Letter STUDENT NUMBER STUDIO ARTS. Written examination. Friday 17 November 2017

Transcription

1 Victorian Certificate of Education 2017 SUPERVISOR TO ATTACH PROCESSING LABEL HERE Letter STUDENT NUMBER STUDIO ARTS Written examination Friday 17 November 2017 Reading time: 9.00 am to 9.15 am (15 minutes) Writing time: 9.15 am to am (1 hour 30 minutes) QUESTION AND ANSWER BOOK Section Number of questions Structure of book Number of questions to be answered Number of marks A B C Total 75 Students are permitted to bring into the examination room: pens, pencils, highlighters, erasers, sharpeners and rulers. Students are NOT permitted to bring into the examination room: blank sheets of paper and/or correction fluid/tape. No calculator is allowed in this examination. Materials supplied Question and answer book of 16 pages Detachable insert for Section A in the centrefold Additional space is available at the end of the book if you need extra paper to complete an answer. Instructions Detach the insert from the centre of this book during reading time. Write your student number in the space provided above on this page. All written responses must be in English. At the end of the examination You may keep the detached insert. Students are NOT permitted to bring mobile phones and/or any other unauthorised electronic devices into the examination room. VICTORIAN CURRICULUM AND ASSESSMENT AUTHORITY 2017

2 2017 STUDIO ARTS EXAM 2 SECTION A Instructions for Section A Please remove the insert from the centre of this book during reading time. Use the artworks in the insert to answer the questions in Section A. You may use the same artwork or a different artwork for each question. Answer all questions in the spaces provided. Question 1 (6 marks) Select one artwork from the insert. Artwork number Discuss the artist s use of materials, techniques and processes in the production of the artwork. SECTION A continued

3 STUDIO ARTS EXAM Question 2 (7 marks) Select one artwork from the insert. Artwork number Discuss how the artist or a curator might consider transporting the artwork from the artist s studio to an exhibition space. SECTION A continued TURN OVER

4 2017 STUDIO ARTS EXAM 4 Question 3 (6 marks) Select one artwork from the insert. Artwork number Discuss how the artist has used one art element and one art principle to demonstrate aesthetic qualities in the artwork. Art element Art principle SECTION A continued

5 STUDIO ARTS EXAM Question 4 (6 marks) Select one artwork from the insert. Artwork number Explain the conservation methods required when considering this artwork for display in a public gallery. END OF SECTION A TURN OVER

6 2017 STUDIO ARTS EXAM 6 SECTION B Instructions for Section B Answer all questions in the spaces provided. Question 5 (8 marks) Discuss the sources of inspiration and ideas in your exploration proposal. SECTION B continued

7 STUDIO ARTS EXAM Question 6 (8 marks) Discuss how the studio process helped you to identify, develop and evaluate two potential directions in your studio practice this year. Potential direction 1 Potential direction 2 SECTION B continued TURN OVER

8 2017 STUDIO ARTS EXAM 8 Question 7 (9 marks) Discuss how your final artworks realise and communicate ideas. END OF SECTION B

9 STUDIO ARTS EXAM THIS PAGE IS BLANK TURN OVER

10 2017 STUDIO ARTS EXAM 10 SECTION C Instructions for Section C Answer all questions in the spaces provided. Question 8 (13 marks) Compare and evaluate the presentation and promotion of two specific artworks seen in two different exhibition spaces that you have visited this year. Exhibition space 1 Title of artwork 1 Exhibition space 2 Title of artwork 2 SECTION C Question 8 continued

11 STUDIO ARTS EXAM SECTION C continued TURN OVER

12 2017 STUDIO ARTS EXAM 12 Question 9 (12 marks) Analyse how two artists you have studied this year have used art elements and art principles to demonstrate aesthetic qualities, and to communicate ideas and meaning in their artworks. Artist 1 Artist 2 SECTION C Question 9 continued

13 STUDIO ARTS EXAM END OF QUESTION AND ANSWER BOOK TURN OVER

14 2017 STUDIO ARTS EXAM 14 Extra space for responses Clearly number all responses in this space.

15 STUDIO ARTS EXAM TURN OVER

16 2017 STUDIO ARTS EXAM 16 An answer book is available from the supervisor if you need extra paper to complete an answer. Please ensure you write your student number in the space provided on the front cover of the answer book. At the end of the examination, place the answer book inside the front cover of this question and answer book.

17 STUDIO ARTS INSERT Insert for Section A Please remove from the centre of this book during reading time. Photograph: RMN-Grand Palais (musée Fernand Léger)/Gérard Blot Photograph: Chris Van de Spuy Photograph: Art Gallery of New South Wales, Sydney cm 1. Thornton Walker (b. New Zealand), December still life II, watercolour on paper, 2008; Chris Van de Spuy (photograph) cm (block); cm irreg. (sheet) 2. Thea Proctor (b. Australia), Women with fans, woodcut on Japanese paper, c. 1930; Art Gallery of New South Wales cm 3. Fernand Léger (b. France), The Constructors, oil on canvas, 1950; RMN-Grand Palais (musee Fernand Léger)/Gerard Blot; ADAGP and DACS cm 4. Peter Tully (b. Australia), Body ornament: Masai Moments III, plastics, found objects, human hair, bri-nylon and enamels, 1980; from Kathryn Weir, Sculpture Is Everything, Queensland Art Gallery, Brisbane, 2012, p. 80; Natasha Harth, QAGOMA (photograph) TURN OVER

18 2017 STUDIO ARTS INSERT 2 Photograph: Kimberly Pancoast and Kelly Benjamin Due to copyright restrictions, this material is not supplied cm 5. Minor White (b. USA), Two Barns and Shadow, gelatin silver print, 1955 Due to copyright restrictions, this material is not supplied. 40 cm (diameter) 6. Ashraf Hanna (b. Egypt), Angular Bowl, earthenware, hand-built, raku, 2007 Due to copyright restrictions, this material is not supplied cm (overall) 7. David Hockney (b. England), The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) 29 January (661), ipad drawing printed on four sheets of paper mounted on Dibond, edition of 10, 2011 dimensions variable 8. Francis Alӱs (b. Belgium), When Faith Moves Mountains, video installation with one projection and two monitors, 2002

19 STUDIO ARTS INSERT Photograph: The Metropolitan Museum of Art/Art Resource/Scala, Florence Due to copyright restrictions, this material is not supplied cm 9. Huang Binhong (b. China), Landscape in the Style of Dong Qichang, album leaf, ink and slight colour on paper, late 1940s cm 10. Henri Matisse (b. France), The Romanian Blouse, oil on canvas, 1940 Due to copyright restrictions, this material is not supplied cm 11. Bununggu Yunupingu (b. Australia, Yirrkala region, Arnhem Land), Canoe travel from a distant island, lumber crayon 1 and chalk on butcher s paper, lumber crayon thick crayon used for marking concrete, wood, paper, cardboard, tyres 25.4 cm (open edition); cm (limited edition) 12. Joshua Harker (b. USA), Mazzo di Fiori 2, 3D-printed filigree floral sculpture, printed in polyamide nylon, limited edition series, 2014; Joshua Harker 2 mazzo di fiori bunch of flowers; bouquet TURN OVER

20 2017 STUDIO ARTS INSERT 4 Photograph: Victoria and Albert Museum cm 13. Todd Williams (b. Australia), Angling, digital print, c Prada (Italy), printed silk ensemble, Spring/Summer 2008; Jaron James, V&A Photography Studio (photograph) cm 15. Vincent van Gogh (b. Netherlands), Worn Out, pencil on watercolour paper, 1882 END OF INSERT