ICC Color Symposium. Digital Color Management. William Li Co-Chair, ICC Color Color Products and Custom Development Manager, Kodak

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1 ICC Color Symposium 22/10/2018 Hong Kong Digital Color Management William Li Co-Chair, ICC Color Color Products and Custom Development Manager, Kodak Organizers

2 Digital Color Management Why? What? How? 2

3 Quality Vehicles Attributes : Speed Sound Look Power 3

4 What About Steering?? 4

5 Avoid This 5

6 the Right Thing at the Right Time 6

7 Color is Important

8 8

9 9

10 10

11 11

12 12

13 Color Facts People make a subconscious judgment about an environment or product within 90 seconds of initial viewing. Between 62% and 90% of that assessment is based on color alone. Color: Improves brand recognition by up to 80% Increases comprehension by up to 70% Makes ads read up to 42% more often Makes an impression that s 40% more memorable Sources: Xerox Corporation and International Communications Research from February 19, 2003 to March 7, %

14 14

15 Packaging = Marketing 15

16 Digital Connectivity Accessing new markets requires connecting and communicating. 16

17 Color Communication 17

18 Different Standards Digital workflow & color management provide flexibility, insulate production from specification. 18

19 You must be shapeless, formless, like water. When you pour water in a cup, it becomes the cup. When you pour water in a bottle, it becomes the bottle. When you pour water in a teapot, it becomes the teapot. Water can drip and it can crash. Become like water my friend. - Bruce Lee 19

20 Digital Workflow Considerations 1. Determine targets 2. Control devices 3. Determine device setup 4. Control devices 5. Control devices 6. Control devices 20

21 Examine Gamut 21

22 Examine Gamut Inkjet Proofer Fogra 39 22

23 Examine Gamut Inkjet Proofer 7c offset 23

24 Compare Gamuts Fogra 39 & CRPC-6 almost identical Fogra 39 CRPC-6 24

25 Color Profile Construction

26 Fundamentals: Profile Creation Common conception : Print characterization target & measure. Actual : Prepare the ground first before characterizing. 26

27 27

28 28

29 29

30 30

31 Ink Analysis Plate image Press sheet target Press sheet marginal Example: 50% tint cyan ink, Staccato 20 Courtesy Kodak Professional Services Press sheet no good 31

32 Trap Analysis Good Trap Bad Trap Example: 100% tint blue trap Cyan / Magenta Courtesy Kodak Professional Services 32

33 Yellow Orange Green Magenta Cyan Violet 33

34 Yellow Orange Green Magenta Cyan Black Violet 34

35 Yellow Orange Green Magenta Cyan Black Violet 35

36 Multi-modal distribution indicating uneven ink load across sheet. Uniform distribution, so mean (average) statistic is more meaningful. Overlap of adjacent inking points: very high spread in midtones. 36

37 37

38 ECG (Extended Color Gamut): Beyond CMYK CMYK

39 Emerging standards on characterizing ECG (Extended Color Gamut) printing. Widespread adoption of ECG support from multiple vendors and workflows. Beyond CMYK CMYK ECG ECG 39

40 Reasons for ECG ECG Job ganging to reproduce brand colors. Reduction in spot color inventory. Improvement in process control long term. Additional gamut for images. 40

41 41

42 Multi-Vendor Approach for International Standards ECG target currently under development (since 2017) for 7-colour print systems. ECG

43 ECG Chart Design Principles ECG CMYK + 3 intermediate chromatics (R/O, G, B/V). Max TAC <= 300% Include at least some opponent colour combinations (eg, M+G). Based on grid (selective sampling). Must fit in under 4 pages for popularly-available measurement devices. Work is still underway on chart and sampling design. CMYK + 3 (R/O, G, B/V). TAC <= 300% M + G

44 Summary Color management: Buffers between standards. Requires control. Provides flexibility. 44

45 Thank you

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