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1 + - +, 9?@8<:> =5>:C5:8A 5>7 B;8<@ B856;<>: FDEGJ IEK LIFHFK " " DOI: /jcnkiflatt I06 A Vladimir Nabokov theoretical fiction parodic criticism 2 Barth Christensen XWW007 yshawsisu@ aliyun com 128
2 Currie Currie Currie Rivers Rivers Rivers Rivers Karlinsky
3 + - +, 9?@8<:> =5>:C5:8A 5>7 B;8<@ B856;<>: 130 FDEGJ IEK LIFHFK 3 2 Lolita Nabokov Lolita Nabokov Lolita Nabokov Morton 1974
4 67-68 E Reilly Jose Lizzarrabengoa 131 Lolita297 The Annotated Lolita358 Lolita258 Lolita295 Lolita295
5 + - +, 9?@8<:> =5>:C5:8A 5>7 B;8<@ B856;<>: 132 FDEGJ IEK LIFHFK ibid 295 Green H
6 Nabokov Nabokov Lectures on Literature 13 Nabokov
7 + - +, 9?@8<:> =5>:C5:8A 5>7 B;8<@ B856;<>: 134 FDEGJ IEK LIFHFK unauthenticated quality
8 135 Newman Newman
9 + - +, FDEGJ IEK LIFHFK 9?@8<:> =5>:C5:8A 5>7 B;8<@ B856;<>: Barth J 1984 The Friday Book M Baltimore & London The Johns Hopkins University Press 2 Christensen I 1981 The Meaning of Metafiction A Critical Study of Selected Novels by Sterne Nabokov Barth and Beckett M Bergen & Irvington-on-Hudson Universitetsforlaget Press 3 Currie M 1989 Postmodern Narrative Theory M New York Macmillan Press Ltd 4 Currie M ed 1995 Metafiction C New York & London Longman 5 Green M 1987 Tolstoy and Nabokov The morality of Lolita A In H Bloom ed Vladimir Nabokov s Lolita C New York Chelsea House 6 Karlinsky S 1984 Nabokov s Russian games A In P A Roth ed Critical Essays on Vladimir Nabokov C Boston G K Hall & Co 7 Nabokov V 1969 Ada or Ardor A Family Chronicle M New York McGraw -Hill International Inc 8 Morton D 1974 Vladimir Nabokov M New York Frederick Ungar Publishing Co 9 Nabokov V 1970 The Annotated Lolita Edited with Preface Introduction and Notes by Alfred Appel Jr M New York McGraw -Hill 10 Nabokov V 1980 Lectures on Literature M New York & London Harcourt Brace Javanovich Publishers 11 Nabokov V 1982 Lectures on Russian Literature M New York & London Harcourt Brace Jovanovich / Bruccoli Clark 12 Nabokov V 2000 Lolita M Beijing Foreign Language Teaching and Research Press 13 Newman C 1985 The Post-Modern Aura M Evanston Northwest University Press 14 Reilly J 1984 Mrs Osgood s The Life Voyage and Annabel Lee J Poe Studies Rivers J 1984 Proust Nabokov and Ada A In P Roth ed Critical Essays on Vladimir Nabokov C Boston G K Hall & Co 136
10 Aesthetic Enticement and Intellectual Interaction On the Influence of Early British Fiction on the New Continent p 122 LI Weiping Although the history of American fiction is not as long as that of British fiction and the aesthetic representations by the British and American writers are different there is no doubt that they are interrelated and interactive As mental food for the pioneers on the New Continent early British fiction not only helped to disseminate the ideas of Puritanism and Enlightenment but also gave an impetus to the birth of American fiction This paper aims to discuss the influence of early British fiction on the New Continent to explore its aesthetic enticement and exemplary role for the early practitioners of American fiction and to demonstrate its important function in developing the transatlantic intellectual interaction in the 18th century M eanw hile the paper provides a detailed analysis of all kinds of factors arising from the interrelationship and interaction betw een British and American fiction Key Words British fiction the New Continent aesthetic enticement intellectual interaction On Nabokov's Romanticist Literary Complex p 128 XIAO Yi Vladimir Nabokov who was deeply influenced by romanticist literature developed a strong romanticist complex in his literary creation Nabokov's fictional w orks can be classified as theoretical fiction which is closely related to his romanticist complex This paper by referring to the notion of theoretical fiction of the narratology of structuralism and by analyzing his criticism of the romanticist literature within the text explores his romanticist literary complex for the purpose of a further confirmation of his contribution to contemporary novel w riting Key Words Nabokov romanticist complex theoretical fiction Spiritual Imprisonment and Liberation On the Alienation of Existence in Coetzee's Fiction Disgrace p 137 ZHOU Guijun Alienation is not only concerned with one's self it is also related to one's circumstances w hich means that one's self is estranged or separated from his environment Alienation makes one feel that he is incapable spiritually confused and his life is meaningless The alienated images shaped in South African w riter Coetzee's fiction Disgrace embody the alienation of one's value the alienation of one's habitual behaviors and the alienation of one's roles The university professor Lurie's value is alienated from that of the whole society He tends to view a problem only from his own point of view and he rarely cares about the value orientation of others and that of the whole society while others assume it as a matter of course that everyone is justified to reject or resist the thing that is contradictory to the accustomed behaviors Thus as a result Lurie is further alienated by his surrounding environment As a father Lurie gets confused about the social role he should hold and his individual value is always in conflict with his social role After the alienated Lurie himself has experienced the pain that he has inflicted on others begins his introspection and self-awakening and in the end with an expiatory mental state he accepts his sufferings Only by that time is his alienated spirit finally liberated from imprisonment Key Words Disgrace alienation atonement 150
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