ART-2030: ART HISTORY SURVEY: LATE RENAISSANCE TO PRESENT

ART-2030: Art History Survey: Late Renaissance to Present 1 ART-2030: ART HISTORY SURVEY: LATE RENAISSANCE TO PRESENT Cuyahoga Community College Viewing:ART-2030 : Art History Survey: Late Renaissance to Present Board of Trustees: 2018-03-22 Academic Term: 2018-08-27 Subject Code ART - Art Course Number: 2030 Title: Art History Survey: Late Renaissance to Present Catalog Description: A stylistic and historical overview of the visual arts in Western culture from the sixteenth century through today, including Italian Renaissance, Mannerism, Sixteenth Century Art in Northern Europe and Spain, Baroque and Rococo, Neoclassicism and Romanticism, Nineteenth, Twentieth, and Twenty-First Centuries Art in Europe and the United States. Credit Hour(s): 3 Lecture Hour(s): 3 Requisites Prerequisite and Corequisite ENG-1010 College Composition I, or concurrent enrollment. I. ACADEMIC CREDIT Academic Credit According to the Ohio Department of Higher Education, one (1) semester hour of college credit will be awarded for each lecture hour. Students will be expected to work on out-of-class assignments on a regular basis which, over the length of the course, would normally average two hours of out-of-class study for each hour of formal class activity. For laboratory hours, one (1) credit shall be awarded for a minimum of three laboratory hours in a standard week for which little or no out-of-class study is required since three hours will be in the lab (i.e. Laboratory 03 hours). Whereas, one (1) credit shall be awarded for a minimum of two laboratory hours in a standard week, if supplemented by out-of-class assignments which would normally average one hour of out-of class study preparing for or following up the laboratory experience (i.e. Laboratory 02 hours). Credit is also awarded for other hours such as directed practice, practicum, cooperative work experience, and field experience. The number of hours required to receive credit is listed under Other Hours on the syllabus. The number of credit hours for lecture, lab and other hours are listed at the beginning of the syllabus. Make sure you can prioritize your time accordingly. Proper planning, prioritization and dedication will enhance your success in this course. The standard expectation for an online course is that you will spend 3 hours per week for each credit hour. II. ACCESSIBILITY STATEMENT If you need any special course adaptations or accommodations because of a documented disability, please notify your instructor within a reasonable length of time, preferably the first week of the term with formal notice of that need (i.e. an official letter from the Student Accessibility Services (SAS) office). Accommodations will not be made retroactively. For specific information pertaining to ADA accommodation, please contact your campus SAS office or visit online athttp://www.tric.edu/accessprograms. Blackboard accessibility information is available athttp://access.blackboard.com. Eastern (216) 987-2052 - Voice Metropolitan (216) 987-4344 -Voice Western (216) 987-5079 - Voice

2 ART-2030: Art History Survey: Late Renaissance to Present Westshore (216) 987-5079 - Voice Brunswick (216) 987-5079 - Voice Off-Site (216) 987-5079 - Voice III. ATTENDANCE TRACKING Regular class attendance is expected. Tri-C is required by law to verify the enrollment of students who participate in federal Title IV student aid programs and/or who receive educational benefits through other funding sources. Eligibility for federal student financial aid is, in part, based on your enrollment status. Students who do not attend classes for the entire term are required to withdraw from the course(s). Additionally, students who withdraw from a course or stop attending class without officially withdrawing may be required to return all or a portion of the financial aid based on the date of last attendance. Students who do not attend the full session are responsible for withdrawing from the course(s). Tri-C is responsible for identifying students who have not attended a course, before financial aid funds can be applied to students accounts. Therefore, attendance will be recorded in the following ways: For in-person courses, students are required to attend the course by the 15th day of the semester, or equivalent for terms shorter than 5-weeks, to be considered attending. Students who have not met all attendance requirements for an in-person course, as described herein, within the first two weeks of the semester, or equivalent, will be considered not attending and will be reported for non-attendance and dropped from the course. For blended-learning courses, students are required to attend the course by the 15th day of the semester, or equivalent for terms shorter than 5-weeks, or submit an assignment, to be considered attending. Students who have not met all attendance requirements for a blended-learning courses, as described herein, within the first two weeks of the semester, or equivalent, will be considered not attending and will be reported for non-attendance and dropped from the course. For online courses, students are required to login in at least two (2) times per week and submit one (1) assignment per week for the first two (2) weeks of the semester, or equivalent to the 15th day of the term. Students who have not met all attendance requirements for an online course, as described herein, within the first two weeks of the semester, or equivalent, will be considered not attending and will be reported for non-attendance and dropped from the course. At the conclusion of the first two weeks of a semester, or equivalent, instructors report any registered students who have Never Attended a course. Those students will be administratively withdrawn from that course. However, after the time period in the previous paragraphs, if a student stops attending a class, wants or needs to withdraw, for any reason, it is the student's responsibility to take action to withdraw from the course. Students must complete and submit the appropriate Tri-C form by the established withdrawal deadline. Tri-C is required to ensure that students receive financial aid only for courses that they attend and complete. Students reported for not attending at least one of their registered courses will have all financial aid funds held until confirmation of attendance in registered courses has been verified. Students who fail to complete at least one course may be required to repay all or a portion of their federal financial aid funds and may be ineligible to receive future federal financial aid awards. Students who withdraw from classes prior to completing more than 60 percent of their enrolled class time may be subject to the required federal refund policy. If illness or emergency should necessitate a brief absence from class, students should confer with instructors upon their return. Students having problems with class work because of a prolonged absence should confer with the instructor or a counselor. IV. CONCEALED CARRY STATEMENT College policy prohibits the possession of weapons on college property by students, faculty and staff, unless specifically approved in advance as a job-related requirement (i.e., Tri-C campus police officers) or, in accordance with Ohio law, secured in a parked vehicle in a designated parking area only by an individual in possession of a valid conceal carry permit. As a Tri-C student, your behavior on campus must comply with the student code of conduct which is available on page 29 within the Tri-C student handbook, available athttp://www.tri-c.edu/student-resources/documents/studenthandbook.pdfyou must also comply with the College s Zero Tolerance for Violence on College Property available athttp://www.tri-c.edu/policies-and-procedures/ documents/3354-1-20-10-zero-tolerance-for-violence-policy.pdf Outcomes Identify ways in which art history reflects cultures, economies, geographies, and the movements of people and ideas. 1. Evaluate how and why Western cultures from the Early Modern period to today created and continue to create art within a social, religious, political, and economic context. 2. Discuss ideas communicated by individual works of western art in terms of their cultural, historical, social, and religious contexts. 3. Compare the way materials, techniques, and technologies used and shared by artists of early Western cultures impacts the creative process.

ART-2030: Art History Survey: Late Renaissance to Present 3 Distinguish various elements of style, describe changes in style, and recognize the movement of style from the Renaissance to present periods in Western Europe and America, including the styles and specific work of major artists. 1. Identify specific characteristics of western art and architecture from the Renaissance up to the present period in Europe and America. 2. List characteristics of various art forms seen in western cultures from the Renaissance to the present. Analyze art historical and visual evidence by examining diverse interpretations of past events and ideas through issues of attribution, provenance, authenticity, and original context. 1. Interpret art historical texts, journal essays, and other current related materials. 2. Recognize changing interpretations of a single work of art throughout history. Analyze art in terms of its formal, cultural, historical, iconographic contexts. 1. Identify the elements of art and the principles of design in works of art and architecture. For example, elements and principles include line, space, color, unity, balance, etc. 2. Use the elements of art and principles of design to demonstrate similarities and differences between artistic styles of various cultures and civilizations throughout Western history from the Renaissance to the present. Apply critical thinking to the interpretation of works of art in order to explain how past and present events and objects Western art relate to today s society. 1. Identify and describe key works of art and architecture from Western history that inspired or inspire art and architecture today. 2. Define and explain how current world events impact the study, preservation, or discovery of art objects and architecture from the Renaissance to the present. 3. Differentiate the meaning and function of key art objects from the period in which they were created up to their interpretation today. Utilize various scholarly sources to conduct college-level research that demonstrates competency in written and oral assignments. Essential Learning Outcome Mapping: Written Communication: Demonstrate effective written communication for an intended audience that follows genre/disciplinary conventions that reflect clarity, organization, and editing skills. 1. Practice art historical research incorporating sources beyond art history textbooks. 2. Prepare and present written and/or oral presentations on specific art historical objects or issues with the use of presentation technology or other visual aids. 3. Write up the results of analysis and interpretation applied to specific works of art, artists, or periods in Western history from the Renaissance to the present in essays or papers using correct grammar, rules of composition, and vocabulary appropriate to the subject. Methods of Evaluation: 1. Written examinations 2. Quizzes 3. Oral discussion 4. Written discussion 5. Class participation 6. Research paper

4 ART-2030: Art History Survey: Late Renaissance to Present 7. Journal 8. In-class or online presentations Course Content Outline: 1. Defining Art a. Defining art history b. Defining style c. Defining basic vocabulary of art i. Subject ii. Form iii. Composition iv. Material and medium v. Patron vi. Other d. Terms associated with basic vocabulary of visual anaylsis i. Elements of art ii. Principles of design 2. Early Renaissance Art in Northern Europe and Italy a. Painting b. Architecture c. Sculpture 3. 16th Century Italian a. Renaissance b. Mannerism c. Architecture d. Venetian Art 4. 16th Century in Northern European and Spanish a. Protestant Reformation b. Holy Roman Empire c. France d. Netherlands e. Spain 5. Baroque and Rococo a. 17th Century b. 18th Century 6. Neoclassicism and Romanticism a. Painting b. Sculpture c. Architecture 7. 19th Century European and North American a. Realism b. Photography c. Modernism 8. 20th Century European and North American a. Expressionism b. Regionalism c. Abstraction d. Postmodernism 9. 21st Century Art and Architecture a. Eclecticism b. Global Art Resources Alpers, Svetlana.The Art of Describing: Dutch Art in the Seventeenth Century.1st edition. University of Chicago Press, 1984. Benesch, Otto.Art of the Renaissance in Northern Europe.2nd edition. Phaidon, 1965.

ART-2030: Art History Survey: Late Renaissance to Present 5 Brown, Milton.Story of the Armory Show: The 1913 Exhibition That Changed American Art.1st edition. Abbeville Press, 1988. Clark, Kenneth.The Romantic Rebellion: Romantic versus Classic Art.1st edition. Harper Collins Publishers, 1973. Eisenmann, Stephen, ed.nineteenth Century Art: A Critical History.2nd edition. Thames and Hudson, 2002. Held, Julius.Seventeenth and Eighteenth Century Art: Baroque Painting, Sculpture, Architecture.1st edition. Harry N. Abrams, 1972. Honour, Hugh.Neoclassicism.1st edition. Penguin Books, 1968. Kemp, Martin.The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat.1st edition. Yale University Press, 1990. Lucie-Smith, Edward.Art Now.1st edition. Wellfleet, 1990. Stiles, Kristine, ed.theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings.1st edition. University of California Press, 1996. Hartt, Frederick and David Wilkens.History of Italian Renaissance Art.7th. Pearson, 2010. Maranci, Christina.A Survival Guide for Art History Students.Prentice-Hall, 2005. Barrett, Terry.Interpreting Art: Reflecting, Wondering and Responding.New York: McGraw-Hill Higher Education, 2003. Barrett, Terry.Why is That Art? Aesthetics and Criticism of Contemporary Art.2nd. New York: Oxford University Press, 2012. Burke, Peter.The Italian Renaissance: Culture and Society in Italy.3rd. New Jersey: Princeton University Press, 2014. Chadwick, Whitney.Women, Art, and Society.5th. London: Thames and Hudson, 2012. Neuman, Robert.Baroque and Rococo Art and Architecture.Pearson, 2012. Nochlin, Linda.Realism (Style and Civilization).Penguin, 1991. The History of Impressionism.Neoclassicism and Romanticism: Architecture, Sculpture, Painting, Drawing.H. F. Ullmann Publishing, 2014. Thompson, Belinda.Impressionism: Origins, Practice, Reception.Thames and Hudson, 2000. Davies, Penelope and et al.janson's History of Art: The Western Tradition Reiussed Edition.8th. Pearson, 2015. Brian McHale.The Cambridge Introduction to Postmodernism.Cambridge University Press, 2015. Hughes, Robert.American Visions: The Epic History of Art in America.1st. Alfred A. Knopf, 1999. Novak, Barbara.American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience.Oxford University Press, 2007. Nelson, Robert S. and Richard Shiff eds.critical Terms for Art History.University of Chicago Press, 2003.

6 ART-2030: Art History Survey: Late Renaissance to Present Resources Other 1. Cleveland Museum of Art website: (http://www.clevelandart.org/); 2. Heilbrunn Timeline of Art History: (http://www.metmuseum.org/toah/); 3. Khan Academy: Art History: (https://www.khanacademy.org/humanities/art-history-basics); 4. Spivey, Nigel. Video. How Art Made the World: A Journey to the Origins of Human Creativity (New York: Basic Books, 2006) 5. Instructional Services OAN Number: TMAH and OAH005 (Course 2 of 2, both must be taken) Top of page Key: 152