ œ œ Cel - e - brate good times, come on. We Are Family - Sister Sledge 28 D a tad slower q=118 E F & # 8 8 # œ j j œ œ œ œ We are fam - i - ly, 46 œ œ œ œ œ œ œ œ œ j œ j œ œ œ 50 get up ev -'ry bo-dy and sing. we are fam - i - ly, œ œ œ œ œ œ œ œ œ j j œ œ œ œ I got all my sis-ters with me, We are fam - i - ly, Boogie Medley 2017 C.B.O.I

21 2 Choir 54 œ œ œ œ œ œ œ œ œj j œ œ œ œ get up ev -'ry bo-dy and sing. we are fam - i - ly, œ œ œ œ œ œ œ œ œ j j œ œ œ œ I got all my broth-ers with me, We are fam - i - ly, I WIll Survive - Gloria Gaynor H a shade faster q=120 n 7 œ œ œ n œ œ œ œ œ Ó get up # œ œ œ œ ev -'ry bo-dy and sing. Go on now I œ Œ œ œ J œ œ œ j Œ œ j œ œ œ œ œ Œ œ œ œ œ go, walk out the door, just turn a - round now, 'cos you're not œ œ œ œ œ œ j Œ œ j œ œ œ œ œ œ œ wel - come an - y - more. Weren't you the one who tried to œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ # œ œ œ œ œ œ œ œ crush me with good-bye? did you think I'd crum- ble? did you think I'd lay down and die?oh no not J œ Œ œ œ j J œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ I, I will sur- vive, for as long as I know how to love, I know I'll stay a-live. I've got & & & & & & œ œ œ œ œ œ j œ r œ œ œ œ œ œ œ œ j œ r œ œ œ all my life to live, and I've got all my loveto give and I'll sur-vive, I will sur-vive, K G œ j œ j œ # œ# œ œ j Ó œ j œ œ œ Œ œ J œ œ œ œ j œ œ j œ œ œ œ œ œ œ œ œ I will sur - I, I will sur-vive, for as long as I know how to love, I C.B.O.I Boogie Medley

22 Choir 3 91 & œ œ œ œ œ œ j œ œ œ œ œ œ œ œ j œ r œ œ know I'll stay a - live. I've got all my life to live, and I've got 93 # & # # # œ œ œ œ œ œ j r j œ œ œ œ œ œ j œ # œ# œ œ j Ó # œ J all my love to give and I'll sur-vive, I will sur-vive, Ah, Freak Le Freak - Chic if resting - clap hands on off beats until M 96 L le meme tempo # # œ J Œ Œ j j j j œ œ J J Œ Ó Ó œ j out! Le Freak, c'est chic. Freak out! Ah, Freak 100 # # œ j Œ Œ j j j j j œ œ j Œ Ó out! Le Freak, c'est chic. Freak out! 104 M # # Œ œ œ œ œ Œ Œ œ œ œ œ Œ Œ œ œ œ j Œ œ œ œ œ œ œ Œ All that pres- sure, got you down, has your head, spin-ning all a-round. 108 # # Œ œ œ œ œ œ œ Œ J œ œ œ œ Œ œ j œ œ œ œ j j œ Feel the rhy - thm, chant the rhyme, come on a - long and 111 N # # œ œœ œ œ œ Œ Œ œ œ œ Œ œ j œ œ œ œ œ œ œ Œ Œ œ œ œ Ó have a real good time. Like the days of stomp-in' at the Sa-voy, now we Freak, 115 # # Boogie Medley œ j œ œœ œ Œ œ J œ œ œ œ Œ œ œ œ œ œ œ Œ Œ Œ J oh what a joy. Just come on down, to the Fif-ty-Four, find a spot, out C.B.O.I V.S.

23 4 Choir a trifle faster q= O # YMCA - Village People # n n n 4 Œ Ó n œ œ Œ Œ œ œ œ œ œ œ œ œ œ on the floor. Young man, there's no need to feel down. I said, 126 & œ œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ Œ Œ œ œ young man, pick your - self off the ground. I said, young man, 'cause you're 129 & œ œ œ œ œ œ œ œ œ j œ œ œ j œ œ œ in a new town there's no need to be un - hap - py. 132 P & œ œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ Œ Œ œ œ Young man, there's a place you can go. I said, young man, when you're 135 & œ œ œ œ œ œ œ œ œ Œ Œ œ œ œ œ œ œ œ œ œ short on your dough. You can stay there, and I'm sure you can find man - y 138 & œ œ j œ œ œ j œ j œ œ œ œ œ œ œ œ ways too have a good time. It's fun to stay at the 142 Q & œ œ œ œ j œ œ œ œ œ œ œ œ œ œ j Œ œ œ œ Y. M. C. A. it's fun to stay at the Y. M. C. A. They have 146 & 150 & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J œ œ j œ œ œ œ œ œ œ ev-er-y - thing for youngmen to en-joy, you can hang out with all the boys. It's fun to stay at the œ œ œ œ j œ œ œ œ œ œ œ œ œ œ j œ Œ œ œ C.B.O.I Y. M. C. A. it's fun to stay at the Y. M. C. A. You can Boogie Medley

24 Choir & 157 & get your-self clean, you can have a good meal, you can do what-ev - er you feel # # # œ # œ œ œ œ œ œ œ œ œ œ œ J œ œ j œ j œ œ j œ j Œ It's fun to stay at the do what-ev-er you feel. Blame It On The Boogie - The Jackson Five A smidgen slower q=112 R mf S 3 j Ó Œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ r My ba-by's al ways danc in' and it would -'nt be a bad thing, but œ œ œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j I don't get no lov - in' and thats no lie. We spent the night in Fris-co at f œ œ œ œ œ œ œ r nœ œ œ œ œ œ œnœ œ œ œ œ œ œ œj œ œ œ ev -'ry kind of dis - co, from that night I kissed our love good-bye. Don't blame it on T œ œ œ j J œ œ œ œ œ nœ œ œ j j œ œ œ œ œ nœ j œ œ Œ nœ œ œ œ sun-shine, don't blame it on themoon-light, don't blame it on thegood times, blame it on the nœ œ Œ œj œ œ œ œ œ œ J j œ œ œ œ œ nœ œ j œ œ œ œ œ œ boog-ie. Don't blame it on sun-shine, don't blame it on themoon - light, don't blame it on the U nœ œ œ j Œ # # # # # # # # # # # # # # œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ J nœ œ œ œ nœ œ Œ Ó œ œ œ œ j œ œ œ œ j good times, blame it on the boogie. I just can't, I just can't œ œ œ œ œ œ œ œ œ œ j œ œ œ œ j œ œ œ œ j œ œ œ œ œ œ œ œ œ œ j I just can't con-trol my feet. I just can't, I just can't I just can't con-trol my feet. 1. œ œ j V.S. Boogie Medley C.B.O.I

25 6 Choir 186 # # 189 # # 192 # # 195 # # 198 # # 200 # # I just can't, I just can't I just can't con-trol my feet. I just can't, I just can't V œ œ œ œ œ œ œ œ œ œ j œ œ œ J j œ œ œœ œ nœ œ œ j j œ œ œœ œ I just can't con-trol my feet. sun-shine, don't blame it on themoon-light, don't blame it on the nœ œ œ j Œ nœ œ œ œ nœ œ Œ œj œ œ œ œ œ œ J j œ œ œ œ œ good times, blame it on theboog- ie. Don't blame it on sun-shine, don't blame it on the nœ œ j œ œ œ œ œ œ nœ œ œ j Œ Œ nœ œ œ œ nœ œ moon -- light, don't blame it on the good times, blame it on the boogie. œ œ œ J sun - shine, don't blame it on the moon nœ œ œ j Œ Œ Ó nœ œ œ œ nœ œ good times, blame it on the boogie. W œ œ œ œ j œ œ œœ j œ œ œ œ œ œ œ œ œ œ j œ œ œ œ j œ œ œ œ j œ j œ œ œ œ nœ œ j œ œ œ œ œ œ -- light, don't blame it on the Ó C.B.O.I Boogie Medley

26 Choir THE GREATEST SHOW q=76 & # continue until bar 11 Clap 2 4 Œ Œ Œ J & # 4 œ œ œœœ Œ œ œ œœœ Œ œ œ œœœ Œ Whoa. Whoa. Whoa. 6 f & # œ œ œœœ Œ œ œ œœœ Œ œ œ œœœ Œ Whoa. Whoa. Whoa. 12 A & # œ œ œ œ œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ 14 & # œ œ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ it's ev -'ry-thing you ev er 16 & # œ Œ œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ This is the great est show. It's ev -'ry-thing you ev er 18 & # œ œ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ it's ev -'ry-thing you ev er 20 B & # œ Œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 23 & # Medley from the movie The Greatest Showman Benj Pasek & Justin Paul Arranged by Paul O'Brien Whoa. This is the great est show. It's ev -'ry-thing you ev - er want, - need, and it's here right in front of you. - want, - need, and it's here right in front of you, this is where you wan-na be. We light it up we won't come down,and the sun can't stop us now. œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ Watch-in' it come true, it's tak-in' o - ver you. Oh, this is the great -est show. V.S. The Greatest Showman Medley 2018

27 2 Choir 25 & # We light up we won't come down, and the walls can't stop us now. 2 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 4 œ Œ 4 We Everyone light upclap we won't on offbeats come down, until your andentry the wallscan't stop us now. q=96 FROM NOW ON C 4 Ó œ œ œ j œ œ œ œ œ œ œ œ œ œ Œ Ó From now on, these eyes will not be blind-ed by thelights. Ó œ œ œ j œ œ œ œ œ œ œ œ œ œ Œ œ j œ œ œ Œ œ œ From now on, what'swait- ed'till to-mor-row starts to night, it starts to night. Let this D œ œ œ œ œ œ j œ œ œ œ œ œ w œ Œ œ œ œ pro-mise in me start, like an an-them in my heart. From now on, from now E w œ Œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ on. From now on.and we will come back home, and we will come back home, œ œ Œ œ œœ Œ œ j œ œ œ œ œ œ œ j œ œœ œ œ œ œ home a-gain. And we will come back home, and we will come back home, F œ œ Œ œ œœ Œ œ j œ œ œ œ œ œ œ j œ œœ œ œ œ œ home a-gain. And we will come back home, and we will come back home, # # # 3 # # # # # # # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œœ Œ œ j œ œ œ œ œ œ œ œ j œ œ œ œœ œ home a-gain. And we will come back home, and we will come back home, G œ œ Œ œ œœ Œ œ j œ œ œ œ œ œ œ œ j œ œ œ œœ œ home a-gain. And we will come back home, and we will come back home, C.B.O.I The Greatest Showman Medley

28 Choir 3 68 # I COME ALIVE home a-gain. And we will come back home, and we will come back home, H q=122 œ œ Œ œ œœ Œ j œ œ œ j œ œ œ home a-gain. Live, come a- live, go and light œ j œ œ j œ j œ œ œj œ œ j œ j œ œ œ j œ œ your light, let it shine so bright. Reach-in' up, to the sky, j œ œ œ œ j œ œ j j œ œ œ j œ œ œ œ œ œ œ œ and it's o - pen wide you're e - lec - tri - fied. And the world œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ be-comes a fan - ta- sy, and you're more than you could e - ver be, 'cause we'redream œ œ œ œnœ œ œ œ œ œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ - in' with our eyes wide o - pen. And we know we can't go back a-gain to the world œœ œ œ œ œ œ œ œ œ œœ œ œnœ œ Œ j œ œ œ œ œ œ œœœ that we were liv-in' in,'cause we're dream - in' with our eyes wide o - pen. So come a-live. J œ Œ Ó Ó Œ œ œ œ œ œ œ œ œ œ œ œ œ œ And the world be-comes a fan -ta- sy, and you're more # # # 4 œ œ Œ œ œœ Œ œ j œ œ œ œ œ œ œ œ j œ œ œ œœ œ œœ œ œ œ œ œ œ œ œ œœ œ œnœ œ œ œ œ œ Œ Œ œ œ œ than you could e-ver be,'cause we're dream - in' with our eyes wide o - pen. And we know œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ we can't go back a-gain to the world that we were liv - in' in, 'cause we'redream V.S. The Greatest Showman Medley C.B.O.I

29 4 Choir K œ œ œ œ nœ œ œ œ œ œ Œ Œ œ œ œ - in' with our eyes wide o - pen. And the world œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ be-comes a fan - ta- sy, and you're more than you could e - ver be, 'cause we'redream œ œ œ œnœ œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ - in' with our eyes wide o - pen. And we know we can't go back a-gain to the world C.B.O.I œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ that we were liv - in' in, 'cause we're dream - in' with our eyes wide o - œ œ Œ Œ œ œ œ œ œ œ œ nœ œ œ œ œ œ Œ œ j œ œœ w - pen. 'cause we're dream - in' with our eyes wide o - pen. So come a-live. THIS IS ME L q=97 M 6 w œ œ œ œ œ œ œ œ œ Œ œœ œ œ œ Look out'cause here I come, and I'm march œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ j œ œ œ œ j œ œ - in' on to the beat I drum. I'm not scared to be seen I make no œ œœœœ œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ a-pol - o- gies, this is me. Oh, oh, oh, œ œ œ œ œ œ œ The Greatest Showman Medley

30 Choir œ œ œ œ œ œ œ N oh, œ œ œ œ œ œ œ œ Œ œœœ œ œ œ I'm not scared to be seen I make no a - pol - o gies, œ œ œ œ œ œ œ œ Œ œœœ œ œ œ Ó œ j œ œ œ j œ œ œ j œ œ œ j œ j œ j œ œ Oh, oh, oh, oh, oh. This is me. œ œ œ œœ œ œ œ œ œ œœœ Look out'cause here I come, and I'm march - in' on to the beat I drum. œ j œ œ œ j œ œ œ j œ œ œ œ œ œ œ œ œ j œ œ - this is me. œ œ œ œœ œ œ œ œ œ œœœ Look out'cause here I come, and I'm march - in' on to the beat I drum oh, I'm not scared to be seen I make no a-pol-o- gies, this is me. Oh, oh, œ j œ œ œ j œ œ œ j œ œ œ œœœœ œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Ó œ j œ œ oh, Oh, j œ œ œ œ j œ œ œ j j œ j Œ Ó œ œ œ œ oh, oh, oh, oh. This is me. The Greatest Showman Medley C.B.O.I

31 Choir Choir I Sing Out Mark Hayes Arranged by Paul O'Brien Moderately slow, with a steady beat q=76 4 A mp œ j œ œ j œ j œ œ œ œ œ œ œ œ j Some days, it seems like love's in short sup-ply. Inmf œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ j stead of un - der-stand ing, what I hear is "an eye for an eye". There's œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ œ œ j got- ta be a bet-ter way, I'm primed to do my part._ So poco rit. decresc 2 mp œ œ œ œ œ œ j œ r 4 4 œ œ œ œ œ œ œ œ œ œ œ r œ œ start- ing to- day, from deep with-in my heart. I sing out B a tempo mf œ r œ œ œ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ bold-ly so that ev 'ry-one will know, peace, I sing out hope, I sing out mf œ œ J œ œ œ œ œ œ œ œ œ j life gets bet - ter the fu - ture's bright-er. 3 œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ j œ r œ œ Bur-dens feel_much light-er when I sing out, when I sing out. I sing out C œ r œ œ œ œ j œ œ œ œ œ œ œ œ œ 26 joy, I sing out love. Here's my chance to show the world, what I'm œ œ œ œ J œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 29 made of. With my voice I can in-spire I em-pow- er, I en-light-en with my voice I can heal my world. f œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ 2018 ve-ry best part of what I am. I sing out From the mf j œ œ œ V.S.

32 D E split choir into 1sts & 2nds I sing out, I sing out, I sing out, I sing out loud and strong. I sing out, I sing out, I sing out, I sing out loud and strong. I sing out, I sing out, I sing out loud and strong. w œj œ œ œ œ œ J œ œ œ œj œ j œœ œœ œ w œ œ œ J œ œ œ J I sing out, I sing out, I sing out, I sing out loud and strong. I sing out, I sing out, œ œ œ œ J œ j œ œ œ œ w œ œj œ œ œ œ œ I sing out, J I sing out loud andf strong. I sing out, I sing out, œ œ œ œj œ j œœ œœ œ w œ œ œ J œ œ œ w J œj œ œ I sing out, I sing out loud and strong. I sing out, I sing out, I sing out strong. œ j œ œ nœ bœ œ œ nœ œ œ j œ œ œ œ œ œ J We are the voice the world is wait - ing for, and so we sing like we molto rit. œ ff œ œ œ œ œ œ œ # œ J A Tempo We sing out nev - er sung be - fore. F f œ r œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ peace, We sing out love. we sing out bold-ly so that ev- 'ry-one will know œ J œ œ œ œ œ œ œ œ œ œ j life gets bet - ter the fu - ture's bright-er. 3 # # # # # # # # # # w œj œ œ œ œ œ J œ œ œ œj œ j œœ œœ œ w œ œ œ J œ œ œ J I sing out, œ œ œ œ J œ j œœ œœ œ w œ œ œ J œ œ œ J œj œ œ œ œ j œœ œœ œ œ Choir œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ j œ r œ œ 60 Bur-dens feel_much light-er when we sing out, when we sing out. we sing out G # # œ r œ œ œ œ j œ œ œ œ œ œ œ œ œ joy, we sing out love. Here's ourchance to show the world, what Iwe're

33 63 # # mp œ œ œ œ J œ Choir 3 cresc. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 66 # # 70 # # 74 # # made of. With ourvoice we can in spire f we em-pow- er, we œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ en-light-en with our œ j œ œ voice we can heal the world. ve ry From the - best part of what we are. We sing out, rit. j œ œ œ œ Œ nœ nœ œ œ œ œ J we sing out. We sing out. From our hearts we ff A Tempo rit. nœ > œ w sing out.

34 Choir Make Some Noise Jordan Witzgreuter Arranged by Paul O'Brien q=165 A 4 mf œ œ œ œ j œ œ œ œ j œ œ œ œ œ j œ œ j œ Œ j œ œ I'm not sure what you just heard, but I know a sim-ple trick. You put œ œ œ œ j œ j œ œ j œ œ œ œ œ J œ œ j œ œ j œ Œ Ó both hands up, clap them a - bove, do it, do it just like this. B œ j œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ I think I might have caught the danc - ing sick - ness, ne - ver ev - er had a fe - ver like this. sing spoken shout f œ j œ œ œ œ œ œ œ œ œ œ œ œj œ œ œ Œ œ œ œ œ œ œ œ But where's the fun in be-ing nor -mal an - y - way - ay - ay. O - K, I Feel like turn-ing it up, C œ Œ œ œ œ œ œ Œ œ œ œ œ œ j œ œ j œ j œ œ j œ Œ œ œ œ œ break-ing it down, jump on my feet, don't touch the ground. You got a voice, œ Œ œ œ œ œ œ Œ œ œ œ œ œ j œ œ j œ j œ œ j œ Œ œ œ œ œ you got a choice, come on get loud let's make some noise. Sing it like, D Œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ Œ j œ œ œ œ œ j œ œ j Ooh. Ooh. This is the time, it's you and I, let's get la la la la loud. E mf œ Œ œ œ œ œ Œ Ó œ œ œ œ j œ j œ œ j œ œ œ œ œ J œ œ j œ j œ œ Œ œ j œ œ Make some noise. Scream out loud twist, twist and shout, do what-ev-er you want to. And if you're œ œ œ œ j œ œ j œ œ œ œ œ œ œ œ œ œ œ œ j œ œ j œ Œ Œ œ stuck in the mid - dle boo - gie just a lit - tle and I bet you won't feel so blue. No, F 4 # # 4 # # # # # # # # # # # # # # # # # # Œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ tell me do you feel the spea - kers pum - pin'? I ain't stop - ping 'til the whole room's jum - pin', 52 # # Œ œ œ œ œ œ œ œ œ œ œ it's o k to get cra - zy now and the - e en. Hey! shout œ j œ œ œ Œ Œ Make Some Noise C.B.O.I

35 2 Choir 57 # # 62 # # 66 # # 73 # # 79 # # 84 # # 85 # # 93 # # 98 # # 104 # # 110 # # sing f 1. I G œ œ œ œ œ œ œ œ Œ œ œ œ œ œ Œ œ œ œ œ œ j œ œ j œ j œ œ j œ Œ œ œ œ œ Feel like turn-ing it up, break-ing it down, jump on my feet, don't touch the ground. Yougot a voice, œ Œ œ œ œ œ œ Œ œ œ œ œ œ j œ œ j œ j œ œ j œ Œ œ œ œ œ you got a choice, come on get loud let's make some noise. Sing it like, H Œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ Œ œ j œ œ œ œ j œ œ j Ooh. Ooh. This is the time, it's you and I, let's get la la la la loud. I f Œ œ œ œ œ Œ Ó Œ œ œ j j œ Œ œ j j œ Œ œ œ œ j j œ Œ Make some noise. Oh, oh, oh, oh, oh, oh, oh, œ j j œ œ œ Œ œ j j œ Œ œ j j œ Œ œ œ œ j j œ Œ œ j j œ œ œ œ oh, oh, oh. Oh, oh, oh, oh, oh, oh, oh, oh, I wan-na get J œ œ œ j œ œ j la la la la loud, shout œ Œ Œ œ œ œ œ j œ œ j œ Œ Œ œ œ œ œ j œ œ j œ Œ Œ œ œ œ œ j œ œ j œ œ j œ œ œ œ get la la la la loud, get la la la la loud, get la la la la la loud. I wan-na get loud sing K f œ œ œ œ œ œ œ œ Œ œ œ œ œ œ Œ œ œ œ œ œ j œ œ j œ j œ œ j œ Œ œ œ œ œ 1. I Feel like turn-ing it up, break-ing it down, jump on my feet, don't touch the ground. Yougot a voice, œ Œ œ œ œ œ œ Œ œ œ œ œ œ j œ œ j œ j œ œ j œ Œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ you got a choice, come on get loud let's make some noise. Sing it like, Ooh. Œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ Œ œ j œ œ œ œ j œ j œ œ Œ œ œ œ Ooh. This is the time, it's you and I, let's get la la la la loud. Make some noise. L œ œ œ j œ œ j œ Œ Œ œ œ œ œ j œ œ j œ la la la la loud, get la la la la loud, get la la la la loud, Œ Œ œ œ œ œ j œ œ j 115 # # œ Œ Œ œ œ œ œ j œ œ j œ get la la la la la loud. Make some noise.come on make some noise! Wooh! shout Œ œ œ œ Œ Œ C.B.O.I Make Some Noise

36 Choir/Finger Click Matilda Medley Tim Minchin Arranged by Paul O'Brien q=132 with a swing iq=ex Naughty Finger click A / c Choir c & b œ œ œ Œ j œ œ œ œ Œ 4 / Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ œ j Jack and Jill went up the hill to Œ œ Œ œ Œ œ Œ œ Œ œ œ Œ Œ œ œ Œ & b œ œ œ œ œ Œ œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ Œ œ j fetcha pail of wa - ter, so they say the sub-se-quent fall was in - e - vi - ta-ble, they 8 3 / Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ 4 Œ œ Œ c 3 & b œ œ œ œ œ œ œ œ œ œ Œ œ œ œ j œ 4 c œ œ œ œ œ ne-ver stooda chance they were writ-ten that way. In-no - cent vic-tims of their sto - 12 / c œ Œ Ó B c & b œ j Œ Ó Ó Œ j œ œ œ œ œ œ œ œ j Œ œ j œ œ œ œ ry. LIke Ro-me-o and Ju - li - et, 'twas writ-ten in the 16 & b œ œ œ œ œ œ œ j Œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ 20 &b bœ stars be-fore they ev-en met, that love and fate and a touch of stu-pi - di -ty would 3 4 c bœ œ œ j œ œ œ œ œ œ œ œ œ œ œ j œ œ œ j œ œ œ œ rob them of their hope of li-ving hap-pi- ly, the end-ings are of-ten a lit-tle bit go - V.S. Matilda 2015

37 2 Choir/Finger Click C c 3 & b œ j Œ Œ j œ œ œ œ œ 4 c œ œ œ œ œ œ œ j Œ Œ j œ & b ry. I won-der why they did-n't just change their sto - ry. We're œ œ œ œ 3 œ œ œ 4 c œ œ œ œ j Œ Ó told we have to do what we're told but sure - ly,.. œ j œ œ j œ œ œ œ œ œ œ œ œ some-times you have to be a lit - tle bit naugh - ty! D Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Ev -'ry day starts with a tick of a clock, all es-capes start with the click of a lock, œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ j j œ œ œ œ œ if you're stuck in your sto - ry and wan-na get out, you don't have to cry, œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ J œ œ j œ j œ you don't have to shout. 'Cos if you're lit-tle you can do a lot, You œ œ œ œ œ œ œ œ œ œ œ J œ œ j œ œ œ œ œ œ œ œ œ œ j œ œ j œ j œ must-n't let a lit-tle thing like lit-tle stop you. If you sit a-round and let them get on top you E œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ won't changeg a thing. No-bo-dy else is gon-na put it right for me, œ œ œ œ œ œ œ œ œ œ œ j œ œ j œ œ j œ œ œ œ œ œ œ œ œ & b 2 & b 3 3 & b & b & b & b 3 & b &b no-bo-dy but me is gon-nachange my sto- ry, Some-times you have to be a lit-tle bit naugh- ty! F q=80 2 When I Grow Up Œ œ œ œ Ó Œ When I grow up, œ œ œ I will be C.B.O.I Matilda

38 Choir/Finger Click 3 63 & b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 65 & b 69 & b 72 & b 75 & b 77 & b 80 strong e - nough to car - ry all the hea-vy things you have to haul a - round œ œ œ œ œ œ œ œ Ó œ r œ œ œ œ Ó Œ œ œ œ with you when you're a grown up. And when I grow up, I will be œ œ œ œ œœ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ brave en-ough to fight the crea tures that you have to fight be-neath the bed each night to be a grown up. G œ r œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ And when I grow up, I will have trerats ev -'ry day and I will œ œ œ œ œ œ œ œ œ œ œ œ œ j r œ œ œ œ œ œ play with things that Mum pre - tends that mums don't think are fun. And I will wake Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j r œ up, when the sun comes up and I will spend all dayjust ly-ing in the sun. And & b œ # œ œ œ œ œ œ œ œ œ œ œ œ Ó I won't burn'cos I'll be all grown up. When I grow up. 84 H q=120 & # 7 Revolting Children Matilda C.B.O.I

39 4 Choir/Finger Click 91 & # 94 & # I Ó Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ We are re-volt-ing child-ren liv-ing in re-volt-ing times, We sing re-volt-ing songs us - ing re-volt-ing rhymes.we'llbe re-volt-ing child- ren 'til our œ œ œ œ œ j œ œ œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ 97 & # J & # œ œ œ œ œ j œ œ œ œ œ œ œ œ œ # œ œ œ œ Œ Ó re-volt-ings done, and we'll have the Trunch bull bolt ing we're re - volt- ing! œ œ œ œ œ œ œ œ Ó Œ œ œ œ j œ œ Œ œ œ œ j œ œ Œ œ œ R E V O L T I N we S I N G U S I N G We'll be œ j œ œ œ j œ œ œ j œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ Œ Œ # œ œ R E V O L T I N G it is 2 L 8 4 U we are re-volt- ing. We are K œ œ œ œ œ œ œ œ œ œ œ œ œ œ J œ œ œ œ œ œ œ J œ œ re-volt-ing child-ren liv-ingin re-volt-ing times, We sing re-volt-ing songs us-ing # # # 111 # C.B.O.I œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j Œ re-volt-ing rhymes.we'llbe re-volt-ing child- ren 'til our re-volt-ings done, Matilda

40 Choir/Finger Click # 117 # 119 # 121 # We are L Ó Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J œ œ re-volt-ing child-ren liv-ing in re-volt-ing times, We sing œ œ œ œ œ J œ œ œ œ œ œ œ j œ œ re - volt - ing songs us - ing re - volt - ing rhymes. We'll be œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ re - volt - ing child - ren 'til our re - volt - ings done, it is œ œ œ œ œ œ œ œ œ œ Œ Ó 2 L 8 4 U we are re - volt - ing!

41 Choir Best Time Ever - Kidz bop kids q= Like I reach the sky. B 3 Ó Œ œ j It's keep-ing me a-wake, won-der why I feel this type of way. ne-ver knew that I could fly, fin -'lly got mychance to f Pop Medley '19 A œ œ œ œ œ Now I'm wan-na go out, so I'm gon-na go out. Arranged by Paul O'Brien œ Œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ No stop-ping me now, no stop-ping me now. 'Cause I'm wan-na go out, 'cause I'm gon-na go out. Wave at the clouds, no - one's gon-na stop me now. œ œ œ œ œ œ œ r œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ I'm gon-na have the best time ev - er, gon - na have the best time ev - er, œ r œ œ œ œ œ œ œ œ œ j œ œ j œ œ r œ œ œ œ œ œ œ œ I'm gon-na have the best time ev- er, hey-oh, hey-oh. I'm gon-na have the best time ev-er, œ r 25 œ r œœ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ j œ œ j œ gon - na have the best time ev- er, I'm gon-na have the best time ev-er, hey-oh, hey-oh. V.S.

42 2 Orchestra (those not playing) clap on back beats for next 8 bars Choir E C D I'm gon-na have the best time ev - er, gon - na have the best time ev - er, gon-na have the best time ev- er, hey-oh, hey-oh. Gon-na have the best time ev- er, gon - na have the best timeev- er, it's gon-na benow or ne ver, hey- oh, hey-oh. I'm gon-na have the best time ev - er, gon - na have the best time ev - er, I'm gon-na have the best time ev- er, hey-oh, hey-oh. I'm gon-na have the best time ev-er, gon - na have the best time Party evin -The er, USA - Miley I'mCyrus gon-na have the best time ev - er, q=96 mf # 3 œ j œ œ j œ Ó Œ & # & # & # Œ œ r œ œ œ œ œ œ œ œ hey- oh, hey- oh. I hopped off the plane at L A X with my dream and a car - di - gan, wel-come to the land of fame ex - cess, whoah, am I gon-na fit in? Jumped in the cab,here I am for the first time, look to myleft I can see the Hol-ly-wood sign, œ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ j œ Œ œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ j œ œ j œ œ r œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ j œ œ j œ œ r œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ C.B.O.I Pop Medley '19 œ r

43 Choir 3 54 & # 56 & # 57 & # 59 & # 62 & # 65 & # 68 & # 71 & # 74 & # 77 & # F œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ Œ this is all so cra - zy, ev - 'ry - bo - dy seems so fa - mous. œ œ œ œ œ œ œ œ œ œ œ œ œ My tum - my's tur - nin' and I'm feel - in' kin - da home - sick, œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ too much press-ure and I'm ner vous. - that's when the tax - i - manturned onthe ra - di-o and the œ œ œ œ œ œ œ œ œ œ œ œ œ œœœ œ œ œ œ œ œ œ œœ œ œœ œ œ Jay-z song was on, and the Jay-z song was on, and the Jay-z song was on. So I put my œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ hands up,they're play-ing my song,the but-ter-flies fly a-way, I'm nodd-in' my head like yeah, mov in - my hips like yeah. Got myhands up they're play-in my song,youknow I'm gon-na be o- kay. Yeah, it's a par-ty in the U S A. Yeah, it's a G œ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ par-ty in the U S A. So I put myhands up,they're play-ing my song,the but-ter-flies fly a-way, I'm œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nodd-in' my head like yeah, mov-in my hips like yeah. Got myhands up they're play-in my song,you œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ know I'm gon-na be o- kay. Yeah, it's a par-ty in the U S A. f V.S. Pop Medley '19 C.B.O.I

44 4 Choir 80 & # What About Us? - Pink Yeah, it's a par - ty in the U S A. q=114 H # 3 # # # # 106 # 110 # 114 # 118 # I J K bill We are search - lights we can see in the dark, we are roc - kets poin-ted up at the stars. We are - ions of beau-ti - ful hearts, we are child us? us? us? love? us? shout œ œ œ œ œ œ œ œ Œ Ó Œ Ó Œ œ œ œ œ œ œ œ œ œ œ œ œ Œ Ó œ œ œ œ œ œ œ œ œ œ œ œ Œ Ó Ó Œ œ œ œ œ œ œ j œ œ œ œ œ Œ Ó Ó Œ - ren who just want to be loved. What f a-bout what a-bout all the times you said you had the an - swers? What a-bout what a-bout all the bro-ken hap-py ev - er af - ters? What a-bout what a-bout all the plans that en-ded in dis - as- ters? What a-bout what a- bout trust? what a- bout us? What a-bout what a-bout all the times you said you had the an - swers? What a-bout # # # œ œ œ œ œ œ œ œ œ œ œ œ Œ Ó Ó Œ œ œ œ œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ Ó Œ œ œ œ œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ Ó Œ œ œ œ œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ Ó Œ œ œ œ œ Œ Œ œ œ œ œ J œ œ œ œ œ œ j œ Ó Ó Œ œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ Ó Œ œ œ œ œ œ œ C.B.O.I Pop Medley '19

45 Choir # 126 # 130 # 134 # 137 & 144 & 148 & 152 & L œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ Ó Œ œ œ œ us? us? love? what a-bout all the bro-ken hap-py ev - er af - ters? What a-bout œ Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ Ó Œ œ œ œ what a-bout all the plans that en-ded in dis - as- ters? What a-bout œ Œ Œ œ œ œ œ J œ œ œ œ œ œ j œ Ó Ó what a- bout trust? what a- bout us? What œ j Œ œ œ œ œ j œ j Œ œ œ œ œ j œ j œ Ó Glitterball - Sigma What a - bout us? What a - bout us? q=140 M 4 mf Stand œ j œ œ j œ œ œ œ glit-ter ball, mf a-bout us? -ing here in the mus-ic hall with my mic - ro-phone and a - and youwalked right in blow-ing through thedoors like a force of na - ture, a œ œ œ œ œ œ j œ œ œ œ N œ œ œ œ j œ œ œ œ œ œ j œ œ j œ œ œ œ œ œ œ œ force of na - ture. I thought I lost you in the crowd, but how can I when you n n n œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ j œ œ j œ œ j œ œ œ œ œ œ œ j œ œ j œ œ j œ œ œ œ œ œ j œ œ j œ œ j œ œ œ œ œ œ j 156 & 161 & stand out. You're like the sun through the ev -'ning rain, the bells are ring - ing, you f O œ j œ œ j œ j œ œ J œ œ œ œ j bœ j œ œ œ J œ œ œ œ j bœ j œ œ œ J got me sing - ing. Ooh, œ œ œ œ j j bœ œ œ œ j j œ sing- ing, ooh sing- ing, ooh œ j œ œj œ j œ œ J œ œ sing- ing, oh You got me sing - ing ooh. V.S. Pop Medley '19 C.B.O.I

46 6 Choir 166 & 171 & 176 & 181 & 186 & œ œ j bœ j œ œ œ J œ œ œ œ j bœ j œ œ œ J œ œ œ œ j bœ j œ œ œ j Sing-ing, ooh sing- ing, ooh sing- ing, oh P œ j œ bœ j œ œ œ œ œ Œ œ œ œ œ œ œ œ Œ œ œ You got me sing - ing. And I feel love, do you 1. feel love? and I feel love. Ooh, 2. mf Q R T U œ j œ œ œ œ œ Œ œ œ œ œ œ w œ Œ Œ œ J œ Œ Œ œ J œ œ œ œ j bœ j œ œ œ J œ œ œ œ j bœ j œ œ œ J Ooh, sing- ing, ooh sing- ing, ooh Castle On The Hill - Ed Sheeran sing- ing, oh You got me sing - ing. q=133 S mf Œ œ œ œ œ j bœ j œ œ j j œ œ 4 2 When I was six years old I broke my leg, œ œ œ j Œ œ œ œ œ j œ œ j œ j œ œ j œ j œ œ œ œ j œ œ œ œ œ j œ j œ œ j œ œ œ œ œ œ œ Œ Ó I was run-ning from my broth -er and his friends. œ Œ Ó Œ œ J œ œ œ œ œ j œ œ j œ œ œ œ œ œœœ œ œ œœ œ œ Œ Ó Tast-ed the sweet per - fume of the moun - tain grass I rolled down, Œ œ œ œ j œ œ j œ œ j œ j œ œ j Ó œ I was young-er then, take me back to when. I Œ œ j œ j œ œ j Œ œ œ œ j œ œ j œ œ œ œ j œ œ j œ j œ œ j œ j œ œ j found my heart and broke it here, made friends and lost them through the years, C.B.O.I Pop Medley '19 # #

47 Choir œ j œ j œ j œ œ j œ j œ œ j œ j œ œ j œ œ œ œ j œ œ j œ j œ œ j œ j œ Ó nine and I've not seen the roar - ing fields in so long, I know I've grown, f V I can't wait to go home. I'm œ j œ œ j œ œ œ œ œ Œ œ œ j œ j œ œ j œ j Œ Ó œ œ j œ j œ œ j œ œ j œ j œ œ j œ j Œ Ó on my way, runn - ing at - ty down those coun - try lanes, sing - ing to "Ti- W œ œ œ j œ j œ œ j œ j œ œ j œ œ œ œ j œ œ j œ œ j œ œ œ œ j œ œ j œ Œ Œ œ j œ j œ Y Z Pop Medley '19 ny - Danc- er" and I miss the way you make me feel, Œ œ j œ j œ it's real. We watched the sun - set, ov - er the cas p tle - on the hill. I'm X œ œ j œ œ œ œ œ j œ œ j œ œ j œ œ œ œ œ œ œ œ œ œ œ j œ j œ œ j œ j Œ Ó œ œ j œ j œ œ j œ j Œ Œ œ œ j œ j œ œ œ j œ j œ œ j on my way, I still re - mem - ber these old œ œ œ j œ j œ œ j œ œ œ œ j œ œ j coun - try lanes, when we did not know the ans wers. And œ œ j œ œ œ œ j œ œ j œ Œ Œ œ j œ j œ Œ œ j œ j œ I miss the way you make me feel, it's real. œ œ j œ œ œ œ œ j œ œ j œ œ j œ œ œ œ œ œ œ œ œ We watched the sun - set, ov - er the cas - tle on the hill. Œ œ j œ j œ œ j Œ œ j œ œ j œ œ œ œ œ œ œ œ œ Ooh, ov - er the cas - tle on the hill. f C.B.O.I V.S.

48 8 Choir 257 Œ œ j œ j œ œ j œ Œ Œ œ j œ œ j œ œ œ œ œ œ œ œ œ Ooh, ov - er the cas - tle on the hill. U C.B.O.I Pop Medley '19

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