Sponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Illustrating Characters

Similar documents
Sponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Stenciling With Collage

Cow Catherine Hall. Creating a Triptych

What Type of Bible Should I Use?

Comics and Graphic Novels Lesson Plan

Learning Plan. My Story Portrait Inspired by the Art of Mary Cassatt. Schedule: , Grades K-5, one class period of approximately 60 min.

Jean Dubuffet: Art Brut and Symbolic Figures

IB Visual Arts Summer Assignment:

How to Create a Comic Book HERO!

Crown Hills Community College

AFRICAN BATIKS CLASS EXPERIENCE TOOTHPASTE BATIKS ART AND MUSIC GRADES: K-4 BASED ON

5th Annual First Amendment Cartoon Contest Rules and Entry Form

1991 by Faith Ringgold

Lesson Two MY EVERYDAY HERO COLLAGE

POP ART PORTRAITS: TEACHERS NOTES

DOODLE S TEACHER GUIDE

Teaching and Assessing 21 st Century Skills. Kate Baker

Build your character s back story

Lesson 5: What To Do When You re Sad

3 rd Grade: April Lesson 6: Comic Strip, Recess Drawing

DISCOVER THE SPIDER-VERSE

Expressive Arts Curriculum Map

Community-based Art Curriculum Archive

Junior Drawing Artist

A MAKING A MARK GUIDE: LIFE DRAWING & LIFE CLASS 2008

Mini 4-H ARTS & CRAFTS

Educator s Guide to Cartoon Yourself in Photoshop

5 th Grade Career Unit Advertisement

Drawing + Painting. 1 The skills, techniques, elements, and principles of the arts can be learned, studied, refined, and practiced.

Mega Markers Pear Artwork

Painting 2 Unit Plan

Grade 5 Portraits of Emotions. Color

Visual Prayer Starters

Helen Lucas. Biography of the Artist. The Art Style of Helen Lucas

Visual Art. Course Title: Head of Department: Teacher(s) + Cycle/Division: Grade Level: Credit Unit: Duration:

Art For Kids: Drawing: The Only Drawing Book You'll Ever Need To Be The Artist You've Always Wanted To Be PDF

Draw Comic Book. action. Techniques for creating dynamic superhero poses and action LEE GARBETT. Press escape to return to normal view

Overview. Grade Level

EDU. What s in a Word? Design Challenge. Participant s Guide

Lower Elementary Family Projects

SAMPLE - sample - SAMPLE - sample JESUS. Today s Bible experience. Purpose statement. Bible memory. Bible background.

DIRECTOR Adrienne Elise Tarver. FACULTY Mari Hirats Raymond Jones

What does C.L.A.S.S. look like in an art room?

ART NEWSLETTER. What a Year in Art! It is hard to believe the year is coming to a close, the Art PORTFOLIOS

Years 3 and 4- Visual and Media Arts. Student Resource

Archdiocese of Washington Catholic Schools Academic Standards Visual Arts

The Cartoonist's Workbook Drawing, Writing Gags, Selling PDF

UNIT 1 (of 5): Line (16 hours = 1 credit)

Visual Self-Portraits in the Style of Jaune Quick-to-See Smith

LifeWayStores. Biblical Solutions for Life

ART (60) CLASSES IX AND X

Lesson Title Art Form Grade Level. Media. Grade Level Theme Key Concept Link. Perception of Self Identity/Social Roles Watercolor Portraits

A GUIDE TO BETTER DRAWING

TECHNIQUES AND INSPIRATION. Daily Visual Journal KELLY DARKE

Objectives: Students will be able to define "joiners" and understand Hockney s process of creating a portrait photo collage.

Module 3: Additional Teachers Notes: Sketching in the Gallery

are able to share their experiences with cancer. are able to create a piece of art that conveys a strong message regarding Terry Fox and Cancer.

Mon 1/13/14 AB1 & AB5 Painting II

This packet will help you customize and organize your sub binder with the following items:

Scott Foresman Art. Grades K-8. Arkansas Fine Arts Curriculum Framework - Visual Art Grades K-8

Materials: Your choice! (Felt tipped or ball point pen, color pencils, or color sharpies) Black or white Paper Black or white graphite paper

Year 9 ART Summer 2017 April May

Haslingden High School D&T Faculty 2013 Yr 8 Resistant Materials HOMEWORK

Page 1 of 8 Graphic Design I Curriculum Guide

Course Overview: VISUAL ART Project Specialist: Taintor Davis Child

Make Comics Like The Pros: The Inside Scoop On How To Write, Draw, And Sell Your Comic Books And Graphic Novels PDF

How to Draw Comics the Marvel Way (1988)

Paths of Settlement. Instructions. Unit 1. Replacement text for the Klutz watercolor book. Lesson 1-Part 1G

CAEA Enduring Ideas: Artists tell stories, both real and imagined, through visual imagery.

Art Masterpiece: Blue Atmosphere, 1963 by Helen Frankenthaler

Lesson 4 'Another World' Inspired by: Tim Burton

Copyright Taylor and Francis 2013

Sketchbook Practice: Lesson 5 1

BE AN ART CRITIC. Teacher s notes 1 ARTS AND MEDIA

Ontario Ministry of Education Curriculum Expectations

The links in this book are intended as resources for the reader; the author cannot guarantee their content for the life of the book.

Hello my lovely friend!

ART AND DESIGN POLICY

A Life Full Of Faces by Gene Ploss

Subject Area. Content Area: Visual Art. Course Primary Resource: A variety of Internet and print resources Grade Level: 3

VA7MC.1 Identifies and works to solve problems through creative thinking, planning, and/or experimenting with art methods and materials.

Curriculum. Learn to see the objects and images in their everyday lives as a source of inspiration for their own art.

KNES Art & Design Course Outline. Year 8

Intended for Grades: 4 th grade - adult Draft Date: July 2014

Session Key Objective from skills listed above (What is it that you want the children to learn?)

Character Evolution Sculpture

Masters School of Art Salem

Japanese Headbands. Mindy Wolfe, Marietta Middle School

Shrewsbury Borough School Visual and Performing Arts Curriculum 2012 Visual Arts Grade 4

Year 9 ART Summer 2017 April May

CQU: MMST11010 Illustration & Visualisation Week 9 Tutorial:

Ed Emberley's Drawing Book Of Animals Free Pdf Books

Grade: Elementary (4 th 5 th ) 3 or 4 45 minute class periods

Pre-assessment: Students should have basic drawing skills and be able to recognize that artists use different techniques to create shading effects.

~Contemporary Japanese Relief Printing ~ ~Fumio Fujita~

TEACHER S GUIDE. Snoopy: Party Animal

Subject: Humanities Teacher: Ms. Jennifer Johnston Date: August 4, 2010

Final Project Guidelines Artwork + Statement + E-portfolio Rubric

Drawing Caricatures: How To Create Successful Caricatures In A Range Of Styles By Martin Pope

Journal Questions for Visual Art Work

Textured Geopapers Jill K. Berry

Transcription:

Sponsored Educational Materials Grades 7 12 IGNITE INSPIRATION! Lesson: Illustrating Characters Luis Gonzalez, 18, Boston Celebrate arts in education and self-expression by encouraging your students to explore their creativity and discover what they can learn through art. SCHOLASTIC and associated logos are trademarks and/or registered trademarks of Scholastic Inc. All rights reserved. 674222 LIFEWTR is committed to showcasing emerging artists and believes that inspiration is as essential to life as water. This free program from LIFEWTR and Scholastic includes art lessons and activities for grades 7 12 inspired by the work of three young artists. Through hands-on art activities, students will explore techniques for illustrating characters, stenciling with collage, and creating inked black-and-white designs with color blocking. Tips for Starting the Projects Before you begin, review the following tips and use them to prepare your students for the project: Encourage students to express their creativity while working on each project. It may be tempting to copy something that already exists, but help them understand the power of their unique perspective. Ask students to focus on the fun. Explain that the projects are an opportunity for them to learn something about art and about themselves and how they see the world. Review the subject matter of each student s work for appropriateness (language, images, illustrations, etc., should not be offensive or disturbing to other students, teachers, or parents). During each project, take reasonable and customary precautions to ensure that there is no damage or injury to students. Skills Supporting National Core Visual Arts Standards VA1: Generate and conceptualize artistic ideas and work. VA2: Organize and develop artistic ideas and work. VA8: Interpret intent and meaning in artistic work. Make a Career Connection As you do these projects, talk with students about careers that involve art. Explain that someone created the patterns and designs of the clothes, books, furniture, products, and other items around us that someone could be them in the future. Introduce students to three young artists David Lee (23), Luis Gonzalez (18), and KRIVVY (21) who each had a career opportunity to create a design being featured on LIFEWTR bottles. Ask students what role art may play in the careers they are interested in pursuing. In collaboration with 2018 LIFEWTR and the LIFEWTR Logo are trademarks. To learn more about LIFEWTR, visit lifewtr.com.

TEACHER INSTRUCTIONS KRIVVY, 21, Toronto Illustrating Characters Objective: Students will create one or more graphic characters in a drawing ideally with animal or humanlike faces (or both). Challenge them to give their drawing personality: embody humor, emotion, and expression. Time: Three one-hour sessions Materials: Pencils (#2 preferred) Ultrathin or fine-point permanent ink markers Colored markers 9" x 12" sketch paper 9" x 12" marker paper (should be translucent) Erasers Copies of the student handouts: Meet Three Young Artists, Project Tips, and Artist s Statement (available at scholastic.com/inspireart) Samples of illustrated characters (see loc.gov/pictures for examples) SESSION #1 (1 HOUR) Step 1: Guide your students to study KRIVVY s artwork, which is featured above and on the Meet Three Young Artists handout. Also share popular comics or graphic illustrations by other artists. Comics from the Sunday paper, comic books, animated cartoons, and graphic novels are great for comparing and contrasting styles, techniques, and intentions. Choose illustrations with different intentions: some examples should be funny, some should be serious, some should provide political commentary, etc. Ask students these questions: What purpose do cartoons and graphic novels serve? What kinds of illustrations do you like and why? What do all forms of cartoons or graphic illustrations have in common? Step 2: Have each student develop one character or more to be used for the creation of his or her work. Ask students to describe the backstory for each character. For example, ask: What does your character personify (good, silly, sad, etc.)? Is your character original? What are the key attributes of the character? Step 3: Next, students should sketch their character ideas in pencil on sketch paper. Remind students to make the sketch large enough so there is room for facial features and other details. Encourage students to make their sketches expressive. Ask students: What attributes from shape to clothing best show your character s personality? Step 4: Now have students add dialogue and/or text to complete their illustrations. Ask students: What words would add to the impact of your sketch? As an option, students might create a short series of scenes (maximum of three) like a comic strip. Provide guidelines on size, scale, and details. Tell students that in a future session they will turn their characters into colorful illustrations. SESSION #2 (1 HOUR) Step 1: Begin by having students transfer their sketched character or graphic illustrations (from Session #1) onto marker paper using a pencil. Students can trace their work onto the marker paper or do this work freehand. Step 2: Students will then use the black permanent markers to outline the entire figure face, hair, clothing, etc. After completing this outline ( inking the art ), they should erase all the pencil marks carefully, add the words, and then ink those in, too. SESSION #3 (1 HOUR) Step 1: Bring on the color! Students will use colored markers (the more color selections that are available, the more vibrant the artwork will be) to fill in the lines of the drawing. Encourage them to think of color combinations that determine attitude, as well as interesting patterns that add dimension to the character. Step 2: Have students complete the Artist s Statement handout and talk about their finished projects. Then discuss the lesson using the following assessment questions: Did this project challenge you? Did you develop any new skills? Why are comics/cartoons/animation/graphic illustrations important to art? What, if anything, changed as you worked on the project? To learn more about LIFEWTR, visit lifewtr.com.

Meet Three Young Artists My inspiration is my family and friends, music, and other artists like RETNA, Joe Ledbetter, and Aaron Kai. Favorite Materials: paper, markers, and acrylic paint DAVID LEE David Lee doodled through his classes as a kid, often connecting his illustrations with the information he was being taught so that he could easily remember it. Admiration for graffiti soon yielded an interest in type, and the Los Angeles artist began to explore fonts and artful lettering while attending middle school and taking art classes. At 23, David is still studying art. Art has taught me to just go with the flow, and with that, it has helped me get over a lot of things and to just keep pushing forward, David says. It has also taught me that everyone is different in his or her own way and that you should cherish yourself. My inspiration would be the ever changing and shifting of people and things around me. Favorite Materials: bristol paper, brush pens, and double-ended brush markers; a drawing tablet for digital art KRIVVY Toronto artist KRIVVY has been making art since she was in kindergarten a pursuit that has helped her cope with personal challenges. In the second grade, she found inspiration in the words of a teacher who told her that famous artists never stopped drawing. Now 21, KRIVVY can attest to having had ink- and marker-stained hands for most of her life. She recently worked as an artist at a community arts initiative and hopes to work as a counselor. About art, KRIVVY says, It s given me a sense of purpose and a way to connect to people and communities that I could never manage to otherwise. My inspiration is helping the people in my community find positive ways to express themselves so they can live more peaceful and interesting lives. Favorite Materials: masking tape, acrylic paint, paintbrush, stencils LUIS GONZALEZ At 18 years old, Luis Gonzalez is already making and selling art in his hometown of Boston. Being an artist as well as working toward becoming an art teacher has kept him productive and out of mischief. Art opened my eyes to other ways to live, giving me the opportunity to be the person I truly believe I am, says Luis. By having a chance to do positive things where I can express my hopes and pains, I now see a path, my path, to a productive future.

David Lee, 23, Los Angeles Project Tips Inked Black-and-White Designs With Color Blocking Tips from David Lee: When blocking out each color or shape with tape, overlap it. If you don t, there is going to be white showing. When peeling off the tape, pull away from the paint, not toward the paint. If too much paint is applied, it will take longer to dry. You still need to make sure it is dry before peeling off the tape. Illustrating Characters Tips from KRIVVY: Don t be afraid to make mistakes: It s fun to incorporate those errors into the overall character design. Try and relax yourself as much as possible when inking it makes for a smoother and more-confident line, if that s the look you re going for! To make areas look solid, outline the area in which you re coloring and then use small to large circular motions to fill in the rest of the color. Stenciling With Collage Tips from Luis Gonzalez: Make sure you put the tape and stencil down carefully so the paint doesn t leak under it. Don t be afraid to take risks. Follow your inspiration; your heart knows best. Pay attention to how the colors interact with one another. Tips on Creating 1. When creating stencils, think about negative space. You are creating an image by taking away material, so what is left provides the outline of what you want to show. 2. If your stencil has a few parts or letters, make sure that they are not too close together. 3. If you are trying to make something that has open space like the letter O, draw connectors or small links so when you cut the stencil, the outline remains and you don t end up with a circle. Do not cut the connectors when cutting the stencil. 4. Always be careful when cutting stencils and follow all safety guidelines.

David Lee, 23, Los Angeles Name: Artist s Statement After completing your project, reflect on the process and what inspired your artistic style. What does your art represent, and what do you want others to know about it? Respond to each item below. My inspiration: My approach: What my art represents and means to me: How I hope my art inspires others: Challenges I experienced during the artistic process: