Scientific Illustration & Observational Learning

Similar documents
The Past and Present in Photographs

This module is designed to help you explore the wonders of archaeology.

Archaeology in Southern Illinois Junior level

How to Draw with a Grid

MATHEMATICS TEST. Paper 1 calculator not allowed LEVEL 6 TESTS ANSWER BOOKLET. First name. Middle name. Last name. Date of birth Day Month Year

Archaeology Field Journal

Measuring in Centimeters

2017 Object Exchange List Grade 7

Archaeological Resources on Fort Lee

ASSIGNMENT ONE: COLOR WHEELS AND TEMPLATES (5 pieces)

2017 Object Exchange List Grade 3

Architectural Walking Tour

Young Inventor s Toolkit Part One: Identification

How Well Do You Follow Directions? Design Challenge. Participant s Guide

Focus on Fossils. KindergarTen-second. Earth Science TEKS. Vocabulary

GOAL Practise techniques for creating various types of geometric lines by constructing and reproducing figures. sheet of letter-sized white paper

ESOL and Visual Arts

HOW TO MAKE A R2D2 PENCIL HOLDER

Riches of the Earth Guidance Sheet 5

Community-based Art Curriculum Archive

Crosscutting Concepts (from the SDE instructional unit resources document)

Overview. Grade Level

This is your child s KS3 graphics homework. It will take around an hour and a half in total which breaks down to 15 mins a week for 6 weeks.

Blanket Statements: Lesson Plan: Designing a 1930 s style Quilt

HOOP RACK HEAVY DUTY Setbacks WALL 36" WALL 42" 36" STREET 59" STREET Dero

FIELD CREW MEMBER I. At the completion of this course, the student is able to: 1. Define the basic vocabulary of field excavation.

Mathematics Materials Collections 2018 Year-End Model Spring Assessment Window

Motion. & Design. fourth grade. integrated art/science lessons. Developed by ESD 105 Art Integration Mentor participant Pamela Wood

Bound and Determined:

Photograph #2: 11/29/12 Area 1, view facing northeast.

Africa and the Middle East

Year 6 Visual Arts Unit 2016 Perspective Art Term: Week:

Graphic representation in technological projects

We can sort objects in lots of different ways. How do you think we have sorted these shapes? Can you think of another way we could sort them?

It s a Sticky Situation A white glue and glue stick experiment. Content Standard 3.1, 3.2 or 3.4

Practice Test Object Exchange List Grades 6-8

Section 1, Center Section Make One. Fabric Fabric # of Cutting Directions ID Location Strips

PAPER SCIENTIFIC INQUIRY THROUGH CHINESE ART

K.G.3 Identify shapes as two-dimensional (lying in a plane, flat ) or three dimensional ( solid ).

Liberty Pines Academy Russell Sampson Rd. Saint Johns, Fl 32259

Quilt Along Mug Block

Wheelchair Quilts. A guide to make fitted quilts for those in a wheelchair

Chatelaine. Read on for project instructions to create a beautiful and useful chatelaine! Chatelaine

Blood Lab Packet part II

WAYNESBORO AREA SCHOOL DISTRICT CURRICULUM INTRODUCTION TO ENGINEERING

Pieces of the Past. Kris Sloan

Grade K Module 3 Lessons 1 19

Ancient Worlds Chapter 2. Puzzling Pieces Copy the blue print, it means they are Key Ideas or Key Words

Archaeology at the Straits. Archaeology is the scientific study of the ground to learn more about the past.

Lesson 2: Color and Emotion

Reading Preview. Key Terms transparent material translucent material opaque material primary colors secondary color complementary colors pigment

) Forensic Footwear and Tire Impression Evidence. t the form of a three-dimensional shoe impression

Make and Measure a Circle Without a Pattern

II. Curation Guidelines

7th Grade Art. Access the SAS content at: Unit: Color and Design Duration: 15 Sessions. Suggested Activities

marbles (16mm) marbles (25mm) meter stick 10 1 sorting circle 10 1 tape (only necessary if using string) 10 rolls 1 roll

Hand Saw Try Square Cut-Off Jig Table Vise Scissors Drilling Fixture Drill Press Hand Drill Ruler

APPENDIX C A COMPLETE LIST OF LAB SUPPLIES

Measurement and Data: Measurement

Georgia Performance Standards Framework for Physical Science 8 th Grade. Making Music

Project: Spruce It Up Throw

2017 Object Exchange List Geometry

Unit 2.Drawing applied to technology

A A B B C C D D. NC Math 2: Transformations Investigation

SINGER PROJECTS Sewing Machine Mat with Pockets PROJECT SKILL LEVEL:

EduCraft. Colorlite Stained Glass Windows PACKAGE OF 50 GP1380. Looking Glass

Haunted House On The Hill

AWM 11 UNIT 1 WORKING WITH GRAPHS

Woodland Delight: 9-Pocket Door Caddy for Jewels and Lingerie

Kids Inventing Technology Series

ART 70 (1) - Syllabus Drawing Session A UCLA Summer Art Institute 2017

Copyright 2016 MKKB Enterprises, INC

Today s Warm Up: Writing an Artist Statement

Mathematics Materials Collections 2018 Integrated Model Spring Assessment Window

Mouse House Riverdeep Interactive Learning Limited

1. Competency A Analyze the Design Competency B Prepare for Dress making operations Competency C Develop pattern...

Appendix F: Archaeology VEIRS MILL CORRIDOR MASTER PLAN PUBLIC HEARING DRAFT

RHINO II Bottom Drain Installation Instructions

Installation Instructions

Apparel, Educational Studies & Hospitality Management AMD 178. Fall 2015

Sketchbook Assignments Due Monday, November 15, 2010

Expanding Your Horizons, 1993 Mechanical Dissection Professor Sheri Sheppard Stanford University SAFETY!!

GroundControl. Follow instructions contained in this manual. Incorrect installation could result in serious injury or damage to property.

NZSFSBDL. By Mary Mulari. Sweatshirts. for All. Seasons

H O O P RAC K. Simple Security

Student Book SERIES. Space and Shape. Name

GRADES K-5. Form Introduce form as an element of design.

INSTALLATION INSTRUCTIONS TOOLS YOU WILL NEED GETTING STARTED

Mounting Instructions for Cisco Aironet 1550 Series Outdoor Access Point Pole-Mount Kits

This is a hands on activity designed to follow the first lesson. It asks students to use needle and thread to create interesting string art designs.

Mixed Media. A piece of art can also be created with ink, chalk, crayon, fabric, metal or many other materials.

How well do you follow directions?

S W E RV E RAC K. Simple Security. Simple Stability.

Homemade Weaving Jig By David Dosser

IED Detailed Outline. Unit 1 Design Process Time Days: 16 days. An engineering design process involves a characteristic set of practices and steps.

Straw support Fusion 360

Department of Apparel, Events, & Hospitality Management TC 278: Fashion Illustration

Threads n Scissors. Easy Flip Flops

Illustrated Art Lessons

Figure 2 (left) Continental bobbin with single head. Figure 3 (right) East midlands bobbin with double head

Transcription:

This project was made possible through the Institute of Museum and Library Services National Leadership Grant for Museum and Library Collaboration Scientific Illustration & Observational Learning This activity compliments the Sandal and the Cave DVD presentation and general study guide. GRADE LEVEL Junior High (with extensions for High Schoolers) TIME REQUIRED 2 to 5 classroom sessions (based on 50 minute sessions) ACTIVITY OBJECTIVES Students will learn: The ways in which archaeologists use techniques, such as illustration, to enhance their observational learning about objects and the people who made/owned the objects. Basic archaeological record management. The role research bias plays in historical interpretation. Artistic and technical illustration techniques. How, in illustration, objects can be broken down into basic shapes and designs. MATERIALS Object from home that represents the student Drawing pencil Eraser Markers or colored pencils Drawing paper Ruler or tape measure 5 x 7 notecard Fort Rock Type of Sandals 9,000-10,500 years old Illustrations by Kristine A. Kirkeby 1

PROCEDURE (NOTE: THESE ARE SUGGESTED STEPS AND CAN BE MODIFIED ACCORDING TO INSTRUCTOR NEEDS AND RESOURCES) Pre-Activity Step Assign students to bring in an object/item that they feel represents them as a person (what their interests are, what their family is like, where they live, etc.). The instructor will go over the requirements with examples (the instructor can bring in an object that represents themselves as an example) that meet the following criteria: 1. Objects need to be a complex combination of shapes with at least three to four shapes within in the overall shape (not a simple sphere shape like a baseball). An example would be a running shoe that has ovals, triangles, and rectangles within its overall shape. 2. Students will need to be able to adequately describe the reasons they picked this object to represent themselves. This can take the form of writing one-page paper. The description will need to go beyond simple statements such as I chose a shoe because I like to run a lot. Examples of taking the description further: Why does the student like to run? What does this say about them at this age? Did they always like to run? Do they think this will led to a long-term profession in running, or is it a hobby? Why or why not? Are there other family members that like running and who might have influenced the student? Does the student s running influence others in their family? Are they part of a group of friends who like to run together? Is this an organized sports group? Are their shoes made up of expensive materials or less expensive? What does this say about their standing within the society at large? Does this shoe represent any traits of the culture in which the student is part of? Does this shoe go beyond just the owner s personal meaning and represent the general culture? When the students bring in their objects, there will be an exchange within the class. It is recommended that the students receive objects from someone they do not know well, so they can learn more about that person. Observation Step 1 On a 5 x 7 card students will write the following descriptions about the object (See Appendix E): The basic shapes found in the object (circles, ovals, squares, rectangles, triangles). The basic dimensions of the object (height, width, diameter). Students will use a tape measure to record these dimensions. The object s approximate weight ( light as a feather, <1 pound, 1-2 pounds, >2 pounds, heavy like a cement brick ). If you have a scale available, determine the exact weight. The materials that make up the object (stone, wood, glass, string, plastic, etc.). A basic overall description of the object, such as colors, additional shapes, lettering and/or pictures found on object, any damage and/or aging seen, etc. Date discovered = illustrated. Location of discovery (City, State, and Country). Name of the illustrator (student). DRAFT VERSION 03/08/06 - DRAFT VERSION 03/09/06 - DRAFT VERSION 03/09/06 2 (Continued on next page)

Illustration Warm-Up Instructor will introduce the students to the basics of drawing. This will include depth and perspective, alignment, proximity, contrast, shading, and other techniques appropriate to the grade level. Provide an example for each step (use Appendices A-C). Illustration Step 1 Students will look for and draw the basic shapes in the object (circles, triangles, squares). Students can reference their 5 x 7 cards. (see Appendix A) Illustration Step 2 Students will correct and connect shapes by erasing the basic shape lines that are no longer needed from Illustration Step One. (see Appendix B) Illustration Step 3 Students will now study the detail of patterns in the object, and fill the patterns in. (see Appendix C) Illustration Step 4 To complete the illustration the student will finish the pattern details, such as adding shading and/or color. (see Appendix D) Observation Step 2 After the drawing is completed, students will develop a 1-2 paragraph hypothesis that addresses aspects of ethnography. This ethnographic analysis will address the questions: 1) How does this object/item represent the person who owns it? 2) How did you come up with this answer? The hypothesis will be recorded on the back of the 5 x 7 card. For a more sophisticated audience, the hypothesis can be assigned as an essay. 3

TERMS Archaeology: Method of studying human cultures that includes the theories and practices identifying, recovering, interpreting, and explaining physical evidence of the human prehistoric and historic past. Archaeological Feature: Patterns left in the soil from human activity that cannot be removed intact from an archaeological site, such as burned soil from a fire hearth, or traces of excavated house floors or irrigation ditches (compare with artifacts that can be removed from a site). Artifact: Any object made, modified, or used by humans, as opposed to a naturally-occurring object. Archaeologists use artifacts to assist in learning about behaviors and lifestyles of past human populations. Examples include an Atlatl, obsidian projectile points, and Olivella shell beads. Artifacts are portable objects (compare with archaeological features that cannot be removed from a site). Ethnography: A method of research that focuses on small groups of people in their own environment. Ethnographic studies are a combination of descriptive and interpretive processes: Descriptive = using methods such as statistical information to understand a group s lifestyles and habits. Interpretive = determining the significance of what is observed without using detailed scientific methods, such as using excavation site observation to create theories about a past population. QUESTIONS FOR CLASS DISCUSSION 1. Ask students to discuss their theories, then ask the owner to talk about what the object means to them. Compare the two answers. 2. Describe the ways in which drawing the object helped, or did not help, the understanding of who might be the owner of the object, and their interests. 3. As the illustrator, do you think that your idea of the object s meaning makes it difficult to fully understand what the object means to the owner? If yes, how could you identify your ideas and meanings and separate them from of the original owner s meaning? 4. In what ways would illustrations of Great Basin artifacts by professional archaeologists be the same or different from the illustrations done by the class? 5. In what ways do you think the illustration and 5 x 7 record card work together in creating a detailed record of the object? 6. Why do archaeologists use drawings/illustrations to document artifacts? What are some advantages and disadvantages to using illustrations versus using photographs? DRAFT VERSION 03/09/06 - DRAFT VERSION 03/09/06 - DRAFT VERSION 09/09/06 4

ASSESMENT Student assessment may be based on the following specific exercises or in combination: Student illustrations should be evaluated in terms of conveying the information found in Illustration Steps One Four o o o o Was the student able to accurately identify the basic shapes of the object? Was the student able to accurately connect the various shapes? Was the student able to identify object details? Was the student able to sufficiently represent the object in their final illustration? Completion of 5 x 7 observation card and how well the student s hypothesis sufficiently answers the questions: 1) What this object/item represents to the person who owns it? 2) How you came up with this answer? Participation in class discussion. Matching final student knowledge of the topics in relation to your state standards. EXTENSIONS Watch the DVD presentation, The Sandal and the Cave by Don L. Hunter and have a class discussion around the topics presented (see general study guide). Create group (5 to 10 students) skits that portray a story revolving around the objects each student illustrated, which the groups will then act out. Assign students in higher grade levels to write an essay about their hypothesis. Assign students in higher grade levels to write a research essay about the ways in which archaeologists observe artifacts. How do they describe artifacts? How do they hypothesize how past peoples used objects? For example, students can look up archived newspapers about when archaeologists found the world s oldest sandals in Eastern Oregon. Take a field trip to the Museum of Natural and Cultural History located in Eugene, Oregon. They can accommodate class tours, video presentations, and activities. Take a field trip to your local natural/cultural history museum. Do an art and/or history project involving petroglyphs. 5

Appendix A Illustration Step 1- Look for and draw the basic shapes in the object Cradleboard, 2005 Artist: Rose Kirk Tribal Affiliation: Warm Springs Tribal Member Illustration Artist: Lily Robertson 6

Appendix B Illustration Step 2- Correct and connect shapes by erasing the basic shape lines that are no longer needed from Illustration Step 1 Cradleboard, 2005 Artist: Rose Kirk Tribal Affiliation: Warm Springs Tribal Member Illustration Artist: Lily Robertson 7

Appendix C Illustration Step 3 - Students will now study the detail of patterns in the object, and fill the patterns in. Cradleboard, 2005 Artist: Rose Kirk Tribal Affiliation: Warm Springs Tribal Member Illustration Artist: Lily Robertson 8

Appendix D Illustration Step 4 Finish the pattern details, such as adding shading and/or color Cradleboard, 2005 Artist: Rose Kirk Tribal Affiliation: Warm Springs Tribal Member Illustration Artist: Lily Robertson 9

Appendix E On the 5 x 7 card, students will create a brief record for their illustration. Use the back of the card for the hypothesis. Example: A running shoe 1 Front Basic shapes: ovals, triangles, and rectangles Basic dimension: 30.3 cm long, 14.7 cm wide, 10.1 cm tall Approximate Weight: < 1 pound Materials: plastic, rubber, fabric Overall Description: mostly white; three turquoise stripes up the side vertically from base to top of opening; lettering Sports on bottom and tags inside; long fabric strings threaded through top part; rubber on the bottom; fabric and plastic on the top; fabric on the inside; dirt marks and tears on the top; bottom is worn down Date discovered: January 1, 2005 Location of discovery: Eugene, OR, USA Name of illustrator: Susan Smith 2 Back Hypothesis: My opinion is that the object functions as footwear for the owner. From looking at the lightweight materials of the object, it must be used for activities such as running or playing sports. Since the bottom does not have spikes or lots of gripping materials it is most likely used for running. The object is human-made because the covering is stitched together (either by hand or machine), there are holes and a thread to tighten the shoe onto a foot, and there is lettering on the bottom and tags. There are dirt marks and small rips in the materials and the pattern on the bottom is worn down. This suggests that the owner wears the object very often and must be very active. This amount of wear could suggest that the owner is part of an organized sports running team. The object looks to be new (maybe one to three years old), but has been used a lot. 10