Carl Clapp: Arizona's Ag Artist

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Carl Clapp: Arizona's Ag Artist Item Type Article Authors Ketchum, Lynn G. Publisher College of Agriculture, University of Arizona (Tucson, AZ) Journal Arizona Land and People Rights Copyright Arizona Board of Regents. The University of Arizona. Download date 27/04/2018 08:18:44 Link to Item http://hdl.handle.net/10150/295503

Carl Clapp: Arizona's Ag Artist by Lynn G. Ketchum Carl Clapp is a member of the Pinal County Agricultural Extension Advisory Board. He is also a "rural realist ". His calling card says it all... Carl D. Clapp Cotton Farmer /Artist The 45 year old Casa Grande farmer discovered the pencil and brush a long time ago as a boy growing up in Willcox in the southeastern corner of Arizona. "I was one of the first `underground' artists. In those days, in the 1950's," Clapp explains, "it was kind of `sissified' to be an artist. I did a lot of art but I never did let anybody know it. I wouldn't show my work." But today he shows his work all over, in galleries around the state, including the De Grazia gallery in Tucson and in national and regional 12 Arizona Land & People

PHOTOGRAPHY BY LYNN G. KETCHUM agriculture magazines. Carl Clapp is an "ag artist," a handle he proudly displays on his auto plates and cultivates in his paintings of farm life. How do farming and art mix? Clapp thinks the two professions do share some common ground. "I think a farmer has one of the most critical eyes for color there is. The way a farmer gauges how his crop is doing is by the color. For instance cotton - there's about one thousand different col- ors of green and about 980 of those are bad...(laughs)." Besides ideas, the farm environment also produces it own brand of helpful art critic. Farmers are honest critics, Clapp believes. "If they like a painting, they'll say. And if they don't, they'll sure tell you." Although he started painting when he was six his first formal training came when he was a Winter 1986 13

"I think a farmer has one of the most critical eyes for color there is. The way a farmer gauges how his crop is doing is by the color. "Two of Iowa's Best" (pencil drawing) "Wheat Harvest Dinner" (pencil drawing) teenager, not in school but through the Cochise County Extension Office. "The first art classes I ever took were from the U of A. They had an extension class down in Willcox. Myself and thirty little old ladies painted together. I used to get a lot of razin' from my peers about that." His interest in art grew - through his years at the Arizona State University where he graduated with a degree in art education, during his teaching and coaching days and now as he divides his time between cotton farming and painting in his Casa Grande studio. The third generation Arizonan says he gets many of his ideas while driving a tractor. Cultivating quarter mile rows of cotton offers plenty of time to think. Clapp avoids what he calls the "trite" agricultural scenes, the windmills, the cliche farm scenes. "I'm a farmer and I feel more comfortable painting what I know... and I know agriculture." That knowledge allows Clapp the insight to paint those scenes that say something about what is more than a business but a way of life. In Clapp's paintings you'll find variety from the delicate beauty of a cotton blossom to farm faces that show the wear and tear of an enterprise full of ups and downs. "I paint everything from cotton to cattle," the easy going artist says, "... but I really like doing people and trying to capture their moods, their feelings on canvas." That sensitive approach is apparent in a drawing called "Wheat Harvest Dinner", a picture of a grandfather stopping in the middle of a harvest day to share dinner in the field with his granddaughter. Moments like this are worth saving... worth recording. Carl Clapp hopes to build his artistic reputation on these "slices of farm life." Someday, he'd like to pick up where the last of the famous agriculture artists, Grant Wood, left off. It's Carl Clapp's dream to travel the country with brush and palette in search of those people, those places, those scenes that show us in human terms the meaning of agriculture. "I hope," Clapp says, "to someday be agriculture's artist." ZI 14 Arizona Land & People

COURTESY DELTA PINE AND LAND CO. "Claude Evans" (water color) Winter 1986 15