Vorwort. Preface. Préface
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1 Vorwort Die Idee zu den vorliegenden Kompositionen entstand durch meine Arbeit mit klassisch ausgebildeten FlötistInnen, die gerne Jazz spielen wollen. Die Studien sollen beispielhaft Antwort geben auf die Fragen: Wie kann ich schöne Melodien über Changes (Akkordprogressionen) spielen? Wie kann ich stilgemäß artikulieren, so dass es groovt? Die zugrundeliegenden Akkordprogressionen entstammen den bekannten Stücken der Jazz-Standardliteratur My Little Suede Shoes, Blue Bossa, Out of Nowhere, Someday My Prince Will Come, Almost Like Being in Love, Blues in F, Blues in B, All the Things You Are, So What und Giant Steps. Auf der beigelegten CD sind jeweils mehrere Aufnahmen in verschiedenen Geschwindigkeiten, außerdem eine Version ohne Solisten zu hören. Es ist ratsam, die Stücke zuerst synchron zur Melodie der Vollversionen mitzuspielen und später dann die Begleitversionen zu verwenden. Die im Notentext angegebenen Artikulationen sind als Vorschlag gedacht, die Artikulation kann sich auf den Aufnahmen bei verschiedenen Tempi etwas unterscheiden. Preface The compositions in this book originated from my work with classically trained flautists who wanted to play jazz. The pieces help to answer questions such as: How can I play beautiful melodies over chord progressions? What style of articulation should I use to make sure the music grooves? The original chord progressions in the pieces are taken from well-known jazz standards: My Little Suede Shoes, Blue Bossa, Out of Nowhere, Someday My Prince Will Come, Almost Like Being in Love, Blues in F, Blues in B, All the Things You Are, So What and Giant Steps. On the accompanying CD there are several recordings at different tempos, as well as a version without soloist. At first it is best to play along each piece using the melody of the full versions before trying the accompaniment versions. The articulation shown is only a suggestion and can vary with the different tempi in each recording. Préface Les compositions du présent recueil sont nées de mon travail avec des flûtistes de formation classique attirés par le jazz. Elles répondront particulièrement à des questions comme celles-ci : Comment jouer de belles mélodies sur une grille (progression d accords)? Comment articuler pour donner du «groove»? Les morceaux du recueil suivent les progressions d accords des standards de jazz suivants : My Little Suede Shoes, Blue Bossa, Out of Nowhere, Someday My Prince Will Come, Almost Like Being in Love, Blues in F, Blues in B, All the Things You Are, So What et Giant Steps. Le CD d accompagnement propose les pièces en plusieurs tempos, avec chaque fois une version avec et sans soliste. Nous conseillons de jouer d abord sur les versions complètes, avant de passer à l accompagnement seul. Les articulations notées sur la partition sont de simples propositions, qui peuvent légèrement varier sur l enregistrement en fonction du tempo de la pièce. Inhalt Contents Table des Matières Seite / Page CD Track Nice Shoes 2 1 Bossa Bossa 4 6 There She Is Waiting for the Prince Almost Like Seite / Page CD Track Blues for Luis Med Blues All Things What s Up Big Leaps 2 0 4
2 2 CD Track 1/2 q = 161 CD Track q = 199 Straight 8s Nice Shoes 9 1 Swing 17 Eb 21 Ab Abm7 2 Straight 8s 29 Universal Edition UE 70
3 CD Track 4/ q = 10 CD Track 6 q = 178 Bossa Bossa b Bossa Nova b9 9 Ebm7 Ab7 Db^ 1 b b9 sus b b9 2 Ebm7 Ab7 Db^ 29 b b9 UE 70
4 8 CD Track 7/8 Straight 8s q = 146 CD Track 9 Swing q = 192 There She Is Bbm7 sus4 Bm7b 9 1 Bbm7 17 Bbm7 21 Bm7b 2 Bm7b Bm7 E7 29 Bbm7 UE 70
5 10 CD Track 10/11 q = 129 CD Track 12 q = 170 Waiting for the Prince Jazz Waltz Bb^/F Bº/F /F Bb^/F Bº/F /F 9 Bb^ # # 1 # 17 C#º 21 C#º 2 Bb^ # b9 29 # Ebm6 UE 70
6 12 CD Track 1 q = 168 CD Track 14/1 q = 21 Almost Like Swing F^ G#º sus4 C^ 9 F^ G#º 1 C^ 17 Bm7 E7 A^ 21 F^ Bm7b 2 F^ G#º 29 D#º C/E F^ C^ C^ UE 70
7 14 CD Track 16 q = 84 CD Track 17/18 q = 102 Blues for Luis Slow Blues Bº b Bº 21 /C b9 # Bº /C /Bb b9 UE 70
8 16 CD Track 19/20 q = 162 CD Track 21 q = 204 Swinging 8s Med Blues 9 Em7 A7b9 A7b Em7 A7b9 21 A7b B7 E^ b9 C^ F#o Em7 A7b9 C/G Ebm7 b9 Em7b A7b9 UE 70
9 18 CD Track 22/2 q = 14 CD Track 24 q = 164 CD Track 2/26 q = 201 All Things Swinging 8s Bbm7 Db^ C^ F#m7 B7 E^ # 2 Bbm7 29 Db^ Dbm7 Bº Bbm7 7 Bbm7 b b9 UE 70
10 20 CD Track 27/28 q = 162 CD Track 29 q = 21 What s Up Swinging 8s Ebm UE 70
11 CD Track 0/1 Bossa Nova q = 14 CD Track 2 Swinging 8s q = 22 CD Track /4 Swinging 8s q = 2 Big Leaps 2 F^ 4 D^ F#7sus F#7 16 C#m7 F#7 20 C#m7 F# F#7 UE 70
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