graphic standards Karen Tate Marketing, Media + Communication I Fall 2015

Similar documents
brand name meaning Critical (adjective) Of decisive importance with respect to the outcome. Critical thinking

Book Title Goes Here. Author Name

Required: Main Text; Decimal numbering style

Source A. Cicero, M.F. Lorem ipsum dolor sit amet. The Extremes of Good and Evil. 1 January 45 BC. [Introductory information.]

Abstract. Author Summary. Introduction

Central Bank of Ireland Corporate Guidelines

STATIONERY SPECIFICATION

STATIONERY SPECIFICATION

1 - UI & UX 2 - Generative 3 - Interactivity 4 - Personal Work

MICHAEL CRAIK ERIC CRUIKSHANK

Brand guidelines June 1, 2018 DRAFT

logo construction english

Harvest to Home. Graphic Production Bid Package 02/08/2019 V 1.7

FOREST INDUSTRY SAFETY ACCORD BRAND IDENTITY

Ursa Minor. Reference Beacon. Ursa Minor. Search and Rescue Test Beacon

European Maritime Day Styleguide

2

v 2.0 DESIGN & COMMUNICATIONS STYLE GUIDE

MASSAPEQUA PUBLIC SCHOOLS

A company you can count on...

Putting Marks on Paper

Activities. Education. Experience. Skills. Purdue University - AIGA Vice - President Archway Drive Lafayette, IN 47909

A Transistor-less, Wireless Neural Stimulator

has been to the human race. In the course of ages we shall find ourselves the inferior race.

TABLE OF CONTENTS. 1 - AGORA logo Security Area & Minimum Size Dont s AGORA colours. 3 - AGORA typography

Brand Basic Elements Creative Services Department - August 2009

4. Literature. Brochure cover grid. Template

The end product includes a bolder portrait with a stately tone and the use of a vibrant color.

What We Do How to Help Celebrate Birds

Eastern Mennonite Missions. Visual Identity Guidelines

Corporate identity guidelines. How what we re all about influences the way we look

MOVING FROM TASK BASED DESIGN TO EXPERIENCE BASED DESIGN

INSERT YOUR HEADLINE

The Pikes Peak Camera Club

These are Olhausen s future customers and pool players! Below is a showcase of other designs that were submitted from the class.

Visual identity. guidelines. Back to contents. Visual identity guidelines

Our guide to consistency.

Lucinda Design Labs logo CLASSES FOR GRADES K 5 CLASSES FOR 18M 2 YEAR OLDS CLASSES FOR 2 4 YEAR OLDS SUMMER LAB SCHEDULE GALLERY ABOUT US CONTACT

Graphic Standards Manual. Edition V.1

South San Antonio Independent School District. Brand Style Guide

Shepard Fairey. Museum Poster & Information Card. Ashley Jordan Spring 2016

Infrastructure Needed for Success

SECTION V: EVIDENCE AND EVALUATION OF RESEARCH/CREATIVE ACTIVITY

Widescreen 16:9 Template Client: Penn State University

HR 100 ADVOCACY DOCUMENT

Solace and Shellfish on the OR and WA Coast. Best Parks of the NW for Camping & RVs. Walla Walla Wines. Top Trucks for Towing. Edition

UNITED WAY MARCH 15, 2012

Friends of the Earth. Identity guidelines

/ (Excluding advertising) Header-positioned gradient bands / Headline placement/ Headline placement

1.06 How to write a formal letter

KINGSTON. Program. June 29-July 1 10am-6pm

English Chess Federation

Mechatronics and Measurement

Making Everlasting Memories. Guide to Printable Service Items

PrOdUCT CATALOGUe 2013/2014

D7.1 BINCI visual identity set

VISUAL IDENTITY GUIDELINES

Cedar Creek Ecosystem Science Reserve, z.umn.edu/cced

A young person's guide

Corporate Standards Manual

Facebook Advertising for Churches

IR15 - IR20 IR25 - IR30 IR40. Paving Breakers

CAMPAIGN PLAYBOOK 2017

Table of Content. Internship at Studio José de la O

How to use the UNODC logo

Co-branding with an Offering REGIONAL NAME

AT LAST, A DIGITAL DUPLICATOR THAT HANDLES A2 SIZE PRINTING! THE WORLD S FIRST AND ONLY A2 DIGITAL DUPLICATOR SIZE DIGITAL DUPLICATOR

BRAND GUIDELINES. v 1.40 June 2017 Logo Best Practices & Guidelines Print & Web

Welcome to Craftmaster.net! For prompt service call or us at

JACQUELINE TANG Portfolio of Work

Campaign and Event TOOLKIT PHASE I JUNE 6, 2016

BRAND GUIDELINES 2017

RF Wireless Systems Presents Q5X PlayerMic

Postgraduate 2016/17 Campaign Guide

The Brandmark. There are several components of the Mankato Brandmark: 1. The Mankato wordmark. Its color is Midnight Blue, Pantone 540.

McCrae House - Design Phase: 90% Schematic Design. November 2014

US A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2006/ A1 Rehm (43) Pub. Date: Apr.

One Look. A guide to our identity

The Digital Companion Project

Nordic Association of Agricultural Scientists VISUAL GUIDELINES

RULEBOOK. Version 0.6

NOS MUEVE LA ENERGÍA. personal. innovation.

LIFE NEEDS A BACKBEAT, AND THAT RHYTHM NEEDS SOME VISUALS. SO, I LL KEEP SHARPENING THE PENCILS, LISTENING FOR THE MUSE TO SING ME A NEW SONG.

FENWICK HIGH SCHOOL, GUIDED BY DOMINICAN CATHOLIC VALUES, INSPIRES EXCELLENCE AND EDUCATES EACH STUDENT TO LEAD, ACHIEVE, AND SERVE.

WELCOME TO MY PORTFOLIO

CUYAHOGA COMMUNITY COLLEGE (TRI-C ) SIGN STANDARDS MANUAL

Canon Visual Identity Guidelines. Version

the Venue Graphic Standards

Consistent Colour Appearance. ICC Toronto Graphic Arts Day 13 th October 2017 W Craig Revie, Fujifilm CIE TC8-16 chair

TIPS FOR TOURING AOTEAROA

Visual Identity Guidelines

Hanson Howard Gallery. Graphic Standards GALLERY

Brand Guidebook RackN Brand Guidebook

D Because every moment counts THERMAL IMAGING CAMERA SERIES DRÄGER UCF 6000 DRÄGER UCF 7000 DRÄGER UCF 9000

Search Engine Humanization

Cedar Creek Ecosystem Science Reserve, z.umn.edu/cced. to fully understand the relationship between complementarity, diversity, and plant growth.

Applying Grants for Start-ups and Acquisitions. Sam Minde, MBA President and CEO Neyaskweyahk Group of Companies Inc.

UNDERGROUND AND UTILITIES

LOGO USAGE JANUARY 2010 VERSION 2.0 BRAND IDENTITY GUIDELINES 6

Holland s economic identity in visual terms. Economic image

Transcription:

graphic standards Karen Tate Marketing, Media + Communication I Fall 2015

table of contents introduction introduction................................................................ 2 glossary.................................................................. 3 logo + logotype.............................................................. 4 typography................................................................. 5 color.................................................................... 6 use of space................................................................ 7 business card............................................................... 8 Mission SteamPlant Arts provides a multidisciplinary arts facility in which artists, makers and visionaries can congregate to create, collaborate, experiment and dream. SteamPlant Arts aims to assimilate into the urban and cultural fabric of Eugene as a hub for community members and artists to interact and engage in creative processes. Background SteamPlant Arts is a multidisciplinary arts facility in Eugene, Oregon that was founded in 2010. Development of the old Eugene Water and Electric Board steam utility building was completed in 2009, and SteamPlant Arts moved in 1 year later in an effort to revitalize the Willamette Riverfront. The organization provides affordable studio rentals, educational art and fabrication classes, quarterly lectures/workshops, and a community gallery that are all available to the public. In addition, they host 2 annual community fundraisers. An art and craft show that features the work of local artists and makers, and an annual community event including food, drink, music, and art around the building and site. The ability to occupy the old EWEB steam utility plant served as the inspiration for the organization s name. They wanted to show a sense of fabrication, creation, and production within a historical, industrial space. They partner with the City of Eugene, Lane Arts Council, The University of Oregon, and Lane Community College to produce educational programming and public art efforts. They have completed a mural in downtown Eugene, as well as an installation piece George Owens Rose Garden Park. Long-term goals include an art park adjacent to the SteamPlant Arts site on the Willamette Riverfront. envelope.................................................................. 9 letterhead................................................................. 10 coffee mug................................................................. 11 stickers.................................................................. 12 poster................................................................... 13 display ad................................................................. 14 2

glossary logo + logotype alignment: bleed: cmyk: contrast: kerning: leading: positioning objects so that they form an imaginary straight line by either edge alignment or center alignment images or text extending beyond the printable area of a page so that graphic elements will extend to the edge of the page after printing and trimming a four-color model used in printing; indicates that all colors are comprised of the 4 base colors including: cyan, magenta, yellow, and black distinguishing graphic elements from one another by use of different colors, fonts, sizes, shapes, or relationship on the page adjusting the horizontal space between individual font characters to achieve a more aesthetically pleasing look adjusting the vertical space between the lines of type The logo was designed with the industrious history of the SteamPlant Arts building in mind. The building itself is very vertical, so a tall, uppercase font was chosen so that the same feeling of height would be apparent in the logo. The word steam was deliberately placed at the top to resemble the lightness of realistic steam, while the word plant was placed at the bottom to literally ground the logo. A contrast color, magenta, was chosen to constrast the monochrome look of the color so that the idea of an arts center would be prominent, and it was rotated on its side to create an invisible bounding box similar to the silhouette of the building. The steam cloud was added to show movement and allude to productivity while acting as the horizontal cross of the T. SteamPlant Arts standard logo is utilized for formal collateral elements as as the primary form of representation for the organization. The stylized logo is utilized for recreational collateral pieces and as a secondary representation of the organization when the standard logo is already present in a desgin. The standard logo must always be presented on a white background, while the stylized logo is able to occupy a colored area, as seen on the business card. standard logo stylized logo monochrome: when an object is comprised of one color or values of that one color opacity: sans serif: saturation: a method of making a graphic element more transparent; useful for producing watermarks or creating contrast between text and images a type of font deriving from the french word sans, or without, and the dutch word serif, or line; categorizes fonts without protruding lines from the top or bottom of each character indicates how vivid a color will appear digitally or printed; a lower saturation will produce an image that looks more faded or monochromatic, while a higher saturation will be more vibrant tracking: typeface: equally adjusting the horizontal spacing throughout an entire word to produce a more aesthetically pleasing look or to align a word or phrase with another graphic element a font family; a set of fonts that share design features, such as an italic or bold version of a particular font logotype Built titling regular built titling light white space: negative space formed by deliberate organization of graphic elements so that a balance between occupied design space and empty space can occur abcdefghijklmnopqrstuvsxyz abcdefghijklmnopqrstuvwxyz 1234567890 1234567890 3 4

typography color SteamPlant Arts uses the font Built Titling for both the standard logo and the stylized logo. This completely uppercase sans serif typeface was chosen because of its verticality alluding to the SteamPlant Arts building, and its rigidity, resembling the industrial nature of the organization. Additionally, the typeface includes 10 variations to bring diversity to designs and marketing products. Black and magenta are the main colors utilizied in both the primary and secondary logo. These colors were chosen for consistent successful printing, and contrast and readability at any scale. Black and magenta are bold colors representing confidence and permanence. The 50% opacity black was added to resemble the color and transparency of steam. standard logo primary color built titling regular abcdefghijklmnopqrstuvwxyz 1234567890 C: 0% M: 0% Y: 0% K: 100% opacity: 100% built titling light abcdefghijklmnopqrstuvwxyz 1234567890 secondary color C: 0% M: 0% Y: 0% K: 100% opacity: 50% stylized logo contrast color built titling regular abcdefghijklmnopqrstuvwxyz 1234567890 C: 0% M: 100% Y: 0% K: 0% opacity: 100% 5 6

use of space business card No graphic object or other text element may come within a surrounding margin of both the standard logo and the stylized logo. This is to preserve the singularity of each logo as a graphic, as well as text. Both logos may be aligned within a canvas, page, or artboard as deemed necessary by design balance and style. The business card was designed as a 2-sided business card to make use of the stylized logo as an eye-catching element and for contrast from a highly saturated magenta to a stark white on the opposite side. The dominant side includes the standard logo and basic contact information for the individual. The standard logo is the focus, while the name and title of the individual are secondary, and the contact info is tertiary in design hierarchy. standard logo stylized logo front back 0.7 s EAm plant arts 3.5 3.5 1 Karen Tate Shop Technician 500 E 4th Ave Eugene, OR 97401 karen.tate@spa.org 502.741.5430 www.steamplantarts.org 1.5 2 2 7 8

letterhead envelope Since the the letterhead is a one-sided piece, only the standard logo was used to represent the organization. A vertical strip of magenta on the right side ties in color and corresponds with the other collateral pieces. The logo itself is the most important element on the page, which is why it occupies its own section of the page. The body of the letter is aligned to the right most portion of the logo, therefore creating this column in which the logo can reside. Contact info is directly opposite of the logo so that all organization information can be seen before moving on to the body of the letter, and the strip of magenta to the right emphasizes the ending of each line of text. The front of the envelope combines the format of the business card and the letterhead. It is similar to the business card in that the standard logo exists on top of the contact information, but also resembles the letterhead due to the vertical strip of magenta on the right side to bring in some extra color. The back of the envelope utilizes the stylized logo in the same manner as the business card using a solid magenta background and a white fill to give the piece a graphic element on the back side in addition to the front. front 1/2 1/2 4 1/2 3/4 s EAm plant arts November 3, 2015 500 E 4th Ave Eugene, OR 97401 541.555.0155 info@spa.org www.steamplantarts.org s EAm plant arts 500 E 4th Ave Eugene, OR 97401 541.555.0155 www.steamplantarts.org Matthew Long 1122 W. Broadway Eugene, OR 97402 4.15 Dear Mr. Long, 1/2 Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus dolor justo, pretium vitae condimentum a, dapibus quis arcu. In pharetra, enim quis elementum placerat, velit ex accumsan turpis, id aliquet metus nisl sit amet risus. Donec bibendum neque et nulla interdum varius. Etiam tortor mauris, fermentum in purus quis, tristique euismod elit. Morbi auctor non elit porttitor molestie. Duis convallis porttitor feugiat. Nam convallis tincidunt lectus in porta. 11 9.5 Aliquam auctor urna id pharetra sagittis. Suspendisse auctor non metus non finibus. Nulla libero mi, tristique id mattis in, vestibulum vel metus. Aliquam posuere ex dolor, ut rhoncus ligula varius at. Suspendisse tincidunt sagittis nibh ac vestibulum. Nullam a est eleifend, blandit odio non, malesuada magna. Vivamus ac posuere metus. Donec ut mauris sit amet eros luctus semper sit amet et ex. back In vel facilisis justo. Duis at mattis eros. Nunc id cursus est. Suspendisse volutpat ipsum nec pharetra condimentum. Etiam fermentum tortor ac accumsan elementum. In in risus vitae magna convallis commodo. Mauris a vulputate felis. In augue ante, tincidunt quis quam vel, porttitor imperdiet nisl. Phasellus facilisis risus enim, vel congue orci malesuada et. Maecenas maximus justo in arcu consectetur pretium. Suspendisse potenti. Mauris sed mollis ipsum. Nullam laoreet massa nec erat suscipit, at rhoncus ante mattis. Nullam eget ipsum eget sem ornare suscipit in eu metus. Pellentesque rutrum ipsum eu suscipit egestas. Donec rhoncus leo dignissim scelerisque pulvinar. 4.2 4.2 4.15 Sincerely, Karen Tate Facilities Manager 3/4 8.5 9.5 9 10

coffee mug stickers Every artist has a good, go-to coffee mug. A fun design item like this is the perfect place to employ the stylized logo. An entirely magenta coffee mug will stand out on a shelf or in a cabinet, while the logo itself remains grahpic and readable at a larger scale as compared to the other collateral pieces. These coffee mugs could also be produced as solid grey or black mugs with the stylized logo placed on top to create variation among the merchandise. Stickers are another recreational collateral item that can be sold or used for marketing purposes. The stickers are printed in groups of 4, and are each 2 in diameter. Stickers should be produced primarily in magenta, but black at a 50% opacity and black at 100% opacity are additional design options to diversify merchandise and marketing. unrolled elevation 1.5 1.5 primary design 2 2 3.5 4.2 7 1 4.2 side 1 side 2 secondary design tertiary design 11 12

poster display ad Posters for the organization are to be designed as a Tabloid size, or 11 x17. This poster stays true to the graphic standards of the organization by utilizing the Built Titling font, magenta, and black. An additional font, Gnuolane, was used to alleviate the consistent capitalization of Built Titling. Four versions of Built Titling are used: SemiBold, Light, Light Italic, and Regular Italic. This design is a 1/4 page advertisement designed for placement within Eugene Weekly. The size of the ad is 9.75 x 3.25. This horiztonal 1/4 page ad was chosen to differentiate from the vertical poster design. The same graphic and text elements are present in this design, including the variation of typeface and the use of 2 fonts, Gnuolane and Built Titling. 1 1.42.3 1 steamplant arts presents john roloff tickets: www.ticketriver.com falling sky brewery steamplant arts discussion {public art: the pursuit to perfect} april 9 @ 7p $5 steamplant arts members + uo students free steamplant arts presents john roloff tickets: www.ticketriver.com falling sky brewery steamplant arts 500 E 4th Ave Eugene, OR 97401 (541)555-0155 www.steamplantarts.org facebook.com/steamplantarts 9.75 discussion {public art: the pursuit to perfect} april 9 @ 7p $5 steamplant arts members + uo students free design workshop limit 25 seats {ambiguities of urban and rural} april 10 @ 11a $10 steamplant arts members $5 UO students $8 3.25 17 design workshop limit 25 seats {ambiguities of urban and rural} april 10 @ 11a $10 steamplant arts members $5 UO students $8 500 E 4th ave eugene, or 97401 (541)555-0155 www.steamplantarts.org facebook.com/steamplantarts 1 s EAm plant arts 11 13 14