Morning Glow A &ill thranden

Similar documents
PARADISE FALLS An Original Oil Painting by Darrell Crow

Try to put a very slight angle on the tree just to create some interest.

ALMOST WINTER. by Barb Halvorson. artistsclub.com 1

The Mill by Barb Halvorson

AUTUMN DEER. by Barb Halvorson

WINTER IN THE COUNTRY. by Donna Hodson

Midnight Surf An Original Oil Painting by Darrell Crow

Winter View. by Debby Forshey-Choma

Country Mill by Barb Halvorson

How to paint the Blue Mountains

Snow Wonder. by Debby Forshey-Choma

Spring s View. by Debby Forshey-Choma

FIRST SNOWFALL. by Debby Forshey-Choma

SHEEP MANTEL CLOCK. by Kerry Trout

homestead autumn by Barb Halvorson

balance your intention with your intuition

Summer s View by Debby Forshey-Choma

mermaid Social Artworking Instruction Sheet

Happy Fall Pup. by Barb Halvorson

After Bouguereau: The Bohemian

Brush Stroke Basics Flat Brush Practice Guides

How to Paint a Field of Poppies with Studio Acrylic Paint

Welcome Friends. by Donna Hodson

Bearly Grown Up by Barb Halvorsen

Mix Rich Blacks. with Acrylic Paint. Choose Color Combinations. Mix your own luscious black tones to create more depth and interest in your painting

After Bouguereau: The Nut Gatherers.

Project - Harbour based on the Florida Keys (Size - 7 x 10 )

How to paint a Painterly landscape using the 8pce Oil Colour Intro set

Painting WatercolorPortraits Kathy Jurek

After Bouguereau: The Bretons

Wellington Vineyards Book Box by Debby Forshey-Choma

Honey Brown Lamp Black. Silver Sage Green Soft Black. Antique Green Bittersweet. Brass Candlestick with Pussy Willows

SNOW IS GLISTENING. by Debby Forshey-Choma

Brush Stroke Basics Round Brush Practice Guides

How to paint a Horse in Traditional Oil Paint

Heart at HOME by Deb Antonick

Using Latex Paint LEARN TO PAINT: For durable paint that is easy to blend, try latex house paint. By Betty Padden

Chapter 4. The Basic Techniques of Oils SKY TECHNIQUES

JOY, PEACE AND HOPE. by Debby Forshey-Choma

You will need 9x12 blue construction paper, SOFT LEAD pencil colors, an eraser, and a metric ruler.

You will need a #6 or #7 round hair brush, a #1 or #2 round hair brush, a fan brush, a se o watercolors, some scrap paper, and some watercolor paper.

After Bouguereau: The Little Sulk II

Times. For additional reading, Patti s book covering contemporary uses of acrylic for F+W Publications is titled Rethinking

The Open Gate. by Barbara (Frabzreb) Bunsey

After Bouguereau: Italian Girl

Autumn Splendor. by Debby Forshey-Choma

Lesson Plan: Oil Painting Techniques Grades: MS & HS Art

After Bouguereau: The Knitter

How to paint a space ship Sci Fi scene.

Kingslan & Gibilisco Publications

acrylic supplies Nancy Medina Art LLC Copyright 2018 ~ All Rights Reserved.

Watch Ron s video explaining his class and the supplies you ll need.

Midnight Laundry. by Linda Lover

Avenue Road Arts School 460 Avenue Road Toronto, Ontario, Canada M4V 2J1 Tel: (416)

Winter Wolf. by Barb Halvorson

How to paint a misty landscape.

SPOOKY TOWN. by Betty Bowers

The Difficult Lesson - After Bouguereau

Snowball Tree by Deb Antonick

Water-colour painting techniques

Here is a list of the work to be done, further explanation follows:

Avenue Road Arts School 460 Avenue Road Toronto, Ontario, Canada M4V 2J1 Tel: (416)

Preparation: Copy Acrylic Techniques Worksheets onto cardstock one /student

What You Need. Pick up all these materials at a Gold or above art centre near you

SNEAKING A PEEK. by Barb Halvorson

Chapter 13. The Basic Techniques of Oils, Chapter 13 WATER TECHNIQUES. Waterfalls Oceans Lakes Rivers Streams Ice More.

January Instructions Willem van Aelst Study 2008 David Jansen. For the Video Link, Please see Page 3

Spring Houses by Betty Bower

Lesson Plan: Acrylic Painting Techniques Grades: 6 th -HS Art

PAINTER S CARRY ALL ARTIST S VILLAGE. by Theresa Frappier Prokop

Putting the Brushes to Work

Noni s Ingredients by Tracy Meola

Sweet Spring Banner. by Tracy Meola

William Bouguereau s The Little Sulk

How to paint a Rainbow Eucalyptus Tree with Acrylic paint

HICKORY HOMESTEAD. by Debby Forshey-Choma

Kintail Studio Folk Art and Decorative Painting

MONOCHROMATIC WATERCOLOUR LANDSCAPES

WHAT A NICE DAY FOR BUILDING A SNOWMAN!

LESSON PRESENTATION INSTRUCTIONS VALUE

Americana Landscape Bowls

A Winter Clothesline. by Linda Lover

Abstract Art Test Study Guide

Materials List. (206) You must first decide what type of medium you wish to paint with:

JOYFUL HOLIDAY TREES. by Jamie Mills-Price

Green Pastures by Linda Lover

Supplies List. GENERAL SUPPLIES: (needed for all classes)

Summer Lilacs by Donna Hodson, CDA

Beary Christmas Between the Vines 2012 Jamie Mills-Price

Winter Home. by Christy Hartman

Vintage Keys. how to. Presented by Willow Wolfe LEARN. By Chris Haughey. Level: Intermediate. Gather These Supplies

The Basics & Common Problems

MERRY AND BRIGHT O F. by Sharon Cook WEEK 11

How to paint a Realistic GIANT Bee in Satin Series Acrylic Paint

April Instructions Willem van Aelst Study 2008 David Jansen

COLOR THEORY Supply List

CABINS & BUILDING TECHNIQUES

Kingslan & Gibilisco Studios: Violin Still Life on DVD

An Angel for Spring by Tracy Meola

Fall Foliage Pins by Margaret Wilson

Transcription:

Morning Glow A &ill thranden Step 1: SKYANDWATER TOOLS: Blending Brush, Magic White Medium COLORS: Sky Mixture -IndianYellow, Deep Yellow, Permanent Red (marbled mixture) Clouds Mixture -Ahzarin Crimson, with a touch of Phthalo Blue Apply Magic White to your cenvas as described on page 9. Load a clean, dry Blending Brush with the Sky Mixture. Using heavy pressure, apply the color with short, crisscross strokes in the center, upper portion of the canvas and to the center 1/3 of the lower portion of the canvas. This will create both the sky and water afeas. Load a clean, dry Blending Brush with the Clouds Mixture. Holding the brush straight into the canvas and using heavy pressure, dance and twist the brush across the top 3 inches of your canvas. Please refer to the Overall Pictures at the beginning of this project for placement. Step 2: SUNLIGHT AND REFLECTIONS TOOLS: Fan Brush, Blending Brush COLORS: Sunlight Mixture -Titanium White, Permanent Red and a touch of Deep Orange Sunlight Shadow -Alizarin Crimson and Phthalo Blue Load your clean, dry Fan Brush with the Sunlight Mixture. Holding the brush straight into the canvas and using a medium pressure, dance and twist the brush just below the center of the dark clouds. Clean your brush and reload with the Sunlight Mixture. Create the reflection of the sunlight in the water. Add a little of the Cloud Mixture to your uncleaned Fan Brush and pull a flat cloud beneath the sunlight, using a long horizontal stroke. Use your clean, dry Blending Brush to pull the reflection of the sunlight downward in the water. Load a clean, dry Fan Brush with the Sunlight Shadow Mixture and create a shadow around the top of the sunlight. Use a clean, dry Fan Brush to pull out sun streaks from the sunlight area. Please refer to Overall Picture D for placement. Load your clean, dry Fan Brush with the Sunlight Mixture and add highlights along the top of the flat cloud below the sunlight. Pull down more sun streaks below the flat cloud. Use a clean, dry Blending Brush to lightly blend the clouds around the sunlight. t-t

Step 3: DISTANT TREE LINE TOOLS: Fan Brush, Palette Knife, Blending Brush COLORS: Distant Tree Line -Add more Phthalo Blue and Ahzarin Crimson to the Sunlight Shadow Highlight Water Lines Mixture in Step 2 -Permanent Red -Titanium White and Indian Yellow Load your clean, dry Fan Brush with the Distant Tree Line Mixture. Tap in a row of trees across the center of the canvas. Look at Overall Picture C for placement. Use your uncleaned Fan Brush to add a touch of Permanent Red highlight along the top of the trees. Pull reflections down into the water beneath the tree line. Load a clean Palette Knife with a thin ribbon of the Water Lines Mixture. Holding the knife almost flat against the canvas, touch the blade to the base of the tree line and pull along the shoreline. Reload your knife with the Water Lines Mixture. Holding the knife flat against the canvas, cut a series of water lines randomly throughout the water. Use a clean, dry Blending Brush to softly hypnotize, or blend the water area. Step 4: ISLAND OF TREES AND BUSHES TOOLS: Foliage Brush, Blending Brush, Fan Brush, Palette Knife COLORS: Tree Base -Sap Green and Ahzarin Crimson Bushes Mixture -IndianYellow, Titanium White, Deep Orange, Permanent Red Shudow Lines -Permanent Red and Phthalo Blue Load a clean, dry Foliage Brush to a rounded edge with the Tree Base Mixture. Holding the brush vertically, tap it into the canvas where you want the top of the trees to appear. Work down the height of the tree toward the water, turning the brush from center to left to right. Without reloading your brush, create the tree reflections in the water. Use a clean, dry Blending Brush to pull the tree reflections downward in the water. Load a clean, dry Fan Brush with the Bushes Mixture. Tap the brush along the base of the trees to create the bushes. Load a clean, dry Foliage Brush with the Bushes Mixture and touch in highlights on the right sides of the trees. Use the corner of your clean Palette Knife to scratch tree trunks into the trees and into the tree reflections in the water. You are removing paint with this stroke, so clean your knife blade often. Load a clean Palette Knife with a ribbon of the Sunlight Mixture from Step 2. Holding the knife almost flat against the canvas, touch the blade to the base of the bushes and push along the shoreline. Load your uncleaned Palette Knife with a ribbon of the Shadow Lines Mixture and pull along the shoreline on the very left side of the shoreline, to create shadowed water lines beneath the trees. 74

:-ii:.:i-*ili-:-:riit: rilrii*jr;;'::ii;i:i :rir::ti.lijij:!:-ir=all ;ifi+;i-t.ir.'..+s t N it N s, t\c.\ bs, =

ALEXANDER OIL COLORS Titanium White. Indian Yellow. Permanent Red. Deep Orange. Alizarin Crimson ' Phthalo Blue ' Sap Green MATERIALS Alexander Blending Brush. Alexander Foliage Brush. Alexander Medium Fan Brush 'Alexander Script Liner Brush. Alexander Original Palette Knife. Alexander Magic White Medium. Alexander Odorless Paint Thinner. 18" x 24'Canvas. Palette. Easel COLOR MIXTURES -IndianYellow, Deep Yellow, Permanent Red (marbled) Sky Mixture -Ahzarin Crimson with a touch of Phthalo Blue Clouds Mixture -Titanium White, Permanent Red and a touch of Deep Orange Sunlight Mixture -Alizarin Crimson and Phthalo Blue Sunlight Shudow -Add more Phthalo Blue and Alizarin Crimson to the Sunlight Shadow Mixture Distant Tree Line -Titanium White and IndianYellow Water Lines -Sap Green and Alizarrn Crimson Tree Base Mixture -IndianYellow, Titanium White, Deep Orange, Permanent Red Bushes Mixture -Magic White Medium and IndianYellow Sun Streak Tree Shudows Sun Glow -Phthalo Blue and Alizarrn Crimson -Permanent Red" Indian Yellow and Titanium White Bqfore you begin, please read pages 7 through l2 for basic painting techniques. A. Create the sky, clouds and water. B. Add the distant trees and water lines. C. Create the island of trees on the left. D. Add details and create the trees on the right. --For your painting reference: Teur this puge ulong the dotted line and pluce on or near your eusel-72

Step 5: FOREGROUND TREES, BUSHES AND FENCE TOOLS: Blending Brush, Foliage Brush, Fan Brush, Palette Knife COLORS: Tree Base -Tree Base Mixture from Step 4 Sun Streak -Magic White Medium and IndianYellow Tree Shudows -Phthalo Blue and Ahzarin Crimson Sun Glow -Permanent Red IndianYellow and Titanium White Load a clean, dry Blending Brush with the Tree Base Mixture and create the large foreground trees and bushes. Holding the brush vertically, touch it to the canvas where you want the top of the tree to begin. Tap the brush into the canvas, bending the bristles slightly, lifting the brush of the canvas after each stroke. Continue working down the tree, turning the brush from center to left to right. Load aclean, dry Blending Brush with the Sun Steak Mixture. Use horizontal brush strokes to pull streaks of reflected sunlight across the water to the left of the large foreground trees. Load a clean, dry Blending Brush with the Tree Shadows Mixture and tap in the shadows randomly throughout the trees and bushes, adding more shadows near the base of the trees. Load a clean, dry Foliage Brush with the Sun Glow Mixture and tap highlights on the tops of the bushes just below the sunlight reflections. Reload your uncleaned Foliage Brush with the sun Glow Mixture and tap highlights on the left side of the large tree in the left foreground. Load a clean Palette Knife with a ribbon of the Sun Streak Mixture. Create the illusion of tree trunks by allowing the paint to pull from the knife with each stroke as you lift off the canvas. Load a clean Palette Knife with a ribbon of the Tree Shadows Mixture. Create the fence posts by touching the blade of the knife to the canvas and allowing the paint to pull from the knife with each stroke as you lift off the canvas. Load a clean Palette Knife with the Sun Streak Mixture and add highlights on the fence. Step 6: SIGNATURE TOOLS: Script Liner Brush, Odorless Paint Thinner COLOR: Your Choice Thin the color of your choice with Odorless Paint Thinner. Reload your brush, as necessary, and proudly sign your painting. TSIINNRR SeREE;l * extend the life of your brushes by using the Alexander Thinner Screen to clean your brushes. QBOR ESS FA*3 T TI{3*}*ER - is a high-quality colorless thinner formulated for use with Alexander oil colors. No noxious odor! Call our toll free Customer Service Line 1-800-896-4630 75