Oil paint or acrylic Bring what you normally use, include Reds, Blues and Yellows, also Titanium White and Black

Transcription

1 2017 Art in Action Tutor CHARLIE TONG Materials List Friday Workshop No. 1 Painting the Figure Saturday Workshop No. 16 Painting Portraits Sunday Workshop No. 31 Painting a Seascape Oil paint or acrylic Bring what you normally use, include Reds, Blues and Yellows, also Titanium White and Black Canvas sizes or other painting surface Approx. 50cm x 60cm bring 3 to 6 canvases for three days Artist s painting brushes Large flat brushes, as well as what you have Turpentine and other medium like linseed oil or Odourless Lean (fast dry) solvent, etc. A palette for oils, or acrylics, depending on what medium you want to use A floor standing easel Please note: Tables are at a premium during this weekend and you are asked to bring a Floor Standing Easel to this workshop as well as a drop sheet as areas are carpeted. Thank you Art in Action Tutor ROS PSAKIS Materials List Friday Workshop - No. 2 Painting Figures in the Sunlight Saturday Workshop - No. 17 Painting Figures in the Sunlight Sunday Workshops - No. 32 Painting Figures in the Sunlight Art Spectrum Oil Paints Ultramarine Blue - Phthalo Blue - Lemon Yellow - Golden Yellow - Light Red - Alizarin Crimson (or Permanent Crimson) - Spectrum Red and Titanium White. (All of the above colours can be substituted for other brands but to obtain my colour mixes, try to use the Art Spectrum brand. The Light Red and Lemon Yellow especially should be Art Spectrum.) Long Flats sizes 2, 4, 6, 8 Mediums Art Spectrum Lean Medium. Low odour turps for washing brushes. Canvas Either canvas on stretchers or loose Tara 7O canvas taped to a support board - at least two for each day. Whatever size you are comfortable with. Notebook - Pen - Willow Charcoal Paper or cloth for wiping brushes Tin or jar for washing brushes - Standing Easel Please note: Tables are at a premium during this weekend and you are asked to bring a Floor Standing Easel to this workshop as well as a drop sheet as areas are carpeted. Thank you.

2 2017 Art in Action Tutor ROBERT KNIGHT Materials List Friday Workshop No. 3 Trees (Charcoal) Saturday Workshop No. 18 Atmospheric Landscape (Oils) Sunday Workshop No. 33 Cityscape (Oils) Friday Charcoal No. 3 2 sheets of Saunders 300gsm rough texture Large backing board to hold full sheet of paper Assorted Charcoal - Willow Sticks and 1 Compressed Charcoal stick Kneadable Eraser Some soft rag Masking Tape Standing Easel 1 x Piece medium grade sandpaper 1 x Ice cream container lid Plastic bag for rubbish Saturday and Sunday Nos. 18 & 33 Saturday Oils - Atmospheric Landscape stretched Canvas 40cm x 50cms primed with white Gesso Sunday Oils - Cityscape stretched Canvas 30cm x 40cms primed with white Gesso Oil paints used by Robert: Titanium White - Art Spectrum Yellow Ochre - Art Spectrum Cadmium Yellow Pale (light) Ultramarine Blue - Art Spectrum Spectrum Blue (Cobalt Hue) or Cobalt Cadmium Red - Art Spectrum Permanent Alizarin Gamblin Raw Sienna Art Spectrum : Bristle brushes, flats, assorted. 20mm Taklon Brush, flat mm painter s brush Mediums: Liquin and odourless solvent Palette (not too small) and assorted palette knives Masking tape Standing Easel Rags Plastic bag for rubbish Please note: Tables are at a premium during this weekend and you are asked to bring a Floor Standing Easel to this workshop as well as a drop sheet as areas are carpeted. Thank you.

3 2017 Art in Action tutor TED LEWIS Materials List Friday Workshop No.4 Come paint Sydney s Beaches Saturday Workshop No. 19 Paint and Australian Country River Sunday Workshop No. 34 Looking into the Landscape Boards Please choose one board for each day from the following sizes whichever you feel comfy with 12 x16 20 x16 24 x 18 Plus a couple of small boards 10 x 8 for some quick sketches Paint colours Ted uses the following Winsor and Newton colours Ted has advised that you will definitely need these three Primary colours and white French Ultramarine Blue A bright Red (Cadmium Red or similar) A Bright Yellow (Cadmium Yellow or similar) plus Titanium White. Other colours that will be useful in this workshop will be Cobalt Blue, Permanent Rose or Alizarin Crimson and Lemon Yellow. Ted uses the brushes listed here Please bring brushes you are happy using. Art Basics Hog Bristle Flat 101F range Sizes 2, 4, 6, 8, 10 Medium Winsor and Newton Liquin Original or Art Spectrum No. 4 medium required Palette Floor standing Easel rags for wiping brushes and general cleaning up odourless solvent for cleaning brushes while painting a jar in which you can take home mediums and solvents which cannot be left at The Merroo Centre.. Please note: You are asked to bring a floor standing type easel to this workshop as well as a drop sheet as areas are carpeted. Thank you Art in Action Tutor PATRICK CARROLL Materials List Friday Workshop No. 7 Interpreting the Landscape Saturday Workshop No. 22 The Magic of a Seascape Sunday Workshop No. 37 Paint a Cityscape Acrylic Paint Artist Quality such as Winsor & Newton, Matisse or Atelier Napthol Red Medium - Cadmium Yellow Deep - Phthalo Blue Red - Phthalo Green Yellow Yellow Ochre Burnt Sienna - Raw Sienna - Titanium White - Any additional colour you may require Paper or Canvas Arches 640gsm or Fabriano 600gsm Smooth - Canvas 76 x 56cm or smaller Flat Stiff Synthetic 2 each of No. 4, 8 and 12 - Rigger Brush 1 each of 10 or 12 Miscellaneous 1 roll Gladwrap - Disposable Paper Palette - Melamine or Perspex Palette 2 to 3 credit card sized Scrapers - Standing Easel Subject matter Photographic reference preferably taken by student or drawings (Not magazine cuttings) Please note: You are asked to bring a floor standing type easel to this workshop as well as a drop sheet as areas are carpeted. Thank you.

4 2017 Art in Action tutor CATHERINE HARRY Materials List Friday Workshop No. 6 Painting with a loaded brush Saturday Workshop No. 21 Painting Alla Prima Canvas - 60cm x 50cm Sketchbook to record notes/ideas Containers for water, rag, etc. Flat/Fan large/small (visit your hardware store) Palette Knife Spray bottle Standing Easel Paints Artist Quality Acrylic Gesso Unbleached Titanium Lemon Yellow Cadmium Yellow Alizarin Crimson, Cadmium Red Ultramarine Blue Phthalo Blue Raw Sienna Satin Varnish Impasto Medium Matisse Fluid Range Australian Sienna, Dioxazine Purple Sunday No. 36 Simplicity Fabriano Artistico Paper 640gsm Sketchbook to record notes/ideas Containers for water, rag, etc. Flat/Fan large/small (visit your hardware store) Palette Knife Spray bottle Standing Easel Paints Artist Quality Acrylic Gesso Unbleached Titanium Lemon Yellow Cadmium Yellow Alizarin Crimson, Cadmium Red Ultramarine Blue Phthalo Blue Raw Sienna Satin Varnish Impasto Medium - Matisse Fluid Range Australian Sienna - Dioxazine Purple Please note: You are asked to bring a floor standing type easel to this workshop as well as a drop sheet as areas are carpeted. Thank you.

5 2017 Art in Action Tutor CHRIS SEALE Materials List Friday Workshop No. 8 Australian Landscape with Water Reflections Saturday Workshop No.23 Dramatic Morning Seascape & Ensuing Storm Paper 1/2 sheet of cold pressed 300gm Arches w/c paper - plus drawing board Acrylic paint I like to use Winsor and Newton but bring whatever you have - Titanium White - Cad Yellow med - Cad Orange - Cad Red med - Burnt Sienna - Phthalo Blue Red shade - Phthalo Green Blue shade - Mars Black It is up to you what brand of paint you bring. However the very cheap paints don't have much pigment and make it harder to achieve a great painting A couple of round nylon brushes - 1 size 4 Rigger brush Palette Glass or Perspex palette (NO plastic plates or paper palettes please) Other Items Spray bottle - Box of tissues (cheap) - Cling wrap -Tub for water - Standing Easel - Masking tape Old credit card or member s card (I will bring a few extras) - Steel back razor blade (for scraping paint off palette) - a small squeegee rubber (optional) - Nail brush (or disposable gloves to protect painted nails) Plastic bag for rubbish Please note: You are asked to bring a floor standing type easel to this workshop as well as a drop sheet as areas are carpeted. Thank you. Sunday No.38 Spectacular Drama of Breaking Waves Paper 1/2 sheet of cold pressed 300gm Arches w/c paper - plus drawing board Acrylic paint I like to use Winsor and Newton but bring whatever you have - Titanium white (We use more white paint than any colour, so please bring plenty) - Cad Yellow med - Cad Orange - Permanent Rose Burnt Sienna - 'Liquitex' Ultramarine Blue - Phthalo Green Blue shade - Mars Black It is up to you what brand of paint you bring. However the very cheap paints don't have much pigment and make it harder to achieve a great painting A couple of round nylon brushes - 1 size 4 Rigger brush Palette Glass or Perspex palette (NO plastic plates or paper palettes please) Other Items Spray bottle - Box of tissues (cheap) - Cling wrap -Tub for water - Standing Easel - Masking tape Old credit card or member s card (I will bring a few extras) - Steel back razor blade (for scraping paint off the palette) - A small squeegee rubber (optional) - Nail brush (or disposable gloves to protect painted nails) - Plastic bag for rubbish. Please note: You are asked to bring a floor standing type easel to this workshop as well as a drop sheet as areas are carpeted. Thank you.

6 2017 Art in Action Tutor JEANETTE PROUT Materials List Friday Workshop No.9 Floral Abstraction Saturday Workshop No. 24 The Figure Sunday Workshop No. 39 Figures in the Landscape Acrylic Paint Cool Blue Warm Blue Cool Red Warm Red Cool Yellow Warm Yellow White Carbon Black Acrylic Gel (for gluing). Canvas Canvas size 12 x 16 x 2 for each workshop. If you wish to use canvas boards please do so. The recommended size is to facilitate gluing and finish the project in a day. Some students may need to work on a second canvas / board. A selection of bristle brushes various sizes Palette for paint Water container Cloths to wipe fingers or even use ready wipes 2B pencil Scissors if you want a straight edge Sketch paper as in sketch book or a few loose sheets Protective clothing for yourselves Collage for this you will need thicker paper to construct a surface Jeanette uses watercolour paper in a variety of weights can be effective. You can include tissue paper, found objects, brown papers, coloured papers and photographs. Remember this will need to be firmly adhered to the canvas, which is why the Acrylic Gel is listed. Please note: You are asked to bring a floor standing type easel to this workshop as well as a drop sheet as areas are carpeted. Thank you Art in Action Tutor JANE CANFIELD Materials List Friday Workshop - No. 10 Landscape painting Plein Air Saturday Workshop - No. 25 The Value of Still Life Sunday Workshop - No. 40 Working towards Abstraction A selection of brushes including Hogs bristle brushes (cheap ones) various sizes make sure you bring some larger ones, at least , and ideally round and flat. Paint A good mix of quality Gouache colours, including a good supply of Titanium White. Watercolours will also be advantageous. Paper A quantity of heavy papers suitable for water based paints. You can bring some good quality sketch books, and/or loose papers in a larger format. Charcoal - palette water container roll of paper towel backing board and bulldog clips to secure papers. If we work outside bring a hat, and something to sit on if you like (I use a camp stool).

7 2017 Art in Action Tutor TRICIA REUST Materials List Friday Workshop - No. 11 Lyrical Landscape in Mixed Media Outline : Choosing to work in a traditional or contemporary style, we will create a landscape with flowing movement over a collage on canvas, using acrylic paint; charcoal and/or dry drawing media; and (optional - oil pastel and/or oil sticks). We will briefly cover landscape theory, particularly the lyrical S or Z construction, create the collage and initial acrylic paint wash before lunch, then complete the landscape with paint and drawing media. Canvas Large gessoed canvas, preferably at least 24 by 30 inches. This is a good opportunity to reuse an older canvas cover the old painting in white gesso. Acrylic Paint - (Not Jo Sonja) Some good colour choices include Red Gold - Permanent Alizarin - Phthalo Turquoise - Quinacridone Magenta, Ultramarine Blue - Cerulean Blue - Dioxazine Purple - Paynes Grey - Transparent Yellow and any of the Siennas and Umbers. White Gesso. Optional white and black Atelier Free Flow for final details. : Your regular acrylic brushes, including goat hair hake brushes, and at least one flat quarter inch Taklon and a Taklon liner brush; cheap wide bristle brush for medium application. Mediums: Binder medium - Clear painting medium. Visual diary and pencil/s for taking notes, and for sketching compositions; compressed charcoal Paper towels essential and rags (I use an old towel to cover my surface) Cling wrap Containers - You will need containers large enough to hold your mixed paint washes (round take away food containers with lids work well). A couple of containers for water (eg: old ice-cream tubs). Palette must be large and flat, not watercolour palette with recesses; Palette knife Sponge Sponge Roller Water misting spray bottle Masking tape Spray varnish (Tricia uses Micador Satin) Matt Spray (optional for use on collage elements with unstable surface such as drawings). Collage materials: Any thin papers and fabrics:- Tissue paper, and any other interesting papers that you wish to utilize, including printed napkins; cheesecloth; paper doilies; ticket stubs; photocopied music and maps etc. Reference photos of the landscape Optional Drawings (graphite and/or charcoal) which you want to include as collage. Optional extras: (You can choose to complete the landscape in only paint and charcoal) conte/ pastels and coloured pencils - charcoal pencil - white pastel pencil, etc. - oil pastels and oil sticks - Derwent Inktense pencils etc. Any drawing media you wish to explore except inks.

8 2017 Art in Action Tutor TRICIA REUST Materials List Saturday Workshop - No. 26 Geometric Landscape in Mixed Media Outline Choosing to work in a traditional or contemporary style, we will create a landscape with geometric symbolism over a collage on canvas, using acrylic paint; charcoal and/or dry drawing media; and (optional -oil pastel and/or oil sticks). We will briefly cover landscape theory and geometric design theory, create the collage and initial acrylic paint wash before lunch, then complete the landscape with paint and drawing media. Canvas Large gessoed canvas, preferably at least 24 by 30 inches. This is a good opportunity to reuse an older canvas cover the old painting in white gesso. Acrylic paint (NOT Jo Sonja) Some good colour choices include Red Gold - Permanent Alizarin - Phthalo Turquoise - Quinacridone Magenta, - Ultramarine Blue - Cerulean Blue - Dioxazine Purple - Paynes Grey - Transparent Yellow and any of the Siennas and Umbers. White gesso. Optional white and black Atelier Free Flow for final details. Your regular acrylic brushes, including goat hair hake brushes, and at least one flat quarter inch Taklon and a Taklon liner brush; cheap wide bristle brush for medium application. Mediums: Binder medium; clear painting medium. Visual diary and pencil/s for taking notes, and for sketching compositions; compressed charcoal Paper towels essential and rags (I use an old towel to cover my surface) Cling wrap Containers - You will need containers large enough to hold your mixed paint washes (round take away food containers with lids work well) A couple of containers for water (EG: old ice-cream tubs). Palette must be large and flat, not watercolour palette with recesses; Palette knife; Sponge; Sponge roller. Water misting spray bottle; Masking tape Spray varnish (I use Micador satin); Matt Spray (optional for use on collage elements with unstable surface such as drawings). Collage materials: Any thin papers and fabrics:- Tissue paper, and any other interesting papers that you wish to utilize, including printed napkins; cheesecloth; paper doilies; ticket stubs; photocopied music and maps etc. Reference photos of the landscape Geometric shapes to use as stencils eg., geometry set shapes like triangles; circles, rectangles, squares cut out from heavy cardboard; etc. Optional - Drawings (graphite and/or charcoal) which you want to include as collage. Optional extras: : (You can choose to complete the landscape in only paint and charcoal); conte/ pastels and coloured pencils - charcoal pencil - white pastel pencil, etc. - oil pastels and oil sticks - Derwent Inktense pencils etc Any drawing media you wish to explore except inks.

9 2017 Art in Action Tutor TRICIA REUST Materials List Saturday Workshop - No. 41 Abstracted Landscape in Mixed Media Outline Working from a photograph, we will pare down the elements of the landscape and create an abstracted contemporary work over a collage on canvas, using acrylic paint; charcoal and/or dry drawing media; and (optional -oil pastel and/or oil sticks). We will briefly cover design theory, particularly the Golden Mein, create the collage and initial acrylic paint wash before lunch, then complete the landscape with paint and drawing media. Canvas Large gessoed canvas, preferably at least 24 by 30 inches. This is a good opportunity to reuse an older canvas cover the old painting in white gesso. Acrylic paint (NOT Jo Sonja) Some good colour choices include Red Gold - Permanent Alizarin - Phthalo Turquoise - Quinacridone Magenta - Ultramarine Blue - Cerulean Blue - Dioxazine Purple - Paynes Grey - Transparent Yellow and any of the Siennas and Umbers. If you like strong colour in your abstracts, bring some bright primary colours. White gesso. Optional white and black Atelier Free Flow for final details. Your regular acrylic brushes, including goat hair hake brushes, and at least one flat quarter inch Taklon and a Taklon liner brush; cheap wide bristle brush for medium application. Mediums: Binder medium - clear painting medium. Visual diary and pencil/s for taking notes, and for sketching compositions; compressed charcoal Paper towels essential and rags (I use an old towel to cover my surface); cling wrap Containers - You will need containers large enough to hold your mixed paint washes (round take away food containers with lids work well) A couple of containers for water (EG: old ice-cream tubs). Palette must be large and flat, not watercolour palette with recesses; Palette knife Sponge - Sponge roller Water misting Spray Bottle Masking tape; Spray varnish (I use Micador Satin); Matt Spray (optional for use on collage elements with unstable surface such as drawings). Collage materials: Any thin papers and fabrics:- Tissue paper and any other interesting papers that you wish to utilize, including printed napkins - cheesecloth - paper doilies - ticket stubs photocopied music and maps. etc. Geometric and/or other shapes to use as stencils eg., geometry set shapes like triangles; circles, rectangles, squares cut out from heavy cardboard; purchased stencils etc. Optional Reference abstract works you admire. Drawings (graphite and/or charcoal) which you want to include as collage; gold or silver leaf and the sizing. Optional extras: (You can choose to complete the abstract work in only paint and charcoal) conte/ pastels and coloured pencils; charcoal pencil; white pastel pencil; etc oil pastels and oil sticks; Derwent Inktense pencils etc. Any drawing media you wish to explore except inks.

10 2017 Art in Action Tutor ANGELIKA ERBSLAND Materials List Friday Workshop - No. 12 Paint faces and figures Saturday Workshop - No. 27 Urban Landscape Sunday workshop - No. 42 Still Life BRUSHES 2 hake brush Round watercolour brush size 12 Rigger brush ½ nylon flat brush for gouache (Any other favourite brushes) WATERCOLOURS colours similar to these: Aureolin yellow - Indian yellow or Cadmium Yellow medium Cobalt Blue - Ultramarine - Manganese blue - Winsor Green Blue shade Cadmium Red or Vermillion - Crimson or Permanent Rose; Magenta or Flinders Red Violet Cadmium Orange - Raw Sienna Light - Burnt Sienna Violet - Indigo or Payne s Grey GOUACHES White Turquoise - Orange OIL PASTELS (NOT water soluble) White, Pale Yellow, Pale Blue, Orange, PAPERS ½ sheet Arches 300gsm cold pressed - taped onto board with masking tape 4 Cartridge papers A4 Tracing paper OTHER ITEMS Permanent black ink 2B and 4B graphite pencils Plastic and kneadable rubbers Watercolour pencils, violet and orange 2 Palettes, water spray, rags, tissues, hairdryer, sea sponge or small roller sponge

11 2017 Art in Action Tutor CHAN DISSANAYAKE Materials List Friday Workshop No. 13 Freedom with Watercolour Saturday Workshop No. 28 Mood & Atmosphere in Watercolour Sunday Workshops No. 43 Painting Boats and Seascapes When it comes to materials, I would highly recommend buying the best quality materials you could afford. These will make a significant difference to your work and avoid unnecessary frustrations. In the list below I have avoided, where possible any unnecessary expensive materials and provided you with cheaper alternatives. Paper Saunders Waterford 300GSM Rough Surface or Arches 300GSM rough or medium texture. (I mostly use rough, also it is much more economical to buy the full sheets and cut it into various sizes.) These are available from all major art suppliers. For students trying to use quarter sheets, you can use Arches 185GSM medium surface (Cold Pressed) which will be little cheaper. Alternatively you may want to buy blocks which come in books (expensive). I encourage the students to work in quarter sheet papers. One full sheet is sufficient for a day s work. I use a medium size squirrel mop brush with a sharp point (Size 8 to 12) for most of my paintings. As the sizes vary with different manufacturers it is difficult to specify an exact size. A good quality brush will hold lot of pigment and present a sharp point when fully loaded. You don't need to buy Sable brushes which are very expensive, but please get a few artist quality brushes. It will make a significant difference to your work. Essential Medium Size squirrel hair or natural hair Mop brush (Size 8 to 12) Size 12 round Brush with sharp point (Synthetic or Natural hair) Size 8 Round with sharp point (Synthetic or Natural hair) Size 0 or 1 Rigger (Synthetic) Extra (Optional) Size 6 Dagger also known as a Sword brush (Natural Hair) 1'' inch Flat Brush (Synthetic) 2'' inch Hake (Natural Hair) Paint If you already have watercolour paint, bring what you have. But If you are buying please make sure you buy artist quality paints. I prefer to use tube paints, they can be left on the palette to dry and can be reused. The following are well known artist quality brands available through local art suppliers; Winsor & Newton, Art Spectrum, Daler Rowney, Rembrandt, Holbein, Schmincke. Essentially you will need warmer and cooler primary colour. Essential Paint Blues Cerulean Blue (Cool) - Ultramarine Blue (Warm) - Yellows Raw Sienna or Yellow Ochre (Cool) - Cadmium Yellow Light (warm) Reds Cadmium Red Light (Warm) - Permanent rose or Alizarin Crimson (cool) Darks Burnt Sienna - Neutral Tint Continued over

12 Extra Paint (Optional) Cobalt Blue - Turquoise Blue Light - Raw Umber - Chinese White - Australian Red Gold or Quinacridone Gold Watercolour Board You will need a board for mounting the watercolour paper. These are available from art stores but a cheaper option is to get them from a hardware shop. A board with some sort of coating will be desirable as it will be saturated with water. You will be provided with a desk space; however the board will need to be rested at a slight angle. If you have a foldable easel it can be rested on the desk with the board mounted at a desirable angle. But an old tissue box or stack of books would do the same job. Mixing palette Plastic or Metallic mixing palette with sufficient wells for mixing large washes. I use a foldable mixing palette from Holbein (Japanese brand), although expensive a good investment. However there are inexpensive plastic imitations that serve just as well. White porcelain plate or butchers tray would also be fine. Other Extras 2B Lead Pencil or Mechanical Clutch pencil with fillable 2B Lead Box of tissue paper Water container Water spray bottle - Atomizer Masking Tape or Paper clips Old towel or sponge to remove/control excess water Failed or old painting so we can use their backs for rough work. If you have any queries or further information please contact me on artist@chandissan.com

13 Art in Action Tutor JACKY PEARSON Materials List Friday Workshop No. 14 Trees and Water Saturday Workshop No. 29 Paint a Portrait Sunday Workshop No. 44 Street Scene Student or Artist Quality TUBE Paint *Preferred colours or your usual palette colours, below is only a suggestion Ultramarine Blue (warm) (*we will use quite a bit of this colour) Cobalt Blue (cool) Cerulean Blue (cool) * Cadmium Red (warm), Cadmium Orange or similar * Quinacridone Gold (warm) optional but worth having.. Alizarin Crimson or other cool Red (cool warm) Raw Sienna or Yellow Ochre (warm) * Lemon Yellow (cool), transparent Yellow (primary) or Aureolin (cool) Viridian or Cobalt Turquoise (cool) * Burnt Sienna (warm) * Raw Umber (cool warm) Phthalo or turquoise intense colour.... any to experiment Paper eg. Saunders, Langton, Arches, Fabriano or student eg.bockingford, rough or NOT 300gms. Sold loose (full sheet) 76cm x 56cm or in gummed blocks or pads (A3 ). We will get through a couple of A3 s or equivalent- half the full sheet per day and you can paint on either side for economy. Careful with old paper it can go mottled. If you have old paper 2 years+ test it out with water and reject if it is like blotting paper. Large and medium pointed (pref.soft hair with a point eg. squirrel or synthetic squirrel, my favourite is a No 4 Casaneo, Da Vinci brush) a synthetic med and small pointed detail brush and a small (1-0.5cm) flat stiff synthetic brush. Photo of my brushes on my website under Equipment Sketch Pad or note pad Palette a decent size for mixing large washes Art Board large enough to take at least A3 size Art Board Prop eg a block 30c length 4 x 2 wood to tilt art board Spray Bottle - optional eg. small empty from home Masking Tape you don t need to stretch your paper. Water Container Pencil (B or 2B) and Eraser (preferably kneadable ) Box of tissues or rag and a small piece of flat kitchen sponge This is only a suggestion list intended as the basic requirements but feel free to bring what you usually use. Camera/ipad please feel free to photograph demos and teaching sheets Queries: ring me on NZ or info@jackypearson.com

14 2017 Art in Action - Tutor JULIE GOLDSPINK Materials List Friday Workshop - No. 15 Still Life in Watercolour on Watercolour Canvas Saturday Workshop - No. 30 Flowers with Watercolour & Black Ink Sunday Workshop - No. 45 Creative Watercolour in the Landscape Note Supports different each day FRIDAY Workshop 15 1 X WATERCOLOUR STRETCHED CANVAS 16INCH X 20INCH. SATURDAY Workshop 30 ½ SHEET HOTPRESSED 300GSM STRETCHED PAPER. SUNDAY Workshop 45 1 X ½SHEET COLD PRESSED 300GSM PAPER STRETCHED Paper must be stretched for this CREATIVE method, if you are not sure how to you can purchase a 16 x 20 inch 300gsm Pre Stretched Block. You may work on a full stretched sheet if you wish. Paint I use Daniel Smith Watercolours but any Artist quality paint that you have please bring them. Please have as many of the colours listed below Cobalt Teal Light - Cobalt Blue - French Ultra Blue - Cerulean Blue - Phthalo green B/S Carbazole Purple - Alizarin Crimson - Quinacridone Coral - Pyroll Red - English Red Ochre, Sepia - Raw Umber - Raw Sienna - Burnt Sienna - Quinacridone Gold - Cadmium Yellow - Aureolin - Opera Pink Moonglow, and White Gouache. - Please bring any large mop brushes that you have and as many of my suggested list. Neef 554 my signature brush size 2, 4 and 6 plus any other mops and round watercolour brushes you have that have a nice point plus a Needlepoint 4400 size 6 or 8. - Masking tape 1 wide Fine water spray bottle Masking fluid and an old watercolour brush ( medium round) Apron Hairdryer Box of tissues Old tea towels, One old bath towel One roll of Gladwrap * Needed for Saturday workshop One roll of the waxed greaseproof paper * Needed for Saturday workshop Bottle of Isocol. (from chemist) * Needed for Saturday workshop Bottle of FW Acrylic Black Ink and White Ink A good sized Lidded palette. Visual Diary 2b continuous pencil White soft eraser Subject matter will be provided Optional Liquitex Watercolour mediums. Black Lava, Blended fibres, Glass beads and White Opaque flakes. Small bag of Urea (optional) - FOR CREATIVE LANDSCAPE DAY ONLY - Saturday) *Note If you don t want to go to the expense of buying the mediums and the Urea, you can use mine at a cost of $5. In addition to this I will bring all other equipment you may need to start with.