Intuitive Action. Jason Teutsch

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1 Intuitive ction ason eutsch

2 Ingedients: choi tuned gongs 5 timpani guitaist/stage assistant one stick butte, dessed appopiately 5 (optional mashmallo, ith ampliication) "One atenoon, I aived at my ice to ind to copies the I Ching laying on my desk. I immediately engaged the oacle and tied to compehend the meaning its pesence. One the books spoke to me about elephants. his as a athe heavy subect, and much the context ou inteaction as lost though tanslation into English. What ollos on the next pages is a lucid exploation that context." -ason eutsch Notations: +n c. he pitch the indicated note should be aised by n cents. he notation "+50 c.," o example, indicates that the pitch should be aised by a quate tone, and "-33 c." means that the pitch should be loeed by a sixth tone. he pitch alteations last o the duation the movemment unless otheise indicated. Indicates spoken text o the choi. Fo the gong, this notehead means the sound should be dampened by placing one hand in the backside the nipple. Roll om the back the thoat. oxes denote pitch clustes. n attached line indicates a glissando.

3 opano Fist ix q» c. º b. 3 Intuitive ction (o choi, pecussion, and optional ampliied mashmallo) "his is the ight time to set up commandes and move the amy." b. 2 b. b. b. 5 ason eutsch ext: Matin Palme's English tanslation: I Ching: he hamanic Oacle Change (16) b b Mezzo-opano h, b. 3 b. 2 b. b. b. 5 he, lto h, hea - ing, hea - ing, eno hea - ing, b. hea - ing, b. aitone b. b. ass u h, impani

4 9 b aste 3 5 the el, el, e - le, hea - ing, le, le, el, hea - ing, b. 3 le, le, 5 hea - ing, a. b. 3. le,. 5 hea - ing, le - phant,. le -phant,. 5 le - phant, le - phant, le -phant, le - phant, c. k m 3 k. 5 imp m +30 k c. m k m m 3 k m 5

5 a tempo aste 3 a tempo 10 moe aste a m m p +30 c. k m k u 3 k. m. m u m p k m 10 imp. 5 m m k m +1 c. k 3 k m k k m m u 10 m m +33 c. k

6 6 22 mis a. 22 mm m m +30 c. +33 c. m m k k (damping is not necessay) k k mm imp. m m k m ƒ m k k m m m m k

7 mis a m m 6 m. -50 nk c. 10 K k k. mm imp. m k 6 m 10 m m +22 c. k m m k

8 a. imp } h o } h o o o o o mm k m } h } h } h o } h o } hk o o o o m m m kk m tu - ne. tu - ne. tu - ne. tu - ne. tu - ne. tu - ne. kk m k m

9 9 econd ix* empo I 3 k. +5 c.. ƒ l +23 c... ƒ. R. ol - id as a ock,. R. ol - id as a ock, m... ƒ ol - id as a ock, R. a. 3 m imp. m * a pitch pipe tone may be needed om the audience o om stage

10 10 Gt. Intelude I guitaist should ente om stage ight and exit stage let. ndante n g.. g g Gt. 1 n g.. g g b g... g g b g... g g.... Gt Gt. C 52.. CII... C.. 2 CII

11 11 Completion econd ix 59 empo 1 I 3 k +25 c. k does, ait, 9 1 k ait, k. un - til, 3 k 'till the k p end 3. 1 m he 3 n m does, he n ait, 9 1 m he n ait,. un - til, 3 'till the p end 3. a c. k u does, m does, k ait, m ait, k ait, m ait, b. un - til,. un - til, +1 c. k 'till the 'till the k p end p not, not, 9 9 not, not, 1 1 m u F not b F not ait, +1 c. k ait, k 3 3 the k the 3 3 p p the, imp P 1 k 3 3

12 m h}. the day.. m he aus - pi -ciousssssssss. } h the day.. m the day.. m he } h he ssssssss. ssssssss. } h a. the day.. m says ssssssss. } h. the day.. m o - a - cle ssssssss. } h. the day. o - a - cle ssssssss. 69 imp.

13 13 1 hid 3 ix phant 3 k to stae, e - le phant 3 3 to l stae, e - le phant o stae, to stae at an e - le a. 3 k o stae, to stae, an e - le 3 o l stae, l to stae l at k an l e - le 1 3 m imp. 3 p

14 1 pobably aste m m m to - o - o - ou - ble, to - o - o - ou m m m m 16 6 m m to - o - o - ou-ble, to - o - o - ou-ble, to - o - o - ou - ble, to - o - o - ou m to - o - o - ou-ble, m to - o - o - ou-ble, 16 6 m. tou m. ble, m m m me - e - e - e - eans to - o - o - ou - ble, a m 16 6 m m me - e - eans to - o - o - ou - ble, m me - e - e-eans 16 6 m. tou m. imp m 16 6 m.

15 15 5 m ble, ble, m m to o o ou m to o o ou m m... ble, ul.. ble,.. ul m m to - o - o - ou - ble, to - o - ou - ble,.. tou m.. tou m.. ble... m R He. m He de- lays de- lays m R He. m He de- lays de- lays a. to - o - o - ou - ble, m m. ul. m R m R ble. m. 5 m. to - o - o - ou - ble, ble, ul me - e- eans m R me - e- eans me - e- eans m R me - e- eans imp. m. m.

16 16 a. 9 9 empo I o stae, o l o stae, stae, pobably aste m a - nd m a - nd m a - nd m m a - nd m. is, m. is, m. is, m. is,.. m a - nd m a - nd m.. m.. is,. is. m is, m. is, m..... m. is,... (ve) - y ve - y (ve) - y ve - y ve - y l ve - y p. p m. p m. p. p. p so - y. so - y. so - y. so - y. so - y. l. so - y. imp m.

17 1 Fouth Nine 10 aste +22 c. l thee is a m m haul, m l thee is a m +0 c. l k ge - at +25 c. k +25 c. m haul, m thee is a haul, thee is a ge - at haul, a. Paus - ing, Paus - ing, imp c. k x m x special noteheads indicate gong should be dampened by placing hand on backside nipple kx x m m K kx x m kx x m kx x m kx x m

18 1 a. 110 ush -30 c. K K -30 c. K +22 c. l -30 c. K m so do not ques - tion but -30 c. K +22 c. l -30 c. K m so do not ques - tion but +22 c. l -30 c. K m so do not ques - tion but -30 c. K +22 c. l -30 c. K m so do not ques - tion but l m K -30 c. +22 c. -30 c. so do not ques - tion but -30 c. K +22 c. l -30 c. m K so do not ques - tion but m K m l n k put the co - ie shells to - geth - e. m K m l n k put the co - ie shells to - geth - e. m K m l n k put the co - ie shells to - geth - e. m K m l n k put the co - ie shells to - geth - e. m K m l n k put the co - ie shells to - geth - e. m K m l n k put the co - ie shells to - geth - e. 110 m kx x imp.

19 19 a. Fith ix empo I * he * he * he signs signs signs P m. P P P P P P. +30 c. -30 c. K k ae si gns kl a e -30 c. K k +30 c.. K k he si gns m. l a e. k a e signs m n imp. P > RÔ > RÔ * boxes denote pitch clustes

20 20 a. 11 b F b F F F ae F ae ae F ae ae ae b all ae ae ae 11 imp.

21 21 Intelude II etting: he Guitaist entes om stage ight, places a potable stove and ying pan on the table, sets the stove and pan on medium heat, and exits stage let. he guitaist then entes again om stage ight, caying a ¼-pound stick butte. he butte should be dessed in a botie, and to capes should be placed as eyes so as to poect a pesonality. ny kind hat is optional. he butte should est in the ying pan o the emainde the piece. When the singes hea thei adacent neighbos shouting, they should espond by yelling, "Pass the goddamn butte!" accoding to the olloing intuitive polyhythm: Pass the god - damn but - te he music on the olloing page should not commence until the butte is actually pesent. 3

22 llego Pass the god - damn but-te! Pass the god - damn but-te! Pass the god - damn but-te! Pass the god - damn but-te! Pass the god - damn but- te! Pass the god - damn but- te! Pass the god - damn but- te! Pass the god - damn but-te! a. Pass the god - damn but-te! Pass the 121 imp.

23 ƒ Pass the god - damn but-te! Pass the god - damn but-te! Pass the god - damn but-te! Yeo! Pass the god - damn but-te! Pass the god - damn but-te! Pass Pass the god - damn but-te! Pass the god - damn but-te! Pass the god - damn but-te! Pass R R a. Pass the god - damn but-te! Pass the god - damn but-te! Pass the god - damn but-te! 122 god - damn but-te! Pass the god - damn but-te! Pass the god - damn but-te! Pass the ut te, Pass thegod - damn but-te! Pass thegod - damn k imp.

24 2 123 ƒ Yel - lo, yel - lo! Pass the god - damn but - te! a. imp. 123 m

25 25 a (clap!) means to clap, not to speak the od! Pass the god - damn but-te! (clap!) Pass the god - damn (clap!) means to clap, not to speak the od! (clap!) means to clap, not to speak the od! (clap!) Pass the god - damn but - te! (clap!) Pass the god - damn but-te! (clap!) Pass the god - damn (clap!) means to clap, not to speak the od! (clap!) Pass the god - damn but- te! (clap!) (clap!) means to clap, not to speak the od! Pass the god - damn but-te! (clap!) Pass the (clap!) means to clap, not to speak the od! (clap!) Pass the god - damn but- te! imp.

26 but-te! (clap!) Pass the god - damn but-te! (clap!) Pass the god - damn but-te! (clap!) Pass the god - damn but-te! (clap!) Pass the god - damn but-te! (clap!) Pass the god - damn but-te! (clap!) Pass the god - damn but-te! a. 125 but-te! (clap!) Pass the god - damn but-te! (clap!) Pass the god - damn but-te! Pass the god - damn but-te! (clap!) Pass the god - damn but-te! (clap!) Pass the god - damn but-te! god - damn but- te! ut te, Pass the at- ut te, (clap!) Pass the god - damn but-te! k imp.

27 2 a Pass the god - damn but-te! lue! (clap!) Pass the god - damn but-te! (clap!) Pass the god - damn but-te! Pass the god - damn but-te! ut te, (clap!) Pass the god - damn but-te! Pass the ceamcheese! (clap!) Pass the god - damn but-te! Pass the ceamcheese! ee ceamcheese! (clap!) Pass the god - damn but-te! lue! lue! m (clap!) Pass the god - damn but-te!(clap!) Pass the god - damn but-te! imp. m

28 2 12 a. 12 m imp. utte 12 m

29 29 Completion Fith ix 12 -¼ R b -¼ b b dis-ease b seious, b -¼ a. imp. 12 b. π π > b b ah things hile things ae hile ae seious, ho thee pennies, and note hethe they land heads o tails. convesationally b -¼ -¼ b -¼ -¼ convesationally convesationally -¼.

30 not K a tal. ae not a tal. they ae not a tal. they ae not a tal. a. ae not a tal. they not a tal m. imp.

31 31 ppe ix 13 Pesto * * * * a. 2 * 2 2 * kx x x 2 imp. 2 N 2 *oll om the back the thoat

32 32 1 p R p p R R ul ul ul R R R e e e e e po po po po po po po po R R ul ul R R e e e e e e po po po po po po po po R R R ul ul ul R R R e e e e e po po po po po po po po a. 1 imp.

33 33 1 R R R 3 ul ul ul R R R ul R R ul R 3 ul e e e e e e e e 3 e e e e po po po po po po po po po po po po po R R 3 po po po R.. o - ces ces o - ces ces o ces ces a. 3 ah 3 ah 1 3 imp. 3

34 3 150 R R R R R R R R ul ul ul R R R R ul R R ul ul ul ul e e e e e e e e e e e e e e e po po po R R R R po po po po R R R R po po po po po po po po po po po po e - le - phant e - le - phant a. -¼ -¼ the e - le - phant ah e - le - phant 150 imp. m

35 R R ul ae e e e le le po po el el ae dis - R phant le le le le el el el tub - ing. R R R phant phant phant R R R le le le le le el el el el el el el el. F. F. F he. F he a. e - le - phant dis - tub - ing.. F 2 dis - tub - ing... F imp. m 2

36 e beached, 2 2 ba is e beached, he i a. 2 ba is ah ba is R R i ah e beached, 2 R he he i 15 2 imp. 2

37 3 a. imp e ah. ba ah he i beached, R ba e R i is R. he ah ah ah ah ah ah ah ah ah ah ah. ah ah ah ah ah ah ah ah ah R ah. ah ah no mis - no mis - no mis - no mis - no mis - no mis - take. take. take. take. take. take. m

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