Software Defined Radiofrequency signal processing (SDR) GNURadio

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Software Defined Radiofrequency signal processing (SDR) GNURadio J.

Signal processing blocks are written in C++ or in Python. Assembling blocks as a processing chain is defined by a Python script.

A tool helps in assembling blocks which actually happens to be a Python code generator from the processing chain graphically defined named GNURadio Companion.

1 Software Defined Radiofrequency signal processing (SDR) GNURadio J.-M Friedt, 12 octobre First steps with GNURadio GNURadio [1] provides a set of digital signal processing blocks as well as a scheduler taking care of data flow. Signal processing blocks are written in C++ or in Python. Assembling blocks as a processing chain is defined by a Python script. A graphical user interface is not mandatory, making GNURadio well suited for embedded environments not fitted with graphical displays (e.g. Redpitaya board). A tool helps in assembling blocks which actually happens to be a Python code generator from the processing chain graphically defined named GNURadio Companion. We shall use this tool, called gnuradio-companion from the command line interface, for this introduction to software defined radio (SDR) digital signal processing. In order to become familiar with GNURadio-companion, a first example aims at generating a processing flow fed by a noise source, a band-pass filter of varying central frequency and bandpass, and a display of the resulting spectrum : Find, on the GNURadio website, the API describing the signal processing blocks, and the methods associated to the band pass filter object. Add to the Python script generated by GNURadio-companion an output printing the length of the filter. Output the processed signal on the sound card : listen at the impact of the bandwidth and central frequency of the filter. Let us demonstrate the flexibility of GNURadio-companion to address and prototype signal processing concepts by printing the filter coefficients. A FIR (Finite Impulse Response) filter generates an output y n as weighted combination of past inputs x k following N y n = b k x n k 0 with N the number of coefficients. This number significantly impacts the computational processing power needed to generate each y n and it is important to get a feeling of such an impact. Starting with the processing scheme such as in which the b k coefficients, called taps, are dynamically defined by the Python Python filter.firdes.low_pass_2(1, samp_rate, fc, fc+df,attenuation) we define a filter with cutoff frequency fc, a cut-band of fc+df and an out of band attenuation of attenuation. We will see that df is a core parameter defining N. To get a feeling of the meaning of N and its relation to fc, let us consider how a Fourier transform on N samples will generate a spectrum with frequency steps samp_r ate/n, with samp_r ate the sampling rate. If fc is smaller than samp_r ate/n, the spectrum is not defined well enough to define the slopes of the filter : N must be increased. GNURadio-companion being a Python code generator, we can modify the provided listing and add in the taps callback function a display of the vector length : 1

This function is called every time a parameter of the filter is modified, and hence allows dynamically observing the evolution of the number of coefficients with various parameter values.

2 1 def set_taps ( self, taps ) : s e l f. taps = taps 3 s e l f. f i r _ f i l t e r _ x x x _ 0. set_taps ( ( s e l f. taps ) ) print len ( taps ) # ajout au code original which allows observing how the length of the filter increases as fc decreases. This function is called every time a parameter of the filter is modified, and hence allows dynamically observing the evolution of the number of coefficients with various parameter values. Modify the callback function to display, in addition to the number of coefficients, the central frequency and the cutoff frequency. Observe how N evolves as a function of these parameters. 2 GNURadio for practical signal processing 2.1 The sound card as a low frequency signal generator The sound card is an ideally suited interface to become familiar with core concepts of signal processing. GNURadio can emit a signal through the sound card thanks to the Audio Sink block. 1. Generate a sine wave at a frequency that can be heard, and send it to the sound card. 2. Display at the same time the spectrum of the emitted signal. 2.2 Signal processing : filters FIGURE 1 Two implementations of band-pass filters, left with a 5-Hz transition width, right with a 150 Hz transition width. The difference is not significant in terms of functionality, but the impact in terms of computational power due to the increased number of coefficients is significant (Fig. 2). We can test basic yet fundamental signal processing algorithms such as filters. A Finite Impulse Filter (FIR) is designed to process synthetic data. In order to characterize the spectral characteristics of the filter, we feed it with a white noise source, and observe the spectrum at the input and the output of the filter. What is the impact of request a narrower transition width from the filter? 2.3 How to handle data-flow when lacking input or output hardware When the signal is emitted by the sound card, the data-rate is defined by the sampling rate of the sound card. If a signal is sampled from an acquisition card, here again the sampling rate is defined. But if we only perform signal processing on synthetic data or data stored in a file to display its characteristics, no sampling rate is imposed in the processing flowchart by a hardware interface, We must tell the scheduler to wait between two processing steps to comply with the expected sampling rate defined by the samp_rate variable : the throttle bloc is in charge of such an operation. Remove the audio output and display on a virtual oscilloscope the output of the sine wave generator. 2

FIGURE 2 GNURadio Companion filter design tool : notice how the number of coefficients rises inversely to the required transition width of the filter.

The complex output of the I/Q demodulator is observed in the time domain : left the input signal is at 433.98 MHz, middle at 433.99 and right at 434 MHz.

carrier frequency, mixing in the complex domain only generates one sideband at the radiofrequency minus the local oscillator frequencies.

1 Displaying the spectrum The easiest yet most attractive demonstration of radiofrequency reception is to analyze a commercial FM broadcast station signal and send the audio output to the sound card

The objectives of this first experiment are 1. to become familiar with searching processing blocks in the right menu containing the list of signal processing functions available, 2.

3 FIGURE 2 GNURadio Companion filter design tool : notice how the number of coefficients rises inversely to the required transition width of the filter. 3 I-Q coefficients In the following example we feed the function generator with a signal at various frequencies as the DVB-T dongle is set at a fixed frequency of 434 MHz. The complex output of the I/Q demodulator is observed in the time domain : left the input signal is at MHz, middle at and right at 434 MHz. The imaginary part is observed to be either late, in sync close to the carrier or early : as opposed to the mixing with a real signal which generates both sidebands on the left and right of the carrier frequency, mixing in the complex domain only generates one sideband at the radiofrequency minus the local oscillator frequencies. 4 Receiving radiofrequency signals : commercial FM broadcast 4.1 Displaying the spectrum The easiest yet most attractive demonstration of radiofrequency reception is to analyze a commercial FM broadcast station signal and send the audio output to the sound card (Fig. 3). This example is most simple since the received signal is powerful and broadcast continuously, but nevertheless demonstrates the core concepts of SDR. The objectives of this first experiment are 1. to become familiar with searching processing blocks in the right menu containing the list of signal processing functions available, 2. select the datastream generated by the DVB-T receiver which will be used throughout these labs, 3. make sure we understand the consistency of data-flow as decimations are applied at various stages of the processing. A source provides a complex I and Q data stream to feed the various processing blocks to finally reach a sink in our case the sound card. The data-rate from the source defines the analysis bandwidth and hence the amount of information we can collect (cf Shannon). The bandwidth is limited by the sampling rate and the communication bandwidth between the acquisition peripheral and the personal computer (in our case, USB bus). The central working frequency is of hardly any importance it only defines the antenna size since the radiofrequency receiver aims at cancelling the carrier with the initial mixing stage. Only the bandwidth matters! An easily accessible data source is the sound card input (microphone) of a personal computer. The bandwidth is usually limited to 48 or 96 khz, sometimes 192 khz depending on the sound card brand. Historically, the output of radiofrequency receivers 3

FIGURE 3 Startup screen of GNURadio Companion. were connected to the audio-frequency inputs for further digital signal processing (e.g. ACARS or AX25 receivers).

Most significantly, it covers the commercial FM broadcast band ranging from 88 to 10

Find the source by hitting on the magnifying glass icon osmo which allows isolating the Osmocom Source bloc. 3.

Vary the sampling rate and observe the consequence. Rather than setting the central operating frequency when starting the acquisition, we might want to dynamically update such a parameter (Fig. 4).

4 FIGURE 3 Startup screen of GNURadio Companion. were connected to the audio-frequency inputs for further digital signal processing (e.g. ACARS or AX25 receivers). In our approach, a low cost digital video broadcast terrestrial (DVB-T) receiver happens to be usable as a general purpose radiofrequency receiver operating in the 50 to 1600 MHz range. Most significantly, it covers the commercial FM broadcast band ranging from 88 to 108 MHz in Europe, or 76 to 95 MHz in Japan. 1. Considering the commercial FM band, what are the associated wavelength and hence antenna dimensions best suited to receive such signal? 2. Find the source by hitting on the magnifying glass icon osmo which allows isolating the Osmocom Source bloc. 3. Find the sink by hitting on the magnifying glass icon WX which allows accessing the WX GUI FFT Sink. 4. Modify the sampling rate variable samp_rate with a value ranging from 1 to 2 MHz. 5. Vary the sampling rate and observe the consequence. Rather than setting the central operating frequency when starting the acquisition, we might want to dynamically update such a parameter (Fig. 4). FIGURE 4 Definition of the working frequency with a slider. 1. Create a slider defining the variable f thanks to a WX Slider 2. Define the central frequency of the receiver with the variable f defining the carrier frequency of the DVB-T receiver, 3. Define the central frequency of the FFT as being equal to f rather than Demodulation and audio output Once the frequency band including the FM broadcast signal has been identified, we must demodulate the signal (extract the information content from the carrier) and send the result to a meaningful peripheral, for example the PC sound card. 4

GNURadio does not automatically handle data flow rates, and only warns the user of an inconsistent data rate with cryptic messages at first sight (but consistent once their meaning has been

5 FIGURE 5 Definition of the samp_rate variable as a multiple of the final audio frequency, and activating the audio output of the PC. The challenges lies in handling the data-flow, which must start with a radiofrequency rate (several hundreds of ksamples/s) to an audio-frequency rate (a few ksamples/s). GNURadio does not automatically handle data flow rates, and only warns the user of an inconsistent data rate with cryptic messages at first sight (but consistent once their meaning has been understood). The data-rate output from the DVB-T must lie in the 1 to 2,4 Msamples/s (the upper limit being given by the bandwidth of the USB communication link, the lower limit by hardware limitations). The sound card sampling rate must be selected amongst a few possible values such as 48000, 44100, or, for the older sound cards, Hz. Handling the data rate requires consistently decimating the data-rate from an initial value to a final value. In order to make sure that the initial sampling rate can easily be decimated to the output audio frequency, it is safe to define samp_rate as a multiple of the output audio frequency. For example for a 48 khz output sampling rate, an input of = MHz complies with the DVB-T receiver sampling rate range. Similarly for a 44,1 khz output, an input at = MHz complies with the requirements of the sampling rate of the input and output, assuming the various processing blocks decimate by a factor of 50 = Connect a headset to the audio output of the PC and listen to the result. What happens if the decimation factor is incorrectly set, for example by selecting a value below 32 above 32? 4.3 Stereo sound and RDS Many FM broadcast stations emit a stereo signal. However, not all receivers are fitted to process separate left ear and right ear signals. What solution can suit both mono and stereo receivers? The solution consists in transmitting for all receivers the sum of left + right ear sounds, and only for stereo receivers the signal difference left - right so that both separate signals can be reconstructed from the initial information if needed. Furthermore, some radio stations outside Japan emit a digital information defining the kind of program being broadcast and the name of the station : this protocol is named Radio Data System (RDS), located at a frequency offset of 57 khz, beyond all audio-frequency signal modulations. The bitrate of the digital information, bits/second, is slow enough so as only to use a reduced bandwidth around the 57 khz sub-carrier generated as the third harmonic of the 19 khz pilot tone which tells the receiver that the emission is in stereo (and hence that the upper part of the spectrum carries the left-right information). Using the waterfall sink, display the various sub-bands transmitted by the FM broadcast emitter after demodulation. 5

5 Spectral occupation of the various modulation schemes 5.1 AM v.s FM The bandwidth of a communication channel defines the amount of information that can be transmitted.

6 illustrates the spectral occupation of two common modulation schemes AM and FM to encode the same input signal a sine wave of fixed frequency and amplitude.

6 5 Spectral occupation of the various modulation schemes 5.1 AM v.s FM The bandwidth of a communication channel defines the amount of information that can be transmitted. The modulation scheme induces a spectral occupation and hence the distribution of the spectral components within the allocated bandwidth. Fig. 6 illustrates the spectral occupation of two common modulation schemes AM and FM to encode the same input signal a sine wave of fixed frequency and amplitude. FIGURE 6 Spectral occupation of AM (left) and FM (right) modulation schemes. In both cases, the modulating signal is a 2400 Hz sine wave. An amplitude modulation is generated by a voltage controlled attenuation, also known as a transistor (for example a FET). 6

A frequency modulation is generated by a voltage controlled oscillator and pulling the frequency as a function of the voltage representing the information to be transmitted (e.g. using a varicap) (VCO Voltage Controlled Oscillator).

2 BPSK Phase modulation is achieved by feeding a mixer (in our case a Minicircuits ZX05-43MH+, Fig.

7 A frequency modulation is generated by a voltage controlled oscillator and pulling the frequency as a function of the voltage representing the information to be transmitted (e.g. using a varicap) (VCO Voltage Controlled Oscillator). Demodulate the AM and FM signals in order to display the time evolution of the modulated information. 5.2 BPSK Phase modulation is achieved by feeding a mixer (in our case a Minicircuits ZX05-43MH+, Fig. 7) on one side by a radiofrequency carrier signal (LO port) and on the other hand by a square-wave signal with mean value 0 representing the signal (IF port) to generate the signal sent to the antenna (RF port). Based on the internal schematic of the mixer, the polarity of the modulating signal defines the side of the diode bridge through which the LO signal goes to reach the middle point of the transformer, and hence the phase (between 0 and π) imprinted on the output signal. FIGURE 7 Left : schematic of the ZX05-43MH+ as found in the datasheet, detailing the internal wiring, and GnuRadio- Companion schematic demonstrating how to eliminate the modulation by squaring the BPSK modulated signal, as well as the Costas-loop carrier recovery. Right : experimental setup. Remember to 1. set the synthesizer as a square wave function generator with a 1 V amplitude (IF input of the mixer), 2. select the radiofrequency carrier frequency above 900 MHz, the lowest operating frequency of this particular mixer reference (LO input of the mixer), 3. connect the RF output to the antenna. The challenge of PSK demodulation lies in the recovery of the carrier in order to eliminate the frequency offset f between the local oscillator and the incoming signal. Indeed, were this frequency difference not cancelled, the phase of the signal is on the one hand defined with a continuously changing contribution as a function of time 2π f t and on the other hand with the phase to be detected ϕ [0,π]. One way of estimating the carrier frequency offset is by using the Costas loop which provides the demodulated signal in addition to an indicator of the frequency offset. Demonstrate the ability to demodulate the phase-modulated signal being transmitted (Fig. 8). What is the maximum offset acceptable between LO and the carrier for the feedback control loop to lock? 7

FIGURE 8 Top, from left to right : carrier at 1249.

3 MHz (within the control loop bandwidth).

and carrier : bottom, a source set to a fixed frequency of 970 MHz and the receiver

6 FSK modulation Amongst the classical modulation schemes, FSK encodes two possible bit

On the receiver side, a FM demodulator returns two voltages for the two possible states

What happens when the local oscillator and the emitter oscillator are offset?

8 FIGURE 8 Top, from left to right : carrier at MHz (out of the control loop bandwidth), then and MHz (within the control loop bandwidth). Furthermore, the Costas loop provides a hint at the frequency offset between receiver and carrier : bottom, a source set to a fixed frequency of 970 MHz and the receiver being swept. 6 FSK modulation Amongst the classical modulation schemes, FSK encodes two possible bit states as two frequency modulations of the carrier. On the receiver side, a FM demodulator returns two voltages for the two possible states of the bit stream (Fig. 9). What happens when the local oscillator and the emitter oscillator are offset? How does a modulation over the carrier correct this issue? FIGURE 9 Reception of a signal emitted by a Semtech XE1203F radiomodem programmed to send digital sentences on a 434 MHz carrier. Considering that the signal controlling the VCO is generated by a RS232-compatible UART from a microcontroller, what is the baudrate of the digital communication shown in Fig. 9 (right)? 8

7 Connecting to an external sentence decoding tool A simple approach to analyze sentences from demodulated signal is to use an external tool called multimon 1 eliminates all decoders (-c) and add

9 7 Connecting to an external sentence decoding tool A simple approach to analyze sentences from demodulated signal is to use an external tool called multimon 1 eliminates all decoders (-c) and add those we are interested in (POCSAG at a 1200 baud rate and graphical output). We focus on signals emitted in France by pagers, also known at the time by their brand name Tam-tam or Tatoo and still used by the e*message company 2. The communication protocol is called, and is briefly described at wiki/pocsag. We learn that in France, the six allocated frequencies are 466.{025 ;05 ;075 ;175 ;20265 ;23125} MHz. FIGURE 10 Left : spectrum around 466 MHz in which POCSAG signals are transmitted. Right : processing the demodulated signals. multimon 3 handles a wide variety of modulation schemes dating back to the time when receiving radio signal was done using a dedicated receiver whose audio output was actually connected to the sound card input of the personal computer. Today, this link has become virtual through a named pipe (mkfifo unix command). A stream through a named pipe only starts flowing when both ends of the pipe are connected. Launching the gnuradio software is not enough to run the acquisition, and the processing only starts after running multimon. The other configuration subtlety lies in complying with the expected data rate for multimon to handle the data stream, namely a rate of Hz with 16 bit integers. 1. Create a named pipe with mkfifo mypipe 2. Create a data sink in GNURadio-companion meeting the data format requirements 3. Connect multimon to the named pipe with multimon -t raw mypipe 4. Watch the result (Fig. 11) Notice the high-pass filter at the output of the frequency demodulator and the floating point to integer converter. Indeed, any frequency offset between the emitter and FM receiver oscillators will yield after the demodulation to an constant voltage offset. Le high pass filter not only remove this offset but also decimates the data stream to reach the datarate expected by multimon. 8 Multichannel analysis POCSAG is characterized by several radiofrequency channels. So far we have only decoded a single channel by selecting its carrier frequency. We now wish, since the I/Q stream provides all the information carried by all the channels, to decode the content of all communication channels in parallel. From a signal processing perspective, we must band-pass each channel and process the associated information, without being polluted by the spectral content of adjacent channels. Practically, we frequency shift each channel close to baseband (zero-frequency), and introduce a low-pass filter to cancel other spectral contributions. This processing scheme is so classical that it is implemented as a single GNURadio Companion bloc : the Frequency Xlating FIR Filter. This bloc includes the local oscillator with which the frequency must be shifted by mixing, and the low-pass filter. A 1. A more recent version of this tool, called multimon-ng, is available at It seems to operate in the same way than the original version, except for a very verbose mode which must be removed : multimon-ng -t raw -c -a POCSAG1200 -a SCOPE myfile or 9

FIGURE 11 Signal processing of the POCSAG signals using multimon.

low_pass(1,samp_rate,15000,5 This command is located in a variable whose name is used for fill the

This processing strategy can be extended to any number of channels, as long as processing power is available.

10 FIGURE 11 Signal processing of the POCSAG signals using multimon. low-pass filter is defined by its spectral characteristics : the FIR coefficients are obtained with firdes.low_pass(1,samp_rate,15000,5 This command is located in a variable whose name is used for fill the characteristics of the filter, called taps. Demodulate two POCSAG channels simultaneously. This processing strategy can be extended to any number of channels, as long as processing power is available. Practically, we have observed that it is unwise to process more channels than computer cores available on the processor. FIGURE 12 Decoding 4 POCSAG channels simultaneously. 10

hand the digital stream of the emitter (RDS) is locate 57 khz from the baseband.

11 Furthermore, this conclusion can be extended to any number or kind of modulation schemes transmitted within the analyzed bandpass. For example in the case of the broadcast FM band, the two mono (left+right) and stereo (left-right) channels are located around the 19 khz pilot signal of the radiofrequency carrier, and on the other hand the digital stream of the emitter (RDS) is locate 57 khz from the baseband. These two information are independently demodulated since all the information needed have been gathered within the FM station demodulation of the output of the WBFM block is provided at a rate of more than 115 ksamples/s [2]. Analyze Fig. 13 and observe the two demodulation paths, analog audio on the one hand and digital on the other. FIGURE 13 Top : schematic of the processing chain user to decode the audio signal and the digital stream identifying the radiofrequency emitter (inspired from the work of K. McQuiggin). Bottom : digital signal when decoding is possible, with the constellation diagram allowing for clearly observing the two possible bit states (left), and right when the noise level is too high and the stream clock has not been properly recovered. Références [1] Introduction to GNURadio : (2012) 11

12 [2] RDS decoding : (2017) 12

EECS 307: Lab Handout 2 (FALL 2012)

EECS 307: Lab Handout 2 (FALL 2012) I- Audio Transmission of a Single Tone In this part you will modulate a low-frequency audio tone via AM, and transmit it with a carrier also in the audio range. The