CONTINUING EDUCATION PROGRAMS

Transcription

1 CONTINUING EDUCATION PROGRAMS A R T C l A S S E S f O R A D U lt S A N D h I G h S C h O O l S T U D E N T S Summer 2018

2 Pennsylvania Academy of the Fine Arts CONTINUING EDUCATION PROGRAMS CE OPPORTUNITIES Join our community of dedicated artists of all ages and skill levels CE COMMUNITY SChOlARShIP PAFA Continuing Education is pleased to present the CE Community Scholarship to provide tuition assistance to students who need it, and demonstrate dedication to their art. Application Deadline: Friday, May 11. The CE Community Scholarship is made possible in part by a generous contribution from the Dry Family Foundation. See page 42 for more information or visit pafa.edu/ce-discountsandscholarships. founded IN 1805 AS ThE NATION S first SChOOl AND MUSEUM Of fine ARTS, the Pennsylvania Academy of the Fine Arts (PAFA) promotes the transformative power of art and art making. As part of this mission, PAFA Continuing Education (CE) programs offer a diverse array of studio art courses, workshops and programs for adults and high school students, open to all levels of ability, from absolute beginner through advanced artist. Whether you ve never taken an art class before, are returning after a long absence, or are preparing a portfolio for applying to art school, PAFA CE has something for you! TAblE Of CONTENTS ON ThE COVER Christine Lafuente, Peaches, Peonies and Scissors, (detail), 2017, oil on linen, 12 x 12 in. Courtesy of Gross McCleaf Gallery, Philadelphia. Al Gury Master Classes...4 CE & PAFA Programs....9 Summer Studio Critique Program...10 Pre-College Programs...12 Painting...16 Drawing...21 Printmaking...24 Sculpture...26 Other Media & Practical Matters...29 Photography & Digital Media...31 Art History/Appreciation...33 Landscape...34 Schedule At-A-Glance...37 Registration Information...40 CONTINUING EDUCATION PROGRAMS 128 North Broad Street Philadelphia, PA t f e continuinged@pafa.edu ONE-DAY ACADEMY SATURDAY, APRIl 7 9 A.M. 4 P.M. Join us on Saturday, April 7 for the One-Day Academy! Become a student-for-a-day and meet the faculty, experience expert instruction in PAFA s studio classrooms, and explore the campus in this free, fun and informative foray into art-making! PRE-REGISTRATION IS REQUIRED Visit pafa.edu/onedayacademy for the complete course line-up and opportunity to register. A GIfT CERTIfICATE for A COURSE OR workshop MAkES A GREAT GIfT! Call for more details. 2 3

3 MASTER ClASSES AND workshops Visit pafa.edu/masterclasses for extended course descriptions, materials lists and upcoming classes. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 41. MONOTYPE workshop with STUART ShIlS Open to Intermediate Artists of all Media Explore monotype printmaking with an emphasis on color, design and mood as keys to visual coherence and graphic strength. Working from window views and in-studio drawings, students will employ graphic shorthand and visual memory to generate imagery that captures the essence of places and moments through color and form, exploring the intimate relationship between observation and abstract structure. Instruction will encourage personal voice and expression. Friday, Saturday & Sunday, May 25, 26 & 27 IN 609SM $950 Register by: April 27 (Space is limited to 10 students) ANATOMY for ThE ARTIST with RObERTO OSTI All Levels Welcome Roberto Osti, Basic Human Anatomy: An Essential Visual Guide, New York, Monacelli Studio, 2016 Photo: Lynn Hoffman The human body is one of the most fascinating and inspiring subjects an artist can depict, but its complexity can make it intimidating. Join Roberto Osti, artist, teacher and author of Basic Human Anatomy: An Essential Visual Guide to gain the confidence to understand and enjoy drawing the beautiful forms of the human figure. Begin with study of the human form from a structural point of view: basic landmarks, essential volumes, and proportional relationships of body. Then focus on the main muscle groups and the aesthetic aspects they produce in the body. Each day will be divided into a lecture and then drawing from the model, with individual assistance. Saturday and Sunday, May 19 & 20 IN 609RS $395 Register by: May 4 Stuart Shils Photo: Joe Sweeney PlEIN AIR PAINTING IN CAPE MAY with JOE SwEENEY All Levels Welcome book IllUSTRATION with kate SAMwORTh All Levels Welcome Learn the fundamentals of book illustration with Kirkus Award-winning artist/author and PAFA alum, Kate Samworth. Complete a series of sketches and finished illustrations based on personal or published text in graphite, colored pencil, and colored inks. Examine story structure and pacing, character development, symbolism and color, and the balance between text and image. Great illustrations from the past and present at PAFA s Center for the American Artist will provide both inspiration and models for creating more expressive and informed work. Students are invited to bring their own illustrational artwork for a critique. Join Joe Sweeney for a plein air painting retreat in beautiful Cape May, New Jersey! Experience small town hospitality while painting Cape May Point, the Cove with sweeping vistas, Cape May Lighthouse, and Sunset Beach. Includes tips on choosing a prime location, reading the weather and light at a particular time of day, and setting up a landscape palette. Morning and evening painting times will leave the afternoons free to relax on the beach the perfect artist s getaway! Instruction geared towards oil, acrylic and pastel, but experienced watercolorists are welcome. Thursday Sunday, June 7 10 PT 605CM $595 For more information and recommended accommodations, joesweeney5@gmail.com Kate Samworth, Bone Collector acrylic ink and graphite on rag paper Monday Friday, June DR 710EI $595 or $750 for 1.0 undergraduate credit Register by: May

4 MASTER ClASSES AND workshops continued STIll life INTO AbSTRACTION with bill SCOTT Open to Intermediate/Advanced Artists EXPRESSIVE figure DRAwING with bruce SAMUElSON All Levels Welcome Work with renowned painter Bill Scott to explore the sensuous yet thoughtful abstract construction of space. Color will be the focus as participants paint from an expansive still life environment. Known for his complex and gorgeously rich abstract paintings based on nature, Scott has had many solo exhibitions in Philadelphia, New York, San Francisco and London, and has received numerous honors and awards. He is represented by Hollis Taggart Galleries, New York. Saturday and Sunday, June 16 & 17 IN 609BS $650 Register by: June 1 (Space is limited) Bill Scott, Homage, 2017, oil on canvas, 55 x 60 in. Courtesy of Hollis Taggart Galleries, New York. ClASSICAl figure DRAwING & PAINTING with JUlIETTE ARISTIDES Capture the vitality and gesture of the life model under the guidance of PAFA professor Bruce Samuelson, whose work combines a virtuosity of Old Masters-influenced draftsmanship with elegant abstraction. Hone your own approach to the figure, whether academic or expressive, through Samuelson s individually-tailored instruction. Foundational principles of structure, anatomy, form and gesture will be presented through demonstration, critique, and discussion of master drawings, past and present. Work in the media of your choice including graphite, charcoal, pastel and paint. Saturday and Sunday, June 23 & 24 IN 609BS $395 Register by: June 8 (Space is limited) Bruce Samuelson, Untitled 9-4, pastel and charcoal on paper. All Levels Welcome Juliette Aristides, Sleep, Charcoal heightened with white on toned paper, 21 x 16 in. STUDY AbROAD with PAfA CE! Learn to accurately and confidently draw and paint the human figure in oil with Juliette Aristides, renowned artist, founder and instructor of the Aristides Atelier at the Gage Academy of Fine Art in Seattle, and noted author of Classical Drawing Atelier, Classical Painting Atelier and other highly regarded drawing and painting texts. During this 5-day extended workshop, frequent demonstrations will break down the process of figure drawing and painting into clear and consecutive steps, along with individual instruction and critique each day. Develop a beautiful balance of proportion, value, color and edge which will help you accurately capture a likeness, and give power and presence to your work. Sharpen your observation, and take your skill to a new level! All levels from beginner to advanced are welcome. Monday Friday, June IN 609JA $950 or $1,200 for 1.0 undergraduate credit Register by: June 1 (Space is limited) Plein Air Painting in Bermuda with James Toogood May Plein Air Painting in Ireland with Joe Sweeney May The Renaissance Figure: Rome and Florence with Roberto Osti May 28 June 9 Visit for more information. AllA PRIMA STIll life with ChRISTINE lafuente All Levels Welcome Brooklyn-based painter and PAFA alum Christine Lafuente considers her paintings poetic responses to visual experience. Responding to the still life motif, learn how to build an oil painting directly, with the emphasis on color. The workshop will begin with a painting demonstration, followed by painting sessions in which students will be guided through a series of focused procedures: composing a painting and establishing tonal design, mixing color, achieving harmony and palette organization, applying large color masses, and using principles of oil viscosity to build form into wet-into-wet painting. Christine Lafuente, Peonies and Copper Pot, 2015, oil on linen, Monday through Friday, 18 x 24 in. Courtesy of Gross McCleaf Gallery, Philadelphia. Session 1: June Session 2: June IN 609PT $850 or $1,200 for 1.0 undergraduate credit Register by: June 1 & June 8 (Space is limited ) 6 7

5 MASTER ClASSES AND workshops continued PAINTING IN ThE DARk with NEYSA GRASSI CE & PAfA PROGRAMS All Levels Welcome Neysa Grassi, Untitled (9), gouache on paper, 16 x 16 in. Courtesy of Locks Gallery, Philadelphia. Learn to paint your way through the mystery and uncertainty of the art-making process in this intuitive, practical and empowering workshop with acclaimed artist and PAFA graduate faculty member, Neysa Grassi. Dispel the voices of criticism in your head, and learn to perceive doubt as a valid means of investigation rather than a destructive force. Work in gouache and mixed media on paper to discover the freedom that comes from generating imagery without preconceived outcomes. Discussion of painting practices and feedback on students previous work will supplement studio activity. Instruction will be presented on an artistto-artist basis, whether participants are beginners or seasoned artists. Saturday and Sunday, July 14 & 15 IN 609NG $395 Register by: June 29 (Space is limited ) OPEN ACADEMY COMING ThIS fall PAFA Continuing Education and non-matriculated students have the opportunity to take PAFA School courses for credit or through the new Open Academy. For more information on fall courses, and an application, visit pafa.edu/openacademy. Complete application information, with a list of available courses, will be available by August 1. Fall application deadline: August 10 CONTINUING EDUCATION (CE) CERTIfICATE PROGRAMS NEw For the serious student-artist, PAFA Continuing Education now presents Certificate Programs to enhance your technical skills and professional presence through a curriculum of focused study under the guidance of expert faculty-artists. Whether seeking to boost your personal or professional studio practice, build a foundation for undergraduate or graduate arts study, or lay the groundwork for a variety of arts-related occupations, PAFA's unparalleled fine arts instruction will propel you toward your artistic goals. NOw INTRODUCING: The CE Core Curriculum Certificate The CE Certificate in Figure Studies: The Eakins Legacy learn MORE AND APPlY NOw! Visit pafa.edu/cecertificates for more information and application requirements. Summer application deadline: May 4 DRAwING MATERIAlS AND PAPERS with PATRICIA TRAUb All Levels Welcome Learn essential drawing practices from master artist, Patricia Traub. Whether forming a foundation or looking to refine your craft, draftspeople of all levels will benefit from this combination lecture/hands-on workshop examining the variety of materials and papers for academic drawing. Learn how to effectively sharpen a graphite or charcoal pencil to a fine point, which eraser to choose, what a paper stump is for, and much more! Discover the range of drawing papers available from cardboard to cotton, including fine artists papers such as Fabriano and Hahnemühle, and learn how to select surfaces for metalpoint, graphite, conté and other materials. Original drawings will be presented as examples of each material and technique. Friday, July 20 IN 618PT $125 Register by: July 6 (Space is limited ) Patricia Traub, Morning Dove on her Nest, charcoal, graphite, and white pastel, 9-1/4 in h x 12 in. Collection of the artist. DEGREE PROGRAMS PAFA offers a variety of programs to help you meet your artistic goals including: PAFA BFA offering majors in Painting, Drawing, Post-Baccalaureate Certificate Sculpture, Printmaking and Illustration in Graduate Studies PAFA/Penn BFA offered in conjunction Master of Fine Arts with the University of Pennsylvania Low Residency Master of Fine Arts for MORE INfORMATION, contact the Office of Admissions at admissions@pafa.edu or MEMbERShIP AT PAfA Support our mission and enjoy a variety of great membership benefits by joining PAFA today! Your membership will help us strengthen PAFA s collections and special exhibitions, expand programming, and promote greater arts education outreach to the Philadelphia community. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes. for DETAIlS AbOUT becoming A MEMbER OR MEMbER PROGRAMS, visit pafa.org/join or call

6 SUMMER STUDIO CRITIQUE PROGRAM JUlY 9 AUGUST 17 Designed for artists and educators who desire constructive feedback on their artwork as well as the support and interaction of an artistic community. Registration includes a private studio in the Samuel M.V. Hamilton Building, and individual Friday critiques from a stellar ensemble of nationally and internationally known artists, including members of the PAFA s acclaimed faculty. Lead critic Neysa Grassi will hold group critiques, discussion and field trips. TOM CSASZAR is an artist, writer and lecturer. His paintings have been exhibited regionally for over 25 years. He has written numerous articles over the last two decades for the Journal of Art, Artnews, Art in America, American Crafts, Sculpture and the New Art Examiner, where he served as a Contributing Editor from 1993 to He is a member of the International Association of Art Critics and the College Art Association. He teaches Readings and Research and Aesthetics and Criticism and serves as a critic in the PAFA graduate program. Tom Csaszar, Difficulty Striking a Balance, 2017, oil on canvas, 34 x 38 in. BROOK DAVIS ANDERSON is the Edna S. Tuttleman Director of the Museum at PAFA. Prior to joining PAFA in 2017, she most recently served as Executive Director of Prospect New Orleans/ U.S. Biennial. Previously she served as Deputy Director of Curatorial Planning at the Los Angeles County Museum of Art (LACMA), and was Founding Director and Curator of the Contemporary Center at the American Folk Art Museum in New York. She has served as an Assistant Professor at Columbia University, City College of New York, and Winston-Salem State University. RENÉE P. FOULKS interest in old master painting techniques distinguishes her work for its sumptuous surfaces, virtuosic realism and exquisite detail. Foulks exhibits her paintings and drawings extensively throughout the United States, at venues such as the PAFA Museum, the Philadelphia Museum of Art, the Delaware Art Museum, and the Oglethorpe Museum of Art in Atlanta. She has been a faculty member at the University of the Arts and at PAFA, where she teaches figure, portrait and narrative drawing/painting courses; is a critic in the BFA and MFA Programs; and serves as Chairperson of PAFA's Drawing Department. Renée Foulks, Manifesto, 2010, graphite on paper, 24 x 24 in., Collection of the Pennsylvania Academy of the Fine Arts NEYSA GRASSI is known for her gouache, mixed media, and oil paintings whose surfaces reveal the intense physicality of her creative process. Grassi is a recipient of a Pew Fellowship and has had solo exhibitions at several museums, including the Pensacola Art Museum in Florida and PAFA, as well as numerous one-person exhibitions in galleries in Philadelphia and New York. Her work is included in the permanent collections of PAFA, the Berman Museum of Art, the Palmer Museum, the Philadelphia Museum of Art, and the Woodmere Art Museum. She is represented by Locks Gallery, Philadelphia. She is a critic in PAFA s graduate program. Neysa Grassi, Untitled (9), gouache on paper, 16 x 16 in., courtesy of Locks Gallery, Philadelphia MARK GREEN holds a BFA at Washington University in St. Louis and MFA in painting at the University of Delaware. He served on the faculty of the Parsons School of Design, Paris Campus, and now teaches at the Hackley School in Tarrytown, New York. Intrigued by architectural forms as the vessels for our lives, and the psychological/emotional histories they contain, his paintings of singular houses and buildings are expressionistic portraits that defined states of being be they melancholic, brash, enigmatic or blissful. Mark Green, House (approach), oil & wax on panel, 28 1/4 x 24 in. AUBREY LEVINTHAL is a painter living and working in Philadelphia. Her practice centers around still life and narrative imagery but with an overarching concern for formal language. Recent show venues include Nancy Margolis Gallery and NOVELLA Gallery in New York, Gross McCleaf Gallery in Philadelphia, and Woodmere Art Museum. She is also an Elizabeth Greenshields Foundation grant recipient. She has taught in the BFA program at PAFA and at Rowan University, Penn State University and Burlington County College. Aubrey Levinthal, 2017, Flower Bath, oil on panel, 48 x 48 in. Tuition: $1,200 for 3.0 graduate credits, 4.0 undergraduate credits or Please indicate credit selection when registering Register by: June 8 bonus! Receive a 10% tuition discount on all subsequent summer studio classes! 10 11

7 PRE-COllEGE PROGRAMS ONE-wEEk INTENSIVES for high SChOOl STUDENTS These courses offer teens the valuable opportunity to develop and hone their skills under the guidance of PAFA faculty. Open to students who have completed 8th 12th grades by Summer All levels welcome. Optional residential services are available for an additional fee for courses through August 3. SCHOLARSHIPS AVAILABLE Application Deadline: Friday, June 9 Visit pafa.edu/highschool/intensives for more information, to download materials lists and to register online. landscape PAINTING Roger Chavez Explore the exciting and challenging practice of landscape painting! Learn to depict ever-changing light and shadows through rapid decisions and swift mark-making. Study landscape masters to develop tactics for depicting foliage, trees, mountains, atmosphere, and clouds; then take your skills outdoors to paint the nearby landscape in the open air! Monday Friday, June DR 710EP $425 for 1.0 undergraduate credit or Register by: June 15 SCUlPTURE Colleen O Donnell Explore clay modeling and expand your portfolio with three-dimensional work. Work from a life model to learn methods of terra cotta clay sculpture, focusing on anatomy, proportion, composition, and personal expression. Sculptures will be kilnfired after the course ends. Note: This class will utilize nude models. Monday Friday, June DR 710EP $425 for 1.0 undergraduate credit or + $10 lab fee Register by: June 15 DRAwING Sean Hildreth Ideal for teens who want to further their drawing skills and develop a strong body of work for their portfolios. Students will work in drawing media from the still life, PAFA s historic cast collection, and figure/portrait models to learn principles of composition, value, perspective, and drawing techniques. Session 1: Monday Friday, June DR 710PP $425 for 1.0 undergraduate credit or Register by: June 15 Session 2: Monday Friday, July DR 710PP $425 for 1.0 undergraduate credit or Register by: July 13 DRAwING for COMICS Jeff Kilpatrick Learn step-by-step cartooning basics so you can create characters, tell a story from life or imagination, or build a portfolio. Create your own short story to be included in a collaborative comic book to take home at the end of class. Instruction includes insights on the comic book and animation industry. Monday Friday, July 9 13 DR 723EC $425 for 1.0 undergraduate credit or Register by: June 15 PAINTING I: STIll life & PORTRAIT David Wilson Add color to your portfolio by developing your painting skills in oil or acrylic. Work from still life arrangements and portrait models to explore the fundamentals of painting including the selection and care of materials, painting techniques, and color mixing. Instruction will emphasize composition, value, and color relationships. Monday Friday, July 9 13 DR 710PT $425 for 1.0 undergraduate credit or PAINTING II: figure PAINTING David Wilson Figure painting is one the most versatile and popular subjects taught at PAFA. Learn to paint the life model in oil/acrylic, focusing on human anatomy and proportions, paint handling, materials, and design. Prerequisite: Painting I: Still Life and Portrait or other prior basic painting experience. Note: This class will utilize nude models. Monday Friday, July DR 710E2 $425 for 1.0 undergraduate credit or Register by: July 6 book IllUSTRATION Kate Samworth Learn the fundamentals of picture book illustration, including character and storyboard development, narrative and sequential drawing, and book design/layout. Draw inspiration from book illustration over the centuries, from illuminated manuscripts to contemporary examples. Complete preparatory studies and finished illustrations based on published or personal text in graphite, colored pencil, and various water-media. Monday Friday, July DR 710EI $425 for 1.0 credit or Register by: July 6 Kate Samworth is a PAFA alum, and was awarded the Kirkus Prize for Young Readers for her book, Aviary Wonders Inc. She has exhibited across the U.S. and around the world and is presently completing two picture books. watercolor Sherif Habashi Explore the vibrant and subtle possibilities of watercolor painting. Learn the fundamentals of the medium, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Work from still life, photographs, and the cityscape. All levels welcome. Monday Friday, July PT 710WP $425 for 1.0 credit or Register by: July

8 PRE-COllEGE PROGRAMS continued PhOTOGRAPhY Julia Staples Discover the creative possibilities of digital photography. Learn to use the camera as an expressive tool as you develop an understanding of photography s technical and visual aspects. Instruction covers camera functions, compositional strategies, image editing in Photoshop, creating digital prints, and photographing artwork for a portfolio. Required: DSLR or compact camera with manual functions. Monday Friday, July 30 August 3 IN 660HS $425 for 1.0 credit or Register by: July 20 life DRAwING Deirdre Murphy Figure drawing is one of the most time-honored methods of art training and a great way to rapidly produce valuable work for a portfolio. Work in charcoal and graphite directly from the life model in short and long poses, exploring gesture, proportions and anatomy. Prerequisite: Drawing (Section 1 or 2) or other basic drawing experience. Note: This class will utilize nude models. Monday Friday, July 30 August 3 DR 605EH $425 for 1.0 credit or Register by: July 20 PRINTMAkING Shushana Rucker Printmaking enhances drawing/painting skills and creates striking contributions to a college portfolio. Explore the exciting possibilities of traditional line etching, screenprinting on t-shirts or other materials, and the painterly monotype. Learn the methods of image development, printing for each process, and the safe handling of all materials. Monday Friday, August 6 10 PR 710E $425 for 1.0 undergraduate credit or + $10 lab fee Register by: July 27 SUMMER ACADEMY for high SChOOl STUDENTS 2018 JUlY 2 AUGUST 3, 2018 PAFA s Summer Academy is the definitive program for talented and motivated high school students: a five-week, college-level art making experience in the nation s first and premier school of fine art. Rigorous courses in drawing, painting, sculpture, and printmaking taught by PAFA s exceptional faculty Commuter and residential options Field trips to the museums and galleries of Philadelphia, New York and Washington, D.C. A culminating student exhibition, including a reception and awards ceremony FOR MORE INFORMATION, visit pafa.edu/summeracademy. A head start on preparing your portfolio for applying to art school The opportunity to earn four college credits The option for an Admissions portfolio review for pre-approval for your PAFA college application (additional materials required) A Next Step Scholarship issued to all Summer Academy alums who enroll in PAFA s BFA program

9 C O U R S E S & workshops PAINTING PAINTING TEChNIQUES Of ThE OlD MASTERS Ernie Norcia The powerful work of the old masters remains relevant today. Learn how to incorporate their methods into your own figure painting. Instruction and demonstration will cover Goya s powerful use of light and dark, the complex color of Titian, the dynamic compositions of Degas, the brilliant technique of Velazquez, and the expressive light of Leonardo and Vermeer. All levels are welcome. Drawing experience required. Full- or half-day. 5 weeks, Mondays, July 9 August 6 PT 622E $495 or $625 for 1.0 undergraduate credit; $275 for half-day, COlOR for PAINTERS Al Gury An in-depth approach to understanding and mixing color for oil painting from the Chair of PAFA s Painting Department and noted author of Color for Painters: A Guide to Traditions and Practice. Explore history, palettes, mixing and application for still life, landscape, figure models, and interiors in a series of studio paintings. Full- or half-day. 5 weeks, Mondays, June 4 July 2 IN 604CP $495 or $625 for 1.0 undergraduate credit; $275 for half-day, See pages for Landscape Courses and Workshops beginning OIl PAINTING Frederic Kaplan If you ve never painted before, or your skills are a little rusty, this class is for you! Learn to paint with confidence by acquiring a grounding in the basics. Materials, methods, and color mixing will be presented through demonstrations and examples as you work from an array of colorful still life arrangements. 10 weeks, Mondays, June 4 August 13 (no class on July 2) PT 616EO $395 or $525 for 1.0 undergraduate credit OIl PAINTING PRACTICES Anthony Ciambella Explore oil painting techniques and materials used by artists from the Pre-Renaissance to the present. Learn underpainting techniques, glazing and scumbling layering methods, and wet-into-wet alla prima painting. Supply selection and care, historical palettes and pigments, varnishes, framing, storage, and health issues will be discussed. Full-day only. 5 weeks, Tuesdays, July 10 August 7 IN 601EA $495 or $625 for 1.0 undergraduate credit Anthony Ciambella ThE figure AS A POINT Of DEPARTURE Kassem Amoudi Tired of getting lost in the details of traditional figure painting? Then this class is for you! Learn expressive painting techniques to render the life model in a looser and more contemporary manner, creating a lively surface while boosting your creativity, technique and skill. All levels welcome. Session 1: 5 weeks, Wednesdays, May 30 June 27 (Register by May 18) Session 2: 5 weeks, Wednesdays, July 11 August 8 (Register by June 22) 9 a.m. 12 p.m. PT 701EF 5 weeks, Session 1 or 2: $195 noncredit; 10 weeks, Sessions 1 & 2: $395 noncredit or $525 for 1.0 undergraduate credit PAINTING OVER ThE line Kassem Amoudi Advance toward a more liberated way of painting in this open studio environment. Paint from personal subject matter to find your own visual language. Work intuitively and discover new possibilities through unforeseen occurrences. Examples from contemporary and modern art will broaden your understanding of innovative painting. Painting experience recommended. Session 1: 5 weeks, Wednesdays, May 30 June 27 (Register by May 18) Session 2: 5 weeks, Wednesdays, July 11 August 8 (Register by June 22) 1 4 p.m. PT 703EL 5 weeks, Session 1 or 2: $195 noncredit; 10 weeks, Sessions 1 & 2: $395 noncredit or $525 for 1.0 undergraduate credit PORTRAIT PAINTING Al Gury Investigate the structure of the human head through drawings and painted studies. Progress to finished paintings and address issues of likeness, composition, space and texture. Learn to better see and understand color to mix it more successfully a useful skill for painting any subject matter. All levels welcome. Full- or half-day. Session 1: 5 weeks, Wednesdays, May 30 June 27 (Register by May 18) Session 2: 5 weeks, Wednesdays, July 11 August 8 (Register by June 22) PT 602E $495 or $625 for 1.0 undergraduate credit; $275 for half-day, morning or afternoon, watercolor fundamentals NEW! Keith Leitner Embrace the beauty and versatility of watercolor through a variety of approaches. Discussions and in-depth demonstrations will acquaint beginners and those with limited experience with the basic materials and techniques. Working from still-life subjects, students will be encouraged to engage with the medium to find their own personal means of expression. Session 1: 5 weeks, Wednesdays, May 30 June 27 (Register by May 18) Session 2: 5 weeks, Wednesdays, July 11 August 8 (Register by June 22) PT 707E 5 weeks, Session 1 or 2: $195 noncredit; 10 weeks, Sessions 1 & 2: $395 noncredit or $525 for 1.0 undergraduate credit 16 17

10 PAINTING continued life PAINTING AND DRAwING Jill A. Rupinski Draw or paint the life model in single morning/ afternoon poses for the entire course in order to develop accurate form, anatomy, value, color, creative composition and narrative. Lecture and discussion will address historical and contemporary methods/materials, supplemented by examples from the PAFA collection. All levels and all media welcome. Advanced students may work independently. Full- or half-day. 5 weeks, Thursdays, July 12 August 9 DR 710E $495 or $625 for 1.0 undergraduate credits; $275 for half-day, James Toogood PAlETTES Of ThE MASTERS Clarissa Shanahan Artists throughout history have employed the complex language and symbolism of color. Learn from their examples to effectively use color to convey feeling, tone, atmosphere, geographical location, or narrative in your own work. Explore the palettes of Wyeth, Van Gogh, Matisse, Bellows and Rothko via lecture, discussions, slide presentations, and oil painting projects. 5 weeks, Thursdays, July 12 August 9 IN 604EM $195 IN-DEPTh watercolor James Toogood Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills. Full- or half-day. Session 1: 5 weeks, Fridays, June 1 29 (Register by May 18) Session 2: 5 weeks, Fridays, July 13 August 10 (Register by June 22) PT 604ED $495 or $625 for 1.0 undergraduate credit; $275 half-day, morning or afternoon, GOUAChE PAINTING NEW! Allison Syvertsen Combining the fluidity of watercolor with the opacity and color-layering properties of oil, gouache is easily accessible for artists and illustrators of any medium or skill level. Portable, fast-drying, and easyto-clean-up, it's also great for travel or limited working time and space. Learn the fundamental materials and techniques through still life, portrait, and outdoor views. Session 1: 5 weeks, Saturdays, June 9 July 7 (Register by May 18) Session 2: 5 weeks, Saturdays, July 14 August 11 (Register by June 22) 10 a.m. 1 p.m. PT 630EG 5 weeks, Session 1 or 2: $195 ; 10 weeks, Sessions 1 & 2: $395 or $525 for 1.0 undergraduate credit See page 22 for Portrait Drawing & Painting PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 41. DRAwING AND PAINTING OPEN STUDIO Robert Waddington Explore your personal drawing or painting projects with individual guidance in a supportive atelierstyle environment. Work in your choice of any painting or drawing media from the still life, figure models, PAFA s cast collection, skeleton models for anatomical study, or your own references. Old master and modern painting methods will be discussed. Full- or half-day. Session 1: 5 weeks, Saturdays, June 9 July 7 (Register by May 18) Session 2: 5 weeks, Saturdays, July 14 August 11 (Register by June 22) PT 725EI $495 or $625 for 1.0 undergraduate credit; $275 for half-day, DRAwING AND PAINTING ThE ClOThED figure NEW! Meghan Cox Depicting the clothed and partially clothed model allows the opportunity to define character, imply a narrative, or just incorporate fabric and accessories. Explore gesture, structure and anatomy with graphite and charcoal, then progress to painting with limited and expanded palettes. Demonstration and references will address color mixing, rendering cloth, body language and the expressive inclusion of hands. Session 1: 5 weeks, Saturdays, June 2 30 (Register by May 18) Session 2: 5 weeks, Saturdays, July 7 August 11 (no class on July 21) (Register by June 22) 1 4 p.m. PT 600EC 5 weeks, Session 1 or 2: $195 noncredit; 10 weeks, Sessions 1 & 2: $395 or $525 for 1.0 undergraduate credit STIll life PAINTING Meghan Cox Fall in love with the art of oil painting! Learn the fundamentals of painting the still life from observation through both direct-painting and glazing and scumbling techniques. Explore composition, drawing, and color through lectures and demonstrations. Excellent for beginners or for experienced artists seeking to expand their skills within this diverse genre. 10 weeks, Sundays, June 3 August 12 (no class on July 22) 10 a.m. 1 p.m. PT 601E $395 or $525 for 1.0 undergraduate credit watercolor workshop James Toogood Designed for those who wish to acquire or improve their basic watercolor painting skills. All materials and techniques will be discussed, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life, portrait models or their own source material. All levels welcome. Saturday and Sunday, June 16 & 17 PT 604WW $195 Register by: June 8 PREPARING SUPPORTS for PAINTING NEW! Anthony Ciambella Learn the correct methods to prepare stable, archival supports for painting in oil or acrylics.stretching canvas, preparing wood panels, and applying size and ground layers will be demonstrated. Alternative supports such a metal and plastics will be explored. Useful information for all levels. Saturday, June 16 9 a.m. 12 p.m. IN 603ES $

11 PAINTING continued POSSIbIlITIES with ACRYlICS NEW! Anthony Ciambella From art store to big box varieties, the versatility of acrylic paint is still unexplored by most artists. Experience the wide range of supports, applications, and tools that can be used to create your ideas in this demonstration/hands-on workshop. Saturday, June p.m. PT 608EP $35 See page 30 for The Home Studio, 9 a.m. 12 p.m. watercolor PlUNGE workshop Tony Rosati This workshop is designed for those with little or no experience in watercolor. Acquire a thorough grounding in basic watercolor techniques and materials, including papers, brushes and pigments. Learn transparent and opaque painting methods, and gain the confidence to continue to working with watercolor beyond the workshop. Take the plunge, a lifeguard will be on duty! Saturday and Sunday, July 7 & 8 PT 604EP $195 Register by: June 29 PORTRAIT PAINTING basics workshop Theodore Xaras This comprehensive workshop covers all aspects of painting a traditional portrait. Topics include achieving a likeness, modeling light and shade, mixing flesh tones and applying paint through various techniques. All participants will produce at least one finished portrait. Includes demonstrations and portrait history. Valuable information for all levels. Saturday and Sunday, July 21 & 22 PT 602EW $195 Register by: July 13 PAINTING fundamentals: COlOR AS light NEW! Sean Hildreth Learn how to create compelling observational oil paintings through simple steps, with all techniques demonstrated and explained. Working from still life subjects, learn to use color as light and how color choices, color mixing, and brush stroke contribute to a painting s expressive effect. Ideal for beginners and those looking to enhance their observational painting skills. Saturday and Sunday, July 28 & 29 PT 616WC $195 Register by: July 20 COlOR MATTERS NEW! Kassem Amoudi Elevate the role of color in your paintings. Examine how artists use color temperature, intensity, value, and relationships; as well as techniques for initiating and maintaining color s importance. Demonstrations, presentations and individual attention will help students develop a personal exploration of color in their work. All levels and styles are welcome. Saturday & Sunday, August 4 & 5 PT 705EW $195 Register by: July 27 C O U R S E S & workshops DRAwING botanical DRAwING AND PAINTING ONE-wEEk INTENSIVE Linda Gist Explore flowers and other natural forms, beginning with line and value drawing and progressing to full-color rendering in watercolor and mixed media. Topics will include sighting techniques, line quality, tone and value, creation of depth, composition, texture, and basic color. All levels welcome. Full-day only. Monday Friday, July 9-13 DR 615EP $495 or $625 for 1.0 undergraduate credit + $10 materials fee linda Gist ElEMENTARY figure DRAwING AND PAINTING Al Gury This structured approach to drawing and painting the figure from life includes topics such as anatomy, drawing methods, gesture, figure structure, palettes, and basic figure painting methods. This class is excellent for those interested in developing their painting and drawing portfolio. Full- or half-day. 5 weeks, Mondays, July 9 August 6 DR 602E $495 or $625 for 1.0 undergraduate credit; $275 for half-day, PERSPECTIVE DRAwING NEW! Jacob Lunderby Achieve a greater sense of realism in your drawings and paintings by employing the tools of perspective. Capture the illusion of three-dimensional space as you draw from direct observation within architectural interiors. Learn to apply vanishingpoints, sight-measuring and angle-sighting to depict a particular point of view with striking accuracy. 5 weeks, Mondays, June 4 July 2 DR 716E $195 life DRAwING John Horn This in-depth investigation of basic drawing issues explores the human figure. Emphasis will be placed on a thorough understanding of the body s underlying geometry and anatomical structure. Learn to draw the figure as convincing volumetric form through the study of proportional accuracy, foreshortening, spatial relationships, and basic use of light and shadow. Full- or half-day. 5 weeks, Tuesdays, May 29 June 26 DR 605E $495 or $625 for 1.0 undergraduate credit; $275 for half-day, SElf-PORTRAIT DRAwING NEW! Phyllis Laver The artist s self-portrait can chronicle a life, imply a narrative or serve as a study. Create your own head and full-length self-portraits in this tradition, drawing from direct observation in graphite, charcoal, and ink. Instruction addresses structure, volume and proportion, as well as styling, costuming, and lighting. Includes a discussion of self-portraits throughout history. 5 weeks, Tuesdays, July 10 August 7 9 a.m. 12 p.m. DR 609ES $

12 DRAwING continued DRAwING IN COlOR Jill A. Rupinski Gain hands-on experience using various traditional and contemporary color drawing materials, including chalk, pastel and colored pencil. Presentation, lecture and demonstration will teach the applications and advantages of each medium. Observational study, as well as options to work from sketches, paintings, memory, and photography, will encourage students to develop their personal style. Session 1: 5 weeks, Tuesdays, May 29 June 26 (Register by May 18) Session 2: 5 weeks, Tuesdays, July 10 August 7 (Register by June 22) 12:30 3:30 p.m. DR 611E 5 weeks, Session 1 or 2: $195 noncredit; 10 weeks, Sessions 1 & 2: $395 noncredit or $525 for 1.0 undergraduate credit PORTRAIT IN PASTElS Theodore Xaras The immediate subtlety that can be achieved through soft and hard pastel is particularly suited for the portrait study. Learn historical and contemporary techniques of hatching, blending, layering and color mixing to rendering convincing portraits. Discussion and demonstration of various surfaces, pastels and mixed media techniques included. Drawing experience recommended. Full- or half-day 5 weeks, Thursdays, July 12 August 9 DR 603EA $495 or $625 for 1.0 undergraduate credits; $275 for half-day, Theodore Xaras CAST AND figure DRAwING Jill A. Rupinski Working in the Academic tradition, students will study human anatomy, proportion and value with the goal of faithfully representing the figure. Students will work from PAFA s collection of historic casts to build their foundational drawing skills and apply this information to observational study of the life model. All levels welcome. Session 1: 5 weeks, Tuesdays, May 29 June 26 (Register by May 18) Session 2: 5 weeks, Tuesdays, July 10 August 7 (Register by June 22) DR 608E 5 weeks, Session 1 or 2: $195 noncredit; 10 weeks, Sessions 1 & 2: $395 or $525 for 1.0 undergraduate credit PORTRAIT DRAwING & PAINTING Jill A. Rupinski Learn to draw or paint the portrait with confidence through time-honored methods. Drawing instruction will guide students through a comprehensive understanding of the head structure, proportions and features toward achieving both a likeness and aesthetic effect. Extended poses will allow thorough study of both drawing and oil painting processes. All levels welcome, but students registering for Session 2 only should have basic drawing/ painting experience. Session 1: 5 weeks, Wednesdays, May 30 June 27 (Register by May 18) Session 2: 5 weeks, Wednesdays, July 11 August 8 (Register by June 22) PT 714E 5 weeks, Session 1 or 2: $195 noncredit; 10 weeks, Sessions 1 & 2: $395 or $525 for 1.0 undergraduate credit See pages for Landscape Courses and Workshops DRAwING fundamentals Phyllis Laver If you ve never drawn before, or your skills are a little rusty, then this class is for you. Learn to draw what you see with confidence. Study the still life, interior spaces, and human figure to master the drawing elements shape, contour line, composition, light and shadow, texture and perspective. 10 weeks, Thursdays, May 31 August 9 (no class on July 5) DR 600EB $395 or $625 for 1.0 undergraduate credit ANATOMICAl DRAwING John Horn Understand human anatomy through lecture and drawing from the model. Topics include proportion, skeletal framework, superficial muscles, and the movement of the figure. Full- or half-day. 5 weeks, Fridays, July 13 August 10 DR 604E $495 or $625 for 1.0 undergraduate credit; $275 for half-day, PORTRAIT DRAwING workshop John Horn Learn to create a finished portrait in pencil and charcoal that captures likeness and conveys expressive effect. Using a live model, the workshop will begin with a structural approach to the head and its features and progress to the study of anatomy, composition and value. Excellent for all levels. Saturday & Sunday, June 2 & 3 DR 609EW $195 Registration deadline: May 25 DRAwING from PhOTOGRAPhS NEW! Clarissa Shanahan The photograph can be a helpful resource to the artist, not only for capturing fleeting subjects, but also for creating varied visual and optical effects. Learn to incorporate photographic elements including depth of field, distortion, focus and contrast into drawing from life and your own source material. All levels welcome. 5 weeks, Fridays, July 13 August 10 9 a.m. 12 p.m. DR 702ES $195 Diane Collins, Leopard Dreaming (study for mural), charcoal on paper ANIMAl DRAwING: ThE big CATS NEW! Diane Collins Capture the distinctive form and character of lions and other big cats through skeletal, taxidermy and life study. Working at PAFA as well as on-site at the Philadelphia Zoo, Academy of Natural Sciences and other locations, learn to understand the underlying structures that determine shape and movement through gesture drawing and anatomical study. 5 weeks, Saturdays, June a.m. 1 p.m. DR 610EA $250 (plus admission fees) 22 23

13 C O U R S E S & workshops PRINTMAkING SCREENPRINTING AND beyond Tony Rosati The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. Session 1: 5 weeks, Wednesdays, May 30 June 27 (Register by May 18) Session 2: 5 weeks, Wednesdays, July 11 August 8 (Register by June 22) 9 a.m. 1 p.m. PT 620E2 5 weeks, Session 1 or 2: $250 noncredit + $10 lab fee; 10 weeks, Sessions 1 & 2: $495 or $625 for 1.0 undergraduate credit + $20 lab fee Tony Rosati MONOTYPE: ThE PAINTERlY PRINT Christine Stoughton Monotypes are an expressive and fun entry into printmaking: draw or paint an image on a Plexiglass plate or other surface and then print it on paper or fabric to create a one-of-a-kind artwork. Instruction will cover both hand-printing and press techniques using soy and non-toxic inks. 5 weeks, Wednesdays, May 30 June 27 6:30 9:30 p.m. PR 604E $195 + $20 lab fee woodcut AND RElIEf PRINTMAkING Ronald Wyffels Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. All aspects of the process will be covered, including drawing on the block, carving your design and printing black-and white and color prints. All levels welcome. Session 1: 4 weeks, Thursdays, June 7 June 28 (Register by May 18) 9 a.m. 2 p.m. Session 2: 5 weeks, Thursdays, July 12 August 9 (Register by June 22) 9 a.m. 1 p.m. PR 600E Session 1 or 2: $250 + $10 lab fee; Sessions 1 & 2: $495 or $625 for 1.0 undergraduate credit + $20 lab fee lithography Ronald Wyffels The ideal printmaking medium for those who love to draw! Design and draw your choice of image with a variety of lithographic drawing materials on traditional stone or lightweight aluminum plates. All aspects of the process will be demonstrated from creating a drawing, to printing in black-and-white and color. All levels welcome. Evenings: 9 weeks, Thursdays, June 7 August 9 (no class on July 5) () 6 9:30 p.m. Session 2: 6 weeks, Wednesdays, June 20 August 1 (no class on July 4) (Register by June 8) PR 602E 9 weeks, $395 or $525 for 1.0 undergraduate credit + $20 lab fee; 6 weeks: $595 or $950 for 1.5 undergraduate credits + $20 lab fee, full-day only ETChING, MONOPRINT & MORE Tony Rosati This course presents basic intaglio and monotype printing techniques including monoprint, drypoint, etching, aquatint, collograph, solar plate, as well as color printing. Image embellishments including embossing, chine collé, collage, and mixed media techniques will also be covered. All levels welcome and advanced printmakers may work independently. Full- day only. 5 weeks, Thursdays, July 12 August 9 PR 604EM $495 or $625 for 1.0 undergraduate credit + $20 lab fee MORE highlights Of PRINTMAkING history lecture/seminar Tony Rosati Study important prints spanning the 15th to the 21st centuries, with emphasis on their context and the evolution of various printmaking mediums. Examine Dürer, Rembrandt, Piranesi, the Impressionists, German Expressionism, Pop Art, Dieter Roth, Richard Artschwager and more. Includes visits to the print study rooms of both PAFA and the Philadelphia Museum of Art. 5 weeks, Fridays, June a.m. 12 p.m. PR 620EH $150 See page 33 for more Art History/ Appreciation Courses. MEZZOTINT workshop with kate SAMwORTh Mezzotint is a direct, chemical-free method of intaglio printmaking, unique in its tonal richness, and potential for soft edges, as seen in the prints of Carol Wax. Rocking the plate will be demonstrated, but students will work with pre-rocked plates to speed the process. Be coached through the process of transferring an image to the plate, burnishing and scraping the plate for tonal effects and all aspects of printing the image on paper. Saturday and Sunday, July 14 & 15 PR 625MZ $225 + $10 lab fee Register by: June 29 PRINTMAkING STUDIO NEW! Tony Rosati A printmaking atelier for artists of all levels! Beginning printmakers will be introduced to a variety of processes including etching, solar plate, monotype, letterpress, relief, and paperplate lithography. Design prints from drawings, photographs or imagination using the techniques you like the most! Advanced students may pursue independent projects with technical assistance and critique from the instructor. Session 1: 5 weeks, Saturdays, June 2 30 (Register by May 18) Session 2: 5 weeks, Saturdays, July 14 August 11 (Register by June 22) 10 a.m. 1 p.m. PR 621E 5 weeks, Session 1 or 2: $195 noncredit + $10 lab fee; 10 weeks, Sessions 1 & 2: $395 or $525 for 1.0 undergraduate credit + $20 lab fee PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 41. Kate Samworth, Flight of the Emu, mezzotint 24 25

14 C O U R S E S & workshops SCUlPTURE MOlD MAkING: ThE RUbbER MOlD NEW! Morgan Dummitt Mold making is a foundational skill for sculptors, with a wide range of studio applications. Rubber molds are extremely versatile, allowing artists to reproduce their work in a variety of materials and to cast in multiples. Open up the possibilities for your sculptural projects by learning all aspects of this process. All levels welcome. 5 weeks, Mondays, June 4 July 2 SC 712ER $195 + $140 materials fee (covers all materials) ÉCORChÉ John Horn Écorché is the three-dimensional study of human form by developing the bone and muscle structures beneath the skin. Working from the skeleton, students will model the underlying forms in clay on an armature. Excellent for both draftspersons and sculptors interested in a detailed study of human anatomy. Full-day only. 6 weeks, Tuesdays, July 10 August 7 SC 615E $495 or $625 for 1.0 undergraduate credit RElIEf SCUlPTURE NEW! Morgan Dummitt Relief is an excellent bridge to sculpture for artists working in two-dimensional media and a fascinating new field for sculptors working in-the-round. Using the historic PAFA cast collection as subject matter, learn all aspects of relief modeling in clay, including drawing, modeling high and low relief, and casting your work in plaster. All levels welcome. 10 weeks, Wednesdays, May 30 August 8 (no class on July 4) SC 705E $395 or $525 for 1.0 undergraduate credit + $50 materials fee (covers clay and mold-making supplies) PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 41. TERRA COTTA SCUlPTURE Colleen O Donnell Explore the versatility of terra cotta clay, which requires neither an armature nor casting. Learn various techniques and tools through demonstration and hands-on sculpting from the life model or imagination. Anatomy, proportion, design, and personal growth will be emphasized, as well as both representational and abstract approaches. All levels welcome. Full- or half-day. 5 weeks, Wednesdays, July 11 August 8 SC 605EA $495 or $625 for 1.0 undergraduate credit + $10 lab fee; $275 half-day + $5 lab fee, PORTRAIT STUDY: TwO & AND ThREE-DIMENSIONAl John Horn Enrich your understanding of portraiture through drawing and sculpture. Mornings session will focus on creating a portrait head in clay, developing it from deep geometric structure to surface form. Afternoons will be devoted to drawing the portrait, informed by the exploration of its three-dimensional form. All levels welcome. Full- or half-day. 5 weeks, Thursdays, May 31 June 28 SC 704E2 $495 or $625 for 1.0 undergraduate credit + $10 lab fee; $275 for half-day, + $5 lab fee Register by: May 12 EXPRESSIVE figure MODElING NEW! Steve Nocella Sculpture and drawing go hand-in-hand when describing the human form. Work from observation of the life model in a variety of media, including clay, plaster, charcoal, and ink. Explore how the materials influence your perception and of the human figure, and how you can translate form toward greater expressive effect. Session 1: 5 weeks, Thursdays, May 31 June 28 () Session 2: 5 weeks, Thursdays, July 12 August 9 () SC 616E 5 weeks, Session 1 or 2: $195 noncredit + $10 lab fee; 10 weeks, Sessions 1 & 2: $395 or $525 for 1.0 undergraduate credit + $20 lab fee METAl SCUlPTURE Steve Nocella This course focuses on metal sculpture fabrication and construction, gas and arc welding, brazing, and forging. Basic equipment will be provided, and specific techniques will be demonstrated. All levels welcome. Full-day only. 5 weeks, Fridays, July 13 August 10 SC 601E $495 or $625 for 1.0 undergraduate credit + $65 lab fee STONE CARVING Steve Nocella Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Open to all levels. Session 1: 5 weeks, Saturdays, June 2 30 () Session 2: 5 weeks, Saturdays, July 14 August 11 () 9 1 p.m. SC 602E 5 weeks, Session 1 or 2: $250 noncredit + $10 lab fee; 10 weeks, Sessions 1 & 2: $495 or $625 for 1.0 undergraduate credit + $20 lab fee 26 27

15 SCUlPTURE continued Colleen O Donnell ANIMAl ÉCORChÉ: ThE fox NEW Diane Collins Écorché is a classical approach to identifying and comprehending the underlying bone and muscle structures of a living subject by building a threedimensional anatomical figure in clay. Students in this class will construct a life-sized fox in plasteline from the bones up. References will include the skeleton, life study, taxidermy and other resources. Full-day only. 5 weeks, Saturdays, July 14 August 11 SC 615EA $495 or $625 for 1.0 undergraduate credit foundry: AN INTRODUCTION Pavel Efremoff This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. Full-day only. 6 weeks, Saturdays, July 14 August 18 SC 711E $595 or $950 for 1.5 undergraduate credit + $65 lab fee figure SCUlPTURE workshop Colleen O Donnell Learn the techniques and tools of figure sculpture through demonstration and hands-on sculpting from the life model. Explore anatomy, proportion, design and personal expression through the versatility of terra cotta clay. Sculptures will be fired at the end of the workshop. Saturday and Sunday, June 30 & July 1 SC 605EW $195 + $10 lab fee MOlD MAkING: ThE PlASTER waste MOlD Morgan Dummitt A waste mold is a single-use mold for casting a clay sculpture in plaster. Learn the complete process of transforming a clay model into a finished work of art, including plaster mold-making, casting, finishing, and mounting onto a suitable base for presentation. Bring your clay sculpture for casting! All levels welcome. Saturday and Sunday, August 11 & 12 SC 712EW $195 + $60 materials fee (covers all materials) Register by: August 3 bonus! Students enrolled in a Summer 18 clay modelling course will receive a 10% discount on this workshop Pavel Efremoff C O U R S E S & workshops OThER MEDIA & PRACTICAl MATTERS ShODO: ChINESE AND JAPANESE CAllIGRAPhY Mayumi Tomii Shodo originated in China 3,500 years ago and has developed as a fine art using simple tools: brush, ink and paper. Learn the various styles and techniques of Shodo along with its history and appreciation. Urauchi - the Japanese traditional paper-backing/ mounting methods will be used to enhance finished work. Tenkoku, or personal stamp making, will also be covered. 6 weeks, Mondays, June 18 July 23 12:30 3:30 p.m. DR 724ES $225 + $20 materials fee (includes most materials) INTRODUCTION TO ART JOURNAlING NEW Dressler Smith Art journaling is a personally expressive form of record-keeping. Learn how to transfer your creative ideas on paper through engaging prompts and practical tips. Complement your writing with drawing and other media, including watercolor and watercolor pencils. With guidance from the instructor, draw from your life memories to create a unique depiction of your personal history. Session 1: Things Remembered 4 weeks, Thursdays, June 7 28 (Register by May 25) 12:30 3:30 p.m. Session 2: In Search of My Mother s Garden 4 weeks, Thursdays, July 12 August 2 (Register by June 22) 12:30 3:30 p.m. DR 616EW $150 or $275 for both, COllAGE: history AND PRACTICE NEW Jacob Lunderby From the political to the playful, artists have used collage to produce striking, whimsical and moving images through the juxtaposition of visual elements. Explore a variety of perceptual and tactile collage strategies using both traditional materials (Session 1) and digital methods (Session 2). Demonstrations and lectures on artists that have used collage will supplement studio activity. Session 1: 5 weeks, Thursdays, May 31 June 28 (Register by May 18) Session 2: 5 weeks, Thursdays, July 12 August 9 (Register by June 22) IN 610EC 5 weeks, Session 1 or 2; $195 noncredit; 10 weeks, Session 1 & 2: $395 or $525 for 1.0 undergraduate credit 28 29

16 OThER MEDIA & PRACTICAl MATTERS continued IMPROVISATIONAl STITChING Sheryl Kessler Stitching is a uniquely textural and versatile form of mark-making. Explore its potential as textile art in a welcoming community environment. Learn several basic embroidery stitches, fabric collage, and techniques for drawing with needle and thread. Create embroideries for display on their own or incorporation into sewing projects and multimedia artworks. 4 weeks, Saturdays, June 23 July 14 9 a.m. 1 p.m. IN 651ES $195 + $25 materials fee (includes basic materials) Register by: June 8 ThE home STUDIO Anthony Ciambella Setting up an art studio in your home or apartment can be challenging, but a lot can be accomplished in a small space. Topics include efficiency, lighting, ventilation, storage, safety and waste disposal. Includes demonstrations on brush care, paint storage, varnishing and framing. Useful information for artists of all levels. Saturday, June 30 9 a.m. 12 p.m. IN 603EH $35 Register by: June 8 See page 20 for Possibilities with Acrylics, 1 4 p.m. GOlD leaf AND GIlDING Clarissa Shanahan Gold leaf is used in architectural ornamentation, book arts, framing and more. In this introduction to the traditional European method of oil gilding, students will work with precious and non-precious leaf on sample boards and carved samples. Surface preparations and traditional finishes will also be covered. Saturday and Sunday, July 28 & 29 IN 613EW $195 +$35 materials fee (includes gold leaf) Register by: July 13 PhOTOGRAPhING YOUR ARTwORk NEW! Julia Staples The ability to document artwork is an important skill for any artist pursuing exhibition, professional or academic opportunities. Learn basic lighting and photography techniques to document drawings and paintings as well as three-dimensional sculptural works. Bring 2-3 pieces of art and your digital camera for hands-on experience. Saturday, August 4 IN 660AP $95 Register by: July 27 C O U R S E S & workshops PhOTOGRAPhY & DIGITAl MEDIA DIGITAl PhOTOGRAPhY 101 NEW! Julia Staples Learn to how to use your camera to take great pictures! Instruction will cover camera functions, composition, natural and artificial lighting, and color. Hands-on studio sessions and photo walks will be supplemented by lectures on contemporary and historic photographers. Gain the skills to make an outstanding photographic essay based on your interests. 10 weeks, Tuesdays, May 29 August 7 (no class on July 3) IN 660PH $395 or $525 for 1.0 undergraduate credit CRASh COURSE IN DSlR CAMERAS Julia Staples Get the most out of your camera! Learn all the functions in automatic and manual modes including aperture, shutter speed, ISO, and depth of field, while exploring composition, lighting and color. Walk away with the ability to use your DSLR with confidence after this hands-on workshop. Saturday, June 2 IN 660CD $95 Register by: May 25 CRASh COURSE IN PhOTO COMPOSITION NEW! Julia Staples Improve the art of your photographs though a basic understanding of composition. Learn how to aesthetically organize a photograph using the components of color, light and form. Instruction will comprise lectures, practice photo sessions on the street, and critiques of work made in class. Saturday, June 9 IN 660CC $95 Register by: June 1 STUDIO PORTRAIT PhOTOGRAPhY NEW! Julia Staples Learn the tactics the pros use in the studio to create compelling portrait photographs. Use lighting creatively in order to enhance professional quality, create mood or adjust composition. Camera functions and techniques will be demonstrated and discussed. Saturday, June 23 IN 660EP $95 Register by: June 15 Julia Staples, Signs of A Nomaly, photograph, 30 x 40 in. INTRODUCTION TO PhOTOShOP NEW! Julia Staples Adobe Photoshop is an essential program for enhancing the visual impact of digital artwork and documented images. Gain a basic understanding of its editing tools and techniques. Workflow, color profiles, color and contrast correction, retouching, and other enhancements will be explored. Bring your own images on a flash drive to edit in class. 5 weeks, Mondays, July 9 August 6 IN 635IW $

17 PhOTOGRAPhY & DIGITAl MEDIA continued RA Friedman, Stairs, elevated train line, Bronx NY, 09/2014, photograph, 20 x 20 in., c RA Friedman ANAlOG PhOTOGRAPhY for ThE DIGITAl AGE NEW! RA Friedman Hand-crafted, thoughtful and a bit magical: all these describe the process of traditional film photography. Explore its tools and techniques, including developing black & white film and film-to-digital methods of creating imagery without a darkroom. Working hands-on, learn how to best promote the strengths of this fascinating medium in a way that complements your time, budget and vision. No experience necessary. 5 weeks, Wednesdays, July 11 August 8 IN 661AP $195 RA Friedman is a figurative artist who works with drawing and analog photography. His studio practice is informed by a background in science, theatre set design, and painting. A regular contributor to The Laboratory Arts Collective Magazine and faculty member at Pratt Manhattan, he is currently working on a suite of ten multi-figure pinhole photographs. Visit rafriedman.com. See page 30 for Photographing Your Artwork INTRODUCTION TO VIDEO EDITING: SMART PhONE & beyond NEW! Ian Wagner Move those smart phone videos to the next level to create finished videos. Learn the basics of video editing including adding transitions, overlays, animations, music and more! Explore color management and learn how to upload your work to the internet. Also includes setting up a camera or smart phone for basic filming practices, and a filming session around the PAFA campus. Basic computer skills required. 5 weeks, Sundays, July 15 August p.m. IN 660VE $195 walking PhOTOGRAPhY TOUR NEW! Julia Staples Explore the streets of Philadelphia through the photographer s lens! Become familiar with the functions of the camera, and then take your skills outdoors on a group photographing excursion. Learn techniques for taking street, documentary, architectural and candid photographs. Afterward, head back to the classroom to share work and discuss useful shooting tips. Sunday, July 15 (Rain date, July 22) IN 660EW $95 Register by: July 6 Franz Kline ( ), Untitled, ca. 1953, oil based black ink wash and collage on cream paper, 13 7/8 x 18 3/4 in. irr. Collection of the Pennsylvania Academy of the Fine Arts, Accession # , Gift of Gerrish H. Milliken, Jr. C O U R S E S & workshops ART history/appreciation ART AND SCIENCE IN ThE 18Th CENTURY NEW! Paul Sivitz, Ph.D. Until about 1800, science included not only the fields we expect: biology, chemistry, and what is now called physics, but also medicine and technology. Illustrations, paintings, and even simple line drawings had the power to communicate science to a large audience. This course examines the intersection of art and science during the eighteenth century. Topics include print culture, production of archetypal images, circulation of knowledge, and ideas of the Enlightenment. 5 weeks, Mondays, July 9 August 6 9 a.m. 12 p.m. IN 650ES $250 ART AND EIGhTEENTh-CENTURY british SOCIETY NEW! Paul Sivitz, Ph.D. In 1695, Parliament allowed the Licensing Act to expire, giving citizens the right to publish just about anything they desired. Visual artists also took full advantage of this new-found freedom. This course examines British art and its relationship to the broader society in the eighteenth century. Graphic works were used for social and political commentary, and will be the focus of the course, although paintings will also be included. Students will read contemporary writing from the period, providing insight into artists visual commentaries. 5 weeks, Thursdays, May 31 June 28 9 a.m. 12 p.m. IN 650EB $250 MODERNISM AND MODERNITY: ART AND CUlTURE, ONLINE Dr. Kevin Richards Examine the artists and artistic movements of the first half of the 20th century, focusing on the development of modernism in Europe before World War II. View an array of work from historical and See page 24 for More Highlights of Printmaking History art historical perspectives, and analyze the world views and material conditions that contributed to the transformation of art during this era. Online instruction will provide weekly video lectures, readings, and instructor-moderated discussion boards. 5 weeks, May 29 June 29 IN 670EM_ON $495 or $950 for 1.5 undergraduate credits MODERN ART SINCE 1945 ONLINE Dr. Kevin Richards This online course will examine the development of art in America and Europe from the end of World War II to the end of the twentieth-century, including Abstract Expressionism, Pop Art, Minimalism, Land-Based art, and other significant artistic movements. Analyze the aesthetic ideas that have informed the narrative and contested terrain around art since 1945, including the challenges to the ideals of modernism. Online instruction will provide weekly video lectures, readings, and instructormoderated discussion boards. 5 weeks, July 2 August 3 IN 670RS_ON $495 or $950 for 1.5 undergraduate credits Register by: June 15 ART APPRECIATION: PICTORIAl SPACE IN western ART NEW! Gus Sermas How was linear perspective developed in the European Renaissance, and why was it rejected in the progression of Modern Art? Explore the evolution of the depiction of pictorial space, examining the techniques of linear perspective, the contributions of Giotto and Masaccio, the disappearance of the horizon line, and the birth of Modern Art. 4 weeks, Fridays, July 13 August 3 10 a.m. 12 p.m. IN 650ES $

18 C O U R S E S & workshops landscape PAINTING ON ThE brandywine Frederic Kaplan Portray the spring landscape en plein air in the medium of your choice along the banks of the picturesque Brandywine River. Bring a packed lunch or eat at Hank s, a longtime haunt of Andrew Wyeth s. The day concludes with a visit to the Brandywine River Museum (free admission on the first Sunday of the month). Free parking, restrooms and sheltered locations available. Sunday, May 6 PT 605EB $95 Register by: April 27 SkETCh ON ThE GO Frederic Kaplan Capture the active life of the city and its rich architecture. This is an excellent workshop for anyone who wants to learn to sketch on the bus or train, in cafés and public parks, or while traveling abroad. Topics include perspective, gauging proportions by eye, gesture figure drawing, and methods for simplifying form. All levels welcome. Saturday, May 12 DR 620EW $95 Register by: May 4 ThE OIl SkETCh: landscape Patrick Connors The oil sketch is a traditional way for painters to execute preparatory ideas, quickly capture initial impressions, or enjoy a fresh and instinctive approach to painting! Learn useful techniques for rapidly encapsulating color and form while working directly from observation. Held on Kelly Drive, along the Schuylkill River. Saturday, May 19 PT 600S $95 + $20 materials fee (includes oil paint and surfaces) Register by: May 11 beginning landscape PAINTING NEW Frederic Kaplan Learn the basics for painting in the landscape! Discover techniques for simplifying the complexities of foliage and waterways, as well as managing the effects of shifting daylight. Demonstrations will address color mixing, creating space, and integrating architecture and nature. Locations may include the Horticulture Center, Wissahickon Creek and Boathouse Row. Shade, on-site restrooms, parking and rain locations will be available. Full- or half-day (morning recommended if half-day.) All levels welcome. 5 weeks, Wednesdays, May 30 June a.m. 4 p.m. PT 605EA $395 or $525 for 1.0 undergraduate credit; $195 for half-day landscape IN ThE GARDEN Larry Francis Work in plein air at historic Bartram s Garden, home of America s first botanist, John Bartram. Learn to capture light and shadow; create a convincing sense of space; and depict trees, flowers and buildings. Drawing and painting techniques will be demonstrated for oil and gouache. Free parking and restrooms available. 5 weeks, Thursdays, May 31 June 28 9 a.m. 12 p.m. PT 605BG $195 EVENING CITYSCAPE NEW! Frederic Kaplan Capture the unique effects of the evening light on city life. Discover oil painting techniques for managing shifting light and shadows, mixing and using color to describe time of day, and translating the complexities of the urban landscape. Outdoor and indoor locations include Boathouse Row, Independence Mall and Penn campus. 4 weeks, Thursdays, June :30 9 p.m. PT 605EE $195 Register by: May 25 landscape PAINTING: METhODS, APPROAChES AND STRATEGIES NEW! Charles Muldowney This workshop offers a concise exploration of landscape painting from a variety of approaches: alla prima and plein air vs. indirect painting; academic vs. conceptual. Experience a variety of materials, equipment, design ideas, techniques and styles. Includes a visit the PAFA museum to view historic examples and an outdoor painting session (weather permitting). Friday and Saturday, June 8 & 9 PT 605MW $195 Register by: June 1 PAINTING ThE waterscape NEW! Jill A. Rupinski The elusive nature of water has both captivated and challenged the artist. Unravel the techniques for the realistic depiction of bodies of water through study of masterworks in the PAFA museum, hands-on studio work, and plein air sessions at refreshing locations. Examine tactics for creating light and implying movement. Work in the painting medium of your choice. 5 weeks, Fridays, June a.m. 3 p.m. PT 605AW $295 ThE PhIlADElPhIA landscape Larry Francis Craft your personal vision of Philadelphia s picturesque landscape. Learn to build form, mix color, and create space with perspective, light and shadow. Instruction will address tips for working onsite and the history of painting the city. Locations in North Broad, Roxborough, and West Philadelphia will offer parking, shade, provisions and facilities. All media welcome. 5 weeks, Sundays, July 8 August 5 9 a.m. 2 p.m. PT 703EL $295 PlEIN AIR PAINTING AT ThE RIVERTON YAChT ClUb Joseph Sweeney Paint on location at the historic Riverton Yacht Club in New Jersey, on the banks of the Delaware River. Instruction will include tips on choosing a prime location, reading the weather and light at a particular time of day, and setting up a landscape palette. All media welcome. Parking and restrooms available. Friday, Saturday and Sunday, July 6, 7 & 8 10 a.m. 2 p.m. PT 605ER $

19 l ANDSCAPE continued S U M M E R 2018 SChEDUlE-AT-A-GlANCE Photo: Joe Sweeney PlEIN AIR PAINTING ON ThE DElAwARE ONE-wEEk INTENSIVE Joseph Sweeney Independence Seaport Museum Paint the spectacular views of the Delaware River from the Independence Seaport Museum at Penn s Landing. Museum access offers the opportunity to tour the collection, see boat builders in action, and access the facilities. Includes a session on the river in the museum s excursion boat, à la Claude Monet! Parking and use of the facilities will be available. One-Week Intensive, Monday Friday, July a.m. 3 p.m. PT 606ED $325 (includes museum admission) PERSPECTIVE DRAwING: ThE CITY NEW! Frederic Kaplan Capture the buildings and streets of the urban environment without rulers, complicated geometry or stress! Using basic sighting techniques and helpful guidelines, learn to create a convincing sense of threedimensional space with just a sketchbook and pencil while you work at select downtown locations near PAFA. Saturday and Sunday, July 21 & 22 DR 716EC $175 Register by: July 13 bucks COUNTY landscape ONE-wEEk INTENSIVE Joseph Sweeney Learn the essentials of landscape painting in the New Hope countryside, the area made famous by Daniel Garber, Edward Redfield, Fern Coppedge, and other masters of Pennsylvania Impressionism. Topics include color mixing to achieve a sense of light and air, capturing time of day, compositional fundamentals, and sound painting practices. Locations will include Daniel Garber s historic farmstead, Cuttalossa Farm! Monday Friday, July a.m. 3 p.m. PT 605EB $295 Register by: July 13 Photo: Joe Sweeney TITLE DATES TIME INSTRUCTOR LOCATION ONlINE COURSES Modernism & Modernity: Art & Culture, /29 6/29 Variable Richards Online Modern Art Since /2 8/3 Variable Richards Online ONE-wEEk high SChOOl STUDENT INTENSIVES See page 12 MONDAYS Art & Science in the 18th Century 7/9 8/6 9 a.m. 12 p.m. Sivitz 503/Hamilton Color for Painters 6/4 7/2 Gury 1023/Hamilton Elementary Figure Drawing & Painting 7/9 8/6 Gury 1023/Hamilton Painting Techniques of the Old Masters 7/9 8/6 Norcia 1021/Hamilton Shodo: Chinese & Japanese Calligraphy 6/18 7/23 12:30 3:30 p.m. Tomii 610/Hamilton Beginning Oil Painting 6/4 8/13 Kaplan 1010/Hamilton Perspective Drawing 6/4 7/2 Lunderby 610/Hamilton Mold Making: The Rubber Mold 6/4 7/2 Dummitt Sculpture Shop/Ham. Intro to Photoshop 7/9 8/6 Staples 514/Hamilton TUESDAYS Life Drawing 5/29 6/26 Horn 1023/Hamilton Oil Painting Practices 7/10 8/7 Ciambella 1021/Hamilton Écorché 7/10 8/7 Horn 740/Hamilton Self-Portrait Drawing 7/10 8/7 9 a.m. 12 p.m. Laver 610/Hamilton Drawing in Color 5/29 8/7 12:30 3:30 p.m. Rupinski 610/Hamilton Cast & Figure Drawing 5/29 8/7 Rupinski Cast Hall/HLB Digital Photography 101 5/29 8/7 Staples 514/Hamilton wednesdays The Figure as a Point of Departure 5/30 8/8 9 a.m. 12 p.m. Amoudi 1023/Hamilton Screenprinting & Beyond 5/30 8/8 9 a.m. 1 p.m. Rosati Print Shop/Hamilton Portrait Painting 5/30 6/27 Gury 1023/Hamilton 7/11 8/8 Lithography 6/20 8/1 Wyffels Print Shop/Hamilton Terra Cotta Sculpture 7/11 8/8 O Donnell 740/Hamilton Beginning Landscape Painting 5/30 6/27 10 a.m. 4 p.m. Kaplan Various Painting Over the Line 5/30 8/8 1 4 p.m. Amoudi 1023/Hamilton Watercolor Fundamentals 5/30 8/8 Leitner 1010/Hamilton Portrait Drawing & Painting 5/30 8/8 Rupinski 1021/Hamilton Relief Sculpture 5/30 8/8 Dummitt Cast Hall/HLB Monotype: The Painterly Print 5/30 6/27 6:30 9:30 p.m. Stoughton Print Shop/Hamilton Analog Photography for the Digital Age 7/11 8/8 Friedman 514/Hamilton continued on next page 36 37