Communication Objectives Story Outline Means of Expression Sites/ Objects Area. Intro to layout of gallery and subject location.
|
|
- Molly Lang
- 6 years ago
- Views:
Transcription
1 Preliminary Label Outline - Bridging History: Paul Sargent's 0.0 Introductory Exhibit and Orientation Areas 0.1 Intro/ Orientation Kiosk Communication Objectives Story Outline Means of Expression Sites/ Objects Area Orient visitor to exhibit topic and layout of thematic groupings. 1.0 Introduction Paul Sargent as a painter of Coles as well as a resident of CC. Communicate the value of place by the locations he painted and how the community has preserved or not preserved them. 1.1 Paul Sargent Introduce Paul Sargent as a painter and his heritage Intro to layout of gallery and subject location. Sargent, as well as his community, valued certain places; examining those places in a contemporary setting as compared to the scene in Sargent's paintings tells the story of how value of those places changed over time. Research will aid in explaining the forces behind those changes. Sargent chose his settings for aesthetics, but he also chose places he valued and were valued by his community. Map and/or arrows with guiding questions, directing visitor towards section of gallery space. The narrator is a member of this community and connects with the visitor in a welcoming and knowledgeable voice. The narrator acts as a guide and encourages the visitor to contemplate their own personal feelings and sense of value about those places special to them Define this grouping/exhibit of Sargent's paintings as representative of plein-air, a movement where artists captured nature in the open air. Explain what nature meant to this artist. floor plan map layout. brief one-liners to encourage explanation, featuring major themes. Perhaps a 1930s aerial view of and a recent aerial view. Photo of Sargent outdoors painting. Construct a plein-air scene with Sargent's easel, stool, brushes, and photo mural. Panel text. entire exh area = 741 sq ft (19 x 39f
2 Components Communication Objectives Story Outline Means of Expression Sites/Objects Area 2.0 Paul Sargent Homestead Family connection and transition 2.1 Introduction To Introduce the place of the Sargent family in Paul Sargent and the transitional nature of the Sargent Homestead 2.2 Ownership and Family Connection 2.3 Functions of the Sargent Homestead Brick Building as School house Brick Building as Creamery 2.4 Agricultural Development Demonstrate ownership patterns of the farmhouse Usage of the property (other than agriculture) and its broader context To portray the brick building functioning as a private school on the Sargent property To portray the brick building functioning as the farm's creamery To present the Sargent farm as a microcosm of agricultural traditions in Identification of the property (who owned and when), elements of the farmhouse that signified personal use and ownership The function and necessity of the brick building (school house and creamery) to its devalued use of today Identify the characteristics of the school house (why was it necessary, etc), and why it ceased to be necessary Comparing the need for a creamery with the privilege of an education The Sargents and the changing value of land usage. Photographs label panels s Photograph label panels artifacts- tpd Photographs label panels Photograph label panel Photograph text panels artifacts- tpd John Sargent House (Shepherd) Photograph of Paul Sargent's Studio (University Archives) of house and studio Untitled (Brick school, Sargent farm) Untitled (Cabin in Winter) Untitled (Brick school, Sargent farm) Untitled (Cabin in Winter) Untitled (Brick school, Sargent farm) Untitled (Cabin in Winter) Threshing (aka Binding Grain or the Binder)
3 Components Communication Objectives Story Outline Means of Expression Sites/ Objects Area 3.0 Introduction Riverviews Infrastructure Bridge Introduce the Embarras river and basic overview of development in 20 th century Show older technology superseded by new road infrastructure projects. Course of the river. Uses of the river. Inspirations from the river? The use at the time and the use now. Comparison with recent building/how its been replaced by newer bridge Timeline Map, Aerial Photos juxtaposed with modern picture Map/Aerial Photo Songbook The Old Bridge (Bridge on the Embarras) Current photograph of Blakeman Bridge entire exh area = 741 sq ft (19 x 39f Include information on the project that the new bridge was a part of Infrastructure Spillway The alteration and replacement of more natural environs. Show the natural setting Creation of spillway. With the functions of artificial lake and man made structure. juxtaposed with modern picture Spillway Current photography of Spillway Effect on the environment Community Development Rock s Park Explain how modern development removes people from the natural environment Popularity of Rock s Park Drop off when the community pool, built by the CCC. Current use of Embarras juxtaposed with modern picture Rocks Park Boat Landing on the Embarras River,, Illinois Current photography of Rock s Park Old Photo of Pool
4 Components Communication Objectives Story Outline Means of Expression Sites/ Objects Area 4.0 Landmarks entire ex area = 741 sq f (19 x Introduction Explain connection of Paul Sargent to landmarks in Coles Show Paul Sargent and Sargent family connection to Coles s of Paul Sargent contrasted with photographs of the same sites at the present time, photograph, text 4.2 Economic Change in To show the economic change from the time of Paul Sargent to the present Commerce has changed drastically since the time of Paul Sargent Contrasting evidence from Sargent's time to today s, photographs, text Salisbury Odd Fellows Lodge and General Store with Snow Sled Compare past commerce with that of today in Hutton township/coles Commerce was less centralized during the time of Sargent with small family owned general stores making up the majority of business Sargent painting of Sailsbury Store contrasted with photos of the site today, as well as photographs of current consumer habits s, photographs, text 4.3 Community Support Compare two levels of community support in preservation of two homes Explaining why the Steven Sargent home became preserved while attempts to preserve the Rennels cabin failed s and photographs with text contrasting the Sargent home preservation at LLC with the Rennels home and Chimney at Morton Park s, photographs, text, documentation from preservation attempts Rennels Cabin Explain why the Rennels Cabin was not successfully preserved, and the loss of community support/interest The community started with a vision of preserving the Rennels Cabin for a specific purpose that was not carried out of Rennels Cabin by Paul Sargent compared with photographs of the Rennels Chimney without the home in Morton Park, photograph, text, documentation of the group wanting to preserve the cabin Stephen Sargent Home Explain why Stephen Sargent home became a successful preservation project Explain why the community followed through with the preservation of the Stephen Sargent home at LLC Paul Sargent painting of Stephen Sargent home compared with photographs of the home as a living history site painting, photographs, text, documentation of the preservation process at LLC
5 4.4 Continuity of Physical Space Some spaces of value to the community have remained largely unchanged since the time of Paul Sargent Uses of the park are still the same unlike other areas around Coles Paul Sargent painting of Morton park with photographs of the park through the entire span of time from Sargent to the present, photographs, text Morton Park Show the continuity in the physical space and the use of the space Explain how Morton Park became the space it was during the time of Sargent and how it is still used in similar ways of Morton park with photographs showing the use of the park through several decades Morton Park painting, photographs, text
6 Components Communication Objectives Story Outline Means of Expression Sites/Objects 5.0 Eastern Illinois University 5.1 Introduction To introduce central themes of Paul Sargent and his paintings of Eastern Illinois University Paul Sargent's involvement on the campus, and progression and growth of campus Paul Sargent at EIU Importance of EIU to To illustrate why Sargent was involved at EIU and his role as an artist To explain to visitors how EIU contributes to the area then and now 5.2 Campus Landscape To communicate what the landscape of the school looked like before the growth of the area Sargent as a EIU student versus Sargent as an EIU professor Overview of campus landscape in the 1940s Class notes, photograph of Sargent a football player, photograph with Sargent and his students President Buzzard's Iris To illustrate the development of the Garden campus over time 5.3 Building Usage To communicate the change in how EIU buildings were used Identification of where the garden was, when did that area change, what is there now, and showing the effects of this change Overview of campus buildings in the late 1930s President Buzzard's Iris Garden, Eastern Illinois State Teacher's College, Charleston, Illinois; Contemporary photograph; News article McAfee Gym To illustrate change in the function of the building The change from gym and meeting space to offices and classrooms Gymnasium (McAfee Gym, Eastern Illinois University); Contemporary photograph; historical photograph
NEW OFFICE SPACE MURAL REQUEST FOR PROPOSAL
NEW OFFICE SPACE MURAL REQUEST FOR PROPOSAL NEW OFFICE SPACE MURAL REQUEST FOR PROPOSAL MURAL SCOPE OF WORK OVERVIEW Meet Minneapolis Organization Overview Artist Wanted: Mural Project Background Vision
More informationBy M. Stephen Doherty
The Artist s Life: Elizabeth Black Colorado artist Elizabeth Black paints the canyons where she once worked as a river guide, participates in plein air events to celebrate and preserve the Western landscapes,
More informationFrederick County s past comes to life in Chris Carr s watercolors that portray images of places and things around the county that seem almost frozen
Frederick County s past comes to life in Chris Carr s watercolors that portray images of places and things around the county that seem almost frozen in time. Preservation in Paint Myersville Watercolorist
More informationAS TIME PASSES OVER THE LAND: WHITE MOUNTAIN ART An Integrated Secondary Visual Arts Activity
AS TIME PASSES OVER THE LAND: WHITE MOUNTAIN ART An Integrated Secondary Visual Arts Activity Introduction: The White Mountain Painters The White Mountains have been a center of tourism, industry and artistic
More informationLesson Title: Starry Skylines // Jill Kostishion. Grade/Class: 3 rd grade Time Allotment: 50 minutes (1-2 days)
Lesson Title: Starry Skylines // Jill Kostishion Grade/Class: 3 rd grade Time Allotment: 50 minutes (1-2 days) Enduring Idea: Communication I want my students to understand that works of art can be used
More informationA Finding Aid to the Edwin Burrage Child Photographs, , in the Archives of American Art
A Finding Aid to the Edwin Burrage Child Photographs, 1902-1936, in the Archives of American Art by Anna Rimel Funding for the processing of this collection was provided by the Smithsonian Collections
More informationCrealdé unveils photographs and paintings from documentary project, capturing the culture and landscape of Central Florida s Lake Apopka
Contact: Mila Dykes mdykes@crealde.org January 1, 2018 Crealdé unveils photographs and paintings from documentary project, capturing the culture and landscape of Central Florida s Lake Apopka On September
More informationGastronomy in the Gallery:
Gastronomy in the Gallery: Collecting Cookery & Culture July 15 - August 14, 2015 Fenwick Library, 1st Floor Fairfax Campus CURATORS STATEMENT From the ubiquitous red and white checks of Better Homes &
More information2018 Plein Air Plus - National Juried Competition Long Beach Island Foundation of the Arts & Sciences 120 Long Beach Blvd, Loveladies, NJ 08008
2018 Plein Air Plus - National Juried Competition Long Beach Island Foundation of the Arts & Sciences 120 Long Beach Blvd, Loveladies, NJ 08008 Event Dates: 11/20/18-6/15/18 Entry Deadline: May 11, 2018
More informationWhat is exhibition design?
What is exhibition design? good exhibit design creates rich experiences in real time utilizing space, movement and memory to facilitate multi-layered communication. visual and spatial forms should make
More informationBlanket Statements: Lesson Plan: Designing a 1930 s style Quilt
Blanket Statements: Lesson Plan: Designing a 1930 s style Quilt Grades: 3-6 Unit: Drawing, collage Interdisciplinary: Mathematics, American History, Social Studies Objectives: TSW create a drawing of a
More informationPhotographs taken at a crime scene: 1) Show the layout of the crime scene 2) Show the position of collected and uncollected evidence 3) Show the
Photographs taken at a crime scene: 1) Show the layout of the crime scene 2) Show the position of collected and uncollected evidence 3) Show the point of view of victims, suspects, and witnesses 4) Show
More informationPublic Art Opportunity Request for Qualifications & Letter of Interest for Outdoor Latino Heritage Mural
Public Art Opportunity Request for Qualifications & Letter of Interest for Outdoor Latino Heritage Mural The Port of Kennewick is seeking an artist or team of artists to create mural artwork to be installed
More informationA LEVEL GRAPHICS - September 2017
A LEVEL GRAPHICS - September 2017 If you have any questions please contact eportbury@wkgs.net AS Project outline Title - Music, Fashion and Me Design Brief - You are going to produce a series of Music
More informationHome Classes Desert Artists Events Featured Galleries Miscellaneous Museum Exhibits News. About Us Contact Us Welcome. Subscribe April 30, 2010
1 of 6 4/30/2010 12:21 PM Home Classes Desert Artists Events Featured Galleries Miscellaneous Museum Exhibits News About Us Contact Us Welcome Subscribe April 30, 2010 Welcome to California Desert Art,
More informationPost-Impressionism. Dr. Schiller/Art History
Post-Impressionism Dr. Schiller/Art History 1 Post Impressionism: Experimenting With Form and Color By 1886, most critics and the general public accepted Impressionists as serious artists Christy Tran
More informationvisiting an exhibition
visiting an exhibition VISITING AN EXHIBITION Part 1 information and resources for second level teachers and students about 5 October 2012-3 February 2013 IMMA @ NCH at Earlsfort Terrace VISITING AN ART
More informationPier 24 Photography Press Kit 2017/18. The GRAIN of the PRESENT. April 1, 2017 January 31, 2018 Pier 24 Photography
The GRAIN of the PRESENT April 1, 2017 January 31, 2018 Pier 24 Photography Exhibition Dates April 1, 2017 January 31, 2018 Location Pier 24 Photography Pier 24, The Embarcadero San Francisco, CA 94105
More informationPre K Kindergarten 1st 2nd. 3rd 4th 5th. Determine how to prepare art for display, assessing limitations and possibilities.
Discipline: Visual Art Artistic Process: Presenting Process Component: Select/Analyze Anchor Standard: Students will intentionally select and analyze their artwork and the work of others when deciding
More informationCATHOLIC REGIONAL COLLEGE SYDENHAM. Study: Studio Arts
CATHOLIC REGIONAL COLLEGE SYDENHAM Study: Studio Arts Rationale: The creative nature of visual art provides individuals with the opportunity for personal growth, the expression of ideas and a process for
More informationThe Museum Outside In. Silvia Filippini Fantoni, Indianapolis Museum of Art
The Museum Outside In Silvia Filippini Fantoni, Indianapolis Museum of Art The Collection User-centred Approach Visitor-Centered Approach Visitor-Centricity at the IMA Implementation of a new exhibition
More informationPhotography (PHOT) Courses. Photography (PHOT) 1
Photography (PHOT) 1 Photography (PHOT) Courses PHOT 0822. Human Behavior and the Photographic Image. 3 Credit Hours. How do photographs become more than just a pile of disparate images? Is there more
More informationADVANCED PLACEMENT STUDIO ART SUMMER ASSIGNMENTS
ADVANCED PLACEMENT STUDIO ART SUMMER ASSIGNMENTS 2018 The Advanced Placement Studio Art course is for highly motivated students who are seriously interested in the study of art. This program demands a
More informationQ & A. Hilarie Lambert
Q & A with Principle Gallery, Charleston 2016 Artist in Residence Hilarie Lambert Like so many accomplished artists, Hilarie Lambert began her art career as a skilled graphic designer and professional
More informationSPECIAL EXHIBITION RESOURCE GUIDE FOR TEACHERS
SPECIAL EXHIBITION RESOURCE GUIDE FOR TEACHERS The Luminous Landscapes of April Gornik May 2 - July 5, 2009 April Gornik, Fresh Light, 1987, Oil on linen, 74 x 96 in. Collection of April Gornik. What s
More informationExhibition / Education Guide
Exhibition / Education Guide This guide is designed as a resource for teachers involved in our Primary and Second Level Schools programmes, however it may also be a useful resource for any other schools,
More informationCall For Proposals Westside Mural Project
Call For Proposals Westside Mural Project In Partnership with the City of Dayton Theme of Undiscovered Beauty: West Side Revisited DEADLINE: July 3 daytonvisualarts.org I 937-224-3822 I pmauk@daytonvisualarts.org
More informationCOMMON CORE CONNECTION DESIGNING AN ART EXHIBITION
COMMON CORE CONNECTION DESIGNING AN ART EXHIBITION COMMON CORE STANDARDS CCSS.ELA-Literacy.CCRA.SL.1 Prepare for and participate effectively in a range of conversations and collaborations with diverse
More informationDEEP SPACE 60-MINUTE ART SESSION. Impressionist WATERSCAPE
DEEP SPACE ONE @ 60-MINUTE ART SESSION Impressionist WATERSCAPE DEEP SPACE SPARKLE & THE MEMBERS CLUB 1! ART MOVEMENT Impressionism About The Siene at Argentuil Art Supplies: 12 x 18 sulphite/ drawing
More informationMonday July 24 th 9:00 10:00: Check in, introduction to the program and short tour of campus
2017 Summer Art Institute Session B Painting Instructor: Veronica Gelbaum TA: Jasper Arasteh In our painting class, we will focus on painting from observed experience, in order to broaden our understanding
More informationAmerican Institute of Architects New Hampshire Chapter High School Design Competition Program
American Institute of Architects New Hampshire Chapter 2009 2010 High School Design Competition Program Educational Objectives To increase your awareness of the relationships between space, human scale
More informationLESSON PLAN Step 1 VIEWS OF THE AMERICAN WEST: TRUE OR FALSE? SPACE TRICK 2 Catlin makes foreground forms larger than background forms.
LESSON PLAN Step 1 VIEWS OF THE AMERICAN WEST: TRUE OR FALSE? Objectives To understand that a landscape painting may or may not accurately represent a specific place. To identify techniques that create
More informationMoment of Beauty: William Rush and His Model. Wood carver William Rush was a subject of several paintings and studies made by
Lastname 1 Your Full Name 8 Feb 2005 Moment of Beauty: William Rush and His Model Wood carver William Rush was a subject of several paintings and studies made by Philadelphia painter Thomas Eakins, starting
More informationArt Department Courses
Art Department Courses 9th grade offerings Intro. to Art (2-dimentional) Sculpture Drawing I 10th-12th grade offerings Intro to Art Sculpture Drawing I Drawing II Drawing III Ceramics I Ceramics II Ceramics
More informationLesson 2: Color and Emotion
: Color and Emotion Description: This lesson will serve as an introduction to using art as a language and creating art from unusual materials. The creation of this curriculum has been funded in part through
More informationNPG IN YOUR CLASSROOM
NPG IN YOUR CLASSROOM Volume 3, no. 3. Fall 2009 Every Portrait Tells a Story Using Portraits to Teach Language Arts Welcome to the fall 2009 issue of NPG in Your Classroom! In this issue, we explore how
More informationSPECIAL Lesson 13. Texas Art and Artists TEXAS ALMANAC TEACHERS GUIDE. From the Texas Almanac
SPECIAL Lesson 13 TEXAS ALMANAC TEACHERS GUIDE Social Studies TEKS 4-19, 21, 22, 23 7-19, 21, 22, 23 8-26, 29, 30, 31 Texas Art and Artists From the Texas Almanac 2014 2015 STAAR 4, 7 - Writing - 1 4,
More informationHow the Past Informs the Present: New Vision/New Generation at Julie Saul Gallery
JULIE SAUL GALLERY How the Past Informs the Present: New Vision/New Generation at Julie Saul Gallery By Jennifer Sauer - Wednesday, December 20, 2017 History and the present meld in the works of four artists
More informationFINE ARTS (FA) Explanation of Course Numbers
FINE ARTS (FA) Explanation of Course Numbers Courses in the 1000s are primarily introductory undergraduate courses Those in the 2000s to 4000s are upper-division undergraduate courses that can also be
More informationA MAKING A MARK GUIDE - SKETCHING BY KATHERINE TYRRELL
Who is this Guide For? What does it cover? This guide is for people who are interested in sketching and/or exploring different uses of coloured pencils 10 reasons to sketch with Coloured Pencils was first
More information2012 Suite. Cambridge TECHNICALS LEVEL 2 & 3 ART & DESIGN. Summary Brochure 2015/2016.
2012 Suite Cambridge TECHNICALS LEVEL 2 & 3 2015/2016 www.ocr.org.uk/cambridgetechnicals 2 FASHION ILLUSTRATIONS FINE ART PHOTOGRAPHY MEDIA TEXTILES GRAPHIC DESIGN SCULPTURE CORPORATE BRANDING CHARACTER
More informationDear Educator: PISSARRO S PEOPLE EDUCATIONAL RESOURCES Legion of Honor Fine Arts Museums of San Francisco
Dear Educator: Thank you for supporting your students visit to the exhibition Pissarro s People on view at the Legion of Honor. This exhibition presents the often-overlooked figurative paintings of Camille
More informationCREATIVE COMPUTER GRAPHICS I
CREATIVE COMPUTER GRAPHICS I Description This course provides experiences with a variety of computer technologies and Art related software programs, such as Photoshop and Painter. Assignments are based
More informationVCE Studio Arts Study Design. Implementation briefing July August 2016
VCE Studio Arts Study Design 2017 2021 Implementation briefing July August 2016 Victorian Curriculum and Assessment Authority 2016 The copyright in this PowerPoint presentation is owned by the Victorian
More informationREQUEST FOR PROPOSAL Central Avenue Mural Arts Project 2011
C E N T R A L A V E N U E SPECIAL IMPROVEMENT DISTRICT MANAGEMENT CORPORATION 366 Central Avenue, Suite 201 Jersey City, NJ 07307 Ph: (201) 656-1366 Fx: (201) 656-4037 www.centralavesid.org June 2011 REQUEST
More information''Wonders of Nature" MAPS 2017 Nature Photography Exhibit at "A Gallery of Nature" Located at the Wasco Nursery and Garden Center
''Wonders of Nature" MAPS 2017 Nature Photography Exhibit at "A Gallery of Nature" Located at the Wasco Nursery and Garden Center The Exhibit We are excited to announce that once again MAPS will participate
More informationPlein Air Painting: Utah s Plein Air Painters
Lesson 9 Plein Air Painting: Utah s Plein Air Painters Making Art Outside Creating In Natural Light and Environments LESSON OVERVIEW/OBJECTIVES Students will learn about Plein Air (French for open air
More informationFRED WILLIAMS Silver and grey FRED WILLIAMS
Silver and grey Fred Williams was born in Melbourne in 1927 and is regarded as one of Australia s finest landscape painters and printmakers. Williams began studying at the National Gallery Art School in
More informationCourse Title: Small Oil Paintings for Christmas
FM 4 18 20 Nov Fri - Sun 272 242 193 Centre Level Date Course Title: Small Oil Paintings for Christmas Days Sole occupancy cost Shared occupancy cost Non-Residential cost The location of many of John Constable
More informationAs seen in the July 2010 issue of. American. Collector
As seen in the July 2010 issue of American Collector UPCOMING SHOW Up to 25 works July 1-31, 2010 John Pence Gallery 750 Post Street San Francisco, CA 94109 (415) 441-1138 SHOW LOCATION SAN FRANCISCO,
More informationArt (ART) Courses. Art (ART) 1
Art (ART) 1 Art (ART) Courses ART-109. First Year Experience:Art, Architecture And Urban Design In Chicago. 3 Hours. This field-based course explores art in an urban environment, examines the relationships
More informationPainting 2 Unit Plan
Painting 2 Unit Plan Value Scales Lesson 1 Author: Shea Brook Grade Level: 10-12 Time Span: 3 Classes 67 Minute Classes Essential Question: How does art expand and enhance our thinking? Provoking Questions:
More informationMUSEUM DIGITAL ACTIVITIES IN YOUR CLASSROOM USING IMAGES
DIGITAL ACTIVITIES Using ipads or other tablets to build digital activities into your classroom work is a great way to motivate students and create engaging materials for your exhibition displays, adding
More informationWelcome to. Introduction to Mural Art!
Welcome to. Introduction to Mural Art! Mural Routes is the only member based not for profit arts service organization in Canada dedicated to the creation, development and promotion of public wall art.
More informationSubject/ Unit of Study. Time Frame. Essential Questions Topics/Content/Skills Assessment Standards/ Expectations. Full Year. Photography I Djordjevic
Time Frame Full Year Subject/ Unit of Study Photography I Djordjevic This class explores the basics of traditional black and white photographic printing. We will examine both the aesthetic and technical
More informationADVANCED PLACEMENT STUDIO ART
ADVANCED PLACEMENT STUDIO ART Description This is an extensive two period full year course designed to provide the student with the needed time and resources to create more advanced level work. Students
More informationArtist Member Jurying
Artist Member Jurying The successful applicant will demonstrate technical skill and knowledge of perspective, anatomy and composition, as well as an understanding of light, atmospheric effects and values.
More informationF I N D L AY G A L L E R I E S
FINDLAY GALLERIES 165 Worth Avenue Palm Beach, Florida 33480 561.655.2090 palmbeach@findlayart.com 724 Fifth Avenue, 7 th Floor New York, New York 10019 212.421.5390 newyork@findlayart.com www.findlaygalleries.com
More informationfashion creatives ashion DEEPENING SPECIALIZATION Pathway Mapping CREATIVE WRITING TREND SPOTTING & REPORTING SEM III SEM ADVERTISING & COPY SEM V
ADVERTISING & COPY VI Fashion Creatives refers to the effective communication and presentation of fashion ideas using text, visual, and multimedia content. This programme will equip students with comprehensive
More information2015 Calendar of Events. Workshops
Workshops Lightroom: Crafting the Fine Photograph with Tim Cooper Friday Sunday, January 9-11, 2015 Workshop Fee: $395 CVPS member/ $460 non-member Join the Cuyahoga Valley Photo Society for an informative,
More informationMonet's "Impression, Sunrise": The Biography Of A Painting
Monet's "Impression, Sunrise": The Biography Of A Painting If looking for the ebook Monet's "Impression, Sunrise": The Biography of a Painting in pdf format, then you have come on to correct site. We presented
More informationHaving Fun With Watercolours
FM O 17 20 Aug Fri - Mon 366 306 246 Centre Level Having Fun With Watercolours Date Days Sole occupancy cost Shared occupancy cost Non-Residential cost The location of many of John Constable s paintings,
More informationBIGGIN HILL MEMORIAL MUSEUM. Biggin Hill; inspiring generations, Remembering the Few and honouring the Many
BIGGIN HILL MEMORIAL MUSEUM Biggin Hill; inspiring generations, Remembering the Few and honouring the Many St George s RAF Chapel, Biggin Hill (foreground Gate Guardian) Our mission is: Gathering, protecting
More informationT H R E E A N T E B E L L U M H O M E S T E L L
T H R E E A N T E B E L L U M H O M E S T E L L T he Southern Story is a rich, dramatic collection of complex and compelling facts, ideas, myths, and mysteries: Native Americans, railroads, slavery, politics,
More informationAn Immersive Digital World. Introduction. Ever since the creation of the first computers, artists have experimented with them in an
An Immersive Digital World 1 An Immersive Digital World Introduction Ever since the creation of the first computers, artists have experimented with them in an attempt to unlock their potential as an art
More informationArt at Cox Green Curriculum Plan. Key Stage 4 Year 9 Term I Term 2 Term 3 Term 4 Term 5 Term 6
Term 6 (Early rotation) Introductory module 1. Drawing, painting and colour theory. Study Analysis and annotation. Research. Critical and contextual studies. The formal Observational drawing skills: Line,
More informationSubject: Humanities Teacher: Ms. Jennifer Johnston Date: August 9, 2010
Grade: 12 th Subject: Humanities Teacher: Ms. Jennifer Johnston Date: August 9, 2010 Unit #5 /Title: The Art of Ancient Egypt Time Frame (calendar and # of weeks): 15 class meetings Standard(s): 1.1 (Aesthetics)
More informationJack Whitten: Erasures
Jack Whitten: Erasures 13 14 Jack Whitten: Erasures Dec. 18, 2012 - March 31, 2013 Jack Whitten, Untitled Study #2, pastel and powdered pigment on paper, 1972. Courtesy of the artist and Alexander Gray
More informationMrs. Holly Conradi - - Room 101
photography one Mrs. Holly Conradi - hconradi@ycsd.york.va.us - Room 101 Course Overview Photography is a yearlong course teaching one of the most effective communication forms. Black and white photography
More informationCourse Outline 11/5/ Santa Teresa Blvd Gilroy, CA COURSE: ART 16A DIVISION: 10 ALSO LISTED AS: SHORT TITLE: WATERCOLOR PAINTING
5055 Santa Teresa Blvd Gilroy, CA 95020 Course Outline COURSE: ART 16A DIVISION: 10 ALSO LISTED AS: TERM EFFECTIVE: Fall 2011 Inactive Course SHORT TITLE: WATERCOLOR PAINTING LONG TITLE: Watercolor Painting:
More informationElizabethtown Area School District
Photography Course Number: 840 Grade Level: 10-12 Length of Course: 1 Semester Total Clock Hours: Length of Period: 80 minutes Date Written: 04-05 Periods per Week/Cycle: 5 Written By: Kevin Goss Credits
More informationGive students a practice diamante template, a pencil, and an eraser and allow them to work out their ideas.
Educational Material How to Write a Diamante Poem Writing activity for grades 1-8 with extension artwork to be age appropriate. Maine Learning Results achievements begin after diamante template. A diamante
More informationIB Visual Arts Summer Assignment:
IB Visual Arts Summer Assignment: Objective: After Reading Persepolis students will create a Self Portrait inspired by a theme from the graphic memoir. This is the prompt that you selected from your English
More informationJackson Pollock
1912-1956 In the vertical art storage rack, you will find the following: 2 Large Reproductions: Silver Over Black, White, Yellow, and Red, 1948; Composition, 1946 Posters: Art Elements & Principles posters
More information! Exploring!Abraham!Bloemaert s! Transition!into!the!Baroque!! Geoffrey!Matthews!
! Exploring!Abraham!Bloemaert s! Transition!into!the!Baroque!! Geoffrey!Matthews!! Exploring Abraham Bloemaert s Transition into the Baroque Geoffrey Matthews Professor Kelley Helmstruter Di Dio Art History
More informationArt Gallery of St. Albert and SAPVAC. Guilded
Art Gallery of St. Albert and SAPVAC The relationship between the St. Albert Place Visual Arts Council (SAPVAC) and Art Gallery of St Albert goes back to 1985 when the City of St. Albert initiated the
More informationJean- Baptiste Bernadet
Behind The Blinds issue 3: The pure Accident, by Benoit Platéus, Michaël Marson and Antoine Grenez, July, 2017 Jean- Baptiste Bernadet Brussels, July 2017 Interview by Benoit Platéus Portrait by Michaël
More informationWATER AND THE LANDSCAPE 1
WATER AND THE LANDSCAPE 1 TUESDAY ART SCHOOL FALL 2011 FIRST AND SECOND GRADES UNIT: WATER AND SUSTAINABILITY LESSON PLAN 1: WATER AND THE LANDSCAPE PART II SEPTEMBER 27th, 2011 TEACHING TEAM STUDENT ART
More informationVisual Analysis: How Gauguin s Vision after the Sermon (1888) Deviates from Conventions in 19th-Century French Painting Soryn Mouton/ Bedarida/ HTA
Visual Analysis: How Gauguin s Vision after the Sermon (1888) Deviates from Conventions in 19th-Century French Painting Soryn Mouton/ Bedarida/ HTA 1/ 9-30-15 Paul Gauguin, in his 1888 work titled Vision
More informationADVANCED PHOTOGRAPHY
ADVANCED PHOTOGRAPHY Description Students will continue to develop their skills and knowledge of film exposure as well as darkroom techniques. This course introduces advanced photography techniques and
More informationHow Winslow Homer's long-lost camera changed the way scholars see his paintings
AiA Art News-service How Winslow Homer's long-lost camera changed the way scholars see his paintings After four years of research into the recently discovered camera, Maine's Bowdoin College Museum of
More informationCourse: Art Basics Year: Teacher: L. Maghini & E. Caplan
Course: Art Basics Year: 2013 14 Teacher: L. Maghini & E. Caplan Unit 1: Black & White Line Design Approximate Time Frame: 2 Weeks VA CS1 9 12a: apply media, techniques and processes with sufficient skill,
More informationThe Power of the St. Croix Utility Box Mural Project was funded through the 2018 Great Idea Competition Grant from the Stillwater Area Foundation,
The Power of the St. Croix Utility Box Mural Project was funded through the 2018 Great Idea Competition Grant from the Stillwater Area Foundation, with the partnership of the City of Marine on St. Croix,
More informationUNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS Cambridge International Level 3 Pre-U Certificate Principal Subject
www.xtremepapers.com UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS Cambridge International Level 3 Pre-U Certificate Principal Subject *3066672515* ART HISTORY 9799/03 Paper 3 Thematic Topics May/June
More informationArt (ARTU) Courses. Art (ARTU) 1
Art (ARTU) 1 Art (ARTU) Courses ARTU 1101. Introduction to Visual Language, Painting. 3 Credit Hours. A foundation course in painting focusing on painting techniques, conceptual development, and the use
More informationPALOS VERDES PENINSULA SUMMER SCHOOL HIGH SCHOOL COURSE DESCRIPTION
PALOS VERDES PENINSULA SUMMER SCHOOL HIGH SCHOOL COURSE DESCRIPTION Course Title: Digital Photography 1 (UC, CSU) Grade Level: 9-12 Credit: 10 credits (year) - CTE Prerequisite: none Textbook: Photo Course:
More informationLearn More about TechnoPhotoshop SAMPLE
Learn More about TechnoPhotoshop Session 2 Filtering Fun In this session, students are introduced to Photoshop photo editing software. To start, they learn about the program environment. Afterwards, they
More informationMonet and Impressionism
Monet and Impressionism Looking Guide On cover: Claude Monet, French, 1840 1926; Water Lilies (detail), c.1915 26; oil on canvas; 78 3/4 inches x 13 feet 11 3/4 inches; Saint Louis Art Museum, The Steinberg
More informationChicago Blues (Images Of America) By Kevin Johnson, Wilbert Jones READ ONLINE
Chicago Blues (Images Of America) By Kevin Johnson, Wilbert Jones READ ONLINE Chicago Blues Festival - Home Facebook - Chicago Blues Festival, Chicago, IL. 33,531 likes 47 talking about this 30,858 were
More informationRandall Sexton allows his paintings to go in any number of directions,
ARTIST PROFILE RANDALL SEXTON Scrape It Back, Keep It Abstract, Discover This San Francisco artist finds representational art is best created from a more abstract mindset attuned to experimentation and
More informationFor Greg: Comments on a decorated Steinway at Piano Pros January 25, 2015 Ann Barrott Wicks with assistance from Bob Wicks
For Greg: Comments on a decorated Steinway at Piano Pros January 25, 2015 Ann Barrott Wicks with assistance from Bob Wicks 513-523-6860 The vintage Steinway at Piano Pros is chinoiserie at its finest.
More informationYEAR 7 & 8 THE ARTS. The Visual Arts
VISUAL ARTS Year 7-10 Art VCE Art VCE Media Certificate III in Screen and Media (VET) Certificate II in Creative Industries - 3D Animation (VET)- Media VCE Studio Arts VCE Visual Communication Design YEAR
More informationEvery Life and Job Depend on Water Exceptional Water Service
RULES & ENTRY FORM STUDENT NAME: DATE: ADDRESS: CONTACT PHONE: EMAIL: GRADE LEVEL: SCHOOL: TEACHER: 2019 THEME: ARTWORK DEADLINE: WEDNESDAY, FEBRUARY 13, 2019 (4:00 P.M.) AWARDS CEREMONY: THURSDAY, MARCH
More informationVisual Arts What Every Child Should Know
3rd Grade The arts have always served as the distinctive vehicle for discovering who we are. Providing ways of thinking as disciplined as science or math and as disparate as philosophy or literature, the
More informationAcademic Resources for Teachers & Students. Rainworks: Outdoor Exhibit Lesson Plan Grades. Activate Art: Just Add Water
Academic Resources for Teachers & Students Rainworks: Outdoor Exhibit 09.13.15 10.23.15 Lesson Plan Grades 6-8 Activate Art: Just Add Water TABLE OF CONTENTS Lesson Overview... Supplies... 1 1 Core Curriculum
More informationKNES Art & Design Course Outline. Year 8
KNES Art & Design Course Outline Year 8 Art & Design stimulates creativity and imagination. It provides visual, tactile and sensory experiences and a unique way of understanding and responding to the world.
More informationArtful Adventures. France. 19th. Century. An interactive guide for families 56. Your French Adventure Awaits You! See inside for details
Artful Adventures France 19th Century An interactive guide for families 56 Your French Adventure Awaits You! See inside for details 19thFrance Century Today we are going to travel to France, a country
More informationCALL TO ARTISTS Tacoma Murals Project Lead Artist Roster. Application Deadline: March 28, 2014, midnight
CALL TO ARTISTS 2014 Tacoma Murals Project Lead Artist Roster Application Deadline: March 28, 2014, midnight Photos clockwise from top left: Stadium District mural at 120 Tacoma Ave. N. Artist: Janice
More informationLearning Plan. Title: Neighborhood collage. Artist: Romare Bearden
Learning Plan Title: Neighborhood collage Artist: Romare Bearden - 1911-1988 Romare Bearden was an African-American internationally recognized for his lifelong work as a collage artist. His work told many
More informationQ1 Describe the aesthetic elements in photography used in plate 1. (5 marks) Plate 1 Wolfgang Sievers Untitled
Q1 Describe the aesthetic elements in photography used in plate 1. (5 marks) Plate 1 Wolfgang Sievers Untitled Q1. Point Answers The image is a photograph. The image portrays the city skyline reaching
More information