Conflict. revised: English 1302: Composition II D. Glen Smith, instructor
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1 Conflict
2 Types of Conflict In both nonfiction and fiction, characters are shown dealing with conflicts and secondary-conflicts in one fashion or another: human vs nature human vs human human vs supernatural or gods/god/ Fate human vs self human vs technology or progress Be able to identify these as they appear in your readings. 2
3 Types of Conflict In both nonfiction and fiction, characters are shown dealing with conflicts and secondary-conflicts in one fashion or another: human vs nature (wilderness / disease / animals) human vs human (political / economic / religious / racial differences) human vs supernatural or gods/god/ Fate (Jonah / Oedipus vs Fate) human vs self (mental illness / morality conflicts / physical endurance) human vs technology or progress (computers / industrialism / corporations) Be able to identify these as they appear in your readings. 3
4 Conflict In both nonfiction and fiction, characters are shown dealing with conflicts and secondary-conflicts in one fashion or another: For nonfiction, conflict allows the author > to provide his/her observations on issues he/she sees in society > to provide background material for his/her argument and observations > to resolve issues he/she sees within society -orto simply acknowledge something should be done For fiction, conflict > motivates the plot forward > provides context for the purpose of the story > shows how the protagonist operates within his/her world > creates a journey situation 4
5 No matter how mundane, whenever a protagonist is shown in motion in a story, the plot exists as an obvious symbol of a hero on a quest. A. B. 5
6 No matter how mundane, whenever a protagonist is shown in motion in a story, the plot exists as an obvious symbol of a hero on a quest. This likewise translates to a larger metaphor: any hero s quest is a journey for understanding life. 6
7 No matter how mundane, whenever a protagonist is shown in motion in a story, the plot exists as an obvious symbol of a hero on a quest. This likewise translates to a larger metaphor: any hero s quest is a journey for understanding life. Readers consciously and subconsciously translate this notion in their heads and apply it to themselves and their own lives. 7
8 No matter how mundane, whenever a protagonist is shown in motion in a story, the plot exists as an obvious symbol of a hero on a quest. This likewise translates to a larger metaphor: any hero s quest is a journey for understanding life. Readers consciously and subconsciously translate this notion in their heads and apply it to themselves and their own lives. examples: Homer Odyssey Grimm Brothers Little Red-Cap Mark Twain Adventures of Huckleberry Finn L. Frank Baum The Wonderful Wizard of Oz J. D. Salinger The Catcher in the Rye George Lucas Star Wars Richard Wright The Man Who Was Almost a Man 8
9 Modes of Transportation ship, boat, raft train, locomotive, subway, roller-coaster car, racecar, recreational vehicle spaceship, rocket motorcycle, motorbike, bicycle, tricycle horse, donkey, goat on foot 9
10 Modes of Transportation ship, boat, raft train, locomotive, subway, roller-coaster car, racecar, recreational vehicle spaceship, rocket motorcycle, motorbike, bicycle, tricycle horse, donkey, goat on foot Any mode of transportation becomes an obvious symbol. It is up to the critic to decide the relevancy of the vehicle in the plot and to decide the type of journey: physical psychological spiritual moral cultural et cetera 10
11 mode } quest { life In addition, if characters are shown at a standstill, resting, relaxing, sleeping these actions show: a state of limbo or confusion or lack of motivation or lack of conflict in their life. 11
12 For Each Reading Assignment To help build patterns with the various readings, identify the following elements in stories as the class progresses with different examples of literature. 1. protagonist 2. antagonist 3. conflict type 4. protagonist s motivation / goals (journey) 5. journey type 6. mode of transportation Likewise, be able to back-up your observations with evidence from the story itself. Note specific passages and phrases which defend your views. We will be returning to these elements in a few days. 12
Conflict Classifications of Literature. revised: English 1302: Composition & Rhetoric II D. Glen Smith, instructor
Conflict Classifications of Literature Types of Conflict All stories deal with conflicts and secondary-conflicts in one fashion or another: human vs nature human vs human human vs supernatural or gods/god/
Literary Modes Figurative Language Symbols. revised: English 1302: Composition & Rhetoric II D. Glen Smith, instructor
Literary Modes Figurative Language Symbols Journey = Quest No matter how mundane, whenever a protagonist is shown in motion in a story, the plot exists as an obvious symbol of a hero on a quest. A. B.
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