Works Cited. Atwood, Margaret. The Edible Woman. New York: Bantam Doubleday Dell

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1 Works Cited Atwood, Margaret. The Edible Woman. New York: Bantam Doubleday Dell Publishing Group, Barker, Chris. Cultural Studies: Theory and Practice. London: Saga, Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Bodskind-Lodaml, Marlene. Cinderella s Stepsisters: A Feminist Perspective on Anorexia Nervosa and Bulimia. Signs 2 (1976): Botting, Fred. Cultural, Subjectivity and the real; or, Psychoanalysis reading Postmodernity. Theorizing Culture: An Interdisciplinary Critique After Postmodernism. Ed. Barbara Adam and Stuart Allan. London: UCL Press, Bouson, J. Brooks. The Edible Woman s refusal to Consent to Femininity. Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. Amherst: The U of Massachusetts P, The anxiety of being influenced: Reading and responding to character in Margaret Atwood s The Edible Woman. Style 24 (1990): Burgin, Victor. Geometry and Abjection. Abjection, Melancholia, and Love: The Work of Julia Kristeva. Ed. John Fletcher and Andrew Benjamin. London &

2 New York: Routledge, Cameron, Elspeth. Famininity or Parody of Autonomy: Anorexia Nervoas and The Edible Woman. Journal of Canadian Studies. 20(1985): 5. Caskey, Noelle. Interpreting Anorexia Nervosa. The Female Body in Western Culture: Contemporary Perspectives. Ed. Susan Rubin Suleiman. Cambridge: Harvard U P, Evans, Dylan. An Introductory Dictionary of Lacanian Psychoanalysis. London: New York, Feldstein, Richard. The Mirror of Manufactured Cultural Relations. Reading Seminar I and II. Ed. Richard Feldstein, Bruce Fink, and Maire Jaanus. Albany: State U of New York P, Fink, Bruce. The Subject and the Other s Desire. Reading Seminar I and II. Ed. Richard Feldstein, Bruce Fink, and Maire Jaanus. Albany: State U of New York P, Griffith, Margaret. Verbal Terrain in the Novels of Margaret Atwood. Critique 21 (1979): Hall, Stuart. The Question of Cultural Identity. Modernity and Its Futures. Ed. Stuart Hall et al. Oxford: Backwell, Harting, Heike. The Profusion of Meanings and the Female Experience of

3 Colonisation: Inscriptions of the Body as the Site of Difference in Tsitsi Dangarembga s Nervosa Conditions and Margaret Atwood s The Edible Woman. Fusion of Cultures? Ed. Peter O. Strummer and Christopher Balme. Amsterdam: Rodopi, Hepworth, Julie. Postmodernism, the Body and Therapy: Implications from Practice. The Social Construction of Anorexia Nervosa. London: SAGE Publication, Hobgood, Jennifer. Anti-Edibles: Capitalism and Schizophrenia in Margaret Atwood s The Edible Woman. Style 36 (2002): Howells, Coral Ann. Feminine, Female, Feminist : From The Edible Woman to The Female Body. Margaret Atwood. London: MacMillan Press, Irigaray, Luce. Speculum: Of The Other Woman. Trans. Gillian Gill. New York: Cornell U P, This Sex Which is Not One. Trans. Catherine Porter. New York: Cornell U P, Irvine, Lorna. Murder and Mayhem: Margaret Atwood Deconstructs. Contemporary Literature 29 (1988): Kolodny, Annette. Some Notes on Defining a Feminist Literary Criticism. Critical Inquiry. 2 (1975): Kristeva, Julia. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez.

4 New York: Columbia U P, Lacan, Jacques. Ecrits: A Selection. Trans. Alan Sheridan. London: Tavistock, The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalysis Experience. Ecrits: A Selection. Trans. Alan Sheridan. New York: Tavistock Publications Limited, The Subject and the Other: Alienation. The Four Fundamental Concepts of Psycho-Analysis. Trans. Alan Sheridan. New York: Norton, Mycak, Sonia. The Edible Woman: The Split Subject as Agent of Exogamous Exchange. In Search of the Split Subject: Psychoanalysis, Phenomenology, and the Novels of Margaret Atwood. Toronto: ECW P, Nicholson, Mervyn. Food and Power: Homer, Carroll, Atwood, and Others. Mosaic 20 (1987): Parker, Emma. You Are What You Eat: The Politics of Eating in the Novels of Margaret Atwood. Modern Critical Views: Margaret Atwood. Ed. Harold Bloom. Philadelphia: Chelsea House P, Peel, Ellen. Subject, Object, and the Alternation of First- and Third-Person Narration in Novels by Alther, Atwood, and Drabble: Toward a Theory of Feminist Aesthetics. Critique 30 (1989): Phelps, Henry C. Atwood s Edible Woman and Surfacing. Explicator 55 (1997):

5 Probyn, Elspeth. The Anorexic Body. Body Invaders: Panic and Sex in America. Ed. Arthur Kroker and Marilouise Kroker. New York: St. Martin s P, Quinet, Antonio. The Gaze as an Object. Reading Seminar XI: Lacan s Four fundamental concepts of psychoanalysis. Albany: State U of New York P, Ragland, Ellie. An Overview of the Real. Reading Seminar I and II. Ed. Richard Feldstein, Bruce Fink, and Maire Jaanus. Albany: State U of New York P, Rao, Eleonora. The Masquerade of Femininity: The Edible Woman Strategies for Identity. New York: Peter Lang Publishing, Rigney, Barbara Hill. Alice and the Animals: The Edible Woman and Early Poems. Woman Writers: Margaret Atwood. Totowa: Barnes & Noble Books, Wilson, Sharon Rose. Cannibalism and Metamorphosis in The Edible Woman: The Robber Bridegroom. Margaret Atwood s Fairy-Tale Sexual Politics. Jackson: U P of Mississippi, Zizek, Slavoj. I Hear You With My Eyes or, The Invisible Master. Gaze and Voice as Love Objects. Ed. Slavoj Zizek and Renata Salecl. Durham: Duke U P,

6 ---. The Sublime Object of Ideology. New York: Verso, The Seven Veils of Fantasy. Key Concepts of Lacanian Psychoanalysis. Ed. Dany Nobus. New York: Other Press, From Symptom to Sinthome. The Sublime Object of Ideology. London: Verso,