steam bending research through making W 09 - present
|
|
- Timothy Erick Franklin
- 5 years ago
- Views:
Transcription
1 steam bending research through making W 09 - present In the mid-nineteenth century, while Michael Thonet was mass-producing his iconic Chair No. 14, Great Lakes craftsmen made use of regional lumber to build bentwood furniture. Steam-bent furniture was lightweight, rigid, and compact, making it ideal for (unusually renewable and nontoxic) mass production. Contemporary digital practices provide an opportunity to reconsider this process at an architectural scale. Steam bending foregrounds the line, both as a primary space-making device (linear descriptive geometry) and as a location for material resistance (the grain and imperfections along a length of pre-steamed wood). The recursive loop between digital modeling and fullscale prototyping ensures that complex assemblies are informed by the material constraints of various wood species.
2 wishbone
3
4
5 steiner ellipse
6
7 tension runout runout over-steam compression over-steam knot tension failure
8 folding research W 09 - present The ancient practice of origami trains the hand in a set of operations that enable surfaces to become expressive, structural, and spatially compelling. But paper folding creates much more than a literal collection of miniature architectural artifacts; it engenders methods of modeling and diagramming that begin to interrogate new territories within contemporary design practice. A recent research grant from the Center for Research on Learning and Teaching (CRLT) at the University of Michigan will enable further exploration of these territories through an investigation of ceramic origami. This work will primarily focus on laser-cutting thin sheets of paper clay and will continue throughout the winter semester of 2010.
9 closed open closed open
10 A series of conventional origami forms are investigated at three levels: the behavior of physical paper models; the generative potential of underlying folding diagrams; and the ability to parametrically couple flexible forms and generative diagrams in digital models.
11 Folding diagrams do not describe completed forms but rather communicate a series of actions that generate formal possibilities. Experienced folders work back and forth between folded object and diagram, envisioning the translation between hand and object.
12 Parametric modeling bridges the gap between desired form and abstract model, just as folding oscillates between paper and instructive diagram.
13 fat flat design, fabrication W/S 09 Fat Flat explores tooling, detailing, and assembly in relief against CNC-flat-pack mania. Fat Flat can reconfigure a sheet of almost anything. Fat Flat reads thick (a solid chunk of reprocessed wood) or thin (a tablecloth draped in midair). At times the use of a chamfering bit renders edge details nearly invisible (and allows for tightly packed cut sheets). At other times the inability of a circular end mill to cut a square hole accentuates the joining of horizontal and vertical surfaces in a twoway frame. Fat Flat furniture eschews fasteners, relying instead on the precision of interlocking parts. Fat Flat is smart on front-end design and fabrication; it s dumb on back-end assembly (no tools, fasteners, clamps). A sheet of plywood + a roll of tape + a bottle of glue? Fat Flat.
14
15 joints
16 cut miter dado fasteners
17
18 10% 4 4 waste
19 aerial assault prototyping F 06 The aerial photographs of Ed Ruscha (Thirty-Four Parking Lots) and Alex Maclean (Taking Measures Across the American Landscape) offer compelling images of meta-patterns in American land use. But does the iconic bird seye image encourage facile conclusions about problems of infrastructure, urban ecology, and sprawl? 3000 serial images are captured via remote-control servo, digital camera, and helium balloons. Rather than idealizing picturesque landscape patterns, Aerial Assault invites active construction of new metascapes.
20
21
22
23 UG1 Design Studio Arch 312 F08, F09 Coordinated by A. Melissa Harris, Anca Trandafirescu The first design studio for incoming undergraduates, UG1 is both material and immaterial, an investigation of space and a direct engagement with the physical world. In both cases students are encouraged to take risks, think via making, and realize that architecture might not always be where they expect to find it.
24 Flip jump-cuts from a short video to a flipbook-inspired diptych, pausing the filmic flow in a stacked three-dimensional model. Students negotiate translations among digital media, hand drawing, and physical modeling in order to develop design dexterity.
25 15:15 12:15 Your Sun Machine registers the passage of the sun from dawn to dusk via the unfolded tracing of five receptive surfaces. Students filter, reflect, and refract light as a space-shaping medium, but also develop a technical understanding of seasonal sun angles through the use of scaled study models and renderings. diffuse light from north light panel to catch and distribute light louvers on windows and skylight to block and reflect high angle light extended sill to reflect light
26 Media Lab is a space for the experimental production and experience of new media. It seeks both to engender research and to facilitate social interaction. Media Lab bridges the divide between institutions (both academic and commercial) and an increasingly curious, wired-in public. It is about what we see and how we see it, what we say and how we say it, what we know and how we come to know it.
27 3G3 Graduate Studio Arch 422 W09, W10 Coordinated by Glenn Wilcox The last in a series of three intensive introductory studios for three-year graduate students, 3G3 investigates urban forms through physical modeling, analysis of historical types, and field work. The design of a contemporary art museum confronts students with the changing nature of public institutions and the need for new architectural responses.
28 Sections Sections Perspective Sections Exploded Axon 4 doublenegative 1 4 SP1 Sections SP1 SP2 SP2 2 TOP Exploded Axon Perspective Sections RIGHT Double Negative invites students to employ a series of digital and physical models to figure the intersection of two primary void spaces in a solid rectangular volume. Multiple edits and careful formal manipulation draw out a third figure, tracing the intersection of solid and void along a palpable volumetric line. BACK LEFT FRONT
29 MOCA situates the rich typological lineage of traditional museums within the pressures placed on public insitutions by new forms of contemporary art. Precedent studies enable students to intelligently shape new architectural forms for changing artistic practices.
30 Building
31 Digital Drawing SERIAL SECTIONS IN X-AXIS Arch 211 F07, W08, F08, W09, F09, W10 SERIAL SECTIONS IN Y-AXIS ASSEMBLY Slice & Dice SERIAL SECTIONS IN X-AXIS SERIAL SECTIONS IN Y-AXIS SERIAL SECTIONS IN X-AXIS Digital Drawing introduces prearchitecture students to the fundamentals of computer-aided design through weekly drawing exercises and lab sessions. Lectures construct a broad critical framework for situating contemporary digital practices and encouraging students to become conscientious makers and consumers of digital media. SERIAL SECTIONS IN Y-AXIS ASSEMBLY
32 South Elevation E 1027, Eileen Gray Villa Savoye, Le Corbusier
33 Architectural Theory + Criticism Arch 572 W08 Coordinated by Amy Kulper Architectural Theory grants pre-thesis students their bearings in the difficult terrain of architectural discourse. A visual glossary, based upon canonical texts, encourages connections among built precedent, theorists, and ideas. The project also helps students develop strategies for crafting incisive visual arguments.
34 Design Fundamentals Arch 416 S08, S09 Coordinated by Neal Robinson Design Fundamentals immerses new three-year graduate students in the disciplinary logics of architectural and urban precedents. A laser-cut flipbook analysis of an iconic case-study house challenges students to transition from horizontal plan to vertical section in 75 strategic cuts.
35 Summer Institute for International Students SIIS S08, S09 Each August, new international graduate students converge in Ann Arbor for an immersive orientation to the vagaries of American architectural academia. Their schedule is punctuated by forays throughout the midwest, where they identify patterns, seek connections, and collect their findings in book form. It is a pleasure to be (re)introduced to the American midwest through their eyes.
CNC Morphological Modelling in Landscape Architecture
CNC Morphological Modelling in Landscape Architecture Alexandre Kapellos 1, Martina Voser, Philippe Coignet, If Ebnöther 2 1 Institute for Landscape Architecture, Urban and Landscape Network (NSL), Department
More informationTEACHING PARAMETRIC DESIGN IN ARCHITECTURE
TEACHING PARAMETRIC DESIGN IN ARCHITECTURE A Case Study SAMER R. WANNAN Birzeit University, Ramallah, Palestine. samer.wannan@gmail.com, swannan@birzeit.edu Abstract. The increasing technological advancements
More informationInstalling a Studio-Based Collective Intelligence Mark Cabrinha California Polytechnic State University, San Luis Obispo
Installing a Studio-Based Collective Intelligence Mark Cabrinha California Polytechnic State University, San Luis Obispo Abstract Digital tools have had an undeniable influence on design intent, for better
More informationDigital Fabrication, Architectural and Material Techniques Iwamoto, Lisa
Book Review Digital Fabrication, Architectural and Material Techniques Iwamoto, Lisa Stephanus Evert Indrawan, Tri Noviyanto P. Utomo Interior Architecture Universitas Ciputra Digital Fabrications is one
More informationTHE LEGACY COLLECTION. Designed by Dorsey Cox Design. thonet.com
THE LEGACY COLLECTION Designed by Dorsey Cox Design thonet.com Thonet & it s LEGACY More than 170 years ago, Michael Thonet registered a patent for bending solid wood. This simple act set in motion a series
More informationSheet Metal OverviewChapter1:
Sheet Metal OverviewChapter1: Chapter 1 This chapter describes the terminology, design methods, and fundamental tools used in the design of sheet metal parts. Building upon these foundational elements
More informationFINE ARTS (FA) Explanation of Course Numbers
FINE ARTS (FA) Explanation of Course Numbers Courses in the 1000s are primarily introductory undergraduate courses Those in the 2000s to 4000s are upper-division undergraduate courses that can also be
More informationCanadian Clay & Glass Gallery. Strategic Plan
Canadian Clay & Glass Gallery Strategic Plan 2018-2021 Table of Contents ORGANIZATIONAL PROFILE - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
More informationART 121 SYLLABUS AND COURSE OUTLINE INTRODUCTION TO STUDIO: 3-D ART FOUNDATIONS SPRING 2009-TUESDAY & THURSDAY 1:10-4:00 PROFESSOR CALISCH
ART 121 SYLLABUS AND COURSE OUTLINE INTRODUCTION TO STUDIO: 3-D ART FOUNDATIONS SPRING 2009-TUESDAY & THURSDAY 1:10-4:00 PROFESSOR CALISCH This course is primarily a studio class. That means we spend the
More informationPlywood and Wood Bending. Jesse - Kalob - Evan
Plywood and Wood Bending Jesse - Kalob - Evan Content Plywood and Wood bending History Concepts Techniques - Laminated - steam 2-sided forms (industrial process) vs 1-sided forms (vacuum forming) History
More informationGRAPHIC DESIGN (ARTGR)
Iowa State University 2016-2017 1 GRAPHIC DESIGN (ARTGR) Courses primarily for undergraduates: ARTGR 270: Graphic Design Studio I F. Prereq: DSN S 102, DSN S 131 and enrollment in ARTGR 275; admission
More informationSpatial Demonstration Tools for Teaching Geometric Dimensioning and Tolerancing (GD&T) to First-Year Undergraduate Engineering Students
Paper ID #17885 Spatial Demonstration Tools for Teaching Geometric Dimensioning and Tolerancing (GD&T) to First-Year Undergraduate Engineering Students Miss Myela A. Paige, Georgia Institute of Technology
More informationGRAPHIC DESIGN (ARTGR)
Graphic Design (ARTGR) 1 GRAPHIC DESIGN (ARTGR) Courses primarily for undergraduates: ARTGR 270: Graphic Design Studio I F. Prereq: DSN S 102, DSN S 131 and enrollment in ARTGR 275; admission to the graphic
More informationArt. Chair: Justin Lincoln Michelle Acuff (on Sabbatical, Fall 2017) Charly Bloomquist Daniel Forbes
Art Chair: Justin Lincoln Michelle Acuff (on Sabbatical, Fall 2017) Charly Bloomquist Daniel Forbes Maria Lux Richard Martinez Nicole Pietrantoni Charles Timm-Ballard The focus of the studio arts program
More informationFuture of Cities. Harvard GSD. Smart[er] Citizens Bergamo University
Future of Cities Harvard GSD Smart[er] Citizens Bergamo University Future of Cities Harvard GSD Smart[er] Citizens Bergamo University SMART[ER] CITIES Harvard Graduate School of Design SCI 0637100 Spring
More informationSecond Year Industrial Design and Visual Communication Design
First Year Design Fundamentals Refer to Bear Tracks for current schedule (term, days and times) these courses are offered. DES 135 Design Fundamentals (non-bfa/bdes) (*3 (fi 6) (either term, 0-6L-0). Studio-based
More informationModular Pattern Exploration
M Modular Pattern Exploration By: Arushi Patel Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master
More informationTeach Yourself UG NX Step-by-Step
Teach Yourself UG NX Step-by-Step By Hui Zhang Ph.D., P.Eng. www.geocities.com/zhanghui1998 Table of Contents Chapter 1 Introduction... 1 1.1 UG NX User Interface... 1 1.2 Solid Modeling Fundamentals...
More informationSheet Metal OverviewChapter1:
Sheet Metal OverviewChapter1: Chapter 1 This chapter describes the terminology, design methods, and fundamental tools used in the design of sheet metal parts. Building upon these foundational elements
More informationWebsite:
SJSU Annual Program Assessment Form Academic Year 2013-2014 Department: Design Program: Interior Design College: Humanities and the Arts Website: http://www.sjsu.edu/design/design_programs/interior_design_program/
More informationINTERIOR DESIGN INSTITUTE PRATT UG/G ELECTIVE SPRING 2018 SCHOOL OF DESIGN INT 456/ CINEMATIC SPACE JON OTIS MONDAY 5:30-8:20PM
Cinematic Space is focused on the study of itecture and interiors being an integral component in the creation of a cinematic experience and narrative structure of film. Open to interior design students,
More informationDetecting Compressive Residual Stress in Carbon Steel Specimens of Flat Geometries Using the Remote-Field Eddy Current Technique
Detecting Compressive Residual Stress in Carbon Steel Specimens of Flat Geometries Using the Remote-Field Eddy Current Technique Y. Sun and T. Ouyang Innovative Materials Testing Technologies, Inc. 2501
More informationKelly Alexander Rolling Ball Kinetic Sculpture Summary
Kelly Alexander Rolling Ball Kinetic Sculpture Summary This design was prompted by a request to create a model exhibiting the capabilities of the selective laser sintering process. It was completed as
More informationInterior Architecture, BIAR Assessment Report, 2012
Interior Architecture, BIAR Assessment Report, 2012 Expected Outcomes : Design Competency Students completing the Interior Architecture dual degree program will be able to design, develop and graphically
More informationTable of Contents. Dedication Preface. Chapter 1: Introduction to CATIA V5-6R2015. Chapter 2: Drawing Sketches in the Sketcher Workbench-I.
Table of Contents Dedication Preface iii xvii Chapter 1: Introduction to CATIA V5-6R2015 Introduction to CATIA V5-6R2015 1-2 CATIA V5 Workbenches 1-2 System Requirements 1-4 Getting Started with CATIA
More informationStructural Optimization for Materially Informed Design to Robotic Production Processes
American Journal of Engineering and Applied Sciences Original Research Paper Structural Optimization for Materially Informed Design to Robotic Production Processes H. Bier and S. Mostafavi Hyperbody-Robotic
More informationParametric Sensibility: Cultivating the Material Imagination in Digital Culture
364 ACADIA2010 author: Mark Cabrinha organization: California Polytechnic State University, San Luis Obispo country: United States Parametric Sensibility: Cultivating the Material Imagination in Digital
More informationLiberty Pines Academy Russell Sampson Rd. Saint Johns, Fl 32259
Liberty Pines Academy 10901 Russell Sampson Rd. Saint Johns, Fl 32259 M. C. Escher is one of the world s most famous graphic artists. He is most famous for his so called impossible structure and... Relativity
More informationDIGF 6B21 Ubiquitous Computing
DIGF 6B21 Ubiquitous Computing NUMBER OF CREDITS: 1.5 Day and Time: Tuesdays 18:30 21:30, beginning October 30th Location: Room 7301, 205 Richmond Professor: Nick Puckett Email: npuckett@faculty.ocadu.ca
More informationtheory of architecture notes
theory of architecture notes The studio promotes ARCHITECTURE as the ability to organize, manipulate and articulate the constant and variable component parts of size, shape, and treatment. The studio presents
More informationLesson 2 PAINTING WALT: Develop depth and shape using the techniques of L.S Lowry.
Year 5 ART - BUILDINGS SKILL Develop control of a range of materials, tools and techniques Lesson 1 DRAWING WALT: Emphasise texture, tone and lines when making observational sketches of buildings *Prior
More informationKHANH-LINH THAI TUID:
KHANH-LINH THAI TUID: 915403354 I II Contents PAVILION 02 CATCHING LIGHT 04 SCREEN 06 FORMAL FOLLIES 08 SPACE OF THE PAPER 09 ELKINS PARK 10 MODULE ASSEMBLAGE I 12 MODULE ASSEMBLAGE II 14 CAPTURING MOVEMENT
More informationCambridge International Examinations Cambridge International General Certificate of Secondary Education
www.xtremepapers.com Cambridge International Examinations Cambridge International General Certificate of Secondary Education *8417047054* DESIGN AND TECHNOLOGY 0445/32 Paper 3 Resistant Materials May/June
More informationART DEPARTMENT HIGH SCHOOL VISUAL ART PATHWAYS 3-D STUDIO (CERAMICS/SCULPTURE) 1 Studio 1 Ceramics/Sculpture 1 Digital 1 Photography 1
ART DEPARTMENT HIGH SCHOOL VISUAL ART PATHWAYS LEVEL 2-D STUDIO (DRAWING/PAINTING) 3-D STUDIO (CERAMICS/SCULPTURE) DIGITAL PHOTOGRAPHY 1 Studio 1 Ceramics/Sculpture 1 Digital 1 Photography 1 2 Studio 2
More informationGenre-Specific Level Design Analysis.
Genre-Specific Level Design Analysis. UC Santa Cruz CMPS 171 Game Design Studio II courses.soe.ucsc.edu/courses/cmps171/winter13/01 ejw@cs.ucsc.edu 4 March 2013 Upcoming deadlines Friday. March 8 Team
More informationAdvanced Woods. Content Skills Learning Targets Assessment Resources & Technology CEQ: How to build a cabinet set or complex furniture?
St. Michael-Albertville High School Teacher: Roger Bovee Advanced Woods September 2014 CEQ: How to build a cabinet set or complex furniture? What is a drawing? A: Drawing types A1. Three view A1: Detail
More informationnineteen Wood Construction 1 and design APPLIED ARCHITECTURAL STRUCTURES: DR. ANNE NICHOLS FALL 2016 lecture STRUCTURAL ANALYSIS AND SYSTEMS ARCH 631
APPLIED ARCHITECTURAL STRUCTURES: STRUCTURAL ANALYSIS AND SYSTEMS DR. ANNE NICHOLS FALL 2016 lecture nineteen wood construction and design Wood Construction 1 Timber Construction all-wood framing systems
More informationDunn, Nick. Architectural Modelmaking. London: Laurence King Pub, 2010.
FALL 2014 ARCH 1210 Design Foundations II COURSE COORDINATOR Prof. Esteban Beita, Ph.D. 6 lab/studio hours, 3 credits COURSE DESCRIPTION COURSE CONTEXT PREREQUISITES Design Foundations II is the second
More informationALONA YANSHINA EXERCISE 1.1
material makeup: log ALONA YANSHINA EXERCISE 1.1 timeline + development log cabin - interlocked corners by cutting notches in the ends of the logs. using log joinery technique, structures grew higher logs
More informationDOROTHY SIMPSON KRAUSE: PROJECTS
DOROTHY SIMPSON KRAUSE: PROJECTS Gathering Memories: a paper portfolio This small portfolio of colored paper with pockets is perfect to hold and display some of the small items you ll collect on your cruise.
More informationArt History. Art History - Art History MLitt /9 - August Programme Requirements:
Art History Programme Requirements: Art History - MLitt AH5100 (30 credits) and 90 credits from Module List: AH5076 - AH5200 and (AH5099 (60 credits) or AH5200 (60 credits)) MPhil: 120 credits from MLitt
More informationPRODUCTION. in FILM & MEDIA MASTER OF ARTS. One-Year Accelerated
One-Year Accelerated MASTER OF ARTS in FILM & MEDIA PRODUCTION The Academy offers an accelerated one-year schedule for students interested in our Master of Arts degree program by creating an extended academic
More informationStructures. Program Details + Learning Standards Alignments: Learning By Design in Massachusetts
How do buildings and bridges stand up? How are our bodies and buildings alike? Who designed our built our structures, and why? K-8 students will answer these questions when LBD:MA brings a wealth of hands-on
More informationPainting, Drawing & Sculpture (PDS)
Painting, Drawing & Sculpture (PDS) 1 Painting, Drawing & Sculpture (PDS) Courses PDS 2011. Painting. 3 Credit Hours. This studio-intensive course is designed to give the student a thorough grounding in
More informationPRESS RELEASE HENDZEL + HUNT // BESPOKE INTERIORS + EXPERIMENTAL FURNITURE/PRODUCT ^^^COLLECTORS ITEMS// THE INFAMOUS 2009 BUSINESS CARDS
Designers + makers 9 Gowlett road, Unit 4 Peckham, SE15 4HX, London www.hendzelandhunt.com tel. +44 (0)77 9129 3751 (Jan) +44 (0)78 3811 6118 (Oscar) +44 (0)20 7639 2277 (Studio) HENDZEL + HUNT // BESPOKE
More informationCOURSE CONTENTS FOR THE AVTS COURSES
Revision: 00 LEARNING CONTENT Page 1 of 14 COURSE CONTENTS FOR THE AVTS COURSES AT CAD- CAM LAB, ATI, VIDYANAGAR, HYDERABAD Revision: 00 LEARNING CONTENT Page 2 of 14 III COURSE CODE CAD-01 IV COURSE TITLE
More informationArchitecture (ARCH) Courses. Architecture (ARCH) 1
Architecture (ARCH) 1 Architecture (ARCH) Courses ARCH 5011. Graduate Representation Intensive 1. 3 Credit Hours. This course focuses on the development of visual literacy, graphic techniques, and 3D formal
More informationA WORD ABOUT BRACING PART A - BUILDING A STRAIGHT, PILE BENT, OPEN DECK TRESTLE. Built in Place, Straight
BUILDING LARGE SCALE TRESTLES You have many options when building a large scale trestle. The choices you make may be based on the prototype you are modeling; the era or industry you are modeling; or, simply
More informationINDUSTRIAL DESIGN. Curriculum in Industrial Design. Humanities: 6 cr. Social Sciences: 6 cr. Math/Physics/Biol.Sciences: 6 cr.
Industrial Design 1 INDUSTRIAL DESIGN http://www.design.iastate.edu/industrialdesign/index.php COMST 101 COMST 102 CMDIS 286 Introduction to Communication Studies Introduction to Interpersonal Communication
More information1 ISOMETRIC PROJECTION SECTION I: INTRODUCTION TO ISOMETRIC PROJECTION
1 ISOMETRIC PROJECTION SECTION I: INTRODUCTION TO ISOMETRIC PROJECTION Orthographic projection shows drawings of an object in a two-dimensional format, with views given in plan, elevation and end elevation
More informationINNOVATIONS IN SITTING DESIGN WITH A USE OF CNC TECHNOLOGY
INNOVATIONS IN SITTING DESIGN WITH A USE OF CNC TECHNOLOGY Milan Šimek, Jiří Tauber, Václav Šprdlík Department of Furniture, Design and Habitation, Faculty of Forestry and Wood Technology, Mendel University
More informationINCEPTIV INSTALLATION GUIDELINES
3D WOOD WALL PANELS INCEPTIV INSTALLATION GUIDELINES We recommend you hire an experienced finish carpenter or floor installer to achieve quality results with all Duchateau Wall Coverings. The right tools
More informationPrecision Folding Technology
Precision Folding Technology Industrial Origami, Inc. Summary Nearly every manufacturing process has experienced dramatic improvements in accuracy and productivity as well as declining cost over the last
More informationKinetic Forms of Knowledge for Design
Kinetic Forms of Knowledge for Design Nick Gelpi Florida International University, USA ngelpi@gmail.com Shahin Vassigh Florida International University, USA svassigh@fiu.edu Abstract The introduction of
More informationBC ART 108 Hand & Power Tools Syllabus Fall 2011 Gretchen Lillie Course Purpose:
BC ART 108 Hand & Power Tools Syllabus Fall 2011 Gretchen Lillie glillie@bellevuecollege.edu Course Purpose: Art 108 is designed to introduce interior design and art students to our wood shop facility
More informationPainting, Drawing & Sculpture (PDS)
Painting, Drawing & Sculpture (PDS) 1 Painting, Drawing & Sculpture (PDS) Courses PDS 2011. Painting. 3 Credit Hours. This studio-intensive course is designed to give the student a thorough grounding in
More informationArt Collection Policy
Policy# Approved by: Policy Manual GA600 Name: Michael Hatton Title: Vice President Academic Approval Date: June 29, 2012 Policy Holder: Vice President Academic Administrative Contact: Director/Curator
More informationART (ART) Art (ART) 1
Art (ART) 1 ART (ART) ART 100 Art History and Appreciation - Fundamentals 3 Units (AA/AS; CSU; IGETC 3A; UC; CSUGE C1) A study of the basic art principles and elements and how they are applied to art forms
More informationCREDITS COMMUNITY DESIGN MICHIGAN SUPPORT. The Bus Stops Here project features the 2006 work of Cranbrook
THE BUS STOPS HERE The Bus Stops Here project is a timely tribute to one of the most enduring icons of community life, the often overlooked and under-appreciated bus stop and park bench. The finished designs
More informationOffice of Admissions. 110 Meyerson Hall Philadelphia, PA TIME BASED AND INTERACTIVE MEDIA CERTIFICATE PROGRAM
Office of Admissions 110 Meyerson Hall Philadelphia, PA 19104-6311 TIME BASED AND INTERACTIVE MEDIA CERTIFICATE PROGRAM The Time Based and Interactive Media Certificate Program is suited for graduate students
More informationBID October - Course Descriptions & Standardized Outcomes
BID 2017- October - Course Descriptions & Standardized Outcomes ENGL101 Research & Composition This course builds on the conventions and techniques of composition through critical writing. Students apply
More informationINCEPTIV INSTALLATION GUIDELINES
3D WOOD WALL PANELS INCEPTIV INSTALLATION GUIDELINES We recommend you hire an experienced finish carpenter or floor installer to achieve quality results with all Duchateau Wall Coverings. The right tools
More informationDAVID KLEIN. City College of San Francisco PHOTOGRAPHY DEPARTMENT.
DAVID KLEIN City College of San Francisco PHOTOGRAPHY DEPARTMENT www.ccsf.edu/photo PHOTOGRAPHY DEPARTMENT With over 700 students every semester, CCSF has one of the largest photography programs in the
More informationThe development of strategies for working with threedimensional glass forms using two-dimensional waterjet cutting
The development of strategies for working with threedimensional glass forms using two-dimensional waterjet cutting Shelley Doolan Swansea Metropolitan University, School of Glass Abstract This enquiry
More informationWelcome to the a Department of Engineering Education! ENGR 1182 Introduction to Engineering II Graphics 01
Welcome to the a Department of Engineering Education! ENGR 1182 Introduction to Engineering II Graphics 01 Today s Objectives Teaching Team Introduction Course Structure & Expectations Course Syllabus
More informationCopyright Notice. HCL Technologies Ltd. All rights reserved. A DEFINITIVE GUIDE TO DESIGN FOR MANUFACTURING SUCCESS
Copyright Notice HCL Technologies Ltd. All rights reserved. No part of this document (whether in hardcopy or electronic form) may be reproduced, stored in a retrieval system, or transmitted, in any form
More informationMANUFACTURING PROCESSES
1 MANUFACTURING PROCESSES - AMEM 201 Lecture 5: Milling Processes DR. SOTIRIS L. OMIROU Milling Machining - Definition Milling machining is one of the very common manufacturing processes used in machinery
More informationArt and Art History - Photography
Art and Art History - Photography In Photography 1 through Independent Investigations in Photography, students work with black-and-white analogue photography, digital photography and video in response
More informationThe Daniel Zalik Academy. Science, Technology, Engineering, and Design
The Daniel Zalik Academy of Science, Technology, Engineering, and Design What is The Zalik Academy? The Daniel Zalik Academy is a state-of-the-art Science, Technology, Engineering, and Design institute
More information4.510 Digital Design Fabrication Fall 2008
MIT OpenCourseWare http://ocw.mit.edu 4.510 Digital Fall 2008 For information about citing these materials or our Terms of Use, visit: http://ocw.mit.edu/terms. Assignment 2 Sept 15, 2008 Design and Fabrication
More informationKeeping Plank Doors Flat
Keeping Plank Doors Flat Five solutions, from standard to stylish BY CHRISTIAN BECKSVOORT Working strictly with solid wood, I take frame-andpanel doors almost for granted. To me it's a no-brainer: Isolate
More informationGeometry has an ambiguous reputation, associated as much with idiocy as with cleverness.
First-Year Graduate Studio: Ins & OUTSs Arch 551, Fall 2018 Instructor: Kelly Bair Ins & OUTSs Geometry has an ambiguous reputation, associated as much with idiocy as with cleverness. -The Projective Cast:
More informationOrthographic Projection
Orthographic Projection Why Orthographic Projection is used in technical drawing Orthographic projection is a method of producing a number of separate two-dimensional inter-related views, which are mutually
More informationSoftware Development & Education Center. Inventor 2013
Software Development & Education Center Inventor 2013 Autodesk Inventor Essential Objective To provide students with a thorough understanding of the principal 3D design, validation, and documentation processes
More informationARCH 2000: Visual Thinking A
Calendar Description Fall 2015 Class Time: Friday, 2:00pm to 5:00pm Room: D414 MacDonald Building, Sexton Campus Course Instructor: Ken Kam Course T.A.: TBA Office: HA-15 (Ralph M. Medjuck Building) Contact:
More informationORIGAMI BOXES Using Paper Folding to Teach Geometry
W 409 ORIGAMI BOXES Using Paper Folding to Teach Geometry James Swart, Extension Graduate Assistant, 4-H Youth Development MANAGEMENT OF APHIDS AND BYD IN TENNESSEE WHEAT 1 Tennessee 4-H Youth Development
More informationPerspective Drawing Skills Packet
Perspective Drawing Skills Packet Source: http://www.studentartguide.com/articles/one-pointperspective-drawing This article contains everything an Art student needs to know about drawing in one point perspective.
More informationMEDIA AND INFORMATION
MEDIA AND INFORMATION MI Department of Media and Information College of Communication Arts and Sciences 101 Understanding Media and Information Fall, Spring, Summer. 3(3-0) SA: TC 100, TC 110, TC 101 Critique
More informationArchitecture of materialism: A study of craft in design culture, process, and product
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2009 Architecture of materialism: A study of craft in design culture, process, and product Logan Mahaffey University
More informationS206E Lecture 6, 5/18/2016, Rhino 3D Architectural Modeling an overview
Copyright 2016, Chiu-Shui Chan. All Rights Reserved. S206E057 Spring 2016 This tutorial is to introduce a basic understanding on how to apply visual projection techniques of generating a 3D model based
More informationTheory of Structures-I (CE-206)
Theory of Structures-I (CE-206) Course Contents: Introduction to structural analysis o Definition, type of structures, structural idealization, loads, determinacy, indeterminacy and stability of structures
More informationTextile Design Research Group
Textile Design Research Group The Textile Design Research Group is committed to understanding and progressing textile sustainable design research and practice through both traditional and practice-led
More informationBox Full of Mathematics
Box Full of Mathematics Arsalan Wares, Valdosta State University Abstract: The purpose of this paper is to describe the mathematics that emanates from the construction of an origami box. The design of
More informationARCH 3450: Advanced Architectural Communication
ARCH 3450: Advanced Architectural Communication 2013 Summer Session 2 Northeastern University School of Architecture Chris Ryan [ch.ryan@neu.edu] Anthony Piermarini [a.piermarini@neu.edu] Sam Choi [sa.choi@neu.edu]
More informationTools and Tips: ( 1 )
Tools and Tips: As you build instructions will show in my many picture manual how to assemble. You can use your own methods as you desire, my results are very good. A smooth, flat work surface is very
More informationDesign Representation 1
Once a design is conceptualized, it must be represented and communicated to others in a complete and technically accurate fashion. GET130 Intro to Engineering Technology Fall 2016 Communication methods:
More informationKAYE MACKENZIE. City College of San Francisco PHOTOGRAPHY DEPARTMENT.
KAYE MACKENZIE City College of San Francisco PHOTOGRAPHY DEPARTMENT www.ccsf.edu/photo PHOTOGRAPHY DEPARTMENT With over 400 students every year, CCSF has one of the largest photography programs in the
More informationArt III. Fine Arts Curriculum Framework. Revised 2008
Art III Fine Arts Curriculum Framework Revised 2008 Course Title: Art III Course/Unit Credit: 1 Course Number: Teacher Licensure: Grades: 9-12 Art III Art III is a two-semester course designed for students
More informationARCHITECTURAL PORTFOLIO. Alexander Reed
ARCHITECTURAL PORTFOLIO Alexander Reed This portfolio is a collection of my works over the last couple of years. I plan to continue doing what I love and to improve on the skills that I have started to
More informationColossal Cardboard Constructions
Colossal Cardboard Constructions George Hart Stony Brook University george@georgehart.com Abstract Impressive, large geometric sculptures can be made very cost effectively from cardboard by a group of
More informationDCB-S SERIES BANDSAWS DURMA
DCBS SERIES BANDSAWS BETTER PARTS BETTER PROFITS DCBS SERIES BANDSAWS STANDARD EQUIPMENT Twoway 45 Angle Adjustable Clamp Hydraulic Vice Electronic Variable Cutting Speed Adjustment with Inverter Bimetal
More informationClassic Kitchen Island
America s leading woodworking authority Step by Step construction instruction. A complete bill of materials. Classic Kitchen Island Exploded view and elevation drawings. How-to photos with instructive
More informationMANUFACTURING TECHNOLOGY
MANUFACTURING TECHNOLOGY UNIT II SHEET METAL FORMING PROCESSES Sheet metal Process in detail Cutting (Shearing) Operations Manufacturing Technology In this operation, the work piece is stressed beyond
More informationInstallation Instructions for Siding
Smart-Shingle TM System "The new smart way to install cedar shingles." - This Old House Installation Instructions for Siding V3.2 INSTALLATION GUIDE MARKS Shingle-Strip 0 1 2 3 4 5 6 7 8 9 10 11 12 13
More informationDYNAMIC MEDIA INSTITUTE MFA: DESIGN COURSES
DYNAMIC MEDIA INSTITUTE MFA: DESIGN COURSES These are some sample courses offered within the Dynamic Media Institute. With approval of an advisor, students may also choose electives from the Professional
More informationWest Windsor-Plainsboro Regional School District Architectural Design and Fabrication
West Windsor-Plainsboro Regional School District Architectural Design and Fabrication Unit 1: Technical Drawings Content Area: Engineering Course & Grade Level: Architectural Design & Fabrication, 10-12
More informationspatial manipulation device
spatial manipulation device EMPHASIS ON ARCHITECTONIC space light motion modulators laszlo moholy-nagy Hungarian; he was the teacher of Kepes, also a Hungarian the aviator suit; the artist as mechanic
More informationSpecial Formats, Innovative Preservation Storage Solutions
Special Formats, Innovative PETER D. VERHEYEN HEAD OF PRESERVATION AND CONSERVATION SYRACUSE UNIVERSITY LIBRARY A PRESENTATION TO THE NEW YORK ARCHIVES CONFERENCE AT LE MOYNE COLLEGE 4 JUNE, 2009 Architectural
More informationDiscover inspiring new possibilities to elevate your art
Discover inspiring new possibilities to elevate your art Introducing the Aspyre Collection from James Hardie ART+SOUL OF HIGH DESIGN Fuse high performance with high design into any form imaginable. The
More informationGroundwork: Structures and Drawing in Education and the Design Process
Groundwork: Structures and Drawing in Education and the Design Process M. Dunn SAUL School of Architecture University of Limerick Abstract At the centre of the design process is the relationship between
More information