Standards Content Skills Assessments

Similar documents
WAYNESBORO AREA SCHOOL DISTRICT CURRICULUM DRAWING & PAINTING II

Delta RV Art II Revised-2012

charcoal production of a work of art that reflects skills in media India ink Using line as a tool to define processes and techniques Techniques

Archdiocese of Washington Catholic Schools Academic Standards Visual Arts

Archdiocese of Washington Catholic Schools Academic Standards Art

Archdiocese of Washington Catholic Schools Academic Standards Visual Arts

Archdiocese of Washington Catholic Schools Academic Standards Visual Arts

Subject Area. Content Area: Visual Art. Course Primary Resource: A variety of Internet and print resources Grade Level: 3

Art Approved: May 2008 Geneva-Fairmont Alignment: Fillmore Central Update: 2003 Revision: May 2008 Revision: June 2009

Grade 8 CURRICULUM MAP CONTENT: Art Revised: March A5 25A6 25A7 25B7 25B9 25B10 26A6 26A7 26A9 26B7 26B8 26B11 26B12 27B5 27B6 27B7

Grade D Drawing 2. Commercial Art 3. Elements of Design 4. Modeling and Sculpture 5. Painting 6. Principles of Design 7.

Summit Public Schools--Summit, New Jersey. Grade 8 Art Cycle. Length of Course: 45 Days. Curriculum

Achievement Targets & Achievement Indicators. Envision, propose and decide on ideas for artmaking.

Central Valley School District (Middle School Fine Arts) Curriculum Map (Grade 8) Week 1

Art One. Any Level 2 Course. Any Level 3 Course. Any Level 4 Course Or AP Course

Pablo Picasso and Reduction Linocut Printmaking

2011 Austin Independent School District Page 1 of 4 updated 5/15/11

Archdiocese of Washington Catholic Schools Academic Standards Visual Arts

Grade Level Expectations for the Sunshine State Standards

7th Grade Art. Access the SAS content at: Unit: Color and Design Duration: 15 Sessions. Suggested Activities

Achievement Targets & Achievement Indicators. Compile personally relevant information to generate ideas for artmaking.

Final Product: Poster 9/30/2012 Oral presentation to class 9/30/2012 Teacher Observations 9/30/2012

8th Grade Art. Concepts Competencies Vocabulary. Students will be able to:

Fine Arts II Honors Curriculum Maps

Did you know that the numbers on a limited edition print actually mean something?

VISUAL ARTS STANDARDS. Archdiocese of San Antonio Catholic Schools, 2018

Visual Arts Grades 6 through 8

KINDERGARTEN VISUAL ARTS PACING GUIDE:

ART. Art I 1/2 credit

Saint Patrick High School

Art Foundations Curriculum Map

Fine Arts Student Learning Outcomes Course, Program and Core Competency Alignment

Ganado Unified School District (Visual Arts/Grades 9-12)

MIDDLE SCHOOL COURSE OUTLINE

Visual Studies (VS) Courses. Visual Studies (VS) 1

Vocabulary Glossary Visual Arts K-4

Westbrook Public Schools MS Art Curriculum Grade 8

Ganado Unified School District (Art 1/High School 9-12)

FINE ARTS COURSE SYLLABUS

Delta RV Art I Revised-2012

Ganado Unified School District (ART/6 th -8th)

High School Design and Drawing Curriculum

Napa Valley College ARTS 120 Fundamentals of Painting Fain Hancock office cell, text

Shrewsbury Borough School Visual and Performing Arts Curriculum 2012 Visual Arts Grade 4

LEVEL: 2 CREDITS: 5 GRADE: PREREQUISITE: None

(A) consider concepts and ideas from direct observation, original sources, experiences, and imagination for original artwork;

Pine Hill Public Schools

Hot or Cold? Warm Colors: Yellow, Orange, Red (excitement) Cool Colors: Green, Blue, Violet (calmness)

Art at Cox Green Curriculum Plan. Key Stage 4 Year 9 Term I Term 2 Term 3 Term 4 Term 5 Term 6

6th Grade Art. Access the SAS content at: Unit: Color and Design Duration: 15 Sessions. Suggested Activities. Instructional Materials

Visual Arts I Curriculum Map

COURSE SLO REPORT - FINE ARTS DIVISION

Drawing + Painting. 1 The skills, techniques, elements, and principles of the arts can be learned, studied, refined, and practiced.

Middle School 7th/8th Grade Art Curriculum

Curriculum Plan 2014/15. Subject: Art and Design. Year 7 8

Art of Work Roles People Play Utah Museum of Fine Arts Educator Resources and Lesson Plans Fall 2016

Art, Middle School 1, Adopted 2013.

NUMBER OF TIMES COURSE MAY BE TAKEN FOR CREDIT: Four

CURRICULUM FOR ART IV. (Elective Course) Students and graduates of Ledyard High School will demonstrate critical thinking skills

Unit 5: Choice Projects & End of Year Art III

AASD ART CURRICULUM Fifth Grade. Art Fifth Grade

Lesson Plans Patron, Master Artist, and Apprentice: A Symbiotic Relationship Visual Arts Grades 6 12

YEAR 7 Visual Arts. Self-Portraiture

POTTSTOWN SCHOOL DISTRICT

Expansion of grade 5 Metamorphosis Collage/assemblage Two-point perspective/landscape

First Semester. Art II Scope and Sequence Year at a Glance

Drawing Portfolio. Advanced Placement Studio Art. Drawing embodies a genuine and independent way of thinking. Phillip Rawson

BASIC DRAWING Hugh Donnelly

Chetek-Weyerhaeuser High School/Middle School

Expressive Arts Curriculum Map

Visual Art Standards Grades P-12 VISUAL ART

FA: Fine Arts. FA 030 FINE ARTS TRANSFER 1.5 credits. FA 040 FINE ARTS TRANSFER 1.5 credits. FA 050 FINE ARTS TRANSFER CREDIT 3 credits

Central Valley School District Art 5 th Grade August September Standards September Standards

Livingston American School Trimester Lesson Plan

Design and create an original mixed media (i.e. marker, crayon) poster that conveys a message about a social issue.

2D visual communication

CURRICULUM ART DRAWING I

Page 1 of 5 Painting I Curriculum Guide

ART DEPARTMENT ART COURSES CAN BE USED AS ELECTIVE CREDITS

Art Major I. Competencies and Art. Students will be able to:

Upload a self portrait image by using the camera card and a card reader. Create layers, name layers and apply multiple filters to each.

Course Title: Art 2 Topic/Concept: Advance color wheel Time Allotment: 3 weeks Unit Sequence: 1 Major Concepts to be learned:

Middle School Curriculum Map for Bemidji District Visual Arts K-12 Scope and Sequence Quarter Course (Nine Week)

Lake Mills School District Year at a Glance Scope and Sequence for Art

Visual Art ART I - ASSURANCES ART I VOCABULARY

Advanced level or Proficient level to pass the

Beginner Oil Painting

Archdeacon Cambridge Art and Design content and skills

Printmaking Lesson: Positive and Negative Prints

UMASD Curriculum Guide Grades D Exploration

Name of Unit - Drawing (Dramatic Black & White) Time Allotted - Seven Weeks. Grade Level - Art II VAO II.1, VAO II.2

ARTS 110: Fundamentals of Drawing Fall 2011 Professor Erik Shearer Contact: Office: / Cell: (707)

Painting I Curriculum Guide

I have learned that what I have not drawn, I have never really seen... Frederick Franck

Art Curriculum Overview More than one skill may be covered under one learning objective- Addressed in the success criteria

FINE ARTS. 9 th -12 th Grade New Media Design 1 Semester ½ Credit Requirements and Limitations: 2-D Design.

VISUAL ARTS CONSERVATORY

School In The Park Curriculum

Pre-AP Studio Art: 2-D Design Portfolio Written Summer 2008

BHARATHIAR UNIVERSITY UNDER UNIVERSITY INDUSTRY INTERACTION PROGRAMMES

Transcription:

Teacher:Bursk Subject: Advanced art 3 Grade: 12 th Month: September Big Idea: The act of drawing from observation is an opportunity to provide the viewer with the artist s interpretation of the world. Essential Question What makes a drawing developed? 9.1.12 C. Integrate and apply advanced vocabulary to the arts forms. D. Demonstrate specific styles in combination through the production or performance of a unique work of art (e.g., a dance composition that combines jazz dance and African dance). F. Analyze works of arts influenced by experiences or historical and cultural events through production, performance or exhibition. 9.3.12 C. Relate works in the arts to varying styles and genre and to the periods in which they were created. D. Analyze a work of art from its historical and cultural perspective. E. Analyze how historical events and culture impact forms, techniques and purposes of works in the arts. Drawing Observational drawing Variety in line Full range of value Contrast and its influence on Space, shape, and form Tools Pencil, B H Charcoal Conte Pastel Different weight Papers India ink Baroque and Neoclassicism College visit presentations Lecture on portfolio requirements Review knowledge of - value scales, line variety, composition Create value scales Create line dictionaries Compose a line drawing Use line to describe space, form, and texture Compose a drawing using Value Use value to describe space, form, and texture Experiment with unorthodox drawing tools Sticks, stones, balls etc. Experiment with different drawing techniques Reductive, gesture, blocking in, slow vs. fast, etc. Write a persuasive argument between Baroque and Neo classicism Write a Descriptive evaluation of one artwork for each period Pretest portfolio value, line, composition Evaluation of drawings - Completion of group exercises Drawing subjects Scribble portrait Staircase drawing Car drawing Full size figure Reductive self portrait Contour self portrait Tooth brush/ spoon Night drawing Gesture drawing Ink w/stick

Teacher:Bursk Subject: Advanced art 3 Grade: 12 th Month: October Big Idea - The art we create is a result of our social and geographic realities. Essential question(s) Does observational drawing create an understanding of translating the 3-d to the 2-d? 9.1.12 C. Integrate and apply advanced vocabulary to the arts forms. E. Delineate a unifying theme through the production of a work of art that reflects skills in media processes and techniques H. Incorporate the effective and safe use of materials, equipment and tools into the production of works in the arts at work and performance spaces. I. Distinguish among a variety of regional arts events and resources and analyze methods of selection and admission. 9.3.12 B. Determine and apply criteria to a person s work and works of others in the arts Drawing Observational drawing Variety in line Full range of value Contrast and its influence on Space, shape, and form Tools Pencil, B H Charcoal Conte Pastel Different weight Papers India ink Romanticism and Realism College visit presentations Lecture on portfolio requirements Test proficiency to master on value scales, line variety, composition Compose a line drawing Use line to describe space, form, and texture Compose a drawing using Value Use value to describe space, form, and texture Experiment with unorthodox drawing tools Sticks, stones, balls etc. Experiment with different drawing techniques Reductive, gesture, blocking in, slow vs. fast, etc. Write a persuasive argument between Realism and Romanticism Write a Descriptive evaluation of one artwork for each period Pretest portfolio value, line, composition Evaluation of drawings - Completion of group exercises Drawing subjects Scribble portrait Staircase drawing Car drawing Full size figure Reductive self portrait Contour self portrait Tooth brush/ spoon Night drawing Gesture drawing Ink w/stick

Teacher:Bursk Subject: Advanced art 3 Grade: 12 th Month: November / December Big idea - Art reflects as well as shapes culture. Essential Question Why has painting been utilized for communication and expression for more than 17,000 years? 9.3.12 A. Explain and apply the critical examination processes of works in the arts and humanities. Compare and contrast Analyze Interpret Form and test hypotheses Evaluate/form judgments C. Relate works in the arts to varying styles and genre and to the periods in which they were created. D. Analyze a work of art from its historical and cultural perspective. E. Analyze how historical events and culture impact forms, techniques and purposes of works in the arts. Painting Observational painting Color-variety in tint, value, hue Classic vs. modern Academic vs. gestural Techniques under painting washes glazing impasto masking Grisaille Tools Brushes Palettes Stretchers/ canvas Pallete knives Color theory - The color wheel Analogous Complimentary monochromatic Impressionism and Post impressionism College visit presentations Grisaille painting still life Process driven painting : Finger painting Stick painting Pour painting Ball painting Primary glaze painting still life Palette knife paintings- self portraitsrestricted color Palette knife painting unrestricted self portrait Historically influenced self portrait : Preparatory drawing Artist Biography Grid of analysis of master artist work Write a persuasive argument between Realism and Romanticism Write a Descriptive evaluation of one artwork for each period Completion of group exercises

Teacher:Bursk Subject: Advanced art 3 Grade: 12 th Month: Jan. / Feb. Big Idea - Great artists often break with established traditions, conventions and techniques to better express what they see and feel. Essential Question Was it difficult to group artists according to style in the 20 th century? 9.3.12.A: Explain and apply the critical examination processes of works in the arts and humanities 9.3.12.B: Determine and apply criteria to a person s work and works of others in the arts 9.1.12.H: Incorporate the effective and safe use of materials, equipment and tools into the production of works in the arts at work and performance spaces. Painting Observational painting Color-variety in tint, value, hue Classic vs. modern Academic vs. gestural Techniques under painting washes glazing impasto masking Grisaille Tools Brushes Palettes Stretchers/ canvas Palette knives Color theory - The color wheel Analogous Complimentary Monochromatic Expressionism Abstract art Cubism Surrealism Photography Grisaille painting still life Process driven painting: Finger painting Stick painting Pour painting Ball painting Primary glaze painting still life Palette knife paintings- self portraitsrestricted color Palette knife painting unrestricted self portrait Historically influenced self portrait : Preparatory drawing Artist Biography Grid of analysis of master artist work Surfaces Masonite, canvas board, stretched canvas Write a persuasive argument between Realism and Romanticism Write a Descriptive evaluation of one artwork for each period Completion of group exercises

Teacher:Bursk Subject: Advanced art 3 Grade: 12 th Month: Mar. / Apr. Big idea Knowledge of equipment and processes directly influence the quality or nature of an artwork. Essential Question How can visual art influence society s view of itself? 9.2.12.K: Identify, explain and analyze traditions as they relate to works in the arts 9.1.12.K: Analyze and evaluate the use of traditional and contemporary technologies in furthering knowledge and understanding in the humanities. Printmaking Relief Additive/ subtractive Linoleum Plexiglas etching Monoprint Silkscreen Color theory Tools Brayer carving tools Printing press Screen Strecher frames Squeegee Registration History American art Ashcan school Manifest destiny Regionalists Abstract exepressioism Social realism Subtractive printing process- Multi colored or grayscale reductive print Positive and negative two color print Etching (crosshatching and hatching) Multi colored stencil silkscreen One color silkscreen with drawing fluid Group collograph print Write a persuasive argument between two artist of different American schools of painting Write a Descriptive evaluation of one artwork for each period Completion of group exercises

Teacher:Bursk Subject: Advanced art 3 Grade: 12 th Month: May / June Big idea - Perception of and reaction to works of art change over time and across societal, cultural and generational borders. Essential Question What is the place of the artist in today s society? Is the artist a critic or mirror of his or her own culture? 9.4.12.A: Evaluate an Exhibitions Prepare artwork for exhibition individual s Matting Organize and facilitate exhibition including philosophical statement on a work in the arts Mounting Exhibition announcements and its relationship to Framing Artist biographies one s own life based on knowledge and Hanging Reception experience Curate Document artwork 9.4.12.B: Describe and Completion of analyze the effects that Digital camera group exercises works in the arts have Documentation Enhance and crop images on groups, individuals and the culture Slides Create PowerPoint or slideshow of portfolio 9.4.12.C: Compare and contrast the attributes of Digital images various audiences environments as they influence individual aesthetic response 9.4.12.D: Analyze and interpret a philosophical position identified in Digital Portfolio Websites High school portfolio.com Art history Write a persuasive argument between two contemporary artists Write a Descriptive evaluation of two works in the arts and artworks on created for a public space one 1950s to the present humanities. created for the gallery, museum, and collector Contemporary art systems.