BUILDING ON VOCABULARIES

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1 BRENDA PODEMSKI Technical Lead for Collection Information Mgmt J. Paul Getty Museum BUILDING ON VOCABULARIES Transforming Museum Collection Information as Linked Data Photo: tpsdave, CC0 Public Domain License

2 What we are doing. Transforming Museum Collection Data into a very structured, standardized format, which: makes it easy for other machines to read/understand; enables machines to make connections between our data and other related content on the Web

3 Enhance understanding of art through innovative, digitally driven research, shared for the benefit of the widest possible audience A Young Scholar and his Tutor Workshop of Rembrandt Harmensz. Van Rijn about , oil on canvas Why we are doing it.

4 Why we are doing it. Strengthens the collection; information adds value Ducat 16 th century, gold

5 Why we are doing it. Improves the quality of our collective data Dragonfly, Pear, Carnation, and Insect Joris Hoefnagel (Flemish/Hungarian, ) and Georg Bocskay (Hungarian, died 1575) ; illumination added , watercolors, gold and silver paint, and ink on parchment

6 Why we are doing it. Share our information freely; relinquish role as gate-keeper Temple Gate, Shanghai Attributed to John Thomson (Scottish, ) 1870s-1890s, albumen silver print

7 Why we are doing it. Build community Compositional Drawing for 'Entrance to the Jardin Turc' Louis-Léopold Boilly (French, ) about , brown ink and graphite

8 Completes the set Why we are doing it. Garniture of Three Vases Jacques-François Deparis (French, active ), Etienne-Henry Bono (French, active ), et al 1781, soft-paste porcelain, beau bleu ground color, polychrome enamel decoration, enamel imitating jewels, gilding, and gold foil

9 Project scope. Dataset will mirror Collection Online Correlation with GRI Vocabs will be limited (but extendable in future) Data will be accessible via a simple Web portal Modest enhancements to Collection Online: linking to resources

10 Process. The Abduction of Europa Rembrandt Harmensz. van Rijn (Dutch, ) 1632, oil on single oak panel

11 Approach. Cataloging Data Analysis Vocabulary Mapping (ULAN, AAT, TGN) Conceptual Mapping Diagramming Internal Architecture Data Transformation Web Portal (SPARQL Endpoint) Collection Online Enhancement

12 Cataloging Data Analysis.

13 Vocabulary Mapping.

14 Conceptual Mapping.

15 Conceptual Mapping.

16 Diagramming. Conceptual mapping test using real world examples.

17 Internal Architecture. Collection Online GettyGuide Mobile Apps Glimpse (internal UX) Getty Search Gateway (collection search) Collection LOD Content/Presentation APIs MDM Media Derivative Manager DOR Digital Object Repository Authoring Tools OpenText DAM Media Repository TMS Collection Database

18 STILL TO COME: Data Transformation. Human-readable to machine-readable format

19 STILL TO COME: Web Portal/SPARQL Endpoint. Similar to vocab pages for consistency; Include sample SPARQL queries, multiple download format options

20 STILL TO COME: Collection Online Enhancement. Linking on vocabulary terms Expanded data download option/s

21 The Vision of Saint Francis of Paola Bartolomé Esteban Murillo (Spanish, ) about 1670, oil on canvas

22 Observations. When eating an elephant, take one bite at a time. Figure of an Elephant Unknown maker , hard-paste porcelain, polychrome enameled decoration, gilding

23 No matter how clean and consistent you think your data is, this project will illustrate all the ways it isn t. It s a humbling process. Observations. Initial O: Madonna of Humility (detail) Master of the Dresden Prayer Book or workshop (Flemish, active about ) about , tempera colors and gold on parchment

24 Observations. The Corollary: Don t let the perfect be the enemy of the good (enough). Initial O: Madonna of Humility (detail) Master of the Dresden Prayer Book or workshop (Flemish, active about ) about , tempera colors and gold on parchment

25 Observations. It s worth the effort. The Sermon on the Mount Jan Brueghel the Elder (Flemish, ) 1598, oil on copper

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