Landscapes of the Canadian Rockies

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Elisabeth Bates
5 years ago
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2 Landscapes of the Canadian Rockies

3 INTO THE SILENT LAND STEVE PARKER Copyright 2013 Steve Parker All photographs Steve Parker NOTICE OF RIGHTS All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the author. For information on getting permission for reprints and excerpts contact:

4 For the 3 who believe in me.

5 I have been taking photographs for nearly 40 years. I started with an old Kodak Instamatic before progressing to a 35mm Fuji ST605 SLR - my pride and joy. It was with the Fuji and economic circumstance that I discovered my abiding love of Black and White photography. Like so many of my peers, we came to Black and White because of the prohibitive cost and near impossibility of developing colour film at home. But, looking back, I m glad. I m glad because it gave me the opportunity to learn and appreciate the art of seeing the world a different way, stripped of colour and simplistic in design. I learned how to develop my own negatives and spent many, many hours locked in a makeshift darkroom playing with the light in order to produce that final dodged and burned print rich in tonality. A piece of art. For those of you photographers who have grown up not knowing anything other than digital, I feel for you. You have no idea of the feeling you get when you see an image appear out of the gloom of a red light. If you ve ever heard us old uns say it s magical there s a reason for that. After all these years, I still cannot articulate quite what it is about B&W that appeals to me so much, but for me, it just feels right. Whilst I cannot deny the impact that colour has in a photograph, I feel that it can sometimes overwhelm and distract from the image in a way that B&W does not. Colour photographs, if not too manipulated are more of a copy of what you saw whereas, to my mind at least, black and white (with maybe a subtle tone) is more of an interpretation of the scene; how I saw it in my mind s eye. Stripped bare of any colour distraction, a black and white image stands or falls on its own merit. This is not a technical book. You won t find any discussions of what f/stop or ISO was used. No focal lengths or shutter speeds. No discussion as to which lens is sharper or which camera is better than another. I believe that, in the end, none of that really matters. What matters is what you see and then, how you interpret what you see into a final image. I felt it better to just let the images speak for themselves. I am a photographer. Not by profession but by nature. I have a need to photograph the things around me both for record and artistic purposes and have been doing so for the last 40 years. I exhibited a collection of my photographs when I was just 18 years old and sold to the photographic magazines of the day. After a while though, I made a conscious and deliberate decision not to pursue photography as a profession. I didn t want the enjoyment spoiled. Bad decision? No, not for me. Like most photographers whose interest lies primarily in landscapes, I just wanted to be left alone to walk my own path and take those images that pleased me without the pressure of having to meet another person s vision. Since making that decision all those years ago, I have been fortunate enough to travel about and see some wonderful places. Canada, and in particular the Rockies, was always one of those countries that I wanted to visit but somehow never got around to. I had long been taken with the breathtaking images I had seen taken by my contemporaries but never really thought that I'd ever make it out there. However, back in December 2012 thanks to a late deal package holiday and a wife with a ferocious tenacity to find an online deal I did get to make it out there.

6 I decided not to take my big old Nikon and associated bits that rarely, if ever, get used. I wanted to travel light so I packed just my Fuji X100 and X10. I bought the Fuji s because they re lightweight, compact, reliable and take good quality images. My first SLR as a young boy was a Fuji ST605 (I still have it) and I like and trust the brand. Both the X100 and X10 are amazing cameras but for me, it was all about the X10. I don t know what it is but there is just something about this little camera that sits comfortably with me. The internet is awash with technical info on this camera if that s your thing but I thought it would be good to show you what can be done with the Fuji X10. I hope you enjoy looking at these 24 photographs and that they inspire you to go out and about with your camera whatever make it is.

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If you would like to see more of my photographs I can be found at www.

com If you re interested in purchasing any of my images I am currently building a

28 If you would like to see more of my photographs I can be found at If you re interested in purchasing any of my images I am currently building a profile on FineArtAmerica.com and can be found at steve-parker.fineartamerica.com or by clicking the logo below. You can also keep informed of new images by following me on Twitter.

Pictures are visual poems, the greatest of which are those that move us the way the photographer was moved when he clicked the shutter.

Pictures are visual poems, the greatest of which are those that move us the way the photographer was moved when he clicked the shutter. VISION IN PHOTOGRAPHY By Deb Evans, 2011 vi sion noun 2. the act or power of anticipating that which will or may come to be Vision is the beginning and end of photography. It is what moves you to pick