SATURDAY NGHT FEVER Adapted by Jamie Richards and Loren Van Brenk AUDTON SDES - ROYAL CARBBEAN CRUSE LNE Adaptation for RCCL Copyright of: Jamie Richards and Loren Van Brenk SNF v54 5.11.11 J Richards, L Van Brenk, RCCL 1
SCENE TWO The Manero House ( comes into the dining room. stops him and starts taking off his jacket) Dinner s on the table. Jeez! know but m late. ( tosses his jacket on a chair.) For what?! You spend too much time at that club! Ma! (LNDA enters with food and sits at the table.) (Takes a table cloth and pushes it at him) ST! (He takes the table-cloth and ties it around his neck to protect his shirt. They all watch him.) t s a clean shirt! (He sits) Tony, should make somethin of r life like r brother Father Frank Junior. ( crosses herself) Every time mention Frank Junior, gotta cross rself? Well, he s a priest, ain t he? Father Frank Junior, r brother. (She crosses herself again.) You re so jealous of Frank Junior. What re doin? Whaddya do? (LNDA throws food at. slaps LNDA s arm away) Ma! SNF v54 5.11.11 J Richards, L Van Brenk, RCCL 2
Basta! Mangia, Mangia, Go ahead. Eat. got more pork chops, more spaghetti. Your father may be out of work but as long as we gotta dollar left, we eat good in this house! t s disgusting, he s sick! (FRANK hits him on the back of the head muttering.) Hey! (Barking at him) Would ya just, just watch the hair? You know, work on my hair a long time, and ya, ya hit it. (To ) He hits my hair. Frank, no hittin at the table, that s the rule and it was YOU started the hittin,. Tony, walk me to church later? Didn t go already today? FRANK Yeah went to confession, but gotta go back and pray for Father Frank Junior to call me (Crosses herself) (Pulling off table cloth and putting on jacket to leave) So, let me get this straight, right? You re going to the church to have God make Frank Junior call? A son should call his mother! So wait, like, re turnin God into a telephone operator. SNF v54 5.11.11 J Richards, L Van Brenk, RCCL
SCENE SX Manero House ( sits at the table, stringing beans into a bowl) Tony what d say to Father Frank Jr? What? You been writin him letters. What did say to him, huh? don t believe this! You try and blame me now he ain t a priest no more? t s all right. He s goin back to the church. You re tryin to hang this on me? n a couple days, he s gonna see he s wrong. He s goin through like a trial of the soul, that s all. He s goin back to the church. No, he ain t goin back to the church. Tony, he s goin back! He ain t going back! You got no priest no more! You got no saint! Ma, got nothin but three lousy kids now! (music go) Good! Good! ( bursts into tears, and instantly relents goes to her.) m sorry, Mom. just didn t mean that, all right! m sorry. ll never say that, and love, Mom. really do, m sorry. Go. Get away just go. Just go! (Music go) SNF v54 5.11.11 J Richards, L Van Brenk, RCCL 4
MUSC: MUSC: 9. MMORTALTY PRELUDE. MMORTALTY //FRANK JR MMORTALTY MAKE MY JOURNEY THROUGH ETERNTY. KEEP THE MEMORY OF YOU AND ME NSDE. (Upstage, a curtain opens behind them to reveal a morning skyline of Manhattan and we see that they are standing on the Brooklyn Bridge.) (LNDA enters and crosses to ) FULFLL YOUR DESTNY (Embracing LNDA) T'S THERE WTHN THE CHLD FRANK JR MY STORM WLL NEVER END MY FATE S ON THE WND ALL (The rest of the ensemble begin filtering in behind the SCRM) THE KNG OF HEARTS, THE JOKER S WLD. ADD STEPHANE/ANNETTE/FACES BUT WE DON'T SAY GOOD-BYE. WE DON'T SAY GOOD-BYE. 'LL MAKE THEM ALL REMEMBER ME. (Key change. SRM flies and the company crosses down.) FULL CO MMORTALTY... THERE S A VSON AND A FRE N ME! KEEP THE MEMORY OF YOU AND ME, NSDE... (They begin to cross and exit) AND WE DON'T SAY GOOD-BYE, WE DON'T SAY GOOD-BYE... WTH ALL MY LOVE FOR YOU, (Now alone) AND WHAT ELSE WE MAY DO, WE DON'T SAY... FULL CO GOOD-BYE SNF v54 5.11.11 J Richards, L Van Brenk, RCCL 5
Piano/Vocal Piano q = 110 Straight eighths The Look of Love Captain's Reception - FR Class Girl /Boy Arranged By Mike Lewis Transcribed by L Van Brenk 1 2 4 The look of love is in 5 6 7 r eyes a look r smile can't dis - 8 9 10 guise 11 12 1 Captain's Reception - FR The look Cmin7 of love RCCL Productions
2 C7sus4 C7 AbMaj7 14 15 16 words could e - ver say it's say - ing so much more Abmin6 EbMaj7 Eb7 17 18 19 has heard well, it takes AbMaj7 Ab6 G7sus4 20 21 22 and what dly wait to hold dly wait to hold my breat a - way G7sus EbMaj7 2 24 25 RCCL Productions feel my arms a - bout than my just how long heart can har- can har- have Captain's Reception - FR
The Look of Love Piano/ Vocal 26 wai - ted wai - ted just to love wai EbMaj7 - ted just to love now 27 28 that have found G7(b9) 29 0 1 it's 've got the look on Bb/C Gmin7 2 4 r face Cmin a of love look that time can't Ab7(b5) 5 6 7 Captain's Reception - FR e - rase G7sus4 RCCL Productions
4 Piano/ Vocal The Look of Love be mine G7 Cmin7 8 9 40 let this be just AbMaj7 41 42 4 the start of to - night so ma C7sus4 - ny nights G/B like this let's take Cmin7 Eb7/Bb 44 45 46 a lo - ver's vow and then seal it with a kiss can can har har - dly wait to hold - dly wait to hold feel F/G 47 48 49 RCCL Productions EbMaj7 Captain's Reception - FR
The Look of Love Piano/ Vocal 5 my arms a - round 50 51 wai-ted just to love wai-ted just to love how long now that have found have EbMaj7 5 54 55 56 go 52 wai - ted don't Cmin7 F9 57 58 59 Don't e-ver go love so love so 60 G7(b9) don't Cmin7 Cmin7 61 62 Captain's Reception - FR love love so so F1(#11) F9 e - ver e-ver go RCCL Productions