2UNIT BEFORE YOU READ: SONNETS 1, 35, AND 75 SONNETS 31 AND 39
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1 BEFORE YOU READ: SONNETS 1, 35, AND 75 SONNETS 31 AND 39 Vocabulary Listen to each word. Say it. Then, read the definition and the example sentence. devise (di VYZ) v. When you devise something, you plan or invent a new way of doing it. Amanda had to devise a solution to a problem in science class. wan (WAHN) adj. A wan person looks pale, weak, or tired. Peter s bad flu left him looking wan. languished (LANG gwishd) v. To have languished is to have failed to improve and develop. The student s memory of geometry languished during the summer. 2UNIT Vocabulary Practice Read the first sentence in each group of three. Then, complete Sentence a by substituting another word or phrase that means the same as the underlined vocabulary word. Complete Sentence b with your own ideas and words. 1. Kerry could devise a solution for any problem. a. Kerry could a solution for any problem. b. Kerry could devise. 2. Allison looked so wan that we urged her to see a doctor. a. Allison looked so that we urged her to see a doctor. b. Allison looked so wan that. 3. Sean was smart, but he languished in a low-level job. a. Sean was smart, but he in a low-level job. b. Sean was smart, but he languished. Getting Ready to Read The poems you are about to read are sonnets. A sonnet is a poem of 14 lines written on a single subject. Although sonnets have been written on many different subjects, sonnets are often love poems. If you wrote a poem, what subject would you write about? Talk about it with a partner. Five Sonnets 59
2 MAKING CONNECTIONS Sonnets 1, 35, 75 Edmund Spenser Sonnets 31, 39 Sir Philip Sidney Summaries In Sonnet 1, Spenser asks his pages, lines, and rhymes to please his beloved. In Sonnet 35, he says that he cannot gaze upon his beloved without feeling the pain of hopeless desire. In Sonnet 75, he writes his beloved s name in the sand. However, the waves wash it away. In Sonnet 31, Sidney sees the pale moon. He asks if the moon is pale because, like him, it is unhappy in love. Sidney asks for the peace and healing of sleep in Sonnet 39. Asleep, he may dream of Stella, his beloved. Note-taking Guide One way an author tries to describe something for a reader is to compare it to something else. As you read these sonnets, explain the comparison that the poet is making in each of the listed phrases. Sonnet The Comparison, in the Poet s Words What Two Items Are Being Compared? 1 lily hands The beloved s hands are being compared to 35 hungry eyes The yearning of the poet s eyes is being compared to 75 My verse... shall... in the heavens write your glorious name. 31 With how sad steps, O Moon, thou climb st... The poet s verse is being compared to The moon is being compared to 39 sleep, the certain knot of peace Sleep is being compared to 60 English Learner s Notebook
3 AFTER YOU READ Thinking About the Selections 1. In Sonnet 31, the speaker addresses the moon. In Sonnet 39, the speaker addresses sleep. Complete the chart below with descriptions the speakers use for the moon and sleep. Moon Sleep 2. In the three sonnets by Spenser (1, 35, 75), the poet s subject is. Talk About Love Each sonnet writer writes with great feeling about his beloved. With a partner, discuss the different ways those feelings are expressed. Would you write with such feeling about someone you love? Would you want other people to read your poem? I think that the feelings expressed by the poets are. Writing About the Essential Question What is the relationship of the writer to tradition? What, if anything, do the regular rhymes and briefness of the sonnet form add to these poets expressions of love? Explain. Five Sonnets 61
4 VOCABULARY SKILL REVIEW Word Families Recall that word families are groups of words that share the same base word. A base word is the word to which prefixes, suffixes, or other words are added. Examples Look at the chart below to see words in the same family as grace. grace noun a smooth way of moving that appears natural, relaxed, and attractive graced verb made a place or an object look more attractive graceful adjective pleasing in design, movement, or style gracefully adverb pleasingly or beautifully done disgrace noun something that makes people feel ashamed disgraceful adjective completely unacceptable Now You Do It Read the sentences below. Complete each sentence with a different word from the word family above. 1. Potted orchids the living room with their beauty. 2. The ice skaters circle the ice rink. 3. The cheating scandal was a to the school. 4. The children were rude, and their behavior was. 5. Abby made a response to her brother s criticism. What s Graceful? Think of people or animals whose behavior or style is graceful. In a small group, brainstorm a list of several examples. Talk about what makes each one graceful. I think are graceful because. Graceful Ones Write a short description of one of the persons or animals that you identified as being graceful. Use as many words from the word family as you can in your description. 62 English Learner s Notebook
5 ACKNOWLEDGMENTS Grateful acknowledgment is made to the following for copyrighted material: Arthur C. Clarke Extra-Terrestrial Relays by Arthur C. Clarke from Wireless World, October 1945, pp Jonathan Clowes Ltd. No Witchcraft for Sale, from African Short Stories by Doris Lessing. Copyright 1981 Doris Lessing. Cumbria County Council Table of Traffic Flow at Waterhead, Ambleside. A591 from Transport and Policies 1999/2000, and Local Transport Plan 2001/2 2005/6. Copyright Cumbria County Council. The Charles Dickens Museum Charles Dickens Museum in London Homepage & Online Tour retrieved from dickensmuseum.com. Copyright 2005 Charles Dickens Museum. Dutton Signet From Beowulf by Burton Raffel, translator. Translation copyright 1963, renewed 1991 by Burton Raffel. Encyclopædia Britannica Search results: Anglo-Saxon Poetry from search.eb.com/search?query=anglo+saxon+ poetry&x=0&y=0. English Literature: The Old English Period: Poetry: The major manuscripts Copyright 2007 by Encyclopædia Britannica. Faber and Faber Limited Journey of the Magi from Collected Poems by T. S. Eliot, copyright 1936, copyright 1964, 1963 by T. S. Eliot. Greater London Authority From The Mayor s Annual Report 2004 from docs/ann_rpt_2004.pdf. Copyright April 2004, Greater London Authority. Harcourt, Inc. Journey of the Magi from Collected Poems by T. S. Eliot, copyright 1936 by Harcourt Brace & Company, copyright 1964, 1963 by T. S. Eliot. A.M. Heath & Company Limited Shooting an Elephant from Shooting an Elephant and Other Essays by George Orwell. Copyright George Orwell, Lake District National Park Authority Education Service Tracking Management from Education Service Traffic Management. Copyright Lake District National Park Authority. Michelin Travel Publications Tintern Abbey by Staff from The Green Guide. Copyright Michelin et Cie, proprietairesediteurs. Penguin Books Ltd., London Prologue from The Canterbury Tales by Geoffrey Chaucer, translated by Nevill Coghill (Penguin Classics 1951, Fourth revised edition 1977). Copyright 1951 by Nevill Coghill. Copyright the Estate of Nevill Coghill, 1958, 1960, 1975, Smithsonian Institution Recasting Shakespeare s Stage by Eric Jaffe from Copyright 2008 Smithsonian Institution. Viking Penguin, Inc. Araby, from Dubliners by James Joyce, copyright 1916 by B. W. Heubsch. Definitive text Copyright 1967 by The Estate of James Joyce. Note: Every effort has been made to locate the copyright owner of material reproduced on this component. Omissions brought to our attention will be corrected in subsequent editions.
6 PHOTO AND ART CREDITS The Seafarer: The Bodleian Library, University of Oxford; The Wife s Lament: Artothek; from Beowulf: Carol Bancroft & Friends; Amphibian Spotter Guidelines: istockphoto.com, Dante Fenolio / Photo Researchers, Inc.; A History of the English Church and People: Art Resource; from Canterbury Tales: The Prologue: Historicana; from Canterbury Tales: The Pardoner s Tale: Historicana; from Canterbury Tales: The Wife of Bath s Tale: Historicana; from Sir Gawain and the Green Knight: Giraudon/ Art Resource, NY; Morte d Arthur: Lowell , Houghton Library, Harvard University; Sonnets 1, 35, 75: Corel Professional Photos CD-ROM ; The Nymph s Reply to the Shepherd: Michael Busselle/ Getty Images, Inc.; Sonnet 29: Library of Congress; Psalms: Art Resource; Sermon on the Mount: Corel Professional Photos CD-ROM ; The Prodigal Son: Erich Lessing/Art Resource, NY; The Tragedy of Macbeth, Act I: Pearson Education; The Tragedy of Macbeth, Act II: Pearson Education; The Tragedy of Macbeth, Act III: Pearson Education; The Tragedy of Macbeth, Act IV: Pearson Education; The Tragedy of Macbeth, Act V: Pearson Education; From Will in the World: From WILL IN THE WORLD by Stephen Greenblatt. Used by permission of W.W. Norton & Company, Inc., Andrea Pistolesi, Getty Images, Inc.; Song, A Valediction Forbidding Mourning, Holy Sonnet 10: Corel Professional Photos CD-ROM ; Meditation 17: Romilly Lockyer/Getty Images, Inc.; On My First Son: Corel Professional Photos CD-ROM ; Sonnet VII sonnet XIX: istockphoto.com; from Paradise Lost: Chris Hellier/CORBIS; from Pilgrim s Progress: Private Collection/The Bridgeman Art Library; From Eve s Apology in Defense of Women: The Annunciation, Expulsion from Paradise/ Museo del Prado, Madrid, Spain/ Erich Lessing/Art Resource, NY; from A Journal of the Plague Year: The Granger Collection, New York; from Gulliver s Travels: The Granger Collection, New York; A Modest Proposal: The Granger Collection, New York; from the Rape of the Lock: Octopus Books Limited; from The Life of Samuel Johnson: The British Museum; Elegy Written in a Country Churchyard: Lenore Weber/omniphoto.com. All Rights; The Aims of the Spectator: The Granger Collection, New York; To A Mouse To a Louse: Photo Researchers, Inc.; The Chimney Sweeper: Thinkstock; Introduction to Frankenstein: Archive Photos; Lines Composed a Few Miles Above Tintern Abbey: The Granger Collection, New York; from The Prelude: Réunion des Musées Nationaux/Art Resource, NY; John Eagles review of J.M.W. Turner: Art Resource, NY; The Rime of the Ancient Mariner: The Granger Collection, New York; Ozymandias: Corel Professional Photos CD-ROM ; When I have Fears that I May Cease to Be: by Courtesy of the National Portrait Gallery, London; Ode on a Grecian Urn: 1984 The Metropolitan Museum of Art; On Making an Agreeable Marriage: istockphoto.com; Vindication of the Rights of Woman: Corel Professional Photos CD-ROM ; from In Memorian, A.H.H.: Brideman Art Library; The Lady of Shalott: Tate Gallery, London/Art Resource, NY.; My Last Dutchess: Scala/Ministero per i Beni e le Attività culturali/ Art Resource, NY; Life in a Love: Culver Pictures, Inc.; from Hard Times: The Granger Collection, New York; from Jane Eyre: Underwood & Underwood/ CORBIS; The Widow at Windsor: Culver Pictures, Inc.; The Recessional: The Granger Collection, New York; The Darkling Thrush: Gregory K. Scott/Photo Researchers, Inc.; God s Grandeur; Spring and Fall: Corel Professional Photos CD-ROM ; To An Athlete Dying Young: CORBIS; Wild Swans at Coole: Corel Professional Photos CD-ROM ; Preludes: Library of Congress; Journey of the Magi: Eric Meola/Getty Images, Inc.; The Hollow Men: Index Stock Imagery; Carrick Revisited: istockphoto.com; The Lady in the Looking Glass: A Reflection: Corel Professional Photos CD-ROM ; The Lagoon: Emma Lee/Life File/Getty Images, Inc.; Araby: National Gallery of Ireland; The Rocking-Horse Winner: Culver Pictures, Inc.; A Shocking Accident: Corel Professional Photos CD-ROM ; The Soldier: Photri, Inc.; Demon Lover: Pearson Education; Vergissmeinnicht: Hulton- Deutsch Collection/CORBIS; Shooting an Elephant: University College, rare books division; No Witchcraft for Sale: Pearson Education; The Train from Rhodesia: Richard A Cooke III/Getty Images, inc.; B. Wordsworth: Carlton Murrell; from Midsummer XXIII: Bettmann/CORBIS; Follower: Dr. D Lynn Waldron; Come and Go: Ulrik Tofte/ Getty Images; That s All: Getty Images, Inc.; The Horses: Corel Professional Photos CD-ROM ; An Arundel Tomb: Erich Lessing/Art Resource, NY; Prayer: Artkey/CORBIS; A Devoted Son: Dinodia/ omniphoto.com; Next Term We ll Mash You: Orit Allush/Alamy; We ll never Conquer Space: NASA; Philadelphia and its Solitary Prison: AP/Wide World Photos; I m Like a Bird: Tim Mosenfelder/CORBIS
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