Tool Geometry And the Cutting Edge. By Lyndal Anthony Photography by Joan Overhouse

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Tool Geometry And the Cutting Edge By Lyndal Anthony Photography by Joan Overhouse

"Insanity is doing the same thing over and over again but expecting different results. Quote first appears in the book udde Death by Rita Mae Brown

Co o Tur i g Questio s.. Which tool is the best? What tool angle is the best? What grind angle is the best? What grind profile is the best? Why am I getting so much tear out?

Notice the numerical order (3) Which tool is the best? (This should be the third question!) (2) What tool angle is the best? (This should be the second question.) (4) What grind angle is the best? (4) What grind profile is the best? (These should be the last question.)

(1) Why am I getting so much tear out? This should be the first question a person asks. A perso should k ow How the tool works and how it cuts wood before he can appreciate what tool to use, what grind angle and etc.

Number one rule: Rub the bevel! The bevel not only guides the cut, but it supports the tool during the cut.

There are Three Types of Cutting Angles: Positive, Negative, and Neutral/zero

Positive Rake Tool

A Positive Rake Tool Lifts/Pulls the Wood Fibers Up

Neutral Rake Tool

Negative Rake Tool

Notice How The Negative Rake Tool Tends to Push The Chip Into the Work Piece

The negative rake tool actually pushes the wood fibers down and with that, the other wood fibers support the others so the fibers can be cleanly cut off.

The Cutting Forces That We Are Going to Discuss Are: Scraping Shearing Slicing

Standard Bowl Grain Direction

End Grain Bowl

I use the gouge with the flute about half open to rough turn. It may be hard to see, but I am rubbing the bevel to control the depth of the cut. Shear Cut. Notice the positive gouge angle!

Typical Grain Tear Out With A Shear Cut

By closing the flute, the gouge will slice the wood fibers with the nose radius instead of just cutting them. Notice that the cutting edge is almost parallel to the rotation of the wood. Again, note how I rub the bevel to control the depth of cut. Slicing Cut

After finish turning with the nose radius in the closed position

Now, when you use your bowl gouge, pay close attention to the cutting edge instead of the angle. Turn the cutting edge to the work piece where it will slice through the wood fibers. The angle is then set.

But also remember that a gouge is just a cutting edge

Notice that this is a scraper, only used like a bowl gouge

By using the cutting edge almost parallel with the rotation of the lathe, The finish is smooth.

And now a detail gouge

Notice the position/angle of the gouge

Nice finish!

Have you noticed how cleanly a skew chisel cuts? Why? A skew chisel has a thin knife edge and is used by lining up the cutting edge WITH the rotation of the work piece.

The angle of the cutting edge

When you need to make a finish cut and you are having tear out problems, remember the shape of the cutting edge.

Think of the difference between a butcher knife and a fillet knife. The butcher knife like a splitting axe has a broader angle on the cutting edge The limbing axe is more like a fillet knife

The nose angle is usually around 0 to degree s But the angle of the wing, sometimes called the cheeks cutti g edge is 0 degrees or less, just like the difference between a butcher knife and fillet knife.

Using the nose with the flute closed works, but here is another way

It is a lot harder to control the tool, but it leaves a nice finish

Honing a gouge! There are three the types of bevels A. Hollow ground/concave B. Flat C. Convex

(Exaggerated hollow grind bevel) Notice that the hollow grind wants to follow a radius into the work piece.

When you hone a bevel, you remove metal front and rear changing the radius to a flat bevel.

Notice that honing changes the cutting action. Instead of digging in, it will move straight ahead. It is still sharp, it just cuts (feels) different.

Much less used is a convex grind bevel, but it has an advantage; it works like a carving chisel. It wants to move up and out of a cut.