THE MAKING OF SUPER MODEL. Portraiture

Similar documents
Retouching Portraits in Photoshop

POLAROID EMULATION INCREASED CONTRAST, SATURATION & CLARITY

Module All You Ever Need to Know About The Displace Filter

Post-Processing/Editing Page 1

Challenge Image: Blur the Background

Realistic Skin Smoothing

Creating Pastel Images and other effects in Photoshop

Retouching and Restoring Images

Adobe Photoshop cs. Advanced Retouching. Julieanne Kost

Create a Beautiful Abstract Portrait in Photoshop - Psd Premium Tutorial

DAZ Productions - 3D Models, 3D Content, and 3D Software

Photoshop: Manipulating Photos

IMAGE CORRECTION. You can find this and more information with video tutorials at

Photo Retouch. We will start with the boring image on the top and get to the shining one on the bottom:

Easily Smooth And Soften Skin In A Photo With Photoshop

Photoshop Elements 3 Filters

Extreme Makeovers: Photoshop Retouching Techniques

Learning Photo Retouching techniques the simple way

Tutorial Another Rainy Day

Your texture pattern may be slightly different, but should now resemble the sample shown here to the right.

Contents: Bibliography:

Painting Special Effects on Photographs

Assignment Project Due & Critique 3.18 Retouching Photo Due 3.4

Introduction to Photoshop Elements

Digital Painting from Poser Renders

Advanced Photoshop Tutorial: RTVF Chairs

The Arcane & Mystical Knowledge

Improve your photos and rescue old pictures

Turning Photograph Into Cartoon-Style Picture. Digital Media I West High School Susan M. Raymond

Photoshop Blending Modes

Na'vi from Avatar Movie

Photoshop Elements Hints by Steve Miller

Varis PhotoMedia Tutorials

HDR Show & Tell Image / Workflow Review Session. Dave Curtin Nassau County Camera Club October 3 rd, 2016

Selective Editing in Camera Raw 5

Camera Raw software is included as a plug-in with Adobe Photoshop and also adds some functions to Adobe Bridge.

How to Create Fake Shadows

15 Photoshop Tips. Changing Photoshop rulers from inches to picas

Pacific New Media David Ulrich

PRIMARY LIGHTING PATTERNS OF CLASSIC PORTRAITURE

Lighting a Portrait. Sarah Parks. Sarah Parks 1

Pacific New Media David Ulrich

Example 10: Restoring a Very Yellowed B & W Snapshot

Step-by-step processing in Photoshop

A Basic Guide to Photoshop CS Adjustment Layers

The toolbar in Pixlr Editor always appears on the left-hand side, although you can drag it anywhere you like.

Maine Day in May. 54 Chapter 2: Painterly Techniques for Non-Painters

Adobe Photoshop. How To Get Started With Adobe InDesign CC: 10 Things Beginners Want To Know How To Do TO START: 1) ZOOM, MOVE, RETOUCH (05:11)

Photoshop CC Editing Images

Photoshop: Manipulating Photos

Central Photography Photoshop Tutorial. Color Splash. 1. Open Photoshop. 2. Go to File>Open (Command O).

Using Adobe Photoshop

Painting A Complete Portrait

How to Control Tone and Contrast in BW Conversion

Sharpening is an essential final step before output. But sometimes, you don t want to

By Washan Najat Nawi

Lesson 16 Text, Layer Effects, & Filters

Photography Feb. 26 th March 8

Types of Mask. Layer masks

Photoshop: Manipulating Photos

PS958 - SHARPENING WORKFLOW 1 N/08/08

Name the layer you rotated in step 3 Stripe and lower the opacity to 43%.

With the paper layer selected, select the lock transparent pixels box. An icon of a lock should now appear in the paper layer

CS 547 Digital Imaging Lecture 2

Black and White Photoshop Conversion Techniques

The Future. of History

Using Adobe Photoshop

Cute Gooey Blob Photoshop Tutorial

Adobe PhotoShop Elements

Adobe Photoshop CS5 Tutorial

Beauty Box Video. Smooth skintones in video footage. for After Effects, Final Cut Pro, Premiere Pro.

Commercial Art 1 Photoshop Study Guide. 8) How is on-screen image resolution measured? PPI - Pixels Per Inch

How to blur a background in Photoshop CS3, Elements 9 or later By Steve Zimic

The Five Basic Portrait-Lighting Setups

Adobe Lightroom CC Tutorial

Inverted Colors Photo Effect With Photoshop

How can images be manipulated to represent an animal?

Stretching Your Photons

Unit 7 : Image Painting, Editing and Layers

Photoshop CC: Essentials

HISTOGRAMS. These notes are a basic introduction to using histograms to guide image capture and image processing.

Mullingar Camera Club Basic introduction to Digital Printing using Photoshop CC.

Luminosity Masks Program Notes Gateway Camera Club January 2017

Combine Black-and-White and Color

SIMPLE POP ART EFFECT

Adobe Photoshop PS2, Part 3

Adobe Photoshop. Levels

A Basic Guide to Photoshop Adjustment Layers

Color in a Monochromatic World

Kent Messamore 3/6/2010

Color Correction and Enhancement

ELEMENTS AND PRINCIPLES OF DESIGN. Grade 12

Varis PhotoMedia Tutorials

Editing Using Photoshop CS5

Using Adobe Photoshop

UNDERSTANDING LAYER MASKS IN PHOTOSHOP

Portraiture Creating and Editing. Aaron Taylor Aaron Taylor Photography LLC

Example 4: A Faded E-1 Slide

Composite Master Class Blend two images together to create a seamless collage

Teach Yourself Adobe Photoshop Topic 9: Photo Retouching Part 2

Transcription:

THE MAKING OF SUPER MODEL Portraiture

Mrs. Gilder will be photographing each of you. Why? Because, she s fast. That is why.

She will then place your image onto the student resource file, R Why, so that only the school can have access to this. You will download, once done, Mrs. Gilder will erase this.

Mrs. Gilder will officially stop talking about herself in the 3 rd person.

I ll use a beauty box set up for the girls and a beauty box set up with black gobos for the boys. Next you will use PS to turn yourselves into supermodels.

Steps towards photo-fantastyland perfection.

Window, layers. Have that show up. Pick channels. You want your image to stand out and can manipulate the red/green and blue. Re level each color. This will get you perfect results. But boring results. Do that first.

Final Image remember to flatten image. Original to the left, new one to the right.

But, now, let s really play mwa ha ha. I wanted to warm up her skin tones, so moved the middle sliders all over the place. Added green.

Now do overall levels.

End result after darkening midtones

But, I m not a child and have skin imperfections Oh no!

we can correct that too!!!

Shoot RAW ALWAYS Shirt a mess, hair a mess, either open or close the mouth, not in between. LOOK CLOSELY, HER MOUTH IS SLIGHTLY OPEN. ODD, VERY ODD.

Clothing off. See wrinkle on side. Hair okay clone out bad wind curl up top, could clone from other photo with better hair. Eyes okay. Neck strained. Odd finger nail polish, best to crop out.

Skin Enhancements Again, shoot RAW. Open in PS. Play with contrast and reduce clarity a touch, unless you shot with a long lens and low f stop. I shot 85mm, F 3.5 or so. 85 is okay. But not great. Should have shot 200 mm to flatten the face, reduce nose, widen and enlarge eyes.

RAW section Lose some detail through luminance. But don t go overboard.

RAW section If you didn t shoot long lens, mimic long lens. This actually makes the person look better without completely changing their features. Short lens gives a horse like appearance to all models. Don t overdo as you will get that alien like high forehead look. Which doesn t market models well.

Next Open Image. Recrop to rid odd edges due to changing your lens through RAW. Model portfolio size is normally 9x12 inches. Top is bulky, adds weight, arms are odd. Noting odd hair issue up top. Clone that out.

Bandage out imperfections. Duplicate layer in case you make a mistake. Clone out bottom part of under eye skin. But don t clone it all, otherwise you get this weird plastic look. Change opacity to 60%, yes, take it from the cheek below. Note cosmetic ads, pores under the eyes are not a reality, but are found in cosmetic ads. THESE ARE NO LONGER HUMAN. Note blue area, I didn t touch. She needs to look SOMEWHAT human. Left the moles that is her face, but bandaged out her pimples.

Go into layer>duplicate layer. Go into window>layers to get the layers window to show up. In layers window, change normal to overlay.

Keep the pointer onto the background copy, then press control I on a PC, learn how to invert this on an apple. Sorry, I have a PC.

Go into filter, other, high pass. Stay around 5-10 pixels, the older the person the higher the number. This is a young person, so am sticking to around 8.5

Okay it. Filter, Gaussian blur, and pick something between 0-5. This is inverted so the higher you go the more in focus. She s a young kid so going with 5 out of 5. Okay it. No photo for this, pretty straight forward. Next step on next page.

Add a layer mask. On a pc go with alt click while the arrow is on the first layer (the greyish one), you will get a black mask. Make sure in the swatches that the first one is white.

Pick a brush and paint over the skin. What will happen is the soft part under this will come forward. Click and paint. The black mask on the side will show you what you just painted. Then go into levels and change the levels up to bring in contrast. Image/adjustments/levels.

Needing to go softer? Use diffuse glow. Click onto the 2 nd swatch, see red at bottom. Choose color picker, pick the lightest part of the forehead. Go lighter even, just not porcelain.

Go into filters/distort/diffuse glow. Leave the levels as follows, grain, 0, you don t need grain, glow amount 1, otherwise you get all 80 s, clear amount the lower you go the more you get. A young person with skin you just fixed? Stay around 14 or 13. Older with tons of shine? Go to 9 or 10. Male? Don t bother. As for going porcelain? No. It isn t 1984 Yes, I know, eyeliner is horrific. Play in levels to look more fashion oriented.

Hair too dark after levels? Go into image, adjustments, highlights and shadows to correct that.

Final

Fashion Photography It s 1.5 hours of hair and makeup. It s 30 minutes of lighting based on face shape. No cheekbones? Butterfly lighting. Bad skin? Flat lighting. Great skin and cheekbones? Rembrandt for the NY market, for Canada? Flattish lighting. Then, 1-2 hours of photoshop minimum. Then darken the results in levels to make it appear that hey, this is what the person looks like. Ummm no, I don t think so

NY VS. Canada Skin tones. Guess which is which?

CHANGE YOURSELF TO B/W GO INTO IMAGE/ADJUSTMENTS/B -W AND PLAY WITH EACH ARROW TO GET THE EFFECT YOU ARE WANTING.

Then redid levels to look like fashion not beauty fashion. Fashion is darker and has more contrast

Rubrics A B C D Detail in the blacks and whites. Skin softening done well, looks somewhat natural. Most detail found in the blacks and whites. Skin softening done well, looks somewhat natural. Some detail missing, levels overdone or not done enough. Skin softening done doesn t look as natural. Overdone or underdone. Excellent tonal range. Great tonal range. Okay tonal range. Image has excellent contrast. Final image quality looks like something one would see in a NY Model agency. Imperfections gone and not obvious. Image has good contrast. Final image quality looks like something one would see in a magazine. Imperfections gone some help needed to Image has okay contrast. Final image quality is good. Imperfections needed a lot of Not done.

Keep it as you will become rockstars with cd covers next