J. R. R. Tolkien: Middle-earth and Beyond Winter 2018

Similar documents
COMM498L: Introduction to Screenwriting for Television and Film Fall 2015, T 4:00-6:30

Introduction to Comics Studies English 280 Winter 2017 CRN 22242

The Lord of the Rings: An Exploration of the Films & Its Literary Influences

Black & White Photography Course Syllabus

Syllabus for Science Fiction Science (NDL 138) Gustavus Adolphus College, January 2012

PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS AUTOCAD FOR INTERIOR DESIGN: STUDIO IV IDT 2305

PHOTOGRAPHY II SYLLABUS. SAMPLE SYLLABUS COURSE: AR320 Photography II NUMBER OF CREDIT HOURS: 3 PREREQUISITE: AR120

Instructor: Matt Martinson Office: L&L 416F Office Hours: MWF Course Time: MTWF 12:00-12:50 Classroom: Black 136

REL 4092/ ETHICS, UTOPIAS, AND DYSTOPIAS

PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS COMPUTER APPLICATIONS FOR INTERIOR DESIGN: STUDIO II IDT2306

Syllabus for TVF 318 Fundamentals of Scriptwriting 3 Credit Hours Fall 2014

TH 2XT3 / MS 2XT3 McMaster Divinity College Summer School, 2014 May Instructor: Bradley K. Broadhead, Ph.D. (Cand.)

Communications and New Media Title: Writing for Media Catalog Number: CNMS Credit Hours: 3 Total Contact Hours: 45

MAYMESTERCOURSE~S----~-----

JOU4308: Magazine & Feature Writing

BASIC DIGITAL PHOTOGRAPHY SPRING 2017

Clough Hall 417 Office: Clough Hall 412 Office hours: Tues. & Thurs. 9-10:30 AM, or by appointment

MPJO : FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014

C A P I L A N O UNIVERSITY COURSE OUTLINE TERM: Fall 2014 COURSE NO.: IDF 233

JOU 4311: ADVANCED MAGAZINE WRITING Weimer W: 10-11:30 a.m Available other days;

Boston University Study Abroad London Contemporary British Literature CAS EN 388 (Elective B) Spring 2016

Lake-Sumter State College Course Syllabus

CAD RESIDENTIAL AND COMMERCIAL DRAFTING WITH CADD 3 Semester Hours

ARH 311: History of Italian Art from the 15th to the beginning of the 17th Century

COM 357: Scriptwriting for Serial Media Spring 2014 Tue./Thur. 12-1:50pm Bouillon 106

ENG 399: American Detective Fiction Course Syllabus Summer 2013 CRN MTWR 12:00-1:50 p.m. 246 Gerlinger Hall

ADVANCED DIGITAL PHOTOGRAPHY MASS MEDIA 4321 SPRING 2018

ENGLIT 0522 INTERACTIVE FICTION AS LITERATURE. Dr. Patrick Scott Belk, Biddle Hall 225, Office Hours: 10:00 AM-12:20 PM TTh,

ENG 323: Writing and Editing for Publication Course Syllabus Winter 2015 Professor Welsh

ANIMALS & ETHICS PHIL308K Fall 2013 online

INTERMEDIATE SCREENWRITING MRTS 4460 Fall 2016 Department of Media Arts

Advertising & Marketing Law (Law 712) Eric Goldman Spring 2011

English HU3750 Science Fiction Spring 2016

Photography COMM 1316 SUMMER 2017

SFR 406 Remote Sensing, Image Interpretation, and Forest Mapping Spring Semester 2015

ARH 2051 Introduction to Principles and History of Art 2 Renaissance to the Present Fall 2015

ECEN 325 Spring 2019 Lab Policy

PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS ARCHITECTURAL DRAWING W/LAB CID 1210

COURSE INFORMATION. FALL 2013: ARTF 1302 BASIC DRAWING 1 SECTION 003 Tuesday s & Thursday s (CRN 22123) 9:00-11:50am PROSPECT HALL 218

News Photography COMM 1317 Spring 2017

Department of Art Fall ARTH 1306, Section 001 HISTORY OF WORLD ART II Seamon Hall, Room 210, TR 1:30 2:50 pm

Fall 2018: DRAW 2308 ADVANCED DRAWING 1: LIFE DRAWING Monday/Wednesday- CRN :30-11:20 am-room 218 PRO

PELLISSIPPI STATE TECHNICAL COMMUNITY COLLEGE MASTER SYLLABUS. CIVIL ENGINEERING DRAWING W/LAB CID 2290 (formerly CID 2195)

Mindfulness in the 21 st Century Classroom Site-based Participant Syllabus

Student s Signature Completion Date. High School Teacher s Signature Date. Recommended Grade High School. COCC Review Instructor s Signature

SYLLABUS. September 4 Knut Hamsun, Pan (1894) September 11 Joseph Conrad, The Secret Agent (1907) Joseph Conrad, The Secret Agent

Architectural Drafting (DFTG 1317) Credit: 3 semester credit hours (2 hours lecture, 4 hours lab)

J.R.R. Tolkien: Author Of The Century By Tom Shippey READ ONLINE

Los Angeles Mission College Art 201, #17692/17711 DRAWING I 3 Units, Spring 2018 (Feb. 5-June 4) Room: Pacoima City Hall No prerequisite needed.

The Hobbit (1937) (Bilbo Baggins) J.R.R. Tolkien ( ) (Thorin Oakenshield) 12

PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS VISUAL COMMUNICATION: STUDIO II IDT 1216

PELLISSIPPI STATE TECHNICAL COMMUNITY COLLEGE MASTER SYLLABUS. VISUALIZATION TECHNIQUES IDT 2630 (formerly IDT 1600)

History 3209: History of Technology

FLORIDA ATLANTIC UNIVERSITY. Course Syllabus. TBA (an appointment by is always recommended)

SCHOOL OF INDUSTRIAL DESIGN

Social and Ethical Issues in STEM

Department of Drafting & Design Engineering Technology. Syllabus

ART 20L: INTRODUCTION TO DRAWING

This course satisfies the Creative Arts core curriculum requirement.

Course Description: Prerequisite: ART 137 Course Goals:

COM / ENG 267: Screenwriting Fundamentals -- Spring '14 Mon. & Wed :50am L & L 307

CENTRAL MICHIGAN UNIVERSITY OFF-CAMPUS PROGRAMS COURSE SYLLABUS

Kankakee Community College

PHOT 296 Outdoor Photography Study Abroad Three (3) Credits

You will also present, during the first class, your best 10 photographs, as an entrance portfolio. Be prepared to do this!

REQUIRED Luchadora! by Alvaro Saar Rios. Dramatic Publishing. ISBN:

ENGL 2202: Weird Fiction

DIGITAL PHOTOGRAPHY MASS MEDIA 4321 SPRING 2017

RTV 4929C (Spring 2016) ADVANCED PRODUCTION WORKSHOP: DIRECTING DRAMA

Spring 2017: DRAW 2308 ADVANCED DRAWING 1: LIFE DRAWING M/W CRN :30 11:20 am, FOX FINE ARTS 263

Prerequisite(s): None

ENH 110: Introduction to Literature

Name Tel . Name Tel

Mindfulness in the 21 st Century Classroom Online Syllabus

Upper-division Writing Requirement Review Form (12/1/08) I. General Education Review Upper-division Writing Requirement Dept/Program RTV

FMST 310: SCREENWRITING Spring 2013 T, TH: 10:00am to 11:15am 206 Newton Michael Herman, Instructor

Every Edit is a Lie. -Jean-Luc Godard

Course Description: Course Goals: Course Outcomes: Methods of Instruction: Materials:

ART 103: History of Western Art: Renaissance to Present

Student Ability Success Center (SASC) Procedures for Receiving Test Accommodations. effective 8/9/18

ALL WORK IS DUE AT THE BEGINNING OF CLASS / LATE WORK WILL NOT BE ACCEPTED, GRADED OR COMMENTED ON / NO EXCEPTIONS.

Rushmore (1998) (Script and film) Little Miss Sunshine (1999) (Script and film) In Bruges (2004) (Script and film)

RTVF INTRODUCTION TO SCREENWRITING. or, Writing for Visual Media. Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i)

CM 21 Construction Graphics Course Syllabus Fall Instructor: Professor Keith Bisharat

J316 Introduction to Photographic Communication

ART Drawing I (Web-enhanced) COURSE SYLLABUS: Fall 2014 TR 11:00am-1:50 pm, room 201 8/25/ /12/2014 COURSE INFORMATION

Arts Painting I - Thursday 9:30-2:00 Course Syllabus: Spring 2015

Student Learning Outcomes (SLOs) Students will: 1. Create drawings from observation with full values showing the illusion of threedimensional

Note: This course contains books with adult themes including sexual assault, murder, suicide, nudity, and other controversial topics.

Honors SS2050 / History 3900 Spring 2014

Introduction to Photojournalism Graduate Student course outline

PSY 113S: Psychology and Science Fiction

San José State University English Department English 22, Fantasy & Science Fiction, Fall 18

Big Sandy Community and Technical College. Course Syllabus

Science Fiction and Fantasy

MRTS Intermediate Screenwriting Tuesday 2:00pm 4:50pm FALL 2016

E n g l i s h : B r i t i s h L i t e r a t u r e 1 (a survey of monsters, marvels and mysteries)

REQUIREMENTS AND GRADING POLICY

The United States Since World War II HIS Spring 2015, TR 12:30-1:45, MHRA 2211

FYE First Year Experience: Science Fiction

Transcription:

J. R. R. Tolkien: Middle-earth and Beyond Winter 2018 DRAFT SYLLABUS SUBJECT TO CHANGE Instructor: Dr. Christopher Chip Crane Office: Tawes 1204 (but I won t be there during the course) Office Hours: By appointment online or via phone Work Phone: NA (I won t be in the office) Cell Phone: 410-507-6938 Email: cecrane@umd.edu Class Meeting times: Online with various synchronous and asynchronous discussions Section: WB11 Welcome to Middle-earth and Beyond! I aim for our study of Tolkien these three weeks to be invigorating, challenging, and fascinating. I never tire of his works, and I look forward to introducing some of you to them perhaps for the first time. Others who have already read some Tolkien will also likely find themselves in new territory with some of the texts. No matter how familiar you are with them, I expect you will discover some facets of Tolkien you have not explored before. I have the following general goals for the semester, goals which involve (per the course title) visiting Middle-earth but also going beyond those well-known shores: To expose (or re-expose) you to Tolkien s most famous works, The Hobbit and The Lord of the Rings. To expose you to Tolkien s wider mythology for Middle-earth, the world of the Valar and the elves of the first age, geographically beyond the borders of the Shire, The Lonely Mountain, the Blue Mountains, and Gondor. To introduce you to some of Tolkien s other fiction beyond the works dealing with Middle-earth and Valinor. To explore Tolkien as a person and a scholar himself and the ways in which his major works are rooted deeply in his own beliefs and his academic field (medieval literature and mythology). We will look at some biographical material and study some of his own scholarly work. To introduce you to some of the current scholarly approaches to and conversations about Tolkien s work though. To look at our contemporary pop-culture s response to and interpretation of Tolkien, going beyond Middle-earth in ways he himself would probably never have anticipated (or approved of). 1

Course Policies I will expect from you a high level of engagement with the course material and participation in discussions. I will also expect top-notch writing and other work whether discussion posts or your final paper from each of you. I want to help you gain the maximum combination of learning and intellectual growth out of this course, so please seek me out for assistance at any point with reading or writing if you are having difficulty. To achieve these ends and the goals described above (and the best grade of which you are capable as you demonstrate that achievement), you should expect to invest several hours per day. With a semester s work compressed into three weeks, each day equates to a week (i.e. about 8 hours) of course work. Online Attendance, Participation, and Professionalism For this online venue, attendance equates to consistent participation in assigned discussion topics and taking reading quizzes. With few exceptions, attendance is required. No excuses. I will grade you on your participation in online discussions. If you know in advance you will miss an assigned exercise or event for a religious observance, let me know at least a day in advance. For other expected (or potential) absences (in this online sense), let me know as far in advance as possible. Normally, you will just have to make up missed work by submitting a late posting. If the module is closed, you will have to email it to me and will normally receive a dedution in your grade unless your absense was excused. In the event that you must miss course events that are the equivalent of attending a traditional course due to an illness, the policy in this class is as follows: You should make a reasonable effort to inform me in advance of the assignment or discussion. When you are back online (literally), you must send me an explanation identifying the date of and reason for the missing work and acknowledging that the information in the note is accurate. If you are absent in this sense more than once, I may require documentation signed by a health care professional. If you are absent on days when tests are scheduled or papers are due, you should notify me in advanceif possible, and upon returning to class, bring documentation of the illness, signed by a health care professional. Late work (discussion posts, quizzes, papers, exams) is also unacceptable. Assigned work must be turned in no later than the start of class on the due date. I will occasionally extend a deadline in special circumstances, but you should discuss your circumstances with me at least a day or two prior to the deadline. The penalty for late work submitted without prior arrangement is a letter grade (10 points) for each calendar day past the due date. Attendance and timeliness (of your attendance and your assignments) are all really subsets of the overall high level professionalism I expect from you. I expect you to conduct yourselves both in class and with assignments like the professionals (in whatever field) you are studying at the university to become. 2

Office Hours / Contacting Me I do not plan to be in my UMD office during the Winter Term. I expect to be online every week day and available to field questions or discuss any course material you have trouble with or questions about. I will normally respond within 24 hours to an email. I will be glad to arrange a phone conference with you if you would like to talk in person. Academic Integrity Another facet of your professionalism is Academic Integrity. The University has approved a Code of Academic Integrity that prohibits students from cheating on exams, plagiarizing papers, submitting the same paper for credit in two courses without authorization, buying papers, facilitating academic dishonesty, submitting fraudulent documents, and forging signatures. Plagiarism policy: all quotations taken from other authors, including from the Internet, must be indicated by quotation marks and referenced. Paraphrasing (putting other s ideas into your own words) must be referenced as well. In addition, the following University of Maryland Honor Pledge, approved by the University Senate, should be handwritten and signed on the front page of all papers (or submitted with your email for electronic paper submission), projects or other academic assignments submitted for evaluation in this course: "I pledge on my honor that I have not given or received any unauthorized assistance on this assignment/examination." Students with Disabilities This course complies with University policy regarding students with disabilities as described in the current Undergraduate or Graduate Catalog. You should let me know at the start of the term (first day or two) if you have a disability which requires special accommodation on my part. Religious Holidays Any student's assertion of a religious observance will be taken at face value; advance warning of any classes, tests, etc., to be missed for religious observance should come to me in writing in the first two days of the term. (http://www.president.umd.edu/policies/iii510a.html) Missing class or a deadline for a religious observance does not excuse a student from material taught in the class or any course assignments. In Case of Inclement Weather or Emergency which closes the University this class will continue on completely unaffected! (sorry.) IT System Disruption What could shut us down, however, is a major disruption to IT/ELMS/Canvas. However, even if some such event disrupts our daily interaction (or if I should suffer some disaster that takes me offline for more than a day or two), I expect you to continue the readings listed below. I may have to change a couple of discussion posts, but you should expect to shoulder the same work load. If you finish all the readings early, start working on the final paper. 3

Graded Material Your final grade will comprise the following, in approximately the proportions indicated. You are to read all assignments on the syllabus prior to each day s class. Bring all assigned course texts to class, including class material read online or posted to Canvas, which you should print out beforehand. o Daily Class Involvement: 30% (contribution to online discussions, exercises, and general professionalism) o Quizzes and Exams: 30% o Term Paper: 30% o Artistic project: 10% List of Required Texts Tolkien, J.R.R. and Christopher Tolkien, Beowulf: Translation and Commentary, Houghton Mifflin Co. ISBN-10: 0544442784 ISBN-13: 978-0544442788 Tolkien, J.R.R.,The Hobbit, Houghton Mifflin Co. ISBN-10: 054792822X ISBN-13: 978-0547928227 Tolkien, J.R.R., Roverandom, Mariner Books ISBN-10: 0395957990 ISBN-13: 978-0395957998 Tolkien, J.R.R., The Silmarillion, Houghton Mifflin Co. ISBN-10: 0618126988 ISBN-13: 978-0618126989 Tolkien, J.R.R., A Tolkien Miscellany, Quality Paperback Bookclub ISBN-10: 0739427369 ISBN-13: 978-0739427361 (this one is out of print and only available used) Tolkien, J.R.R., The Lord of the Rings, Houghton Mifflin Co. ISBN-10: 0618640150 ISBN-13: 978-0618640157 4

Reading and Discussion Schedule You should expect a discussion post or quiz (due the day each reading is assigned. On most days, I will also host a live discussion/lecture (sometimes two) on the assigned readings. Times and weblink TBD. Week 1 Monday Happy New Year! Sleep in and then get reading! Tuesday The Battle of Maldon: https://web.utk.edu/~rliuzza/514/pdf/the%20battle%20of%20maldon.pdf Tolkien, essay Beorhtnoth s Death, play The Homecoming of Beorhtnoth, & essay Ofermod all in one document: http://www.csun.edu/~dar04956/literature/lordoftherings/tolkien_homecoming. pdf Beowulf part 1, Grendel and Grendel s mother (Tolkien s translation pp 13-77) Wednesday Beowulf part 2, the dragon (Tolkien pp. 77-105) Beowulf commentary pp.167-186 & 271-5 Sellic Spel (in Beowulf pp. 355-386) and The Lay of Beowulf (pp. 415-425) J.R.R. Tolkien, Beowulf: The Monsters and the Critics (pdf on ELMS), pp. 1-2, 7-15 (read the whole thing if you have time). The Hobbit, ch. 1-8 Thursday The Hobbit ch. 9-19 Friday Roverandom The Adventures of Tom Bombadil in A Tolkien Miscellany (TM): Poems 1,2,6,14,15,16 & skim the rest. The Silmarillion (Silm): Ainulindalë and Valaquenta (pp. 15-32) Optional discussion of Peter Jackson s film trilogy, The Hobbit (watching the films is not required) 5

Week 2 Monday The Lord of the Rings (LOTR) The Fellowship of the Ring, Book 1, ch. 1-6 (FR I.1-6) Silm Ch. I-IX (skim ch X and XI if you have time) Discuss Peter Jackson s Flight to the Ford scene from The Fellowship of the Ring film Tuesday Silm XII-XIX (Read XIX, Beren and Luthien, especially carefully) LOTR, FR I.7-12 Wednesday LOTR FR II.1-5 Tolkien, On Fairy Stories 1 st half (in Tolkien Miscellany, pp 97-122 through the sub-section entitled Children ) Thursday Tolkien, On Fairy Stories 1 st half (in Tolkien Miscellany, pp 122-145 from the Fantasy sub-section through the end) LOTR FR II.5-10 Friday Smith of Wooton Major & Leaf by Niggle (in Tolkien Miscellany, pp 5-35 & 147-162) Silm XX-XXI (esp Turin Turambar) LOTR The Two Towers (TT) III.1-5 6

Week 3 Monday Silm XXII-XXIII (Ruin of Doriath & Of Tuor and the Fall of Gondolin) LOTR TT III.6-11 LOTR TT IV.1-2 Discuss selected scenes in Peter Jackson s The Two Towers film Tuesday Silm XXIV (Eärendel), Akallabeth LOTR TT IV.2-10 LOTR, The Return of the King (RK) V.1-6 Wednesday LOTR, RK V.7-10 LOTR RK VI.1-4 Farmer Giles of Ham (in Tolkien Miscellany pp 37-91) Thursday Final paper due LOTR, RK VI.5-9 Friday LOTR RK Appendix A, Skim Appendices B-F Silm, Of the Rings of Power and the Third Age Discuss moments in Peter Jackson s The Return of the King film Final Exam Final Paper Due: 7