2/2/17. Amplitude. several ways of looking at it, depending on what we want to capture. Amplitude of pure tones

Size: px
Start display at page:

Download "2/2/17. Amplitude. several ways of looking at it, depending on what we want to capture. Amplitude of pure tones"

Transcription

1 Amplitude several ways of looking at it, depending on what we want to capture Amplitude of pure tones Peak amplitude: distance from a to a OR from c to c Peak-to-peak amplitude: distance from a to c Source: H. Rogers 1

2 Amplitude of speech ( and many other sounds) Peak amplitude, peak-to-peak amplitude --- not useful Amplitude of speech Often we are interested in the overall or average amplitude of a stretch of speech e.g., vowel, consonant, syllable Need a way of computing an average of a set of points 2

3 Amplitude Amplitude of a signal at any discrete point = quantization number stored in audio file HOW CAN WE CAPTURE OVERALL AMPLITUDE? What if we just took the average of all points? For every positive value ---a corresponding negative value with same absolute magnitude. Sum of all measurements = 0 For a simple periodic sound, the mean is 0, which fails to capture the nature of the sound. 3

4 SOLUTION: RMS Amplitude root-mean-square amplitude [cf. standard deviation in statistics] RMS captures the average distance of all points from the 0 line RMS Amplitude root-mean-square amplitude COMPUTATION 1. Square each measurement of the waveform. 2. Add the squares of all measurements: a a a Divide by the total number of points [an average] 4. Compute the square root of the result [to get back to same-size units] 4

5 RMS Amplitude root-mean-square amplitude RMS Amplitude root-mean-square amplitude RMS of 5, 8, 2, -5, -8, -2? 5 2 = 5 x 5 = = 8 x 8 = = 2 x 2 = = -5 x -5 = = -8 x -8 = = -2 x -2 = 4 SUM = 186 MEAN =!"# # 31 = 5.6 = 31 RMS amplitude = 5.6 units 5

6 RMS Amplitude root-mean-square amplitude for a pure tone, rms amplitude =.707 of peak RMS Amplitude In speech research, we might want to determine the amplitude of a word, vowel, consonant, syllable, or even just a release burst. RMS is easily computable for all of these. 6

7 Another perspective: Time varying RMS amplitude Change in RMS over time Another perspective: Time varying RMS amplitude Windowing The window hops along the signal and an RMS measurement is computed at each stop. 7

8 AND STILL ANOTHER APPROACH quantifying how loud something is db = decibel =.1 bel db scale = a relative, logarithmic scale db Computation db = 20log Amplitude Reference amplitude This is used in a particular way to calculate sound pressure level. 8

9 20log Amplitude Reference amplitude 10log Amplitude Reference amplitude Used for db SPL and other computations We won t need to actually use this computation in 330, but you may see it in research. (Called Intensity Level ) db scale is logarithmic; not linear log(10) = log (10 1 ) = 1 log(100) = log (10 2 ) = 2 log (1000) = log (10 3 ) = 3 AND log(1) = log (10 0 ) = 0 9

10 Computation of Sound Pressure Level (SPL) e.g., in μpa units db SPL = 20 log amplitude of signal reference amplitude reference amplitude = threshold of human hearing = 20 μpa db SPL Scale Quietest: 20 μpa db = 20 log (.00002Pa/.00002Pa) = 20 log (1) = 20 x 0 = 0 db SPL Loudest bearable: 20 Pa db = 20 log (20Pa/.00002Pa) = 20 log (1,000,000) = 20 log (10 6 ) = 20 x 6 = 120 db SPL 10

11 Sound Threshold of pain Jet airplane Approaching subway train Shouting, singing Conversation Whisper Rustling of leaves Threshold of human hearing Sound pressure level (at 1 m from source) 130 db SPL 120 db SPL 100 db SPL 75 db SPL 60 db SPL 30 db SPL 20 db SPL 0 db SPL The db scale is much more convenient than the Pa scale: Approximate range of human perception (pressure) Quietest variation: 20 μpa (micropascal) Loudest variation: 20 Pa range = Pa to 20 Pa a very inconvenient range -- Pa units require as many as 5 decimal places -- μpa units may require very large numbers db SPL : values range from 0 to 120! 11

12 db Scale ANOTHER ADVANTAGE a log scale approximates human perception each 1 db step indicates about the same amount of increase in perceived loudness difference between 0 db and 20 db difference between 20 db and 40 db In Pa units, however, that is NOT the case A ratio of 4 Pa to 2 Pa difference of 2 Pa 20 log (4 Pa/2 Pa) = 20 log (2) = 20 x.3010 = 6.02 db B ratio of 6 Pa to 4 Pa also: difference of 2 Pa 20 log (6 Pa/ 4 Pa) = 20 log (1.5) = 20 x.1761 = 3.52 db In fact, the differences in A and B do not sound equivalent, even though both entail the same difference in Pa units the db scale better corresponds to hearing 12

13 Compute db SPL for a sound at.12 Pa db SPL = 20 log.!j KL.MMMMJKL = 20 log (6000) = 20 (3.778) = Pa is about db SPL 13

14 Re-order the results according to intensity. What general pattern do you observe in the mean intensities (in relation to the vowels) (column AM)? Can you offer any explanation? Source: Fairbanks, House, & Stevens (1950) Vowel What general pattern do you observe in the mean intensities? Can you offer any explanation? Intensity (db) æ 18.3 ɔ 17.6 ɑ 17.5 oʊ 16.8 eɪ 16.7 ɛ 16 u 15.7 ʌ 14.9 i 14.8 ʊ 14.1 ɪ 13.8 Source: Fairbanks, House, & Stevens (1950) 14

15 Vowel Intensity (db) A Practical Consequence speech recording: gain adjustment æ 18.3 ɔ 17.6 ɑ 17.5 oʊ 16.8 eɪ 16.7 ɛ 16 u 15.7 ʌ 14.9 i 14.8 ʊ 14.1 ɪ 13.8 Louder: hat, bad... Softer: hit, hood Source: Fairbanks, House, & Stevens (1950) 15

16 What general pattern do you observe in the normalized amplitudes? (multiple C tokens) (many different vowels) Source: Jongman et al. (2000) What general pattern do you observe in the normalized amplitudes? Segment Nzd Amp /ʒ/ -8.3 /z/ -9 /ʃ/ -9.9 /s/ -11 /v/ /ð/ -14 /f/ /θ/ Source: Jongman et al. (2000) 16

Week I AUDL Signals & Systems for Speech & Hearing. Sound is a SIGNAL. You may find this course demanding! How to get through it: What is sound?

Week I AUDL Signals & Systems for Speech & Hearing. Sound is a SIGNAL. You may find this course demanding! How to get through it: What is sound? AUDL Signals & Systems for Speech & Hearing Week I You may find this course demanding! How to get through it: Consult the Web site: www.phon.ucl.ac.uk/courses/spsci/sigsys Essential to do the reading and

More information

Week 1. Signals & Systems for Speech & Hearing. Sound is a SIGNAL 3. You may find this course demanding! How to get through it:

Week 1. Signals & Systems for Speech & Hearing. Sound is a SIGNAL 3. You may find this course demanding! How to get through it: Signals & Systems for Speech & Hearing Week You may find this course demanding! How to get through it: Consult the Web site: www.phon.ucl.ac.uk/courses/spsci/sigsys (also accessible through Moodle) Essential

More information

MUS 302 ENGINEERING SECTION

MUS 302 ENGINEERING SECTION MUS 302 ENGINEERING SECTION Wiley Ross: Recording Studio Coordinator Email =>ross@email.arizona.edu Twitter=> https://twitter.com/ssor Web page => http://www.arts.arizona.edu/studio Youtube Channel=>http://www.youtube.com/user/wileyross

More information

Definition of Sound. Sound. Vibration. Period - Frequency. Waveform. Parameters. SPA Lundeen

Definition of Sound. Sound. Vibration. Period - Frequency. Waveform. Parameters. SPA Lundeen Definition of Sound Sound Psychologist's = that which is heard Physicist's = a propagated disturbance in the density of an elastic medium Vibrator serves as the sound source Medium = air 2 Vibration Periodic

More information

Sound PSY 310 Greg Francis. Lecture 28. Other senses

Sound PSY 310 Greg Francis. Lecture 28. Other senses Sound PSY 310 Greg Francis Lecture 28 Why doesn t a clarinet sound like a flute? Other senses Most of this course has been about visual perception Most advanced science of perception Perhaps the most important

More information

Psycho-acoustics (Sound characteristics, Masking, and Loudness)

Psycho-acoustics (Sound characteristics, Masking, and Loudness) Psycho-acoustics (Sound characteristics, Masking, and Loudness) Tai-Shih Chi ( 冀泰石 ) Department of Communication Engineering National Chiao Tung University Mar. 20, 2008 Pure tones Mathematics of the pure

More information

An introduction to physics of Sound

An introduction to physics of Sound An introduction to physics of Sound Outlines Acoustics and psycho-acoustics Sound? Wave and waves types Cycle Basic parameters of sound wave period Amplitude Wavelength Frequency Outlines Phase Types of

More information

Homework 4. Installing Praat Download Praat from Paul Boersma's website at Follow the instructions there.

Homework 4. Installing Praat Download Praat from Paul Boersma's website at   Follow the instructions there. Homework 4 Part One: Using Praat to find vowel formants This part of the assignment is to use the Praat computer program to measure F1 and F2 of your English vowels. Installing Praat Download Praat from

More information

Fundamentals of Digital Audio *

Fundamentals of Digital Audio * Digital Media The material in this handout is excerpted from Digital Media Curriculum Primer a work written by Dr. Yue-Ling Wong (ylwong@wfu.edu), Department of Computer Science and Department of Art,

More information

Topic 2. Signal Processing Review. (Some slides are adapted from Bryan Pardo s course slides on Machine Perception of Music)

Topic 2. Signal Processing Review. (Some slides are adapted from Bryan Pardo s course slides on Machine Perception of Music) Topic 2 Signal Processing Review (Some slides are adapted from Bryan Pardo s course slides on Machine Perception of Music) Recording Sound Mechanical Vibration Pressure Waves Motion->Voltage Transducer

More information

6.551j/HST.714j Acoustics of Speech and Hearing: Exam 2

6.551j/HST.714j Acoustics of Speech and Hearing: Exam 2 Massachusetts Institute of Technology Department of Electrical Engineering and Computer Science, and The Harvard-MIT Division of Health Science and Technology 6.551J/HST.714J: Acoustics of Speech and Hearing

More information

Music 171: Sinusoids. Tamara Smyth, Department of Music, University of California, San Diego (UCSD) January 10, 2019

Music 171: Sinusoids. Tamara Smyth, Department of Music, University of California, San Diego (UCSD) January 10, 2019 Music 7: Sinusoids Tamara Smyth, trsmyth@ucsd.edu Department of Music, University of California, San Diego (UCSD) January 0, 209 What is Sound? The word sound is used to describe both:. an auditory sensation

More information

Structure of Speech. Physical acoustics Time-domain representation Frequency domain representation Sound shaping

Structure of Speech. Physical acoustics Time-domain representation Frequency domain representation Sound shaping Structure of Speech Physical acoustics Time-domain representation Frequency domain representation Sound shaping Speech acoustics Source-Filter Theory Speech Source characteristics Speech Filter characteristics

More information

Lab week 4: Harmonic Synthesis

Lab week 4: Harmonic Synthesis AUDL 1001: Signals and Systems for Hearing and Speech Lab week 4: Harmonic Synthesis Introduction Any waveform in the real world can be constructed by adding together sine waves of the appropriate amplitudes,

More information

The db Concept. Chapter six

The db Concept. Chapter six Chapter six The db Concept CHAPTER OUTLINE dbdpower Ratio... 40 dbdamplitude Ratio... 40 From db to Power or Amplitude Ratio... 41 Conversion Table... 41 Reference Values... 41 Other Relative Units...43

More information

Sound waves. septembre 2014 Audio signals and systems 1

Sound waves. septembre 2014 Audio signals and systems 1 Sound waves Sound is created by elastic vibrations or oscillations of particles in a particular medium. The vibrations are transmitted from particles to (neighbouring) particles: sound wave. Sound waves

More information

Appendix A Decibels. Definition of db

Appendix A Decibels. Definition of db Appendix A Decibels Communication systems often consist of many different blocks, connected together in a chain so that a signal must travel through one after another. Fig. A-1 shows the block diagram

More information

THE SPEAKER. The decibel scale is related to the physical sound intensity measured in watts/cm 2 by the following equation:

THE SPEAKER. The decibel scale is related to the physical sound intensity measured in watts/cm 2 by the following equation: OBJECTIVES: THE SPEAKER 1) Know the definition of "decibel" as a measure of sound intensity or power level. ) Know the relationship between voltage and power level measured in decibels. 3) Illustrate how

More information

Physics I Notes: Chapter 13 Sound

Physics I Notes: Chapter 13 Sound Physics I Notes: Chapter 13 Sound I. Properties of Sound A. Sound is the only thing that one can hear! Where do sounds come from?? Sounds are produced by VIBRATING or OSCILLATING OBJECTS! Sound is a longitudinal

More information

Chapter 2. Meeting 2, Measures and Visualizations of Sounds and Signals

Chapter 2. Meeting 2, Measures and Visualizations of Sounds and Signals Chapter 2. Meeting 2, Measures and Visualizations of Sounds and Signals 2.1. Announcements Be sure to completely read the syllabus Recording opportunities for small ensembles Due Wednesday, 15 February:

More information

ECMA TR/105. A Shaped Noise File Representative of Speech. 1 st Edition / December Reference number ECMA TR/12:2009

ECMA TR/105. A Shaped Noise File Representative of Speech. 1 st Edition / December Reference number ECMA TR/12:2009 ECMA TR/105 1 st Edition / December 2012 A Shaped Noise File Representative of Speech Reference number ECMA TR/12:2009 Ecma International 2009 COPYRIGHT PROTECTED DOCUMENT Ecma International 2012 Contents

More information

Contents. Welcome To K-Meter. System Requirements. Compatibility. Installation and Authorization. K-Meter User Interface.

Contents. Welcome To K-Meter. System Requirements. Compatibility. Installation and Authorization. K-Meter User Interface. K-Meter User Manual Contents Welcome To K-Meter System Requirements Compatibility Installation and Authorization K-Meter User Interface K-System Metering K-System Monitor Calibration Loudness Metering

More information

Sound Waves Speed Intensity Loudness Frequency Pitch Resonance Sound Waves

Sound Waves Speed Intensity Loudness Frequency Pitch Resonance Sound Waves Sound Waves Speed Intensity Loudness Frequency Pitch Resonance 13.2 Sound Waves Sound Waves Sound waves are longitudinal waves. Behaviors of sound can be explained with a few properties: Speed Intensity

More information

Hearing and Deafness 2. Ear as a frequency analyzer. Chris Darwin

Hearing and Deafness 2. Ear as a frequency analyzer. Chris Darwin Hearing and Deafness 2. Ear as a analyzer Chris Darwin Frequency: -Hz Sine Wave. Spectrum Amplitude against -..5 Time (s) Waveform Amplitude against time amp Hz Frequency: 5-Hz Sine Wave. Spectrum Amplitude

More information

Loudspeaker Power Ratings

Loudspeaker Power Ratings Loudspeaker Power Ratings Watts dbv Volts Amps 1 Topics 1) What Determines the SPL from a Loudspeaker 2) Calculating a Loudspeaker s Power Draw 3) Power Draw with Different Signals 4) Power Draw of Different

More information

A102 Signals and Systems for Hearing and Speech: Final exam answers

A102 Signals and Systems for Hearing and Speech: Final exam answers A12 Signals and Systems for Hearing and Speech: Final exam answers 1) Take two sinusoids of 4 khz, both with a phase of. One has a peak level of.8 Pa while the other has a peak level of. Pa. Draw the spectrum

More information

Preview. Sound Section 1. Section 1 Sound Waves. Section 2 Sound Intensity and Resonance. Section 3 Harmonics

Preview. Sound Section 1. Section 1 Sound Waves. Section 2 Sound Intensity and Resonance. Section 3 Harmonics Sound Section 1 Preview Section 1 Sound Waves Section 2 Sound Intensity and Resonance Section 3 Harmonics Sound Section 1 TEKS The student is expected to: 7A examine and describe oscillatory motion and

More information

Standard Octaves and Sound Pressure. The superposition of several independent sound sources produces multifrequency noise: i=1

Standard Octaves and Sound Pressure. The superposition of several independent sound sources produces multifrequency noise: i=1 Appendix C Standard Octaves and Sound Pressure C.1 Time History and Overall Sound Pressure The superposition of several independent sound sources produces multifrequency noise: p(t) = N N p i (t) = P i

More information

Final Exam Study Guide: Introduction to Computer Music Course Staff April 24, 2015

Final Exam Study Guide: Introduction to Computer Music Course Staff April 24, 2015 Final Exam Study Guide: 15-322 Introduction to Computer Music Course Staff April 24, 2015 This document is intended to help you identify and master the main concepts of 15-322, which is also what we intend

More information

Fundamentals of Music Technology

Fundamentals of Music Technology Fundamentals of Music Technology Juan P. Bello Office: 409, 4th floor, 383 LaFayette Street (ext. 85736) Office Hours: Wednesdays 2-5pm Email: jpbello@nyu.edu URL: http://homepages.nyu.edu/~jb2843/ Course-info:

More information

Motion Perception II Chapter 8

Motion Perception II Chapter 8 Motion Perception II Chapter 8 Lecture 14 Jonathan Pillow Sensation & Perception (PSY 345 / NEU 325) Spring 2019 Eye movements: also give rise to retinal motion. important to distinguish motion due to

More information

Physics 101. Lecture 21 Doppler Effect Loudness Human Hearing Interference of Sound Waves Reflection & Refraction of Sound

Physics 101. Lecture 21 Doppler Effect Loudness Human Hearing Interference of Sound Waves Reflection & Refraction of Sound Physics 101 Lecture 21 Doppler Effect Loudness Human Hearing Interference of Sound Waves Reflection & Refraction of Sound Quiz: Monday Oct. 18; Chaps. 16,17,18(as covered in class),19 CR/NC Deadline Oct.

More information

Topic. Spectrogram Chromagram Cesptrogram. Bryan Pardo, 2008, Northwestern University EECS 352: Machine Perception of Music and Audio

Topic. Spectrogram Chromagram Cesptrogram. Bryan Pardo, 2008, Northwestern University EECS 352: Machine Perception of Music and Audio Topic Spectrogram Chromagram Cesptrogram Short time Fourier Transform Break signal into windows Calculate DFT of each window The Spectrogram spectrogram(y,1024,512,1024,fs,'yaxis'); A series of short term

More information

Date Period Name. Write the term that corresponds to the description. Use each term once. beat

Date Period Name. Write the term that corresponds to the description. Use each term once. beat Date Period Name CHAPTER 15 Study Guide Sound Vocabulary Review Write the term that corresponds to the description. Use each term once. beat Doppler effect closed-pipe resonator fundamental consonance

More information

HCS / ACN 6389 Speech Perception Lab

HCS / ACN 6389 Speech Perception Lab HCS / ACN 6389 Speech Perception Lab Course Requirements Matlab problems & lab assignments (40%) Oral presentations (10%) Term project paper (50%) Dr. Peter Assmann Fall 2017 2 Term project: important

More information

Case study for voice amplification in a highly absorptive conference room using negative absorption tuning by the YAMAHA Active Field Control system

Case study for voice amplification in a highly absorptive conference room using negative absorption tuning by the YAMAHA Active Field Control system Case study for voice amplification in a highly absorptive conference room using negative absorption tuning by the YAMAHA Active Field Control system Takayuki Watanabe Yamaha Commercial Audio Systems, Inc.

More information

m208w2014 Six Basic Properties of Sound

m208w2014 Six Basic Properties of Sound MUSC 208 Winter 2014 John Ellinger Carleton College Six Basic Properties of Sound Sound waves create pressure differences in the air. These pressure differences are analogous to ripples that appear when

More information

HCS 7367 Speech Perception

HCS 7367 Speech Perception HCS 7367 Speech Perception Dr. Peter Assmann Fall 212 Power spectrum model of masking Assumptions: Only frequencies within the passband of the auditory filter contribute to masking. Detection is based

More information

Math 147 Section 5.2. Application Example

Math 147 Section 5.2. Application Example Math 147 Section 5.2 Logarithmic Functions Properties of Change of Base Formulas Math 147, Section 5.2 1 Application Example Use a change-of-base formula to evaluate each logarithm. (a) log 3 12 (b) log

More information

Introduction of Audio and Music

Introduction of Audio and Music 1 Introduction of Audio and Music Wei-Ta Chu 2009/12/3 Outline 2 Introduction of Audio Signals Introduction of Music 3 Introduction of Audio Signals Wei-Ta Chu 2009/12/3 Li and Drew, Fundamentals of Multimedia,

More information

Unit 6: Waves and Sound

Unit 6: Waves and Sound Unit 6: Waves and Sound Brent Royuk Phys-109 Concordia University Waves What is a wave? Examples Water, sound, slinky, ER Transverse vs. Longitudinal 2 Wave Properties The magic of waves. Great distances

More information

Chapter 16. Waves and Sound

Chapter 16. Waves and Sound Chapter 16 Waves and Sound 16.1 The Nature of Waves 1. A wave is a traveling disturbance. 2. A wave carries energy from place to place. 1 16.1 The Nature of Waves Transverse Wave 16.1 The Nature of Waves

More information

sound is a longitudinal, mechanical wave that travels as a series of high and low pressure variations

sound is a longitudinal, mechanical wave that travels as a series of high and low pressure variations Sound sound is a longitudinal, mechanical wave that travels as a series of high and low pressure variations the high pressure regions are compressions and the low pressure regions are rarefactions the

More information

AUDL Final exam page 1/7 Please answer all of the following questions.

AUDL Final exam page 1/7 Please answer all of the following questions. AUDL 11 28 Final exam page 1/7 Please answer all of the following questions. 1) Consider 8 harmonics of a sawtooth wave which has a fundamental period of 1 ms and a fundamental component with a level of

More information

Unit 6: Waves and Sound

Unit 6: Waves and Sound Unit 6: Waves and Sound Waves What is a wave? Examples Water, sound, slinky, ER Transverse vs. Longitudinal Brent Royuk Phys-109 Concordia University 2 Wave Properties The magic of waves. Great distances

More information

Digital Signal Processing Audio Measurements Custom Designed Tools. Loudness measurement in sone (DIN ISO 532B)

Digital Signal Processing Audio Measurements Custom Designed Tools. Loudness measurement in sone (DIN ISO 532B) Loudness measurement in sone (DIN 45631 ISO 532B) Sound can be described with various physical parameters e.g. intensity, pressure or energy. These parameters are very limited to describe the perception

More information

Introduction to Acoustical Oceanography SMS-598, Fall 2005.

Introduction to Acoustical Oceanography SMS-598, Fall 2005. Introduction to Acoustical Oceanography SMS-598, Fall 2005. Instructors: Mick Peterson and Emmanuel Boss Introductions: why are we here? Expectations: participation, homework, term-paper. Emphasis: learning

More information

8A. ANALYSIS OF COMPLEX SOUNDS. Amplitude, loudness, and decibels

8A. ANALYSIS OF COMPLEX SOUNDS. Amplitude, loudness, and decibels 8A. ANALYSIS OF COMPLEX SOUNDS Amplitude, loudness, and decibels Last week we found that we could synthesize complex sounds with a particular frequency, f, by adding together sine waves from the harmonic

More information

describe sound as the transmission of energy via longitudinal pressure waves;

describe sound as the transmission of energy via longitudinal pressure waves; 1 Sound-Detailed Study Study Design 2009 2012 Unit 4 Detailed Study: Sound describe sound as the transmission of energy via longitudinal pressure waves; analyse sound using wavelength, frequency and speed

More information

Name Date Class _. Holt Science Spectrum

Name Date Class _. Holt Science Spectrum Holt Science Spectrum Holt, Rinehart and Winston presents the Guided Reading Audio CD Program, recorded to accompany Holt Science Spectrum. Please open your book to the chapter titled Sound and Light.

More information

A mechanical wave is a disturbance which propagates through a medium with little or no net displacement of the particles of the medium.

A mechanical wave is a disturbance which propagates through a medium with little or no net displacement of the particles of the medium. Waves and Sound Mechanical Wave A mechanical wave is a disturbance which propagates through a medium with little or no net displacement of the particles of the medium. Water Waves Wave Pulse People Wave

More information

Phase and Feedback in the Nonlinear Brain. Malcolm Slaney (IBM and Stanford) Hiroko Shiraiwa-Terasawa (Stanford) Regaip Sen (Stanford)

Phase and Feedback in the Nonlinear Brain. Malcolm Slaney (IBM and Stanford) Hiroko Shiraiwa-Terasawa (Stanford) Regaip Sen (Stanford) Phase and Feedback in the Nonlinear Brain Malcolm Slaney (IBM and Stanford) Hiroko Shiraiwa-Terasawa (Stanford) Regaip Sen (Stanford) Auditory processing pre-cosyne workshop March 23, 2004 Simplistic Models

More information

g L f = 1 2π Agenda Chapter 14, Problem 24 Intensity of Sound Waves Various Intensities of Sound Intensity Level of Sound Waves

g L f = 1 2π Agenda Chapter 14, Problem 24 Intensity of Sound Waves Various Intensities of Sound Intensity Level of Sound Waves Agenda Today: HW #1 Quiz, power and energy in waves and decibel scale Thursday: Doppler effect, more superposition & interference, closed vs. open tubes Chapter 14, Problem 4 A 00 g ball is tied to a string.

More information

Sound All sound begins with a vibrating object Ex. Vibrating tuning fork Vibrating prong sets molecules near it in motion

Sound All sound begins with a vibrating object Ex. Vibrating tuning fork Vibrating prong sets molecules near it in motion Sound All sound begins with a vibrating object Ex. Vibrating tuning fork Vibrating prong sets molecules near it in motion As prong swings right, air molecules in front of the movement are forced closer

More information

Lab 8. ANALYSIS OF COMPLEX SOUNDS AND SPEECH ANALYSIS Amplitude, loudness, and decibels

Lab 8. ANALYSIS OF COMPLEX SOUNDS AND SPEECH ANALYSIS Amplitude, loudness, and decibels Lab 8. ANALYSIS OF COMPLEX SOUNDS AND SPEECH ANALYSIS Amplitude, loudness, and decibels A complex sound with particular frequency can be analyzed and quantified by its Fourier spectrum: the relative amplitudes

More information

Measurement of Weighted Harmonic Distortion HI-2

Measurement of Weighted Harmonic Distortion HI-2 Measurement of Weighted Harmonic Distortion HI-2 Application Note for the R&D and QC SYSTEM (Document Revision 1.2) AN 7 DESCRIPTION The weighted harmonic distortion HI-2 can be measured by using the DIS-Pro

More information

You know about adding up waves, e.g. from two loudspeakers. AUDL 4007 Auditory Perception. Week 2½. Mathematical prelude: Adding up levels

You know about adding up waves, e.g. from two loudspeakers. AUDL 4007 Auditory Perception. Week 2½. Mathematical prelude: Adding up levels AUDL 47 Auditory Perception You know about adding up waves, e.g. from two loudspeakers Week 2½ Mathematical prelude: Adding up levels 2 But how do you get the total rms from the rms values of two signals

More information

ALTERNATING CURRENT (AC)

ALTERNATING CURRENT (AC) ALL ABOUT NOISE ALTERNATING CURRENT (AC) Any type of electrical transmission where the current repeatedly changes direction, and the voltage varies between maxima and minima. Therefore, any electrical

More information

AN547 - Why you need high performance, ultra-high SNR MEMS microphones

AN547 - Why you need high performance, ultra-high SNR MEMS microphones AN547 AN547 - Why you need high performance, ultra-high SNR MEMS Table of contents 1 Abstract................................................................................1 2 Signal to Noise Ratio (SNR)..............................................................2

More information

INDIANA UNIVERSITY, DEPT. OF PHYSICS P105, Basic Physics of Sound, Spring 2010

INDIANA UNIVERSITY, DEPT. OF PHYSICS P105, Basic Physics of Sound, Spring 2010 Name: ID#: INDIANA UNIVERSITY, DEPT. OF PHYSICS P105, Basic Physics of Sound, Spring 2010 Midterm Exam #2 Thursday, 25 March 2010, 7:30 9:30 p.m. Closed book. You are allowed a calculator. There is a Formula

More information

8.3 Basic Parameters for Audio

8.3 Basic Parameters for Audio 8.3 Basic Parameters for Audio Analysis Physical audio signal: simple one-dimensional amplitude = loudness frequency = pitch Psycho-acoustic features: complex A real-life tone arises from a complex superposition

More information

About waves. Sounds of English. Different types of waves. Ever done the wave?? Why do we care? Tuning forks and pendulums

About waves. Sounds of English. Different types of waves. Ever done the wave?? Why do we care? Tuning forks and pendulums bout waves Sounds of English Topic 7 The acoustics of speech: Sound Waves Lots of examples in the world around us! an take all sorts of different forms Definition: disturbance that travels through a medium

More information

3A: PROPERTIES OF WAVES

3A: PROPERTIES OF WAVES 3A: PROPERTIES OF WAVES Int roduct ion Your ear is complicated device that is designed to detect variations in the pressure of the air at your eardrum. The reason this is so useful is that disturbances

More information

Recap the waveform. Complex waves (dạnh sóng phức tạp) and spectra. Recap the waveform

Recap the waveform. Complex waves (dạnh sóng phức tạp) and spectra. Recap the waveform Recap the waveform Complex waves (dạnh sóng phức tạp) and spectra Cơ sở âm vị học và ngữ âm học Lecture 11 The waveform (dạnh sóng âm) is a representation of the amplitude (biên độ) of air pressure perturbations

More information

Section 1 Sound Waves. Chapter 12. Sound Waves. Copyright by Holt, Rinehart and Winston. All rights reserved.

Section 1 Sound Waves. Chapter 12. Sound Waves. Copyright by Holt, Rinehart and Winston. All rights reserved. Section 1 Sound Waves Sound Waves Section 1 Sound Waves The Production of Sound Waves, continued Sound waves are longitudinal. Section 1 Sound Waves Frequency and Pitch The frequency for sound is known

More information

Chapter 2: Digitization of Sound

Chapter 2: Digitization of Sound Chapter 2: Digitization of Sound Acoustics pressure waves are converted to electrical signals by use of a microphone. The output signal from the microphone is an analog signal, i.e., a continuous-valued

More information

Sound. DEF: A pressure variation that is transmitted through matter. Collisions are high pressure / compressions.

Sound. DEF: A pressure variation that is transmitted through matter. Collisions are high pressure / compressions. Sound Sound DEF: A pressure variation that is transmitted through matter. Link to pic of bell animation Collisions are high pressure / compressions. Pulls are low pressure / rarefacation. Have same properties

More information

Worship Sound Guy Presents: Ultimate Compression Cheat Sheet

Worship Sound Guy Presents: Ultimate Compression Cheat Sheet Worship Sound Guy Presents: Ultimate Compression Cheat Sheet Compression Basics For Live Sound www.worshipsoundguy.com @WorshipSoundGuy 2017 Do your mixes PUNCH?? Do they have low-end control? Do they

More information

Frequency f determined by the source of vibration; related to pitch of sound. Period T time taken for one complete vibrational cycle

Frequency f determined by the source of vibration; related to pitch of sound. Period T time taken for one complete vibrational cycle Unit 1: Waves Lesson: Sound Sound is a mechanical wave, a longitudinal wave, a pressure wave Periodic sound waves have: Frequency f determined by the source of vibration; related to pitch of sound Period

More information

HOWTO PROPERLY SET YOUR GAINS

HOWTO PROPERLY SET YOUR GAINS HOWTO PROPERLY SET YOUR GAINS BY ERIC RUSSELL You meticulously selected the right products for your car audio system, installed them, and finally connected them together. It sounds good, but are you getting

More information

Acoustic Phonetics. How speech sounds are physically represented. Chapters 12 and 13

Acoustic Phonetics. How speech sounds are physically represented. Chapters 12 and 13 Acoustic Phonetics How speech sounds are physically represented Chapters 12 and 13 1 Sound Energy Travels through a medium to reach the ear Compression waves 2 Information from Phonetics for Dummies. William

More information

TBM - Tone Burst Measurement (CEA 2010)

TBM - Tone Burst Measurement (CEA 2010) TBM - Tone Burst Measurement (CEA 21) Software of the R&D and QC SYSTEM ( Document Revision 1.7) FEATURES CEA21 compliant measurement Variable burst cycles Flexible filtering for peak measurement Monitor

More information

Fundamentals of Environmental Noise Monitoring CENAC

Fundamentals of Environmental Noise Monitoring CENAC Fundamentals of Environmental Noise Monitoring CENAC Dr. Colin Novak Akoustik Engineering Limited April 03, 2013 Akoustik Engineering Limited Akoustik Engineering Limited is the sales and technical representative

More information

Complex Sounds. Reading: Yost Ch. 4

Complex Sounds. Reading: Yost Ch. 4 Complex Sounds Reading: Yost Ch. 4 Natural Sounds Most sounds in our everyday lives are not simple sinusoidal sounds, but are complex sounds, consisting of a sum of many sinusoids. The amplitude and frequency

More information

Audio Measurements Workshop

Audio Measurements Workshop Audio Measurements Workshop Fons Adriaensen Casa della Musica, Parma Linux Audio Conference 2014 ZKM Karlsruhe, Germany 1 Overview ζ Techniques and tools to measure * Soundcards * Analog hardware * DSP

More information

Physics Chapter 11: Vibrations and Waves Chapter 12: Sound. Section 12.2 Sound Intensity and Resonance

Physics Chapter 11: Vibrations and Waves Chapter 12: Sound. Section 12.2 Sound Intensity and Resonance Physics Chapter 11: Vibrations and Waves Chapter 12: Sound Section 12.2 Sound Intensity and Resonance 11/29/2007 Sound Intensity --Work is done on air molecules when a! vibrating object creates sound waves.!

More information

Signal Analysis. Young Won Lim 2/10/18

Signal Analysis. Young Won Lim 2/10/18 Signal Analysis Copyright (c) 2016 2018 Young W. Lim. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later

More information

Sound. Production of Sound

Sound. Production of Sound Sound Production o Sound Sound is produced by a vibrating object. A loudspeaker has a membrane or diaphragm that is made to vibrate by electrical currents. Musical instruments such as gongs or cymbals

More information

Digitally controlled Active Noise Reduction with integrated Speech Communication

Digitally controlled Active Noise Reduction with integrated Speech Communication Digitally controlled Active Noise Reduction with integrated Speech Communication Herman J.M. Steeneken and Jan Verhave TNO Human Factors, Soesterberg, The Netherlands herman@steeneken.com ABSTRACT Active

More information

Lesson 3 Measurement of sound

Lesson 3 Measurement of sound Lesson 3 Measurement of sound 1.1 CONTENTS 1.1 Contents 1 1.2 Measuring noise 1 1.3 The sound level scale 2 1.4 Instruments used to measure sound 6 1.5 Recording sound data 14 1.6 The sound chamber 15

More information

Measurement of weighted harmonic distortion HI-2

Measurement of weighted harmonic distortion HI-2 Measurement of weighted harmonic distortion HI-2 Software of the KLIPPEL R&D and QC SYSTEM ( Document Revision 1.0) AN 7 DESCRIPTION The weighted harmonic distortion HI-2 is measured by using the DIS-Pro

More information

SPEECH AND SPECTRAL ANALYSIS

SPEECH AND SPECTRAL ANALYSIS SPEECH AND SPECTRAL ANALYSIS 1 Sound waves: production in general: acoustic interference vibration (carried by some propagation medium) variations in air pressure speech: actions of the articulatory organs

More information

Lab 9 Fourier Synthesis and Analysis

Lab 9 Fourier Synthesis and Analysis Lab 9 Fourier Synthesis and Analysis In this lab you will use a number of electronic instruments to explore Fourier synthesis and analysis. As you know, any periodic waveform can be represented by a sum

More information

M04_BURG5802_01_SE_C04.QXD 7/3/08 5:32 PM Page 188

M04_BURG5802_01_SE_C04.QXD 7/3/08 5:32 PM Page 188 M04_BURG5802_01_SE_C04.QXD 7/3/08 5:32 PM Page 188 M04_BURG5802_01_SE_C04.QXD 7/2/08 12:19 PM Page 189 Digital Audio Representation CHAPTER 4 4.1 INTRODUCTION 190 4.2 AUDIO WAVEFORMS 191 4.3 PULSE CODE

More information

Principles of Audio Web-based Training Detailed Course Outline

Principles of Audio Web-based Training Detailed Course Outline The Signal Chain The key to understanding sound systems is to understand the signal chain. It is the "common denominator" among audio systems big and small. After this lesson you should understand the

More information

URBANA-CHAMPAIGN. CS 498PS Audio Computing Lab. Audio DSP basics. Paris Smaragdis. paris.cs.illinois.

URBANA-CHAMPAIGN. CS 498PS Audio Computing Lab. Audio DSP basics. Paris Smaragdis. paris.cs.illinois. UNIVERSITY ILLINOIS @ URBANA-CHAMPAIGN OF CS 498PS Audio Computing Lab Audio DSP basics Paris Smaragdis paris@illinois.edu paris.cs.illinois.edu Overview Basics of digital audio Signal representations

More information

Portable Noise Monitoring Report March 5 - April 24, 2016 The Museum of Vancouver. Vancouver Airport Authority

Portable Noise Monitoring Report March 5 - April 24, 2016 The Museum of Vancouver. Vancouver Airport Authority Portable Noise Monitoring Report March 5 - April 24, 2016 The Museum of Vancouver Vancouver Airport Authority September 27, 2016 Table of Contents INTRODUCTION... 2 OBJECTIVES... 2 VANCOUVER: AIRCRAFT

More information

Citation for published version (APA): Lijzenga, J. (1997). Discrimination of simplified vowel spectra Groningen: s.n.

Citation for published version (APA): Lijzenga, J. (1997). Discrimination of simplified vowel spectra Groningen: s.n. University of Groningen Discrimination of simplified vowel spectra Lijzenga, Johannes IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please

More information

Nonuniform multi level crossing for signal reconstruction

Nonuniform multi level crossing for signal reconstruction 6 Nonuniform multi level crossing for signal reconstruction 6.1 Introduction In recent years, there has been considerable interest in level crossing algorithms for sampling continuous time signals. Driven

More information

AUDL GS08/GAV1 Signals, systems, acoustics and the ear. Loudness & Temporal resolution

AUDL GS08/GAV1 Signals, systems, acoustics and the ear. Loudness & Temporal resolution AUDL GS08/GAV1 Signals, systems, acoustics and the ear Loudness & Temporal resolution Absolute thresholds & Loudness Name some ways these concepts are crucial to audiologists Sivian & White (1933) JASA

More information

ESE150 Spring University of Pennsylvania Department of Electrical and System Engineering Digital Audio Basics

ESE150 Spring University of Pennsylvania Department of Electrical and System Engineering Digital Audio Basics University of Pennsylvania Department of Electrical and System Engineering Digital Audio Basics ESE150, Spring 2018 Midterm Wednesday, February 28 Exam ends at 5:50pm; begin as instructed (target 4:35pm)

More information

Sound System Reference Manual

Sound System Reference Manual Sound System Reference Manual Public Address Sound Reinforcement Bosch Security Systems Sound System Reference Manual Introduction Sound systems are used for amplification of speech or music to enhance

More information

Analysis on Acoustic Attenuation by Periodic Array Structure EH KWEE DOE 1, WIN PA PA MYO 2

Analysis on Acoustic Attenuation by Periodic Array Structure EH KWEE DOE 1, WIN PA PA MYO 2 www.semargroup.org, www.ijsetr.com ISSN 2319-8885 Vol.03,Issue.24 September-2014, Pages:4885-4889 Analysis on Acoustic Attenuation by Periodic Array Structure EH KWEE DOE 1, WIN PA PA MYO 2 1 Dept of Mechanical

More information

Laboratory Assignment 2 Signal Sampling, Manipulation, and Playback

Laboratory Assignment 2 Signal Sampling, Manipulation, and Playback Laboratory Assignment 2 Signal Sampling, Manipulation, and Playback PURPOSE This lab will introduce you to the laboratory equipment and the software that allows you to link your computer to the hardware.

More information

From Ladefoged EAP, p. 11

From Ladefoged EAP, p. 11 The smooth and regular curve that results from sounding a tuning fork (or from the motion of a pendulum) is a simple sine wave, or a waveform of a single constant frequency and amplitude. From Ladefoged

More information

Direct Digital Synthesis

Direct Digital Synthesis Tutorial Tutorial The HP 33120A is capable of producing a variety of signal waveshapes. In order to achieve the greatest performance from the function generator, it may be helpful if you learn more about

More information

Introduction to Equalization

Introduction to Equalization Introduction to Equalization Tools Needed: Real Time Analyzer, Pink noise audio source The first thing we need to understand is that everything we hear whether it is musical instruments, a person s voice

More information

COM325 Computer Speech and Hearing

COM325 Computer Speech and Hearing COM325 Computer Speech and Hearing Part III : Theories and Models of Pitch Perception Dr. Guy Brown Room 145 Regent Court Department of Computer Science University of Sheffield Email: g.brown@dcs.shef.ac.uk

More information

Experiment One: Generating Frequency Modulation (FM) Using Voltage Controlled Oscillator (VCO)

Experiment One: Generating Frequency Modulation (FM) Using Voltage Controlled Oscillator (VCO) Experiment One: Generating Frequency Modulation (FM) Using Voltage Controlled Oscillator (VCO) Modified from original TIMS Manual experiment by Mr. Faisel Tubbal. Objectives 1) Learn about VCO and how

More information

Signal segmentation and waveform characterization. Biosignal processing, S Autumn 2012

Signal segmentation and waveform characterization. Biosignal processing, S Autumn 2012 Signal segmentation and waveform characterization Biosignal processing, 5173S Autumn 01 Short-time analysis of signals Signal statistics may vary in time: nonstationary how to compute signal characterizations?

More information