MUSEUM OF FINE ARTS, BOSTON Technical Examination
|
|
- Damian Cole
- 6 years ago
- Views:
Transcription
1 MUSEUM OF FINE ARTS, BOSTON Technical Examination Object Number: Attribution: Circle Of: Rembrandt Harmensz. van Rijn (Dutch, ) Title: Evangelist Writing Culture/Period/Dated: Medium: Oil on canvas Dimensions: x 84.5 cm (41 1/8 x 33 1/4 in.) Image: Technical Examination: Project summary: A survey of the 17th century Dutch and Flemish paintings in the MFA, Boston collection was performed from Fall 2009 through Spring 2011 in preparation for a catalogue of these works. Each painting was x-radiographed and examined in ultraviolet and infrared radiation as well as under stereoscopic magnification to gather information about construction and technique. Treatment History: Finlayson patched a tear in the upper right, removed a gamboge and umber toning and recent varnish layer from the face. Partially removed an older, hard varnish, but not completely due to the "thinness of the painting" and the danger of full cleaning the painting. Cleaning revealed losses in the left side and the shadows of the face (losses revealed dark underpainting below). These losses were touched out by Lowe. The painting was revarnished Lowe removed latest varnish layer and some of the older varnish below it. These cleaning revealed additional losses which were touched out. The painting was varnished with damar Finlayson removed surface grime and revarnished with damar autoradiography performed at the Metropolitan Museum of Art; pigment assay established all pigments are in keeping with Rembrandt's palette, but the manner of paint application is considered clumsy and formless, likely 19th century. Infrared examination: Nothing of note is revealed in IR. X-radiography: #521 #1366, 9 films, 55kV 6mA 60seconds, 76" focal distance The xray reveals very broad, smeared brushwork and two marked changes; to the left of the head is a rounded form of another headress created with strokes of a palette knife and a great deal of aimless scratching into the wet paint. There is an area of density between the hands of the figure that does not correspond to the surface composition. In general the x-radiograph suggests nothing of Rembrandt or an artist working in his manner. The canvas exhibits cusping on three sides, not the top edge. The left and bottom edges retain a portion of the original tacking margin, as the fold and the old tack holes are visible. These were unfolded and retained while the other tacking margins were trimmed away. The canvas weave is very fine. There is a large area of loss at the neck of the figure. Ultraviolet examination: There is a thick, discolored natural resin coating that is very oxidized and nearly opaque in UV. It has been partially removed from the figure as described in the treatment history.
2 Page 2 of 5 Technique and condition: Support - The fine canvas is glue-lined onto a coarser fabric and stretched onto a 6-member stretcher with mortise and tenon slot joins in the corners and dovetail lap joins for the cross bars. All 12 keys are extant. There are two painted inscriptions on the lining verso, one in black, "183C" and one in white, "No. 241 J.R.". Ground - There is a double ground layer; first a red layer on the canvas followed by a gray layer (see photomacrograph #1). This mimics a typical ground structure of Rembrandt paintings on canvas prior to the 1640s. Paint - The paint is applied quite thinly and transparently in the background, allowing the ground color to reflect through the layers. The figure is built up with thick impasto and the flake loss reveals underpainting that suggest a different initial composition, as revealed by the x-radiography and autoradiography. The color below the flesh tone in the face is a cooler, grayer flesh tone and there is a black paint layer revealed through abrasion below the red garment. XRF analysis detected cadmium in 5 locations (see M. Derrick's report). Microscopic examination of these sites reveal that overpaint is present in all cases (see photomacrographs that show the upper cadmium-containing paint covering cracks and floating in the varnish layer). Therefore, cadmium, and its earliest possible introduction date in the early 19th century, does not impact the dating of the painting. Proposed Treatment: None. Technical Publications: M. W. Ainsworth, Art and autoradiography: insights into the genesis of paintings by Rembrandt, Van Dyck, and Vermeer, Metropolitan Museum of Art, D. Bomford, J. Kirby, A. Roy, A. Rüger and R. White, Art in the making : Rembrandt, London : National Gallery Company Ltd., distributed by Yale University Press, C. Brown, A. Roy, Rembrandt's Alexander the Great, The Burlington magazine 134, no (1992), pp A. Burroughs, A Problem in the Rembrandtesque, Miscellanea Leo Van Puyvelde, Bruxelles, Éditions de la Connaissance, 1949, p A. Chong, ed., Rembrandt Creates Rembrandt: Art and Ambition in Leiden, , Isabella Stewart Gardner Museum, Boston, Waanders Publishers, Zwolle, K.M. Groen, Earth Matters: The origin of the material used for the preparation of the Night Watch and many other canvases in Rembrandt s workshop after 1640, Art Matters: Netherlandish Technical Studies in Art 3, Zwolle: Waanders, p K.M. Groen, Grounds in Rembrandt s workshop and in paintings by his contemporaries in A Corpus of Rembrandt Paintings, vol. 4, E. van de Wetering, ed., Dordrecht, the Netherlands : Springer, C. Laurenze-Landsberg, Neutron activation autoradiography of paintings by Rembrandt at the Berlin Picture Gallery, In Conservation Science 2002: papers from the conference held in Edinburgh, Scotland, May J.H. Townsend, K. Eremin, A. Adriaens, Eds., Archetype Publications Ltd. (2003), pp P. Noble, A. van Loon, New insights into Rembrandt's Susanna: changes of format, smalt discoloration, identification of vivianite, fading of yellow and red lakes, lead white paint, ArtMatters: Netherlands technical studies in art 2 (2005), pp P. Noble, A. van Loon, Rembrandt's Simeon's Song of Praise, 1631: pictorial devices in the service of spatial illusion, ArtMatters: Netherlands technical studies in art 4 (2007), pp
3 Page 3 of 5 H.von Sonnenburg, Rembrandt/not Rembrandt in the Metropolitan Museum of Art : aspects of connoisseurship, vol.1, Metropolitan Museum of Art, New York, N. Stolow, J.F. Hanlan, R. Boyer, Element distribution in cross-sections of paintings studied by the X-ray macroprobe, Studies in conservation 14, no , pp J. Wadum, Rembrandt under the skin: the Mauritshuis Portrait of Rembrandt with a gorget in retrospect, Oud Holland 114, no. 2-4 (2000), p J. Wadum, Rembrandts erster "hässlicher" Akt: "Andromeda" von ca restauriert und untersucht. (Rembrandt's first "ugly" nude: "Andromeda" dated approximately 1630, restored and examined.), Restauro: Forum für Restauratoren, Konservatoren und Denkmalpfleger 109, no. 7 (2003 Oct-Nov), pp J. Wadum, A Unique Rembrandt Rediscoverd: The Crusader, an Oil Sketch for The Knight With the Falcon (St. Bavo), , Restauro 112, no.2, 2006, p E. van der Wetering, Painting Materials and Working Methods in J. Bruyn et al, eds., A Corpus of Rembrandt Paintings, vol. 1, The Hague, Martinus Nijhoff Publishers, 1982, p E. van der Wetering, Rembrandt: The Painter At Work, Amsterdam University Press, (1997). A.K. Wheelock, Jr., Rembrandt inventing himself in Rembrandt creates Rembrandt: art and ambition in Leiden, , A. Chong, ed., Waanders Uitgevers (2000), pp R. White, and J. Kirby, Rembrandt and his circle: seventeenth-century Dutch paint media re-examined, National Gallery technical bulletin 15 (1994), pp Equipment specifications: X-radiography Philips industrial X-ray tube, MCN 165, with a maximum operating kilovoltage of 160. Infrared photography and reflectography FUJI Pro 3 IRUV (Silicon CCD detector with IR senstivity up to 900nm and 4256 x 2848 pixel detector, produces infrared digital photographs-irdp) Goodrich Near Infrared Camera (Indium Gallium Arsenide detector with IR sensitivity up to 1700nm and 640 x 512 pixel detector, produces infrared reflectograms-irr) The Fuji shoots high resolution images with lower IR sensitivity while the Goodrich is capable of excellent IR imaging with a low resolution detector. If it is necessary to use the Goodrich camera in order to capture detectable underdrawing or compositional changes, a composite image of multiple small captures is assembled using Adobe Photoshop software. Microscopic examination of the surface is performed with an Olympus SZX12 stereomicroscope and photomacrographs are taken with a Nikon D700 using Camera Control Pro 2 software. Photomacrographs are labelled with their viewing magnification.
4 Page 4 of 5 CON18614 Photomacrograph 10x mag CON18615 Infrared digital photo CON18616 Photomacrograph location CON18617 Ultraviolet fluoresence photo CON18618 Verso CON18619 Wax seal on verso CON X-radiograph #1366 CON Infrared Reflectogram composite CON Auto-radiograph #1 CON Auto-radiograph #2 CON Auto-radiograph #3 CON Auto-radiograph #5 CON Auto-radiograph #6 CON Auto-radiograph #7 CON Auto-radiograph #8 CON Auto-radiograph #9 CON Infrared reflectogram CON Photomacrograph locations CON XRF sample point 3 CON XRF sample point 5
5 Page 5 of 5 CON XRF sample point 6 CON XRF sample point 12 CON XRF sample point 25 Conservator: 9 April 2010 K. Smith Date
MUSEUM OF FINE ARTS, BOSTON Technical Examination
MUSEUM OF FINE ARTS, BOSTON Technical Examination Object Number: 56.511 Attribution: Title: Culture/Period/Dated: 1634 Rembrandt Harmensz. van Rijn (Dutch, 1606 1669) Maria Bockenolle (Wife of Johannes
More informationPublished in: Building strong culture through conservation: preprints ICOM-CC 17th Triennial Conference: September 2014, Melbourne, Australia
UvA-DARE (Digital Academic Repository) Development of new imaging techniques for the study and interpretation of late Rembrandt paintings Noble, P.; van Loon, A.; van der Snickt, G.; Janssens, K.; Alfeld,
More informationOIL PAINTING GLOSSARY
OIL PAINTING GLOSSARY Alkyd (Pronounced: al-kid) An alkyd is a synthetic resin that can be added to oil paint to speed up the drying time of oil paints. You can buy an alkyd-based medium that you can mix
More informationSummer 1945 ART BULLETIN
THE METROPOLITAN MUSEUM OF ART BULLETIN Summer 1945 The Metropolitan Museum of Art is collaborating with JSTOR to digitize, preserve, and extend access to The Metropolitan Museum of Art Bulletin www.jstor.org
More informationBrief Report on Technology and Condition
Albert Marquet (1875-1947) Suburb of Paris (Banlieue de Paris) 1899 signed bottom left marquet Oil on artists board h 23.8 cm x b 31.3 cm WRM Dep. FC 671 Brief Report This small painting on an F4 size
More informationWalter Battiss African Rocks and Figures Oil on canvas (81,5 x 102 cm) SANG Acc 61/20 TECHNICAL REPORT
Walter Battiss African Rocks and Figures Oil on canvas (81,5 x 102 cm) SANG Acc 61/20 TECHNICAL REPORT This painting exhibits an interesting working method with a thick build-up of paint and an original
More informationYoung Woman with a Wine Glass Johannes Vermeer c L10; inv. 316 Herzog Anton Ulrich Museum
1 WEAVE MAP REPORT Young Woman with a Wine Glass Johannes Vermeer c. 1659-1662 L10; inv. 316 Herzog Anton Ulrich Museum C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William A. Sethares
More informationBrief Report on Technology and Condition
Achille Laugé (1861-1944) The Walk along the Riverbank (La promenade au bord de la rivière) 1888 no signature Oil on canvas h 35.9 cm x b 46.0 cm WRM Dep. FC 757 Brief Report The painting is rigorously
More informationWoman Holding a Balance Johannes Vermeer c L19; accession number National Gallery of Art, DC
1 WEAVE MAP REPORT Woman Holding a Balance Johannes Vermeer c. 1663-64 L19; accession number 1942.9.97 National Gallery of Art, DC C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William
More informationChrist in the House of Mary and Martha Johannes Vermeer c L02; accession number NG 1670 National Gallery of Scotland
1 WEAVE MAP REPORT Christ in the House of Mary and Martha Johannes Vermeer c. 1654-1655 L02; accession number NG 1670 National Gallery of Scotland C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu
More informationBrief Report on Technology and Condition
Camille Pissarro (1830-1903) Orchard in Varengeville (Un clos à Varengeville) 1899 signed and dated bottom left: C. Pissarro. 99 Oil on canvas h 46.5 cm x b 55.7 cm WRM Dep. 850 Brief Report This is one
More informationBrief Report on Technology and Condition
Henri Edmond Cross (1856-1910) Landscape in Provence (Paysage provençal) 1898 signed and dated bottom left: henri Edmond Cross 98 Oil on canvas h 60.3 cm x b 81.2 cm WRM Dep. FC 695 Brief Report The Landscape
More informationWoman with a Lute Johannes Vermeer c L14; accession number Metropolitan Museum of Art
1 WEAVE MAP REPORT Woman with a Lute Johannes Vermeer c. 1662-1665 L14; accession number 25.110.24 Metropolitan Museum of Art C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William
More informationThe Procuress Johannes Vermeer 1656 L03 / Gal.-Nr Staatliche Kunstsammlungen Dresden
1 WEAVE MAP REPORT The Procuress Johannes Vermeer 1656 L03 / Gal.-Nr. 1335 Staatliche Kunstsammlungen Dresden C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William A. Sethares University
More informationC. Richard Johnson, Jr. Cornell University William A. Sethares University of Wisconsin - Madison
1 WEAVE MAP REPORT The Art of Painting Johannes Vermeer c. 1666-1668 L26; inv. 9128 Kunsthistorisches Museum C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William A. Sethares University
More informationC. Richard Johnson, Jr. Cornell University William A. Sethares University of Wisconsin - Madison
1 WEAVE MAP REPORT View of Delft Johannes Vermeer c. 1660-63 L12; inventory number 92 The Mauritshuis C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William A. Sethares University of
More informationA Young Woman Standing at a Virginal Johannes Vermeer c L33; inv. number NG1383 National Gallery London
1 WEAVE MAP REPORT A Young Woman Standing at a Virginal Johannes Vermeer c. 1670-74 L33; inv. number NG1383 National Gallery London C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William
More informationA Young Woman Seated at a Virginal Johannes Vermeer c L36; JVe-100 The Leiden Collection
1 WEAVE MAP REPORT A Young Woman Seated at a Virginal Johannes Vermeer c. 1670-1672 L36; JVe-100 The Leiden Collection C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William A. Sethares
More informationBrief Report on Technology and Condition
Théo van Rysselberghe (1862-1926) Saint-Tropez 1895 monogrammed bottom left: VR no date oil on cedrowood h 19.0 cm x b 26.8 cm WRM Dep. FC 793 Brief Report Rysselberghe chose as his picture support a thin
More informationStichting Restauratie Atelier Limburg
Stichting Restauratie Atelier Limburg When Art meets Imaging Drs. Rene Hoppenbrouwers directeur Conservation: - paintings: panel and canvas - polychrome sculpture - wall paintings - modern & contemporary
More informationYoung Lady Reading a Letter at an Open Window Johannes Vermeer c L05 / Gal.-Nr Staatliche Kunstsammlungen Dresden
1 WEAVE MAP REPORT Young Lady Reading a Letter at an Open Window Johannes Vermeer c. 1657-58 L05 / Gal.-Nr. 1336 Staatliche Kunstsammlungen Dresden C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu
More informationC. Richard Johnson, Jr. Cornell University William A. Sethares University of Wisconsin - Madison
1 WEAVE MAP REPORT Girl with a Pearl Earring Johannes Vermeer c. 1665-67 L22; inventory number 670 The Mauritshuis C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William A. Sethares
More information1. Before conservation
Adoration of the Magi Circle of Frans Francken II, Casper van der Hoecke II (?)? 1640 Oil on oakwood. 72.8 104.8 cm EKM VM 932 Conservator: Alar Nurkse, conservator of painting, alar.nurkse@ekm.ee 1. Before
More informationBrief Report on Technology and Condition
Paul Cézanne (1839-1906) Landscape to the West of Aix-en-Provence (Dans la plaine de Bellevue) 1885/88 unsigned and undated Oil on canvas h 65.3 cm x b 81.5 cm WRM 3188 Brief Report In 1913, six years
More informationOfficer and Laughing Girl Johannes Vermeer c L06; accession number The Frick Collection
1 WEAVE MAP REPORT Officer and Laughing Girl Johannes Vermeer c. 1657-60 L06; accession number 1911.1.127 The Frick Collection C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William
More informationBrief Report on Technology and Condition
Paul Cézanne (1839-1906) Landscape near Aix-en-Provence (Paysage à Aix-en-Provence) c. 1879 unsigned and undated Oil on canvas h 46.2 cm x b 55.3 cm WRM Dep. FC 658 Brief Report This picture of a Provençal
More informationThe Love Letter Johannes Vermeer c L30; object number SK-A-1595 Rijksmuseum
1 WEAVE MAP REPORT The Love Letter Johannes Vermeer c. 1668-70 L30; object number SK-A-1595 Rijksmuseum C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William A. Sethares University
More informationBrief Report on Technology and Condition
Edouard Manet (1832-1883) Still-Life with Asparagus (Une botte d asperges) c. 1880(?) signed bottom left: Manet no date oil on textile h 46.5 cm x b 55.0 cm WRM Dep. 318 Brief Report The Still Life with
More informationBrief Report on Technology and Condition
Claude Monet (1840-1926) Fishing Boats on the Beach at Etretat (Bateaux de pêche et Porte d Aval) 1883/1884 signed and dated bottom right: Claude Monet 1884 Oil on canvas h 73.5 cm x b 100.5 cm WRM 3120
More informationGeorgia O'Keeffe. THE Alfred Stieglitz COLLECTION OBJECT RESEARCH Palladium print Alfred Stieglitz Collection. AIC accession number: 1949.
Alfred Stieglitz (American, 1864 1946) Georgia O'Keeffe 1918 Palladium print Alfred Stieglitz Collection AIC accession number: 1949.745A Stieglitz Estate number: OK 19E Inscriptions: Unmarked recto; inscribed
More informationThe Little Street Johannes Vermeer c L11; object number SK-A-2860 Rijksmuseum
1 WEAVE MAP REPORT The Little Street Johannes Vermeer c. 1657-61 L11; object number SK-A-2860 Rijksmuseum C. Richard Johnson, Jr. Cornell University johnson@ece.cornell.edu William A. Sethares University
More information5-2 Terahertz Spectroscopy for Non-Invasive Analysis of Cultural Properties
5-2 Terahertz Spectroscopy for Non-Invasive Analysis of Cultural Properties The scientific analysis of materials used in art objects can determine the period in which the objects were created, how they
More informationBrief Report on Technology and Condition
Edvard Munch (1863-1944) Åsgårdstrand 1889/90 signed bottom left: E Munch Oil on spruce panel h 24.6 cm x b 35.2 cm WRM Dep. FC 718 Brief Report This little picture on wood was painted en plein air right
More informationM6 JETSTREAM. Innovation with Integrity. Large Area Micro X-ray Fluorescence Spectrometer. Micro-XRF
M6 JETSTREAM Large Area Micro X-ray Fluorescence Spectrometer Innovation with Integrity Micro-XRF Spatially Resolved Elemental Analysis of Large Objects The Bruker M6 JETSTREAM is designed for the nondestructive
More informationBrief Report on Technology and Condition
Camille Pissarro (1830-1903) Farm at Bazincourt (Ferme à Bazincourt) 1884 Initial stamp bottom left: C.P undated Oil on canvas h 54.1 cm x b 65.1 cm WRM Dep. FC 693 Brief Report This painting remained
More informationHow the Electromagnetic Spectrum can be used to Examine Art
How the Electromagnetic Spectrum can be used to Examine Art HAA 206 24 th January 2012 Narayan Khandekar Senior Conservation Scientist Electromagnetic Spectrum A continuum of radiation (approx values)
More informationTHE EXAMINATION OF WORKS OF ART USING ELECTROMAGNETIC RAYS
THE EXAMINATION OF WORKS OF ART USING ELECTROMAGNETIC RAYS A work of art is assessed, judged and commented on by a person viewing the object, itself dependant on the presence and intensity of light that
More informationBy Claudio FALCUCCI, scientist specialized in the analysis and diagnostics of works of art
By Claudio FALCUCCI, scientist specialized in the analysis and diagnostics of works of art Translated from the original Italian text, which is to be considered the legal version The painting is executed
More informationCornell professor unlocks mysteries of paintings 19 November 2014, by Michael Hill
Cornell professor unlocks mysteries of paintings 19 November 2014, by Michael Hill A Rembrandt etching titled, Self Portrait Leaning on a Stone Sill, ca. 1639, etched by famed Dutch artist, Rembrandt Harmensz
More informationBrief Report on Technology and Condition
Maximilien Luce (1858-1941) Saint-Tropez 1892 signed, dated and identified bottom left: Luce 92 / S t Tropez Oil on cardboard h 26.0 cm x b 39.8 cm WRM Dep. FC 773 Brief Report Maximilien Luce was strongly
More informationSeventeenth-Century. A New Look at. Dutch Still Life. DOROTHY MAHON Conservator
a A New Look at Seventeenth-Century Dutch Still Life DOROTHY MAHON Conservator mong a group of paintings acquired by the Metropolitan Museum soon after incorporation in 1870 was a still life by the seventeenth-century
More informationWith every painting I find myself completely. absorbed in my work. I love the challenge. and excitement of starting a new piece,
MARK SPAIN With every painting I find myself completely absorbed in my work. I love the challenge and excitement of starting a new piece, trying to capture the grace, balance and beauty of the female form
More informationBrief Report on Technology and Condition
Léo Gausson (1860-1944) The Rue des Étuves à Lagny-sur-Marne (La rue des Étuves à Lagny-sur-Marne) c. 1885 (?) inscribed verso and also dated there twice, top and bottom right: Leo Gausson 1883 Oil on
More informationHow to Create an Underpainting Like the Old Masters: A Step-by-Step Guide
How to Create an Underpainting Like the Old Masters: A Step-by-Step Guide An E-Book Eric Bossik How to Create an Underpainting Like the Old Masters: A Step-by-Step Guide An E-Book Eric Bossik PORTABLE
More informationPAINTING TERMS & VOCABULARY
PAINTING TERMS & VOCABULARY Materials Oil Paints Oil paint is a mix of a powdered pigment bounded with a medium of drying oil. Linseed oil is commonly used as a carrier in oil paint. Oil paints can be
More informationCanvas Weave Match Supports Designation of Vermeer s Geographer and Astronomer as a Pendant Pair
Volume 9, Issue 1 (Winter 2017) Canvas Weave Match Supports Designation of Vermeer s Geographer and Astronomer as a Pendant Pair C. Richard Johnson Jr. and W. A. Sethares crj2@cornell.edu sethares@wisc.edu
More informationReport on the examination of the painting Rayonistic Sausage and Mackerel (1912) by Mikhail Larionov
Report on the examination of the painting Rayonistic Sausage and Mackerel (1912) by Mikhail Larionov author of the report: Verena Franken Report editors: Jilleen Nadolny, Petra Mandt location, date of
More informationBrief Report on Technology and Condition
Claude Monet (1840-1926) Houses in Falaise, Fog (Maisons à Falaise, brouillard) 1885 signature stamp bottom right: Claude Monet undated Oil on canvas h 73.5 cm x b 92.5 cm WRM Dep. FC 673 Brief Report
More informationMark Rothko's Harvard Murals
Analytical Strategy 2018 Strategische Übung: Art 25. September 2018 Jens Stenger Swiss Institute for Art Research Mark Rothko's Harvard Murals In 1962, the American painter Mark Rothko (1903-1970) created
More informationMunsell Color Science Laboratory Technical Report. Direct Digital Imaging of Vincent van Gogh s Self-Portrait A Personal View
Munsell Color Science Laboratory Technical Report Direct Digital Imaging of Vincent van Gogh s Self-Portrait A Personal View Roy S. Berns berns@cis.rit.edu May, 2000 A Note About This Document in Terms
More informationLady Beatrice Glenavy (née Elvery) The Picnic (The Expulsion from Eden)
CONDITION REPORT Lady Beatrice Glenavy (née Elvery) The Picnic (The Expulsion from Eden) Conducted by Marc Orion Smith (UCT Student No. SMTMAR055) at Iziko South African National Gallery, April 2016. Submitted
More informationMichael Zell EDUCATION
Michael Zell Boston University Department of History of Art & Architecture 725 Commonwealth Avenue, Room 302 Boston, MA 02215 Tel. 617/353-1452 Fax: 617/353-3243 Email: mzell@bu.edu EDUCATION Harvard University
More informationBrief Report on Technology and Condition
Berthe Morisot (1841-1895) Child among Hollyhocks (Enfant dans les roses trèmières) 1881 signature stamp bottom right: Berthe Morisot undated oil on canvas h 50.5 cm x b 42.5 cm WRM Dep. 614 Brief Report
More informationSAFETY AND MATERIAL FOR OIL PAINTING
SAFETY AND MATERIAL FOR OIL PAINTING Rembrandt - Selfportrait (detail) 1659 The content of this document is based on the video guide : The Practical guide to oil painting techniques and materials. Hazardous
More informationBrief Report on Technology and Condition
Pierre-Auguste Renoir (1841-1919) The Couple (Les fiancés) c. 1868 signed bottom left: Renoir. undated Oil on canvas h 105.4 cm x b 75.2 cm WRM 1199 Brief Report For the painting The Couple, formerly known
More informationPHOTO PAINTING TUTORIAL: WATERCOLOR IMPRESSIONISTIC STYLE
PHOTO PAINTING TUTORIAL: WATERCOLOR IMPRESSIONISTIC STYLE Step-by-step instructions on how to create a watercolor impressionistic style photo painting using Adobe Photoshop and Corel Painter. For this
More informationULTRAVIOLET FLUORESCENCE 3D MODELS FOR DIAGNOSTICS OF CULTURAL HERITAGE
European Journal of Science and Theology, April 2017, Vol.13, No.2, 35-40 ULTRAVIOLET FLUORESCENCE 3D MODELS FOR Abstract DIAGNOSTICS OF CULTURAL HERITAGE Luca Lanteri * and Giorgia Agresti 1 University
More informationReport on the examination of the painting. Portrait of a Man (Antosha Besval) (1910) by Mikhail Larionov
Report on the examination of the painting Portrait of a Man (Antosha Besval) (1910) by Mikhail Larionov Author of the report: Verena Franken Report editors: Jilleen Nadolny and Petra Mandt Location and
More informationWORKSHOP. Fiber Optic Reflectance Spectrometry for pigments identification in paintings. Marco Gargano Department of Physics
WORKSHOP Fiber Optic Reflectance Spectrometry for pigments identification in paintings Marco Gargano Department of Physics Light and Colors Primary source of color Incandescence luminescence Scattering
More information2.10. Neutron activation of paintings
2.10. Neutron activation of paintings Possible applications: Pigment analysis by activation techniques Neutron radiography by neutron absorption Autoradiography Requires neutron irradiation of the entire
More informationLaboratorio Scientifico del MUSEO D ARTE E SCIENZA
Laboratorio Scientifico del MUSEO D ARTE E SCIENZA di Gottfried Matthaes Milano, 23/02/2011 Nr. 2AN-7751 Results of scientific studies on the portrait of a girl, oil on canvas (46 x 33 cm) At the paintings
More informationAvenue Road Arts School 460 Avenue Road Toronto, Ontario, Canada M4V 2J1 Tel: (416)
Avenue Road Arts School 460 Avenue Road Toronto, Ontario, Canada M4V 2J1 Tel: (416) 961-1502 Material List- Updated Jan 2018 Urban Landscape Painting- Paul Turner I would recommend going to Above Ground
More informationBrief Report on Technology and Condition
Théo van Rysselberghe (1862-1926) Cap Gris Nez (Le Cap Gris Nez) 1900 monogrammed and dated bottom left: 19 VR 00 Oil on canvas h 65.5 cm x b 81.0 cm WRM Dep. FC 714 Brief Report This landscape-format
More informationCOLORED PENCIL WITH MIXED MEDIA with Sarah Becktel
COLORED PENCIL WITH MIXED MEDIA with Sarah Becktel Supply List: Lesson 2: Adding Fluid Acrylics to Colored Pencil Strathmore 500 Series Mixed Media Board or Strathmore 400 Series Mixed Media Paper This
More informationBQ Weekly 29 June 2017 Tang Yi Min
BQ Weekly 29 June 2017 Tang Yi Min Interview with Thomas S. Kaplan: If Rembrandt could travel through time, the first thing I would do would be to express my gratitude If my memory serves me well, I had
More informationPage 1 of 6 Updated 04/24/09
Fuller s Fine Art Auctions CONDITION REPORTS BY LOT Page 1 of 6 Updated 04/24/09 Notice: All property is sold AS IS and neither Fuller s LLC nor the Consignor makes any guarantees, warranties or representations,
More informationIntentional Painting Planner
Intentional Painting Planner 15 Questions to ask yourself BEFORE you start a painting Stimulate your thought process before you paint to: get past blank canvas block (paper, too) define your purpose, goal
More informationAvenue Road Arts School 460 Avenue Road Toronto, Ontario, Canada M4V 2J1 Tel: (416)
Avenue Road Arts School 460 Avenue Road Toronto, Ontario, Canada M4V 2J1 Tel: (416) 961-1502 Material List Impressionist Painting- Paul Turner Summer 2018 July 3 to 6-9:15-12:15 Aug 20 to 24-9:15-12:15
More informationDEFINING THE FOCAL POINT
Sunrise 124 10 DEFINING THE FOCAL POINT These projects demonstrate the thought process behind the composition design of two paintings that have strong focal points. You ll begin each painting using your
More informationRembrandt: The Painter At Work By Ernst van de Wetering, Paulien Retèl
Rembrandt: The Painter At Work By Ernst van de Wetering, Paulien Retèl If you are looking for the book Rembrandt: The Painter at Work by Ernst van de Wetering, Paulien Retèl in pdf format, then you've
More informationRestoration Process. El chico de la gallina (Boy with Hen), 1913 by Manuel Benedito. Carmen Thyssen-Bornemisza Collection
Restoration Process El chico de la gallina (Boy with Hen), 1913 by Manuel Benedito Carmen Thyssen-Bornemisza Collection Retrospective on the painter Manuel Benedito (1875-1963) San Fernando Royal Academy
More informationDetecting weft snakes
Detecting weft snakes C. Richard Johnson, Jr., Don H. Johnson, Ige Verslype, René Lugtigheid and Robert G. Erdmann Abstract Using recently developed image processing software, the presence of a wavy band
More informationOriginal colours of Van Gogh s paintings Research project REVIGO
Original colours of Van Gogh s paintings Research project REVIGO All the colours that Impressionism has made fashionable are unstable, Van Gogh wrote from Arles to his brother Theo, underlining the sentence
More informationRembrandt s Saul and David at the Mauritshuis: A Progress Report
Volume 5, Issue 2 (Summer 2013) Rembrandt s Saul and David at the Mauritshuis: A Progress Report Emilie E.S. Gordenker and Petria Noble Recommended Citation: Emilie E. S. Gordenker, Petria Noble, Rembrandt
More informationBrief Report on Technology and Condition
Achille Laugé (1861-1944) Road with Broom (La route aux genêts) c. 1900 undated signed bottom right: A. Laugé Mixed media (wax, oil) on canvas h 53.9 cm x b 72.5 cm WRM Dep. FC 759 Brief Report For the
More informationAfter Bouguereau: The Nut Gatherers.
After Bouguereau: www.kingslan.com painting@kingslan.com Surface Portrait grade 24 x 36 portrait grade canvas. Transfer Information Transfer the design to the surface with gray graphite. Palette Set up
More informationBearly Grown Up by Barb Halvorsen
Bearly Grown Up by Barb Halvorsen Bearly Grown Up By Barb Halvorsen Note from Barb: Oil Paints have always been my preferred medium of choice and what I feel most proficient with. However, thanks to Artists
More informationArtsy Painted Birds. Sign up for the free newsletter at
Artsy Painted Birds I love painting birds. I like to give them crazy colors and use loose, painterly brushstrokes. The fun-colored birdies make me happy! Don t fret if you can t draw a bird. You can trace!
More informationAfter Bouguereau: The Bohemian
After Bouguereau: The Bohemian www.kingslan.com painting@kingslan.com The Bohemian Surface Portrait grade 20x24 portrait grade canvas. Transfer Information Transfer the design to the surface with gray
More informationNoni s Ingredients by Tracy Meola
Noni s Ingredients by Tracy Meola Noni s Ingredients By Tracy Meola Palette: DecoArt Americana Arbor Green #13209 Antique White #13058 Bittersweet Chocolate #13195 Bright Yellow #13227 Cadmium Orange #13508
More informationPure Rubens major Autumn exhibition
Pure Rubens major Autumn exhibition 8 September 2018 13 January 2019 ***Press preview: Thursday 6 September*** Museum Boijmans Van Beuningen in Rotterdam and the Museo Nacional del Prado in Madrid partnered
More informationPOLAR BEAR. by Barb Halvorson
POLAR BEAR by Barb Halvorson EXCLUSIVE Polar Bear by Barb Halvorson PALETTE Buttermilk #13003 Traditional Burnt Umber #13221 Lamp (Ebony) Black #13067 Lavender #13034 Light Buttermilk #13164 Slate Grey
More informationPeaches & Blueberries. by Donna Hodson
Peaches & Blueberries by Donna Hodson Peaches & Blueberries By Donna Hodson Palette: DecoArt Americana Acrylics Antique Gold #13009 Antique Maroon #13160 Burnt Umber #13064 Cadmium Red #13015 Colonial
More informationConnoisseurship: Authority of Experts and Authority of Science Stephan Kemperdick
Connoisseurship: Authority of Experts and Authority of Science Stephan Kemperdick To approach a work of art as a connoisseur means, apart from enjoying the work, trying to find out when and by whom it
More informationOLD MASTERS ACADEMYTM
OLD MASTERS ACADEMYTM Elements of Art & Art Vocabulary http://oldmasters.academy/ Old Masters Academy Welcome to the Old Masters Academy online art course! Throughout this Course, we use art-related terminology.
More informationSealer, Primer, Isolation Coat, & Varnish
Sealer, Primer, Isolation Coat, & Varnish A seal can be applied between the substrate and gesso/primer, or between the substrate and the first layer of paint if gesso is not desired. A seal may also be
More informationPainting A Complete Portrait
Week 6 So this is it, the final week of the course. We have learnt all the theory we need to know and we have painted all the individual parts of the face. Now it's time we put all our knowledge together
More information30/03/2017. Dutch Painting. Thursday, March 30, 2017 Course Outline. The Netherlands. The 4 genres of Dutch painting. Vermeer
Dutch Painting Or, Expertise in artistic technique St. Lawrence, 3/30/2017 Thursday, March 30, 2017 Course Outline The Netherlands The 4 genres of Dutch painting Vermeer 1 1601-02 Caravaggio s Incredulity
More informationPENNSYLVANIA ACADEMY OF THE FINE ARTS CONTINUING EDUCATION PROGRAMS
PENNSYLVANIA ACADEMY OF THE FINE ARTS CONTINUING EDUCATION PROGRAMS Course: IN 601ET: Egg Tempera Painting Instructor: Anthony Ciambella Days/Dates: 8 Weeks, Thursdays, October 5 November 30, 2017 (No
More informationThe Division of Art: Specialization and the Dutch. There are many things which make the Golden Age of Dutch Art fascinating to
Marcus Shera Professor Angela Ho HNRS 122 11/29/16 The Division of Art: Specialization and the Dutch There are many things which make the Golden Age of Dutch Art fascinating to both art historians and
More informationBlue Self Portrait 24" x 30", oil on linen
Blue Self Portrait 24" x 30", oil on linen 52 THE PIEDMONT VIRGINIAN spring 2012 Art Gallery Sphere of Influence From police sketches to landscapes, a unique economy in technique leads to a bountiful range
More informationPremium Blue canvas. ITALIAN COTTON CANVAS medium grain (380gr), 100% cotton
www.ars.rs Painting program Premium Blue canvas ITALIAN COTTON CANVAS medium grain (380gr), 100% cotton Canvas for painting with universal primer, acrylic double primed. Stretched on wooden frame, sidestapled.
More informationThe Crucifixion by Rogier van der Weyden, Royal Monastery of San Lorenzo de El Escorial
A masterpiece from the royal collection held at El Escorial Patrimonio Nacional and the Prado Museum join forces to study and restore Van der Weyden s The Crucifixion Patrimonio Nacional and the Prado
More informationContrast. Contrast: the difference in density on adjacent areas of a radiograph or other image receptor. Subjective. Long Scale (Low Contrast)
Contrast Contrast: the difference in density on adjacent areas of a radiograph or other image receptor. Subject Subjective Radiographic Long Scale (Low Contrast) Short Scale (High Contrast) Factors affecting
More informationMastering Brushstrokes with Albert Handell. by Cindy Salaski. Invitation to Spring. Oil - 18 x 24. Albert Handell
Mastering Brushstrokes with Albert Handell by Cindy Salaski Invitation to Spring Oil - 18 x 24 Albert Handell W hat is one of the most unique and essential elements in a painting that makes it a painting
More informationNear-IR cameras... R&D and Industrial Applications
R&D and Industrial Applications 1 Near-IR cameras... R&D and Industrial Applications José Bretes (FLIR Advanced Thermal Solutions) jose.bretes@flir.fr / +33 1 60 37 80 82 ABSTRACT. Human eye is sensitive
More information03/11/2016. Dutch Painting. Thursday, November 3, 2016 Course Outline. The Netherlands. The 4 genres of Dutch painting. Vermeer
Dutch Painting Or, Expertise in artistic technique St. Lawrence, 11/3/2016 Thursday, November 3, 2016 Course Outline The Netherlands The 4 genres of Dutch painting Vermeer 1 1601-02 Caravaggio s Incredulity
More informationCONSERVATION STORIES POLLOCK MOTHERWELL
POLLOCK CONSERVATION STORIES Conservators conduct research, repair damage to works of art, and restore objects to their original condition. Becoming an art conservator requires an advanced degree with
More informationPhiladelphia Museum of Art discovers Old Masters' new secrets as it preps for next big show
Philadelphia Museum of Art discovers Old Masters' new secrets as it preps for next big show Updated: OCTOBER 10, 2017 12:35 PM EDT Buy Photo DAVID SWANSON / STAFF PHOTOGRAPHER At the Perelman conservation
More informationCOLORED PENCIL WITH MIXED MEDIA with Sarah Becktel
COLORED PENCIL WITH MIXED MEDIA with Sarah Becktel SUPPLY LIST Lesson 4: Using Pen and Ink with Colored Pencil Strathmore 400 Series Toned Mixed Media Paper This paper comes in 3 colors: gray, tan, and
More information