YALE UNIVERSITY ART GALLERY. Looking Closely Using Felt and Yarn

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YALE UNIVERSITY ART GALLERY Looking Closely Using Felt and Yarn

HELLO! USE THIS FUN KIT TO LEARN ABOUT HOW ARTISTS COMBINE LINES, SHAPES, AND COLORS TO CREATE ARTWORKS. EXPLORE WE RECOMMEND THAT YOU EXPLORE THE GALLERY FIRST TO FIND AREAS THAT INTEREST YOU. bthen YOU CAN USE YOUR KIT TO HELP YOU LOOK MORE CLOSELY AT THE ART AROUND YOU.

PORTRAIT IF YOU ARE LOOKING AT A PAINTING OR A PHOTOGRAPH OF A PERSON, CALLED A PORTRAIT, TRY THIS: Take a minute to really look at the piece. Look at the different shapes the artist has used to create the image of a person. Now find felt pieces in your kit that are similar shapes and use the yarn to make shapes. Arrange these shapes on your felt board in the same way the artist has arranged them in the portrait. Do you notice anything new about the composition of the piece you chose? What new details do you see? HERE'S WHAT PORTRAITS CAN LOOK LIKE.

ABSTRACT IF YOU ARE LOOKING AT AN ABSTRACT PAINTING (ONE THAT DOES NOT LOOK REALISTIC), TRY THIS: Look closely at this painting from top to bottom, and from side to side. What kinds of lines do you see? What colors do you notice? What shapes are formed? Find a part of the painting where various lines, shapes, or colors overlap. How did the artist do this? Try to make some similar compositions using the felt and yarn pieces in your kit. Experiment with different ways of combining line, shape, and color on your felt board. Make your own version of what you see! HERE'S WHAT ABSTRACT PAINTINGS CAN LOOK LIKE.

SCULPTURE IF YOU ARE LOOKING AT A SCULPTURE (A THREEDIMENSIONAL OBJECT THAT HAS HEIGHT, WIDTH, AND DEPTH), TRY THIS: Look at the artwork from as many angles as possible. Walk around it if you can, and think about its scale or size in relationship to you. How would you describe the form or shape of this sculpture? Try to re-create part of it using your felt pieces and yarn. See if you can build your own sculpture by stacking, balancing, or curving your felt onto your felt board. HERE'S WHAT SCULPTURES CAN LOOK LIKE.

INVENTIONS CREATE A DESIGN THAT IS INSPIRED BY MANY DIFFERENT ARTWORKS! WILL YOUR INVENTION LOOK LIKE? lightbulbwhat IMAGES Portrait Clockwise from top left: Kerry James Marshall, Untitled (detail), 2009. Acrylic on PVC. Yale University Art Gallery, Purchased with the Janet and Simeon Braguin Fund and a gift from Jacqueline L. Bradley, B.A. 1979, 2009.161.1. Courtesy of the artist and Jack Shainman Gallery, New York; William John Wilgus, Captain Cold, or Ut-ha-wah (detail), 1838. Oil on canvas. Yale University Art Gallery, Gift of de Lancey Kountze, B.A. 1899, 1939.39; The Beardsley Limner, Mrs. Hezekiah Beardsley (née Elizabeth Davis, 1748/49 1790) (detail), ca. 1788 90. Oil on canvas. Yale University Art Gallery, Gift of Gwendolen Jones Giddings, 1952.46.2; Jerome Liebling, Butterfly Boy, NYC (detail), 1949. Gelatin silver print. Yale University Art Gallery, Purchased with a gift from Jane and Gerald Katcher, LL.B. 1950, and the Janet and Simeon Braguin Fund, 2006.163.5. Jerome Liebling Photography LLC Abstract Clockwise from top left: Wassily Kandinsky, The Waterfall (detail), 1909. Oil on pasteboard. Yale University Art Gallery, Gift of Collection Société Anonyme, 1941.529. 2014 Artists Rights Society (ARS), New York/ ADAGP, Paris; Richard Diebenkorn, Ocean Park No. 24 (detail), 1969. Oil on canvas. Yale University Art Gallery, The Twigg-Smith Collection, Gift of Laila and Thurston Twigg-Smith, B.E. 1942, 1991.70.1. The Richard Diebenkorn Foundation; Kasimir Malevich, Tochil schik Printsip Mel kaniia (The Knife Grinder or Principle of Glittering) (detail), 1912 13. Oil on canvas. Yale University Art Gallery, Gift of Collection Société Anonyme, 1941.553; Paul Klee, Heitere Gebirgslandschaft (Joyful Mountain Landscape), 1929. Oil on board. Yale University Art Gallery, Katharine Ordway Collection, 1980.12.22 Sculpture Clockwise from top left: Tomb Guardian Creature (Zhenmushou) (detail), Chinese, Tang dynasty (618 907 C.E.), ca. 725 50 C.E. Red earthenware with white slip and pigment. Yale University Art Gallery, Purchased with a gift from Ruth and Bruce B. Dayton, B.A. 1940, 2000.57.3; Mask with a Superstructure Representing a Beautiful Mother (D mba) (detail), Baga, Sitem subgroup; Bulungits; or Pukur, Guinea, late 19th early 20th century. Wood and brass. Yale University Art Gallery, Charles B. Benenson, B.A. 1933, Collection, 2006.51.390; Portrait Statue of a Woman (detail), Roman, 1st century B.C. early 1st century A.D. Marble. Yale University Art Gallery, Ruth Elizabeth White and Leonard C. Hanna, Jr., Class of 1913, Funds, 2007.207.1; Robert Morris, Untitled (Version 1 in 19 Parts) (detail), 1968/2002. Felt. Yale University Art Gallery, Janet and Simeon Braguin Fund, 2002.76.1a r. 2014 Robert Morris/Artists Rights Society (ARS), New York

REUSE THIS KIT YOU ARE WELCOME TO KEEP YOUR FELT AND YARN KIT AND REUSE IT AS OFTEN AS YOU LIKE. A R bif YOU HAVE A CAMERA, YOU CAN TAKE A PICTURE TO REMEMBER WHAT YOU VE MADE.