REQUIEM (Missa pro defunctis) Patricia Van Ness, composer (and text, Movement VII. The Comforter) 2004

Size: px
Start display at page:

Download "REQUIEM (Missa pro defunctis) Patricia Van Ness, composer (and text, Movement VII. The Comforter) 2004"

Transcription

1 REQUIEM (Missa ro deunctis), comoser (and text, Movement VII. The Comorter) 00 I. INTROITUS Requiem aeternam dona eis Domine: Grant them eternal rest, Lord, et lux eretua luceat eis. And let eretual light shine uon them. Te decet hymnus Deus, in Sion, A hymn becometh Thee, O God, in Zion, et tibi reddetur votum in Jerusalem. and a vow shall be aid to Thee in Jerusalem. Exaudi orationem meam, Hear my rayer: ad te omnis caro veniet. To Thee all lesh shall come. II. KYRIE Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Kyrie eleison. Lord, have mercy. III. DOMINE JESU CHRISTE Domine Jesu Christe, rex gloriae, O Lord Jesus Christ, King o Glory, libera animas omnium idelium deunctorum deliver the souls o all the aithul dearted de oenis inerni et de roundo lacu. rom the ains o Hell, rom the dee lake. Sed signier sanctus Michael But let the standard bearer Michael bring them reraesenter eas in lucem sanctam. into holy light. IV. SANCTUS and BENEDICTUS Sanctus, sanctus, sanctus Holy, holy, holy, Dominus Deus Sabaoth: Lord God o Hosts. leni sunt coeli et terra gloria tua, Heaven and earth are ull o Thy glory. Hosanna in excelsis. Hosanna in the highest. Benedictus qui venit in nomine Domine Blessed is he that cometh in the name o the Lord. Hosanna in excelsis. Hosanna in the highest. V. PIE JESU and AGNUS DEI Pie Jesu, Domine, dona eis requiem. Blessed Jesu, O Lord, grant them rest. Agnus Dei qui tollis eccata mundi, Lamb o God, who takest away the sins o the world, dona eis requiem semiternam. grant them eternal rest. VI. LUX AETERNA Lux aeterna luceat eis, Domine, Let everlasting light shine uon them, Lord, cum sanctis tuis in aeternum, with Thy saints or ever, quia ius es. or Thou art good. Requiem aeternam dona eis Domine, Grant them eternal rest, Lord, et lux eretua luceat eis, and let eretual light shine uon them, quia ius es. or Thou art good. VII. LIBERA ME and THE COMFORTER Libera me, Domine, de morte aeterna, Deliver me, O Lord, rom eternal death in die illa tremenda: on that awul day Quando coeli movendi sunt et terra: when the heavens and the earth shall quake. Tremens actus sum ego, et timeo, Full o terror am I, and trembling, dum discussio venerit, atque ventura ira. and I ear the trial and the wrath to come. Dies illa, dies irae, calamitatis et miseriae. That day shall be a day o wrath, calamity and misery. Requiem aeternam dona eis, Domine, Grant them eternal rest, O Lord, et lux eretua luceat eis. and let eretual light shine uon them.

2 THE COMFORTER When I grieve, as I die, You reach sotly within me and unlatch the doors that guard my heart. You ease them oen, one by one, and with warm hands cu my heart. You lit me u into the air and hold me to the heavens above. You breathe uon my heart. And I smell the sea and hear the song o the Dove. ( 00 ) VIII. IN PARADISUM In aradisum deducant te angeli. May the angels receive thee in Paradise. Chorus angelorum te susciiat. There may the choir o angels receive thee, et cum Lazaro quondam auere, and with Lazarus, once a beggar, aeternam habeas requiem. may st thou have eternal rest. comosed in memory o Julie Ince Thomson,

3 Sorano I Sorano II Alto Tenor # # Commissioned by and dedicated to Coro Allegro, David Hodgkins, Artistic Director, with thanks. In memoriam Julie Ince Thomson, Note to singers: make slight rearticulation on slurred reeated notes. q # # # # Breathe as needed throughout m Senza vibrato. Dolce. REQUIEM I. Introit j j Î Î j Re - qui em ae - ter nam do na e-is Do - mi - ne, Re- qui em ae - ter nam do na e-is Breathe as needed throughout m Senza vibrato. Dolce. j î j Re - qui em ae - ter- nam do na e-is Do-mi - ne, Re- qui em ae - ter nam do na e-is Breathe as needed throughout m Senza vibrato. Dolce. j j Î Î Re - qui em ae - ter- nam do na e-is Do - mi - ne, Re- qui em ae - ter nam do-na e-is Breathe as needed throughout # Senza vibrato. Dolce. # Score rev. 6 February 019 j Bass Breathe as needed throughout Senza vibrato. Dolce.?# # S. I S. II 7 # # n w n Î Î n Do Do - mi - ne, # # w Do A q 96 Smoothly, soaring, and with intensity. et lux # # n w n - mi - ne, er - mi - ne, n n m - V.S. Coyright 00 (all rights reserved)

4 S. I S. II S. I S. II lu - ce - at 6 Î - e tu - a lu - ce - at Van Ness, Requiem, I. Introit lu(x) e e w w w w w S. I S. II T. B. B 9 - is. - is. m m?. q 60 m m î Te m Lu(x), m Lu(x), m Lu(x), m Lu(x), de - - b

5 S. I Van Ness, Requiem, I. Introit b b -cet hym - nus De - us, De - us in Si - on, Si - on, S. II b n b b lu(x), lu(x), Î b T. Î lu(x), lu(x), lu(x), B.? lu(x), lu(x), lu(x), Î lu(x), lu(x), lu(x) S. I S. II b b j b b et ti - bi red - de - tur vo - tum b b b b b lu(x), lu(x), lu(x), T. B.? lu(x), lu(x), lu(x), lu(x), lu(x), lu(x), bb b

6 S. I S. II 8 b Van Ness, Requiem, I. Introit in Je - ru - sa - lem. m Ex - q 96 U # b b j ä Î U # b j ä Î Î lu(x). U # j ä Î Î T. B. lu(x), lu(x), lu(x). U # lu(x),? U # b b b j ä Î Î lu(x), C 6 S. I # n au S. II # n o ra - ti - o nem me - 68 S. I # Î 7 w ad 7 S. II # j ä n w am ad te om - - nis ca m 7 S. I # U n w S. II b b j ä Î Î lu(x). lu(x), m # n w di te om - - nis ca ro ve ni - et. U ro ve ni - et.

7 REQUIEM II. Kyrie Score. rev. 6 February 019 Sorano I Sorano II S. I S. II Alto Tenor Bass q 6 #.. j ä?#.. J ä w #. Î 8 # Dolce. Senza vibrato. Ky Ky Ky Ky Ky Ky Ky - ri - e - ri - e - ri - e, Ky - ri - e, #.. j ä - ri - e, Ky - ri - e, # ä w. # # - ri - e, Ky - ri w #. ä nw w. Î - ri - e, Ky - ri - e, - ri - e, Ky ri m Ky m Ky - - ri ri - - e, e, w. Î w. Î w w. - - e,.. Î w w J ä Î w e e - e, - le - i -.. Î w w j ä Î w Î - le - i - #. Î m w w j ä Î w T. # Ky Ky - ri - e,. Î - ri - e, Ky m w Ky - - ri w ri - - e, e, e e - le - i - j ä Î w - le - i - B.?#.. Î Ky - ri - e m w w j ä Î w Ky - ri - e, e - le - i - 00 (all rights reserved)

8 S. I S. II T. 16?# # w. Î son, # w. Î son, # Î w. son, # Van Ness, Requiem, II. Kyrie A Chri Chri Chri w. j ä m Chri - ste, - ste, Chri w. j ä - ste, Chri w. - ste, Chri w. Î w #. ä nw ä Î î w B.?# son, son, Chri Chri?# - ste, Chri w. Î w. J ä w - ste, Chri î Î î - - S. I S. II T. B. m Chri - ste, Chri - ste, m # w. Î w. Î w m m m m - - ste, ste, ste, ste, Chri Chri Chri Chri - ste, Chri m # w. Î w. Î # Î w. # w. Î - ste, Chri m - ste, m Chri - ste, Chri?# w #. Î w. Î ste, w. Î w. Î Chri w w w - ste, Chri m

9 Van Ness, Requiem, II. Kyrie 0?# m. J S. I S. II T. B. ste, ste, e e - ste, e - ste, e ste, e - le - i - son, - le - i - son, - le - i - son, - le - i - son, - le - i - son, Ky - ri - e # w ä Î w w. Î J # # # w j ä Î w w. Î w j ä Î w w. w j ä Î w w. Î?# w j ä Î w w. Î 6?#.. J J rit. Î S. I S. II T. B. Ky - ri - e e le - - i - son. # # # #?# rit. U. j w Ky Ky Ky E Ky - ri - e e - le - i - son. rit. U. j w - ri - e e - le - i - son. rit.. j w U - ri - e e - le - i - son. rit. U w # w - - le - i - son. rit. U.. w J - ri - e e - le - i - son.

10 Solo Baritone Sorano I Sorano II Alto Note to singers: make slight rearticulation on slurred reeated notes. Freely, with energy and direction. Breathe when necessary throughout. Senza vibrato. q 8? ? î î REQUIEM III. Domine Jesu Christe ä j Do ä j Do # j # j # # (Do mi - ne # j j # # j # j # # mi - ne Score rev. 6 February 019 î (ne ä j Je- S. I S. II 8? # # # J 8 J # Î î - su Chri- ste, rex glo - ri - ae, 1 1 Î Î 8 8 j # li Î Î 8 8 j # li Î Î 8 8 j # 00 (all rights reserved)

11 S. I S. II S. I S. II 1? J # î - - be - ra - ni-um i- - - be - ra î 1 - ni-um ibe de - Î Î de-li um Van Ness, Requiem, III. Domine Jesu Christe de-li um Î Î ra a ni - mas î - unc - to - rum A q 70 om om om - ni-um i- de oe de oe de-li um lu lu # j # j # j? î Î ä j 1 # j Î Î Î ä j Î ä j Î ä j n n S. I 8 j S. II - - nis, de oe nis in - er - - j - - nis, de oe nis in - er - - lu lu lu

12 Van Ness, Requiem, III. Domine Jesu Christe? î B q 78 ä j 1 # 8 J S. I S. II S. I 1 b Î 8 w w - ni et de ro - un - do la - cu. 1 8 bw w Î - ni et de ro - un do 1 Î 8 b w w 1 8 Î ä j # # Î sen - la - cu. et de ro - un - do la - cu.? 1 # # 8 J # #? j sig - ni - er Sanc - tus Mi-cha-el re - rae sig - tet e - as in lu lu - ni- er q C with sweetness # j 1 Î n with sweetness 1 w sed - cem, in lu lu lu

13 S. I S. II 60 J ä - cem sanc - tam, sanc - tam. sanc - Van Ness, Requiem, III. Domine Jesu Christe sanc q 60? 1 in - tam, in tam, sanc - tam 1 lu n lu n lu S. I S. II 69 b cem sanc cem sanc tam U b w w w bw U w U w tam. lu sanc tam.

14 Sorano I Note to singers: make slight rearticulation on slurred reeated notes. q 7 REQUIEM IV. Sanctus b n Score rev. 6 February # # 1 Sorano II b n 6 # # 1 Alto b n 6 # # 1 Alto b n 6 # # 1 Tenor b n 6 # # 1 Baritone? b n 6 # # 1 Bass? b n 6 # # 1 S. I S. II # # # # Semre molto legato. Senza vibrato. 9 # # A... n. Sanc Sanc Sanc n..... j - tus, Sanc - tus, Sanc tus, Do - mi-nus... n. n tus, Sanc - tus, Sanc tus, Do - mi-nus.. n. - tus, Sanc - tus, Sanc tus, Do - mi-nus.. j n..... #. j 00 (all rights reserved)

15 S. I S. II S. I S. II # # # # # # #. n..? B.. Ho - 0 S. I J ä b. b S. II T. Bar. B.? 8 # # ter ter ter Ho De De De - us Sa - ba - oth, le - ni sunt coe - li - us Sa - ba - oth, le - ni sunt coe li m m et m - et - us Sa - ba - oth, le - ni sunt coe - li et - ra glo - ri - a tu - - a - ra glo - ri - a tu - a - ra glo - ri - a tu - a Ho Ho Ho san na, san na, Ho - san san - - na, - - san - na, Ho - - n n n n n n B Majestic Î Î b # # b b? # #. # #. #. n # #. # #. n #..... n J ä. j ä.. Van Ness, Requiem, IV. Sanctus nn. b b b.... Î. b b b b

16 S. I S. II T. Bar. B. S. I S. II b.. n...? b.. n. j ä.. ä 61 san Ho Ho san - na, Ho - b Î Î n. j b Ho n - - san na, - san - na, Ho - - san - na, Ho - bn n - - na, Ho - san - - na, in ex -? b n Î Î Î - san na, in ex san - na, in ex - stagger breathing as needed to end o movement. # J ä #.. J ä - na, Ho - san - na, î # Ho Van Ness, Requiem, IV. Sanctus # # Î Î - san - na, Ho - san - na, Ho - san - na, î ä j j ä T. Bar. B. # # cel - - san - na, Ho - san - na, Ho - san sis, Ho san - na, -cel - cis Ho - san - na, ho - san - na, in,? #.. ä # j ä. j ä. cel # # Î Î # # # #.... Î.? Î Î # # Î - cis, Ho - san - na, Ho - san - na, in j ä

17 S. I S. II Ho Van Ness, Requiem, IV. Sanctus 67 # #... J ä.. ä. - san - na in ex - cel - # # Î Î # # T. Bar. in ex - cel - sis, in ex - - cel - sis! # #... # # na, in ex - cel - sis, in ex - cel - sis! stagger breathing as needed to end o movement.. in ex - - cel cis! stagger breathing as needed to end o movement?# # Î... in, ex - cel stagger breathing as needed to end o movement?# B. # j ä.. ä... in ex - cel - sis, ex - - cel - - C 7 S. I # # # # # ## S. II - sis! # # # # # ##. T. Bar. # # # # # ##. Be Smoothly; no break; carry on with great intensity and momentum # # # #. # ## ne - Smoothly; no break; carry on with great intensity and momentum.?# # # # # ## Î Î B. cis!?# # # # # ## - cis! Be (e) - (e) - ne - Smoothly; no break; carry on with great intensity and momentum Î Be ne -

18 S. II T. Bar. B. 80 # # # # # - - dic dic S. I join S. II at letter D # # # # # Van Ness, Requiem, IV. Sanctus?# # #.. ## # # # #. # # n. D qui # # # # # # qui - - tus qui - - tus qui so. unis. # # # #. # # n Î ve ve ve - nit in - nit in # # # ##.. # # # #. # # n n?# #... # ## J # #. # # # n #.. n Î dic - tus qui ven - it Î nit n n no - S. II # # 87 # #... n.. no no - mi - ne Do mi - ne. stagger breathing as needed to end o movement... n.. - mi ne Do mi - ne. T. Bar. # #?# #. no n..... J - - mi - ne Do - - mi-ne Do J n. n.. J. J B. no - mi-ne Do - - mi - ne Do -?# #. - mi - ne Do - mi - ne...

19 S. I S. II T. Bar. B. S. I # # 9 E m.... b. (ne Ho?# #.. Î. b 100 b. n.... (san - - Ho na, - - san - # #... b # # # # san - - na, Ho - san - - mi - ne. Ho - san mi - ne. Ho - san - - na, Ho - san - Ho n Î Î n Van Ness, Requiem, IV. Sanctus 6 b b b b?# # b n b. b - san - na, Ho na, Ho - - san - n b b.. S. II b Î Î n. j î Ho - - san na, Ho - T. Bar. b b n - na, Ho - - san - na, Ho - - n - na, Ho - san - - na, in ex - cel -? b n Î Î Î Î # Î # na, in ex - - cel - cis B.? b. n. j ä.. ä. - - san - na, in ex - cel -

20 S. I S. II T # #.... na, Ho - san - na, Ho - # san - na, Ho - san - na, Ho - san - na in ex - # # # # # î ä j Î Î Van Ness, Requiem, IV. Sanctus 7. Î.. - san - na, Ho - san - na, Ho - san - na, # # #... Bar. - sis, Ho san - na in? Î Î # # Î B. S. I S. II? #. ä # j ä. j ä. j ä # # Ho - san - na, ho - san - na, in, in, cis, Ho - san - na, Ho - san - na, in 11.. U J ä.. ä. san - - na in ex - cel - sis! # # Î Î # U #. T. Bar. B. cel - sis, in ex - - cel - sis! # U #... # # in ex - cel - sis, in ex - cel - sis! U... ex - - cel cis!?# U # Î.... ex - cel cis!?# U #.. ä... in ex - cel - sis, ex - - cel - - cis!

21 Sorano I Sorano II Alto Tenor Baritone Bass Sorano I Sorano II Alto Tenor Baritone S. I S. I Bass 7 19 REQUIEM V. Pie Jesu, Agnus Dei q 7 Stately, but with momentum 6?? Score rev. 6 February (all rights reserved)

22 S. I S. II 6 A breathe as needed throughout w w Î Pi Van Ness, Requiem, V. Pie Jesu, Agnus Dei - e Je - su Do - mi - ne, do- breathe as needed throughout w w Î Pi - e Je - su Do - mi - ne, dobreathe as needed throughout w w w î T. Bar. B.?? Pi Pi - e Je - su breathe as needed throughout bw w w î Pi - e Je - su breathe as needed throughout b w w w î Pi - e Je - su breathe as needed throughout b n j n w - e Je - us, Do - mi- ne, Do - mi - ne, do -

23 S. I S. II T. w w w î w do Van Ness, Requiem, V. Pie Jesu, Agnus Dei na re - qui - em w na re - qui - em na m m w w î # j w w # w w w w î m m Ag-nus Bar.? do na re - qui - em, m Baritones join basses bar 9 w w î B. S. I S. II T. B.?? 9 do - na, do - na e - is re - qui - em. m - na e - is re - qui - em. Ag - nus De - i qui tol - lis e - Ag - nus De - i qui tol - lis mun - very smoothly; dovetail with tenors Ah ah very smoothly; dovetail with altos Ag Ah w w î w w # w w w # w # # Î Î Î Î Î î î Î ah # # - - nus e - ca - ta mun - di mun - ah # Î Î î Î w # w w ah î Î Î ah

24 S. I S. II T.? B. S. I S. II 0 ca m - ta mun - di, do, - na e m m di, re m m (nu m - - (s, e m m - is re - qui qui - - is re - qui - # w ä î w w (nu (s, w ä w w ä î w w w em, - - Van Ness, Requiem, V. Pie Jesu, Agnus Dei - - sem m m di, î ä î # # sem - i - # ä î w w - i - U w w ä î w w sem-i - ter - nam,, (ter - (nam ä î w em sem - i - ter - nam. (ter - (nam. U w w w w em. sem, -i - ter - nam. U T. B. w w w ä î ter? ter - nam. (nam. w w w ä î w w - nam. (nam. w U w U

25 Solo Baritone Tenor/Bass T.B. Note to singers: make slight rearticulation on slurred reeated notes. very reely q 60 m Lux? 1? 1? 8 - na ae ae ae - ter - - ter na lu ter na, - - ce-at e - is, Do mi - ne, Do A 16?. - - mi - ne, Do - - -? mi - ne, cum sanc - tis tu-is in ae - ter - slowly 7? 1? 8? î m U # J n m U ä # J J n nam, qui a 1. - J # 1 6 î 8 J. # J ä ä n J REQUIEM VI. Lux aeterna. j # J n. - 1 Î - w Î Î. J?. j w ä # J Î î î î ä J Score rev. 6 February 019. j # Î J. J T.B. i - - us es.?. qui - a i - us es. Î 00 (all rights reserved)

26 T.B. T.B. T.B. T.B. B? 1 - î ä #. J J # m? 1. j # J n. Î î ä # J Re?? J n J ä Î 6?? ae - ter - nam, - - qui - em ae - - ter nam do na et C 0?. e - is Do - mi - ne, lux et lux er - e - 6? tu - a lu ce - at, lu - - ce at e - is, qui ? a i us es.. j #? 1 Î ä? ä J #. J J ä ä n J 8 j Î Van Ness, Requiem, VI. Lux aeterna - U j Î. J. j w î Î î î ä J qui î U Uw - a i - us es. J. J 6 1 8

27 VII. Libera me, The Comorter Solo Baritone?# # The Comorter text by Score rev. 0 February 019 Sorano I Sorano II Tenor Alto Bass q Dolce. Senza vibrato. # # j w Î Î Li-be- ra me Do - mi - ne de mor - te ae - ter - na in di - e # # j w Î Î w w w Li-be- ra me Do - mi - ne de mor - te, tre - # # n j nw Î Î n n n n Li be - - ra me Do - mi - ne de mor - te ae - ter - na in di - e?# # 7?# # Î Quan- do coe-li mo - ven- di sunt et ter- ra. Tre- mens ac- tus sum e-go S. S. T. B. # # j il - la tre - men-da: # Î Î # # w w men - da: # # Î Î n # il - la tre - men-da: Î?# # Î 00 (all rights reserved)

28 Van Ness, Requiem VII., Libera me/the Comorter 1?# # S. S. # # # # # # Î ä j j j et m m ti - me - o dum dis - cus - si - o ve - ne - rit at - que Î ä j w Î ä et ti me - o i - ra, j j j et m ti - me - o dum dis - cus - si - o ve - ne - rit at - que S. S. T. B. 16?# # # #?# # A Î j # J J ven - tu - ra i - ra. # # # w nw # # i - - ra. w ven - tu - ra i - ra. # # m Di m - es il - la, di - es i - rae, Î Di Di - es il - la, Di - - Di - - Di es il - la, di - es i - rae, w w

29 Van Ness, Requiem VII., Libera me/the Comorter S. S. # # 1 # # # J J di - es i - rae, ca - la - mi - ta - tis et mi - se - ri-ae, # J Î î # ## w Î î es i - rae ca - la- mi - ta - tis mi - se - ri - ae, T. # # ww w w w es i - rae i - rae, Re - qui- em # # # j # w Î î es i - rae ca - la - mi- ta - tis mi - se - ri - ae, Î j B. S. S. T. B.?# # ä Î î di es # # # # Re Re - i - rae ca - la - mi - ta tis - mi- se-ri- ae, mi - se - ri - ae, 7 # # w # w J - qui- em ae - ter - nam do - - na e - is j - qui- em ae - ter- nam do - na do - - na Do- do - - na Do - - mi - # # j # w # Re - qui em - ae - ter- nam don - na do - - na Do-?# # Î j Î j Re - qui em, # w # ## w ww w # w # w - Re - qui- em ae - ter- nam do- na e - is Do - mi -

30 S. S. T. B. # # # # # # # # U?# # ä Î î w w w ne, Do mi e is. B 8 U J Î î # # # j # Do?# # # C 7?# # # - mi-ne, lux - mi - ne, lux, ne, - mi As, as I die, D q S lux er- e - tu- a lux er - e - tu - a lu - ce-at e - is. U w # w # lux e - U j w w w - ne, lux e - is. U Î î w w w?# # U # # #?# # # # Î î Î Van Ness, Requiem VII., Libera me/the Comorter - - ne, lux 11 Lament. When Freely J Î J n J n Î I 7 e - is. - grieve, q S is. # J ä n # E 8?# # # Freely. Breathe as necessary # n n n n J? 90 You

31 Van Ness, Requiem VII., Libera me/the Comorter S. S. F 10 dolce 98? You reach sot # n # ly with - in me,? dolce # # j î You reach with - in me and un-latch the doors that guard my heart. altos breathe as needed w w w w w î You # J # n # j î You reach with - in me and un-latch the doors that guard my heart. î # # You ease them U Î o-en S. S. 109? <#> Î î # # j You You You ease them ease them o- en, one by one, and with warm hands cu my heart. w # w # w nw # j o- en, one by one, and with warm hands cu my heart. m You lit me V.S.

32 S. S. T. B. S. S. T. B. G 11? # Î # # j # Î # j # # # # ##?? 11 <#> Î î # w w # w ##ww? u m You m w You m You m You m You lit bove, lit me Van Ness, Requiem m VII., 6Libera me/the Comorter oco cresc oco a oco decresc. you lit me u u oco cresc in-to the air, oco cresc in-to the air, m and m and hold me to the hea- vens a - oco a oco decresc. hold me a - - oco a oco decresc. lit me u and hold oco cresc m oco a oco decresc. oco cresc oco cresc out you lit me u and m m oco a oco decresc. hold in-to the air, bove to the a - bove, oco a oco decresc. and hold me to the hea- vens a - # Î î Î # # j # Î # j You bove, breathe # # # w ww w w u- on my heart, u-on my heart you you breathe u-on my You breathe u - You breathe on my heart, You breathe on my heart, u- on my heart, u - on my u- on my heart, u - on my # Î î Î # # j # Î # j ## # w w # ## w w # # w w # # w # Î Î î # # j # Î # j # j # # # w ww w w u- on my heart, u-on my heart you you breathe u-on my Î ## # ## # w Î î j # #

33 S. S. T.? 17 <#> # w Î î # w w w # w heart sea Dove. U # J Î î # # # # w # w on my heart. And I hear the song o the w heart. sea song Dove. Î Van Ness, Requiem VII., 7Libera me/the Comorter Î î w # w # w # # # w w w # w I smell the sea Dove. w Î î # w w w # w heart sea Dove. Dove. B.? # w Î î # w w w # w heart sea Dove.

34 Descant Sorano Sorano I Sorano II Alto Tenor Bass Descant Sorano S. I S. I S. II Sorano I Sorano II Alto Tenor Bass 1 Note to singers: make slight rearticulation on slurred reeated notes. q ? 1 6 q 8 REQUIEM VIII. In Paradisum m In a-ra-di - sum, in a - - ra - di - - sum Lu(x) 10 Î Î Î Senza vibrato Score rev. 7 February 019 Senza vibrato m de - 00 (all rights reserved)

35 S. I S. II 6 j ä Î Î Van Ness, Requiem, VIII. In aradisum te an - 6 w Î - - du cant te an - 6 Î w S. I S. II

36 Des. S. S. I S. II T. B. Des. S. S. I S. II? b b A q 8 - ge - li. - ge - li. 1 m m bb b b b b m Cho m m- - - m Lu(x), mlu(x), m Lu(x), rus, an - ge lo an b b Cho î b b Van Ness, Requiem, VIII. In aradisum b b b b b b b b Lu(x), rus - - rum - ge - lo - rum, an - ge - lo - rum, an - ge - lu(x), lu(x), lu(x), n n T. B. b b? b b lu(x), lu(x), lu(x), lu(x), lu(x), lu(x), lu(x),

37 Des. S. S. I b b 6 bb b b b Van Ness, Requiem, VIII. In aradisum an b b b j S. II T. bb b b b b lo - rum te su - sci - i- at, et cum lu(x), lu(x), lu(x), b b b b b b b b b B. Des. S. S. I S. II? b b b b b bb b 1 bb b b b b bb b lu(x), lu(x), lu(x), lu(x) lu(x), ge lo - - La lu(x), za - o quan - dam lu(x). T. B. b b b? b b b lu(x), lu(x), lu(x), lu(x), lu(x), lu(x), lu(x), lu(x).

38 Des. S. S. I S. II T. B. S. I S. II S. I S. II bb b? b b U b j ä Î Î 66 U j äî Î Î Î 7 8 bb b b b b bb b b b b - rum, q 96 U J ä Î Î U j ä În au-e - re, ae B n n n descant soranos join irsts m n n n n - ter U n n n jä Î Î U n n n lu(x). U jä Î Î n n n n n n use natural dynamics to end. - nam U re - - U Î ha be-as re - - U w Van Ness, Requiem, VIII. In aradisum m U w qui - em. m U w qui - em. U w w w w w w

39 REQUIEM (Missa ro deunctis), comoser (and text, Movement VII. The Comorter) 00 I. INTROITUS Requiem aeternam dona eis Domine: Grant them eternal rest, Lord, et lux eretua luceat eis. And let eretual light shine uon them. Te decet hymnus Deus, in Sion, A hymn becometh Thee, O God, in Zion, et tibi reddetur votum in Jerusalem. and a vow shall be aid to Thee in Jerusalem. Exaudi orationem meam, Hear my rayer: ad te omnis caro veniet. To Thee all lesh shall come. II. KYRIE Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Kyrie eleison. Lord, have mercy. III. DOMINE JESU CHRISTE Domine Jesu Christe, rex gloriae, O Lord Jesus Christ, King o Glory, libera animas omnium idelium deunctorum deliver the souls o all the aithul dearted de oenis inerni et de roundo lacu. rom the ains o Hell, rom the dee lake. Sed signier sanctus Michael But let the standard bearer Michael bring them reraesenter eas in lucem sanctam. into holy light. IV. SANCTUS and BENEDICTUS Sanctus, sanctus, sanctus Holy, holy, holy, Dominus Deus Sabaoth: Lord God o Hosts. leni sunt coeli et terra gloria tua, Heaven and earth are ull o Thy glory. Hosanna in excelsis. Hosanna in the highest. Benedictus qui venit in nomine Domine Blessed is he that cometh in the name o the Lord. Hosanna in excelsis. Hosanna in the highest. V. PIE JESU and AGNUS DEI Pie Jesu, Domine, dona eis requiem. Blessed Jesu, O Lord, grant them rest. Agnus Dei qui tollis eccata mundi, Lamb o God, who takest away the sins o the world, dona eis requiem semiternam. grant them eternal rest. VI. LUX AETERNA Lux aeterna luceat eis, Domine, Let everlasting light shine uon them, Lord, cum sanctis tuis in aeternum, with Thy saints or ever, quia ius es. or Thou art good. Requiem aeternam dona eis Domine, Grant them eternal rest, Lord, et lux eretua luceat eis, and let eretual light shine uon them, quia ius es. or Thou art good. VII. LIBERA ME and THE COMFORTER Libera me, Domine, de morte aeterna, Deliver me, O Lord, rom eternal death in die illa tremenda: on that awul day Quando coeli movendi sunt et terra: when the heavens and the earth shall quake. Tremens actus sum ego, et timeo, Full o terror am I, and trembling, dum discussio venerit, atque ventura ira. and I ear the trial and the wrath to come. Dies illa, dies irae, calamitatis et miseriae. That day shall be a day o wrath, calamity and misery. Requiem aeternam dona eis, Domine, Grant them eternal rest, O Lord, et lux eretua luceat eis. and let eretual light shine uon them.

40 THE COMFORTER When I grieve, as I die, You reach sotly within me and unlatch the doors that guard my heart. You ease them oen, one by one, and with warm hands cu my heart. You lit me u into the air and hold me to the heavens above. You breathe uon my heart. And I smell the sea and hear the song o the Dove. ( 00 ) VIII. IN PARADISUM In aradisum deducant te angeli. May the angels receive thee in Paradise. Chorus angelorum te susciiat. There may the choir o angels receive thee, et cum Lazaro quondam auere, and with Lazarus, once a beggar, aeternam habeas requiem. may st thou have eternal rest. comosed in memory o Julie Ince Thomson,

41 Oboe Commissioned by and dedicated to Coro Allegro, David Hodgkins, Artistic Director, with thanks. In memoriam Julie Ince Thomson, Note to singers: make slight rearticulation on slurred reeated notes. q # # REQUIEM I. Introit Score rev. 6 February 019 A q 96 9 # # n n 6 B 9 0 q 60 1 m breathe oten, as needed b q 96 C U # J ä Î Î 69 7 # Coyright 00 (all rights reserved)

42 Oboe q 6 # Senza vibrato. 10 m m m 16 # REQUIEM II. Kyrie w. w # î î 6 # # î î A Score. rev. 6 February 019 # rit. # #. # # # # 00 (all rights reserved)

43 Oboe REQUIEM III. Domine Jesu Christe Note to singers: make slight rearticulation on slurred reeated notes. Freely, with energy and direction. Breathe when necessary throughout. Senza vibrato. q 8 TACET Score rev. 6 February 019

44 Oboe Note to singers: make slight rearticulation on slurred reeated notes. q 7 B.. Majestic A 16 n n E 9 # #. Î Î. b.. n Senza vibrato. REQUIEM IV. Sanctus Score rev. 6 February J ä b. ä b J # J ä # # # J ä. J ä. J ä..... Î Î. b.. n # #.... C D 67 # #. # # # 9... ## # # #.... # # # 9. # # U n 00 (all rights reserved)

45 Oboe REQUIEM V. Pie Jesu, Agnus Dei q 7 Stately, but with momentum 6 Score rev. 6 February w # w w 19 w î w 6 m A w w w î w w w w î m 9 w # w w w î m m 0 w w w ä î U 00 (all rights reserved)

46 Oboe Note to singers: make slight rearticulation on slurred reeated notes. q 60 REQUIEM VI. Lux aeterna Score rev. 6 February U A Senza vibrato Î Î dolce m. #. J B lux C Î Î dolce m. #. J (all rights reserved)

47 Oboe q # # VII. Libera me, The Comorter Note to singers: make slight rearticulation on slurred reeated notes. TACET The Comorter text by Score rev. 7 February (all rights reserved)

48 Oboe REQUIEM VIII. In Paradisum Note to singers: make slight rearticulation on slurred reeated notes. q Solo oboe 1 6 # n w î Î J ä î m Senza vibrato # # w # J ä Î Î # # # q 8 10 # 10 w Î î î U ä Score rev. 7 February A q 8 b b 9 bb Breathe as needed 1 61 m 0 bb b 1 1 q 96 U J ä Î Î B b b b n n n 00 (all rights reserved)

49 REQUIEM (Missa ro deunctis), comoser (and text, Movement VII. The Comorter) 00 I. INTROITUS Requiem aeternam dona eis Domine: Grant them eternal rest, Lord, et lux eretua luceat eis. And let eretual light shine uon them. Te decet hymnus Deus, in Sion, A hymn becometh Thee, O God, in Zion, et tibi reddetur votum in Jerusalem. and a vow shall be aid to Thee in Jerusalem. Exaudi orationem meam, Hear my rayer: ad te omnis caro veniet. To Thee all lesh shall come. II. KYRIE Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Kyrie eleison. Lord, have mercy. III. DOMINE JESU CHRISTE Domine Jesu Christe, rex gloriae, O Lord Jesus Christ, King o Glory, libera animas omnium idelium deunctorum deliver the souls o all the aithul dearted de oenis inerni et de roundo lacu. rom the ains o Hell, rom the dee lake. Sed signier sanctus Michael But let the standard bearer Michael bring them reraesenter eas in lucem sanctam. into holy light. IV. SANCTUS and BENEDICTUS Sanctus, sanctus, sanctus Holy, holy, holy, Dominus Deus Sabaoth: Lord God o Hosts. leni sunt coeli et terra gloria tua, Heaven and earth are ull o Thy glory. Hosanna in excelsis. Hosanna in the highest. Benedictus qui venit in nomine Domine Blessed is he that cometh in the name o the Lord. Hosanna in excelsis. Hosanna in the highest. V. PIE JESU and AGNUS DEI Pie Jesu, Domine, dona eis requiem. Blessed Jesu, O Lord, grant them rest. Agnus Dei qui tollis eccata mundi, Lamb o God, who takest away the sins o the world, dona eis requiem semiternam. grant them eternal rest. VI. LUX AETERNA Lux aeterna luceat eis, Domine, Let everlasting light shine uon them, Lord, cum sanctis tuis in aeternum, with Thy saints or ever, quia ius es. or Thou art good. Requiem aeternam dona eis Domine, Grant them eternal rest, Lord, et lux eretua luceat eis, and let eretual light shine uon them, quia ius es. or Thou art good. VII. LIBERA ME and THE COMFORTER Libera me, Domine, de morte aeterna, Deliver me, O Lord, rom eternal death in die illa tremenda: on that awul day Quando coeli movendi sunt et terra: when the heavens and the earth shall quake. Tremens actus sum ego, et timeo, Full o terror am I, and trembling, dum discussio venerit, atque ventura ira. and I ear the trial and the wrath to come. Dies illa, dies irae, calamitatis et miseriae. That day shall be a day o wrath, calamity and misery. Requiem aeternam dona eis, Domine, Grant them eternal rest, O Lord, et lux eretua luceat eis. and let eretual light shine uon them.

50 THE COMFORTER When I grieve, as I die, You reach sotly within me and unlatch the doors that guard my heart. You ease them oen, one by one, and with warm hands cu my heart. You lit me u into the air and hold me to the heavens above. You breathe uon my heart. And I smell the sea and hear the song o the Dove. ( 00 ) VIII. IN PARADISUM In aradisum deducant te angeli. May the angels receive thee in Paradise. Chorus angelorum te susciiat. There may the choir o angels receive thee, et cum Lazaro quondam auere, and with Lazarus, once a beggar, aeternam habeas requiem. may st thou have eternal rest. comosed in memory o Julie Ince Thomson,

51 Violin I q # # 9 # # Commissioned by and dedicated to Coro Allegro, David Hodgkins, Artistic Director, with thanks. In memoriam Julie Ince Thomson, Note to singers: make slight rearticulation on slurred reeated notes. A q 96 REQUIEM I. Introit n n Score rev. 6 February 019 ³ w senza vibrato 0 6 w Î B 9 q 60 ³ ³ b b legato m m ² ² b b 0 b b b 6 b C q 96 ²³ ²³ ³ ² U # ³ ² b 8 # 68 # 7 U w w w w w w w Coyright 00 (all rights reserved)

52 Violin I q 6 A ³ w. j ä # 19 Senza vibrato. m m 8 # ³ ³ ³ m REQUIEM II. Kyrie ³ ² ³ w. Î w # rit.. #. # m Score. rev. 6 February 019. Î w ä Î J w w # # # 00 (all rights reserved)

53 Violin I REQUIEM III. Domine Jesu Christe Note to singers: make slight rearticulation on slurred reeated notes. Freely, with energy and direction. Breathe when necessary throughout. Senza vibrato. q 8 TACET Score rev. 6 February 019

54 Violin I Note to singers: make slight rearticulation on slurred reeated notes. q 7 8 b n ² 1 ³. Senza vibrato REQUIEM IV. Sanctus. Score rev. 6 February 019 ².... î # # ³ ² # ä J b # # # # # #. B Majestic ³ ³ ²... # A 1 î m n ³ n.... b n.. ² # # ³ # # 6 # # ² ä J 67 # # # 00 (all rights reserved)

55 C D 7 # # # # 9 # ## # # # # #. 9 # # ³ ². Van Ness, Requiem, IV. Sanctus E n.. # # 10 b n.. 10 î ² # # # # 107 # # ³ ² ä J 11 # # U # #.

56 Violin I REQUIEM V. Pie Jesu, Agnus Dei legato 7 q 7 Stately, but with momentum ³ Senza vibrato.. w Score rev. 6 February 019 ² ² Î w Î div. # j w ww # w # w j ä Î unis. div. unis. div. ³ unis. ³ w w ä î w w w w w w # w w A³ ³ div. unis.. w m ² Î w î # j w ww # w # w î ³ w w w w w w ³ w w ä î w m w w w ä î m 00 (all rights reserved) m U

57 Solo Baritone Violin I REQUIEM VI. Lux aeterna Solo Baritone Violin I Vln. I Vln. I Vln. I? q 60 m Lux Senza vibrato. Stagger bowing throughout as necessary. Follow soloist. 1 8? - na ae U 1? 8 8 Note to singers: make slight rearticulation on slurred reeated notes.? con sord. ae very reely ä # 1. - J J # m U # J n - - ter ter na lu î 8 J ²³ 1 6 ³ ². 8 w j w - - ce-at e - is, Do mi - Score rev. 6 February 019. j # J n. Î. j # ²³ w 8 8 V.S. 00 (all rights reserved)

58 Vln. I Vln. I Vln. I Vln. I Vln. I A 1?. Î J. î î ä J ²³ ³ ² w. w. 0?? 6-6 ne, Do - - mi - ne, Do. J 6# J ä ä n J mi - ne, cum 6 1 w - Î 1 w Î Î sanc ²³ Î Î ä j 1 w w Î - tis tu - is in ae - ter - nam, qui m 9? -. J. j w a i - us es. B? Van Ness, Requiem, VI. Lux aeterna 1 w î î ä # J ae 1 slowly 1 î. - J # - ter - ²³ 6 6

59 Van Ness, Requiem, VI. Lux aeterna Vln. I Vln. I Vln. I Vln. I? î î Î nam, do j # ²³ w? 1 Î ä ²³ 1 ³ ² ³ ². w - - na et C 0?. î î ä. J J lux et lux er - e - ²³ w. w w 6? 6#. 1 - J J ä ä n J 8 j Î - tu - a lu ce- at, 6 1 ²³ w 8 ä î m J

60 Vln. I 60? U j Î. J U j w. î lu - - ce at e - is, qui - - 6? - - Van Ness, Requiem, VI. Lux aeterna. j w - a i - - us es.

61 Violin I Note to singers: make slight rearticulation on slurred reeated notes. q # # A 18 # # C # # # 1 8 VII. Libera me, The Comorter 19 B 7 m legato U # # # 9 Senza vibrato. The Comorter text by Score rev. 7 February 019 ² Î Î j 77 # # # w D 8 # # # n n n 7 E 101 U # # 11 # # F (all rights reserved)

62 Violin I Note to singers: make slight rearticulation on slurred reeated notes. REQUIEM VIII. In Paradisum Score rev. 7 February 019 q q A q 8 Senza vibrato m legato m 0 bb ² ² ³ ³ b n b b b 6 bb b b b 61 bb b ²³ ²³ ³ ² U j ä Î Î B q 96 n n n 00 (all rights reserved)

63 REQUIEM (Missa ro deunctis), comoser (and text, Movement VII. The Comorter) 00 I. INTROITUS Requiem aeternam dona eis Domine: Grant them eternal rest, Lord, et lux eretua luceat eis. And let eretual light shine uon them. Te decet hymnus Deus, in Sion, A hymn becometh Thee, O God, in Zion, et tibi reddetur votum in Jerusalem. and a vow shall be aid to Thee in Jerusalem. Exaudi orationem meam, Hear my rayer: ad te omnis caro veniet. To Thee all lesh shall come. II. KYRIE Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Kyrie eleison. Lord, have mercy. III. DOMINE JESU CHRISTE Domine Jesu Christe, rex gloriae, O Lord Jesus Christ, King o Glory, libera animas omnium idelium deunctorum deliver the souls o all the aithul dearted de oenis inerni et de roundo lacu. rom the ains o Hell, rom the dee lake. Sed signier sanctus Michael But let the standard bearer Michael bring them reraesenter eas in lucem sanctam. into holy light. IV. SANCTUS and BENEDICTUS Sanctus, sanctus, sanctus Holy, holy, holy, Dominus Deus Sabaoth: Lord God o Hosts. leni sunt coeli et terra gloria tua, Heaven and earth are ull o Thy glory. Hosanna in excelsis. Hosanna in the highest. Benedictus qui venit in nomine Domine Blessed is he that cometh in the name o the Lord. Hosanna in excelsis. Hosanna in the highest. V. PIE JESU and AGNUS DEI Pie Jesu, Domine, dona eis requiem. Blessed Jesu, O Lord, grant them rest. Agnus Dei qui tollis eccata mundi, Lamb o God, who takest away the sins o the world, dona eis requiem semiternam. grant them eternal rest. VI. LUX AETERNA Lux aeterna luceat eis, Domine, Let everlasting light shine uon them, Lord, cum sanctis tuis in aeternum, with Thy saints or ever, quia ius es. or Thou art good. Requiem aeternam dona eis Domine, Grant them eternal rest, Lord, et lux eretua luceat eis, and let eretual light shine uon them, quia ius es. or Thou art good. VII. LIBERA ME and THE COMFORTER Libera me, Domine, de morte aeterna, Deliver me, O Lord, rom eternal death in die illa tremenda: on that awul day Quando coeli movendi sunt et terra: when the heavens and the earth shall quake. Tremens actus sum ego, et timeo, Full o terror am I, and trembling, dum discussio venerit, atque ventura ira. and I ear the trial and the wrath to come. Dies illa, dies irae, calamitatis et miseriae. That day shall be a day o wrath, calamity and misery. Requiem aeternam dona eis, Domine, Grant them eternal rest, O Lord, et lux eretua luceat eis. and let eretual light shine uon them.

64 THE COMFORTER When I grieve, as I die, You reach sotly within me and unlatch the doors that guard my heart. You ease them oen, one by one, and with warm hands cu my heart. You lit me u into the air and hold me to the heavens above. You breathe uon my heart. And I smell the sea and hear the song o the Dove. ( 00 ) VIII. IN PARADISUM In aradisum deducant te angeli. May the angels receive thee in Paradise. Chorus angelorum te susciiat. There may the choir o angels receive thee, et cum Lazaro quondam auere, and with Lazarus, once a beggar, aeternam habeas requiem. may st thou have eternal rest. comosed in memory o Julie Ince Thomson,

65 Violin II Commissioned by and dedicated to Coro Allegro, David Hodgkins, Artistic Director, with thanks. In memoriam Julie Ince Thomson, Note to singers: make slight rearticulation on slurred reeated notes. q # # REQUIEM I. Introit Score rev. 6 February 019 A q 96 9 # # n n 6 B q 60 senza vibrato î ² ³ legato m b n 0 b b b b b 6 b b b q 96 C ²³ ³ ² ³ ² b U # j ä Î Î 69 7 # Coyright 00 (all rights reserved)

66 Violin II REQUIEM II. Kyrie q 6 A ³ w. # 19 Senza vibrato. m m j ä m ³ ² w w. Score. rev. 6 February 019 m 8 # ³ ³ rit.. Î w w j ä Î Î w w. Î ³ w 00 (all rights reserved)

67 Violin II REQUIEM III. Domine Jesu Christe Note to singers: make slight rearticulation on slurred reeated notes. Freely, with energy and direction. Breathe when necessary throughout. Senza vibrato. q 8 TACET Score rev. 6 February 019

68 Violin II Note to singers: make slight rearticulation on slurred reeated notes. REQUIEM IV. Sanctus q 7 ³. Senza vibrato Score rev. 6 February 019 b b.. n 10. ² ³ # # # # 16 # # ³ A 6 # 1 # n n ³ B Majestic ³ ³ b n. b.. m 8. ² ³ # # # # 6 # # ³ C D # # # # # 9 ## # # # #. E # # 10 # # ³ b n n b.. 00 (all rights reserved)

69 10. Van Ness, Requiem, IV. Sanctus ² ³ # 106 # # ³ # # # U....

70 Violin II legato ³ 0 REQUIEM V. Pie Jesu, Agnus Dei q 7 Stately, but with momentum Senza vibrato. A ³ 00 (all rights reserved) Score rev. 6 February 019 ³ ² w bw b Î. w w. ².. j ä ³ w ä î # w # w w w # w # # ³ m w bw b. w.... w w # w # # ³ w ä î # w # m w w w ä î m w m U î î

71 Solo Baritone Violin II Solo Baritone Violin II Vln. II Vln. II Vln. II Vln. II? 1 8? - na ae U 1? 8 8 Note to singers: make slight rearticulation on slurred reeated notes. q 60? ae very reely m Lux - - ter ter na lu ce-at e - is, Do mi - A 1?. Î J. con sord. REQUIEM VI. Lux aeterna Senza vibrato. Stagger bowing throughout as necessary. Follow soloist. ä # 1. - J J # m U # J n 1 6 î 8 J 1 6 w w 8 j w ne, Do - - mi - ne, Do. w. w w 00 (all rights reserved) Score rev. 6 February 019. j # J n. Î. j # ²³ w î î ä J 8 8 V.S.

72 Vln. II Vln. II Vln. II Vln. II 0?? 6 - sanc mi - ne, cum - tis tu - is in ae - ter - nam, qui m 9? a i - us es. B 6 6?. J 6# J ä ä n J 6 1 w - 1 Î w Î Î ²³ 1 Î Î ä j w w. J. j w? 1 - î ä #. J J # ae - ter - nam, - - na et 1. j # do ²³ w? 1 Î ä Van Ness, Requiem, VI. Lux aeterna î Î slowly 1 w w Î î J 6 6

73 Vln. II Vln. II Vln. II C 0?. lux et lux er - e - 6? ? w. w w #. J J ä ä n J lu - - ce at e - is, qui - - 6? - - Van Ness, Requiem, VI. Lux aeterna - a i - - us es. î î ä J 8 j Î - tu - a lu ce- at, 1 ²³ w 8 ä î - U j Î. J U j w. î. j w. J m

74 Violin II q # # 8 VII. Libera me, The Comorter Note to singers: make slight rearticulation on slurred reeated notes. The Comorter text by Score rev. 7 February 019 A 18 # # C # # # 10 7 # # #? 19 cello cue ³ B U # # # 9 senza vibrato m m ²³ ² j ä Î Î j div. 80 # # # unis. j w D 8 # # # n n n 7 E 101 U # # 6 11 # # F (all rights reserved)

75 Violin II Note to singers: make slight rearticulation on slurred reeated notes. q REQUIEM VIII. In Paradisum Score rev. 7 February q A q 8 Senza vibrato ² b b ³ î n m legato bb 9 bb b b b ²³ 6 bb b q 96 ²³ ³ ² U j ä Î Î n n n B 7 00 (all rights reserved)

76 REQUIEM (Missa ro deunctis), comoser (and text, Movement VII. The Comorter) 00 I. INTROITUS Requiem aeternam dona eis Domine: Grant them eternal rest, Lord, et lux eretua luceat eis. And let eretual light shine uon them. Te decet hymnus Deus, in Sion, A hymn becometh Thee, O God, in Zion, et tibi reddetur votum in Jerusalem. and a vow shall be aid to Thee in Jerusalem. Exaudi orationem meam, Hear my rayer: ad te omnis caro veniet. To Thee all lesh shall come. II. KYRIE Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Kyrie eleison. Lord, have mercy. III. DOMINE JESU CHRISTE Domine Jesu Christe, rex gloriae, O Lord Jesus Christ, King o Glory, libera animas omnium idelium deunctorum deliver the souls o all the aithul dearted de oenis inerni et de roundo lacu. rom the ains o Hell, rom the dee lake. Sed signier sanctus Michael But let the standard bearer Michael bring them reraesenter eas in lucem sanctam. into holy light. IV. SANCTUS and BENEDICTUS Sanctus, sanctus, sanctus Holy, holy, holy, Dominus Deus Sabaoth: Lord God o Hosts. leni sunt coeli et terra gloria tua, Heaven and earth are ull o Thy glory. Hosanna in excelsis. Hosanna in the highest. Benedictus qui venit in nomine Domine Blessed is he that cometh in the name o the Lord. Hosanna in excelsis. Hosanna in the highest. V. PIE JESU and AGNUS DEI Pie Jesu, Domine, dona eis requiem. Blessed Jesu, O Lord, grant them rest. Agnus Dei qui tollis eccata mundi, Lamb o God, who takest away the sins o the world, dona eis requiem semiternam. grant them eternal rest. VI. LUX AETERNA Lux aeterna luceat eis, Domine, Let everlasting light shine uon them, Lord, cum sanctis tuis in aeternum, with Thy saints or ever, quia ius es. or Thou art good. Requiem aeternam dona eis Domine, Grant them eternal rest, Lord, et lux eretua luceat eis, and let eretual light shine uon them, quia ius es. or Thou art good. VII. LIBERA ME and THE COMFORTER Libera me, Domine, de morte aeterna, Deliver me, O Lord, rom eternal death in die illa tremenda: on that awul day Quando coeli movendi sunt et terra: when the heavens and the earth shall quake. Tremens actus sum ego, et timeo, Full o terror am I, and trembling, dum discussio venerit, atque ventura ira. and I ear the trial and the wrath to come. Dies illa, dies irae, calamitatis et miseriae. That day shall be a day o wrath, calamity and misery. Requiem aeternam dona eis, Domine, Grant them eternal rest, O Lord, et lux eretua luceat eis. and let eretual light shine uon them.

77 THE COMFORTER When I grieve, as I die, You reach sotly within me and unlatch the doors that guard my heart. You ease them oen, one by one, and with warm hands cu my heart. You lit me u into the air and hold me to the heavens above. You breathe uon my heart. And I smell the sea and hear the song o the Dove. ( 00 ) VIII. IN PARADISUM In aradisum deducant te angeli. May the angels receive thee in Paradise. Chorus angelorum te susciiat. There may the choir o angels receive thee, et cum Lazaro quondam auere, and with Lazarus, once a beggar, aeternam habeas requiem. may st thou have eternal rest. comosed in memory o Julie Ince Thomson,

78 Viola Commissioned by and dedicated to Coro Allegro, David Hodgkins, Artistic Director, with thanks. In memoriam Julie Ince Thomson, Note to singers: make slight rearticulation on slurred reeated notes. q B # # REQUIEM I. Introit Score rev. 6 February 019 A q 96 9 B # # n n 6 B 9 B B q 60 senza vibrato ³ b ³ ² b m legato B 0 b B 6 ²³ ³ B q 96 C U # J ä Î Î 69 B # 7 Coyright 00 (all rights reserved)

79 Viola REQUIEM II. Kyrie q 6 B # 19 Senza vibrato. B # ² A ³ ³ w #. ä nw m m 1 B # rit. ³ J ä Î w w. Î m Score. rev. 6 February 019 ³ ³ w. Î w. Î w w m 00 (all rights reserved)

80 Viola REQUIEM III. Domine Jesu Christe Note to singers: make slight rearticulation on slurred reeated notes. Freely, with energy and direction. Breathe when necessary throughout. Senza vibrato. B q 8 TACET Score rev. 6 February 019

81 Viola q Note 7 to singers: make slight rearticulation on slurred reeated notes. B 7 REQUIEM IV. Sanctus B # b b n n ² Senza vibrato Î Î b Score rev. 6 February 019 # ³ ². 1 B # ³ div.. # # 1 B # # m B Majestic B # div. unis. # n ³ ² n. unis. # B b # # b b n n A 1 Î Î ³ ² 9 B # ³ div... # # 68 B # # unis. # D E 8 B # # # 10 # # ² # Î Î n b C # # # 9 ## # # # # 00 (all rights reserved)

82 98 Van Ness, Requiem, IV. Sanctus B # # bn b n ³ ².. 10 B # ³ # # # B # # U....

83 Viola REQUIEM V. Pie Jesu, Agnus Dei q 7 Stately, but with momentum Senza vibrato. B ³ bw w b w legato 7 Score rev. 6 February 019 b ². w Î B w. w w j ä Î ³ legato B 1 # # # B 19 6 B B B B B 9 0 unis. A ³ bw w b w ³ ä î w w w m b. w î ³ w. w w î ³ # # # legato # w # w m m m ³ ä î w w w w w ä î U 00 (all rights reserved)

84 Viola q 60 B REQUIEM VI. Lux aeterna TACET Score rev. February (all rights reserved)

85 Viola Note to singers: make slight rearticulation on slurred reeated notes. q B # # A 18 B # # B (When 00 (all rights reserved) grieve, As, as I C 1 B # # # ³ div. # 6 B # # # unis. 71 legato m m m m unis. 78 B # # # # n w D 8 B # # # n n n ³ # n J # n 10 E 8 VII. Libera me, The Comorter 19 B # # # U ## # div. ³ ³ div. j ä B # # # j j ä Î Î m m I F ³ n 9 B U # # B # # Baritone solo cue or viola The Comorter text by Score rev. 7 February 019 Baritone cues or viola j Î j n # j ä j Î n n j ä Î 6 19

86 Viola Note to singers: make slight rearticulation on slurred reeated notes. q REQUIEM VIII. In Paradisum B 1 6 Score rev. 7 February B q 8 10 B 6 A q 8 B 7 Senza vibrato ³ m legato b b b ²³ Bb b b b b 0 Bb b b ²³ 8 Bb b b 68 B q 96 ³ U J ä Î Î n n n B 00 (all rights reserved)

87 REQUIEM (Missa ro deunctis), comoser (and text, Movement VII. The Comorter) 00 I. INTROITUS Requiem aeternam dona eis Domine: Grant them eternal rest, Lord, et lux eretua luceat eis. And let eretual light shine uon them. Te decet hymnus Deus, in Sion, A hymn becometh Thee, O God, in Zion, et tibi reddetur votum in Jerusalem. and a vow shall be aid to Thee in Jerusalem. Exaudi orationem meam, Hear my rayer: ad te omnis caro veniet. To Thee all lesh shall come. II. KYRIE Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Kyrie eleison. Lord, have mercy. III. DOMINE JESU CHRISTE Domine Jesu Christe, rex gloriae, O Lord Jesus Christ, King o Glory, libera animas omnium idelium deunctorum deliver the souls o all the aithul dearted de oenis inerni et de roundo lacu. rom the ains o Hell, rom the dee lake. Sed signier sanctus Michael But let the standard bearer Michael bring them reraesenter eas in lucem sanctam. into holy light. IV. SANCTUS and BENEDICTUS Sanctus, sanctus, sanctus Holy, holy, holy, Dominus Deus Sabaoth: Lord God o Hosts. leni sunt coeli et terra gloria tua, Heaven and earth are ull o Thy glory. Hosanna in excelsis. Hosanna in the highest. Benedictus qui venit in nomine Domine Blessed is he that cometh in the name o the Lord. Hosanna in excelsis. Hosanna in the highest. V. PIE JESU and AGNUS DEI Pie Jesu, Domine, dona eis requiem. Blessed Jesu, O Lord, grant them rest. Agnus Dei qui tollis eccata mundi, Lamb o God, who takest away the sins o the world, dona eis requiem semiternam. grant them eternal rest. VI. LUX AETERNA Lux aeterna luceat eis, Domine, Let everlasting light shine uon them, Lord, cum sanctis tuis in aeternum, with Thy saints or ever, quia ius es. or Thou art good. Requiem aeternam dona eis Domine, Grant them eternal rest, Lord, et lux eretua luceat eis, and let eretual light shine uon them, quia ius es. or Thou art good. VII. LIBERA ME and THE COMFORTER Libera me, Domine, de morte aeterna, Deliver me, O Lord, rom eternal death in die illa tremenda: on that awul day Quando coeli movendi sunt et terra: when the heavens and the earth shall quake. Tremens actus sum ego, et timeo, Full o terror am I, and trembling, dum discussio venerit, atque ventura ira. and I ear the trial and the wrath to come. Dies illa, dies irae, calamitatis et miseriae. That day shall be a day o wrath, calamity and misery. Requiem aeternam dona eis, Domine, Grant them eternal rest, O Lord, et lux eretua luceat eis. and let eretual light shine uon them.

88 THE COMFORTER When I grieve, as I die, You reach sotly within me and unlatch the doors that guard my heart. You ease them oen, one by one, and with warm hands cu my heart. You lit me u into the air and hold me to the heavens above. You breathe uon my heart. And I smell the sea and hear the song o the Dove. ( 00 ) VIII. IN PARADISUM In aradisum deducant te angeli. May the angels receive thee in Paradise. Chorus angelorum te susciiat. There may the choir o angels receive thee, et cum Lazaro quondam auere, and with Lazarus, once a beggar, aeternam habeas requiem. may st thou have eternal rest. comosed in memory o Julie Ince Thomson,

89 Commissioned by and dedicated to Coro Allegro, David Hodgkins, Artistic Director, with thanks. In memoriam Julie Ince Thomson, Note to singers: make slight rearticulation on slurred reeated notes. Violoncello q?# # REQUIEM I. Introit Score rev. 6 February 019 A q 96 9?# # n n 6? B q 60 9? senza vibrato ²³ ³ ² ³ ² m legato 0? ³ ² lu(x), 6? b bb b b ²³ q 96 C? U # J ä Î Î 7 69?# Coyright 00 (all rights reserved)

Tomás Luis de Victoria

Tomás Luis de Victoria Missa Simile est regnum coelorum a parody Mass by Tomás Luis de ictoria from the 1576 publication Liber Primus. Qui Missas, Psalmos, Magnificat, ad irginem Dei Matrem Salutationes, aliaque Complectitur.

More information

SAMPLE KYRIE. Dm (Em) Dm (Bm) (Bm) (G) (Em) (Bm) (D) Chri ste. ri e e. son. ri e e lé. Gm7 F (G) Gm7. (Bm) (Em7) (D) (Em7) (D) son. Chri ste.

SAMPLE KYRIE. Dm (Em) Dm (Bm) (Bm) (G) (Em) (Bm) (D) Chri ste. ri e e. son. ri e e lé. Gm7 F (G) Gm7. (Bm) (Em7) (D) (Em7) (D) son. Chri ste. KYRIE Capo 3: () m () m () m () m () m () () B e e (7) m7 lé () m () m lé son. Ky r e e () son. Chr ste SMPLE Text: raduale Romanum, 1974. Musc: Chant Mass; raduale Romanum, 1974; gutar acc. 1995, OCP.

More information

MASS OF SAINT ISAAC JOGUES

MASS OF SAINT ISAAC JOGUES MASS OF SAINT ISAAC JOGUES A Comilation Mass By Je Ostrowski SATB SCORES with Otional Accomaniment Pitch Level: SATB Choir CCWATERSHED.ORG/JOGUES LORD, HAVE MERCY Pitch Level: SATB Choir Christ, Christ,

More information

THE GUIDE TO MUSICIANSHIP

THE GUIDE TO MUSICIANSHIP YELLOW LEVEL: SINGER S COPY (TREBLE CLEF) CONTENTS Aural test (a) Samle assages 2 Test assages 3 Sight-reading test (a) Prearary examles 5 Test assages 8 This downloadable resource is intended or use only

More information

THE GUIDE TO MUSICIANSHIP

THE GUIDE TO MUSICIANSHIP YELLOW LEVEL: SINGER S COPY (BASS CLEF) CONTENTS Aural test (a) Sale assages 2 Test assages 3 Sight-reading test (a) Prearary exales 5 Test assages 8 This downloadable resource is intended or use only

More information

SATB Choir and Oboe Prayer PDF Download - $1.75 CP-1010 Philip Moody Printed - $2.75. Prayer. Philip Moody. CORO Publishing

SATB Choir and Oboe Prayer PDF Download - $1.75 CP-1010 Philip Moody Printed - $2.75. Prayer. Philip Moody. CORO Publishing Choir and oe Prayer PDF Download $1.75 CP1010 Phili Moody Printed $.75 Prayer Phili Moody www.coroonline.org Prayer comines the Kyrie and gnus Dei ortions o the mass ordinary with Psalm. s I wrote this

More information

Requiem for Peace. Oboe CYPRESS CHORAL MUSIC. CP 1185 REQUIEM FOR PEACE/ Larry Nickel Chamber Version. music from Canada

Requiem for Peace. Oboe CYPRESS CHORAL MUSIC. CP 1185 REQUIEM FOR PEACE/ Larry Nickel Chamber Version. music from Canada CP 1185 REQUIEM FOR PEACE/ Larry Nickel SATB with iano Chamber Version Oboe Requiem or Peace Listen to a good recording o this music at cyresschoral.com CYPRESS CHORAL MUSIC www.cyresschoral.com 604-221-1608

More information

Requiem for Peace. Clarinet CYPRESS CHORAL MUSIC. CP 1185 REQUIEM FOR PEACE/ Larry Nickel Chamber Version. music from Canada

Requiem for Peace. Clarinet CYPRESS CHORAL MUSIC. CP 1185 REQUIEM FOR PEACE/ Larry Nickel Chamber Version. music from Canada CP 1185 REQUIEM FOR PEACE/ Larry Nickel SATB with iano Chamber Version Clarinet Requiem or Peace Listen to a good recording o this music at cyresschoral.com CYPRESS CHORAL MUSIC www.cyresschoral.com 604-221-1608

More information

Versicles and responses

Versicles and responses Versicles and resonses Book o Common Prayer Kathryn Rose Cantor O Lord, oen thou our lis. 2 j our mouth shall she orth thy raise. j our mouth shall she orth thy raise. our mouth shall she orth thy raise.

More information

Of One That Is So Fair and Bright. SSA, Descant, and Organ. (with optional Assembly and TB voices) œ œ œ œ. œ œ œ œ œ. œ œ œ n. no Ped.

Of One That Is So Fair and Bright. SSA, Descant, and Organ. (with optional Assembly and TB voices) œ œ œ œ. œ œ œ œ œ. œ œ œ n. no Ped. Organ 3 1. Andante, senza rigore (q = ca. 66) 8' Fl SSA, Descant, and Organ English, 15th century one that is so fair and bright, Velut maris stella: like the star of the sea (ith otional Assembly and

More information

SAMPLE COPY. Kyrie Mass for Saint Kateri Tekakwitha. & bb b. œ œ. F & b b b. n n n. Œ œ œ œ. U w # P. son. mer. cy. Christ, cy. cresc.

SAMPLE COPY. Kyrie Mass for Saint Kateri Tekakwitha. & bb b. œ œ. F & b b b. n n n. Œ œ œ œ. U w # P. son. mer. cy. Christ, cy. cresc. 7 apo 3: 4 4 13 18 23 / / le m m hris 7 7 mer Dma7 ma7 le Dm/ m/ /B /D m ma7 ma7 Dm/ m/ - i - son. Lord, have mer - cresc. D6 6 m. / m/ ma7 A b ma7 - te, e - le - i - n n n 2 m7 / son. P sus sus cy. A

More information

VEN, SALVADOR. œ œ. œ œ œ. œ œ. œ # œ œ œ

VEN, SALVADOR. œ œ. œ œ œ. œ œ. œ # œ œ œ INTRODUCCIÓN / INTRODUCTION q = c 84 4 2 # /E / /B # 4 2 n # 6 10 / B N 6 # /E / / /B /E. # J.. J # n # 14 B VEN, SALVADOR (El Dios Paz) Savior Lord Coro al SATB, Canr, Asamlea, lauta, Ooe, Trompeta en

More information

Missa pro defunctis. made available under a Creative Commons Attribution license

Missa pro defunctis. made available under a Creative Commons Attribution license Missa pro defunctis for oprano, Mezzo-oprano, enor, and ass Voices, Flute, Clarinet in -flat, Horn in F, rombone, Viola, Violoncello, and Organ by David Joseph tith made available under a Creative Commons

More information

MASS OF SAINT ISAAC JOGUES

MASS OF SAINT ISAAC JOGUES MASS OF SAINT ISAAC JOGUES A Compilation Mass By Jeff Ostrowski ORGAN ACCOMPANIMENTS Pitch Level: Congregation CCWATERSHED.ORG/JOGUES This Mass setting is found in the St. Isaac Jogues Illuminated Missal,

More information

Przesłuchania do chóru "Muzyka zespołu Queen symfonicznie" TENOR

Przesłuchania do chóru Muzyka zespołu Queen symfonicznie TENOR Sorano Alto Tenor Bass "Somebody to Love" Przesłuchania do chóru "Muzyka zesołu Queen symonicznie" b b TENOR Can a ny bo dy ind me some bo dy to love "Bohemian Rhasody" 6 bb n b r n Is this the real lie

More information

Bread of Angels. œ œ œ œ œ œ œ œ. œ œ œ. j œ. œ œ œ œ. œ œ. œ

Bread of Angels. œ œ œ œ œ œ œ œ. œ œ œ. j œ. œ œ œ œ. œ œ. œ 2 English text based on Panis ngelicus; adapted by urtis Stephan Latin text by Thomas quinas, 1227 1274 urtis Stephan rr by urtis Stephan and Rick Modlin Keyboard Bread Word INTRO (q = ca 82) 4 4 % VERSES

More information

Exsultet [AT THE EASTER VIGIL]

Exsultet [AT THE EASTER VIGIL] Exsultet [AT THE EASTER VIGIL] R E- JOICE hea- ven- ly pow'rs, Singchoirs of An- gels! Ex- ult, all cre- a- tion a- round Gods throne! Je- sus Christ, our King is ris- en! Sound the trum- pet of sal- va-

More information

SANCTUS. for S.A.T.B. voices and piano with optional PianoTrax CD* Preview Only

SANCTUS. for S.A.T.B. voices and piano with optional PianoTrax CD* Preview Only 2 SOPRANO ALTO TENOR BASS PIANO Adagio (q = ca. 7276) Adagio (q = ca. 7276) SANCTUS rom Mass No. 4, D.452 or S.A.T.B. voices and piano with optional PianoTrax CD* PREVIEIEW IEIEIEIE Music by FRANZ SCHUBERT

More information

Evening Prayer (Glory to Thee, my God, this night)

Evening Prayer (Glory to Thee, my God, this night) homas Ken orano lto enor q» º chord 1 (but elt in one) a e tolls Evening rayer (Glory to hee, God, this night) solo reely Glo ry to hee, God, this night, he chord should be gently and regularly tolled,

More information

O Dive Custos. œœœ œ œ œ œ œ œ œ œ œ œ œ œœœœœ œ œ œ œœœ œ. au - ri - a - cae do-

O Dive Custos. œœœ œ œ œ œ œ œ œ œ œ œ œ œœœœœ œ œ œ œœœ œ. au - ri - a - cae do- Henry Parker Countertenor 1 Countertenor O Dive Custos Elegy on the Death of Queen Mary, Z.0 O di - ve cus-tos au - ri - - a - cae Henry Purcell (19 19) Basso Continuo 7 # # Ó do- mus, O O # # di - ve

More information

Philip Ledger This holy child

Philip Ledger This holy child Phili Ledger This holy child A setting of the Christmas story with five original carols Samle ages from This holy child are shown in this file Contact us direct at: Encore Publications Juglans House, Brenchley

More information

I Am the Vine. I Am the Vine SATB, organ, baritone solo. Alfred V. Fedak

I Am the Vine. I Am the Vine SATB, organ, baritone solo. Alfred V. Fedak Alfred V Fedak 405-458 Selah ulishg Co, Inc Order from your favorite dealer or at selahucom (Or call 800-852-6172 the US and Canada) This document is rovided for revie uroses only It is illegal to hotocoy

More information

Great Is the Love/Hay Gran Amor. Jaime Cortez. Unison Keyboard

Great Is the Love/Hay Gran Amor. Jaime Cortez. Unison Keyboard 887 OCP sheet music Great Is the Love/Hay Gran Amor aime Cortez Unison Keyboard The material that you have requested is copyrighted. Copyright la requires you to obtain a license from the copyright holder

More information

Song of Farewell. F # m7 E/G # C # m7/e E. œ œ. œ œ œ. œ œ. May the and. an - gels come. œ œ. œ œ œ. F # m/a E/B B E E/G #

Song of Farewell. F # m7 E/G # C # m7/e E. œ œ. œ œ œ. œ œ. May the and. an - gels come. œ œ. œ œ œ. F # m/a E/B B E E/G # ased on In Paradisum Song of areell Grayson Warren ron rranged by Rick Modlin Choral arrangement by Rick Modlin, Val Parker Grayson Warren ron Organ VRSS 1 & 2 Soprano & l p P Tenor? ass &? INTRO (q =

More information

Gesù Bambino. ~ Christmas pastorale for two voices & piano ~ Music by Pietro A. Yon Text by Fredrick H. Martens. Arrangement by Christopher J.

Gesù Bambino. ~ Christmas pastorale for two voices & piano ~ Music by Pietro A. Yon Text by Fredrick H. Martens. Arrangement by Christopher J. ~ Christmas astorale or two voices iano ~ Music by Pietro A Yon Text by redrick H Martens Arrangement by Christoher Hoh HMM 242040 HohMade Music 419 Seventh Street South Arlington, A 22204 SA wwwhohmademusiccom

More information

CM9281 Travelin Home $1.95 adapted & arr Ramsey / SSAA with Kbd & Opt Vln. Travelin Home. Incorporating sacred Harp tunes White & Long Sought Home

CM9281 Travelin Home $1.95 adapted & arr Ramsey / SSAA with Kbd & Opt Vln. Travelin Home. Incorporating sacred Harp tunes White & Long Sought Home Travelin Home $1.95 adapted & arr Ramsey / SSAA ith Kbd & Opt Vln Travelin Home Incorporating sacred Harp tunes White & Long Sought Home Arranged by Andrea Ramsey Words by Edmund Dumas & Francis Baker

More information

MASS FOR A NEW ERA. We Proclaim Your Death, O Lord Save Us, Savior of the World... 21

MASS FOR A NEW ERA. We Proclaim Your Death, O Lord Save Us, Savior of the World... 21 SAMLE MASS OR A NEW ERA Introductory Notes 3 enitential Act Glory to God Gospel Acclamation 11 Lenten Gospel Acclamation 1 Holy, Holy, Holy 1 We roclaim Your eath, O Lord 19 When We Eat This Bread 20 Save

More information

Bernard Dewagtere Arranger, Composer, Director, Teacher

Bernard Dewagtere Arranger, Composer, Director, Teacher Bernard Dewatere Arraner, Comoser, Director, Teacher France, Erchin(59) Aout the artist More and more eole ask me to make individual arranements or them I'm hay to do it ecause I really like to hel you

More information

To Raymond Johnston & the Choir of St. Mark's Episcopal Cathedral Sing We the Virgin Mary. Appalachian Carol. œ œ. ded her When she bir-thed

To Raymond Johnston & the Choir of St. Mark's Episcopal Cathedral Sing We the Virgin Mary. Appalachian Carol. œ œ. ded her When she bir-thed Words melody transcried in Kentucky c. 1933 y John Jaco Niles (18921980) Solo Voice (emale) Organ Pedals Adagio q 92 2 3 4 5 6 7 selice legato 4 selice legato 4 To Raymond Johnston the Choir o St. Mark's

More information

(Small Group Sydney, Emma, Carson, Lucas) What ya gonna do when the lake goes dry, honey What ya gonna do when the lake goes dry?

(Small Group Sydney, Emma, Carson, Lucas) What ya gonna do when the lake goes dry, honey What ya gonna do when the lake goes dry? The Crawdad Song You get a line and I ll get a pole, honey You get a line and I ll get a pole, babe You get a line and I ll get a pole, and we ll go down to the crawdad hole, honey sugar ba-by mine Sittin

More information

1. Glo ry to God in the high est, peace to his. you a lone are the Ho ly One, you a lone. (Vs 4 cue)

1. Glo ry to God in the high est, peace to his. you a lone are the Ho ly One, you a lone. (Vs 4 cue) VERSE 1: Joyous, but not too fast Cantor/Choir A CHRISTMAS GLORIA VERSE 2: Cantor/Choir 2. We VERSE 4: Cantor/Choir 4. For Keyboard 1. Glo ry to God in the high est, peace to his wor ship you, we give

More information

PREVIEW - Do Not Print

PREVIEW - Do Not Print Lead Sheet lorious ay (Living He Loved Me) KEY: 4 7 J. WILBUR HAMAN Additional ords by MIHAEL BLEEKER q = 76 Worshipully iano cues, Synth and Lite El. tr. 4 4 - en as illed ith His prais - es, VERSE 1

More information

Shorter form of the Paschal Proclamation. œ œ œ œ. Ex - ult, let them ex- ult, the hosts of heav- en, & á. œ œ œ œ œ œ œœœ œ œ. œ œ. á œ œ œœ.

Shorter form of the Paschal Proclamation. œ œ œ œ. Ex - ult, let them ex- ult, the hosts of heav- en, & á. œ œ œ œ œ œ œœœ œ œ. œ œ. á œ œ œœ. Ex - ult, let them ex- ult, the hosts of heav- en, minis - ters of God ex- ult, a- loud our might- y King'ʹs tri- umph! glo- ry floods her, let all cor- ners of the earth be glad, dark- ness. ex - ult,

More information

Thee We Adore. CORO Publishing Philip Moody

Thee We Adore. CORO Publishing   Philip Moody SSAATB/AATB Choirs Thee We Adore PDF Download - $1.5 CP-101-A Philip Moody Print - $3.50 Thee We Adore Philip Moody www.coroonline.org Thee We Adore is a piece that was inspired by Franz Biebl s cherished

More information

Go Tell Aunt Rhody. & # # 4 4 œ œ œ œ œ. œ œ œ œ œ œ. & # # œ œ œ œ œ œ. œ œ œ œ. Key of D Major

Go Tell Aunt Rhody. & # # 4 4 œ œ œ œ œ. œ œ œ œ œ œ. & # # œ œ œ œ œ œ. œ œ œ œ. Key of D Major GRADE 5 Lesson 6 & # # 4 4 F# Go Tell Aunt Rhody Key of D Maor Go tell Aunt Rho dy, Go tell Aunt Rho - dy, - & # # Go tell Aunt Rho - dy, the old gray goose is dead. 2. The one she's been saving...

More information

HOW TO PRAY THE HOLY ROSARY

HOW TO PRAY THE HOLY ROSARY HOW TO PRAY THE HOLY ROSARY Prayers of the Rosary The Apostles' Creed I believe in God, the Father Almighty, Creator of Heaven and earth; and in Jesus Christ His only Son, Our Lord; who was conceived

More information

Messe in Es. Kyrie. Moderato J = e-lei - op roe. 839-l 90 I. Ky- sd, Alto. Alto o. ,,Cantus Missae" Josef Gabriel Rheinberger. Tcnorc.

Messe in Es. Kyrie. Moderato J = e-lei - op roe. 839-l 90 I. Ky- sd, Alto. Alto o. ,,Cantus Missae Josef Gabriel Rheinberger. Tcnorc. Messe in Es op roe,,cantus Missae" Josef Gabriel Rheinberger Kyrie Moderato J = I 839l 90 I Soprano Alto Tcnorc Basrc Soprano Alto o b o u Basso Ky elei sd, lei son, Aufführungsdauer/Duration: ca. 23 min.

More information

LITANY OF THE LAST WORDS OF CHRIST ON THE CROSS. Optional Unison Choir, One or Two Cantors, optional String Instrument, Assembly.

LITANY OF THE LAST WORDS OF CHRIST ON THE CROSS. Optional Unison Choir, One or Two Cantors, optional String Instrument, Assembly. LITANY OF THE LAST WORDS OF CHRIST ON THE CROSS Optional Unison Choir, One Two s, optional String Instrument, Assemly Thomas Benson Pollack, 1836 1896 Adapt. y A.J.H. Alan J. Hommerding PART I / ALTERNATE

More information

Mass for the Day of St. Thomas Didymus

Mass for the Day of St. Thomas Didymus Mass or the Day o St Thomas Didymus or SATB and SATB ames rimosch Mass or the Day o St Thomas Didymus This ork as commissioned y The Crossing, Donald Nally conductor, and as made ossile ith suort rom the

More information

Sing We Now of Christmas Medley includes Sing We Now of Christmas, Deck the Halls; O Come, O Come, Emmanuel, and God Rest Ye Merry, Gentlemen. . œ.

Sing We Now of Christmas Medley includes Sing We Now of Christmas, Deck the Halls; O Come, O Come, Emmanuel, and God Rest Ye Merry, Gentlemen. . œ. Sing We Now of Christmas Medley includes Sing We Now of Christmas, Deck the Halls; O Come, O Come, Emmanuel, and God Rest Ye Merry, Gentlemen Arranged y Cliff Duren With Celtic energy! q = 124 12 9 SING

More information

KIII. u9 XX + X u9 X X X X. X X X X X. u9 XX X u : X z Ç Zhh h. X X X X X X X. ! X X X X. X X X X X X X X X X. X X X X MF u..

KIII. u9 XX + X u9 X X X X. X X X X X. u9 XX X u : X z Ç Zhh h. X X X X X X X. ! X X X X. X X X X X X X X X X. X X X X MF u.. 9 MASS SETTINGS KIII!! X X X X. e-lé- i-son. S! X u9 XX X X X X. Missa Jubilate Deo Kyrie (MASS XVI) 100 X u9 X X X X. Y- ri- e * e- lé-i- son. bis Chri-ste e- lé- i - son. bis X u9 XX X u : X z Ç Zhh

More information

A thesis submitted in partial fulfillment of the requirements for the degree in Doctor of Philosophy

A thesis submitted in partial fulfillment of the requirements for the degree in Doctor of Philosophy Western University Scholarshi@Western Electronic Thesis and Dissertation Reository August 016 Requiem Wendell Glick The University o Western Ontario Suervisor Dr Peter Paul Koroski The University o Western

More information

WW1653. Gjeilo AVE GENEROSA SSAA. Music by. Ola Gjeilo. Text by. Hildegard von Bingen. waltonmusic.com A DIVISION OF GIA PUBLICATIONS, INC.

WW1653. Gjeilo AVE GENEROSA SSAA. Music by. Ola Gjeilo. Text by. Hildegard von Bingen. waltonmusic.com A DIVISION OF GIA PUBLICATIONS, INC. AVE GENEROSA Geilo SSAA, unaccomanied WW1653 AVE GENEROSA SSAA Music by Ola Geilo Text by Hildegard von Bingen A DIVISION O GIA UBLICATIONS, INC. altonmusic.com Ave Generosa Ave, generosa, riosa et inc

More information

Sylvain Guillaumet Composer, Interpreter, Teacher

Sylvain Guillaumet Composer, Interpreter, Teacher Sylvain Guilumet Composer, Interpreter, Teacher rance, Châteauroux About the artist Musician, composer and author, he multipes the musical experiences, both in the interpretation of the writing Today,

More information

Mary Poppins Medley (3 Part)

Mary Poppins Medley (3 Part) High 8 1 17 q=175 [A] 1 If you want this choice po -sit-ion Have a cheer- y dis- po- si-tion ros- y cheeks No warts. Play games, all sorts You must be kind, you must be wit- ty ver - y sweet and fair-

More information

The Paschal Proclamation

The Paschal Proclamation The Paschal Proclamation 3 5 6 7 9 10 12 13 15 Copyright 2012 ICEL For private use of cantors only. Martin X, Moleski, SJ ICEL: The Roman Missal =80 1. Ex - ult, let them ex - ult, the hosts of hea - ven.

More information

Evensong PPM01522 $4.30. Evening Service for the Transfiguration DO NOT COPY. Joel Martinson. SATB and organ

Evensong PPM01522 $4.30. Evening Service for the Transfiguration DO NOT COPY. Joel Martinson. SATB and organ paraclete press Evensong M015 $0 Evening Service or the Transiguration Joel Martinson SATB and organ Joel Martinson Joel Martinson holds the position o Director o Music and Organist at The Episcopal Church

More information

I Know. That My Redeemer Lives. Joel Martinson. Setting by

I Know. That My Redeemer Lives. Joel Martinson. Setting by 5-81 I Kow That My Redeemer Lives/This Day at Thy Creatig Word Martiso SATB rass quitet timpai orga That My Redeemer Lives I Kow This Day at tthy Creatig gword Settig y Joel Martiso I Kow That My Redeemer

More information

Commissioned by Away From The Western Front with funding from the Heritage Lottery Fund. "No Parades"

Commissioned by Away From The Western Front with funding from the Heritage Lottery Fund. No Parades ommissioned by Away rom ern ront with fundg from the Heritage Lottery und " Pa" or solo voice, mixed choir (S/A/T/B) pia/guitar Music & lyrics by hris Hoban Pa was created as rt of the 'Away from the ern

More information

The Fort and the Flag

The Fort and the Flag The ort and lag Baritone Solo and SATB Choir ith Optional Aompaniment Quoting rom Oiial Report regarding The Attak on ort MHenry by Maor George Armistead, abr; September, 1814 The Text o Anm is by ranis

More information

wwwldsmusicsourcecom This pdf Review File is for on-screen review Music beins on next pae please scroll down Advanced User Tip: You can play the music in one window while you look at this Review File in

More information

Lord, Have Mercy. œ œ. œ œw

Lord, Have Mercy. œ œ. œ œw Lord, Have Mercy 3 Words and Music y STEVE MERKEL Arranged y Philli Keveren NARRATION 1: It s an aful moment, isn t it, hen you realize that hat you ve roken can t e fixed That hat s een de can t e unde.

More information

Symphony No. 9 Last Movement Ludwig van Beethoven

Symphony No. 9 Last Movement Ludwig van Beethoven Bass Friedrich chiller König Friedrich Wilhelm III von Preußen ymhony No 9 Last Movement Ludwig van Beethoven? b4 Presto {h = 96} Temo I 7 Adagio cantabile Allegro {q = 88} Temo I Vivace 9 4 8 4 10 8 b

More information

For choir and congregation The Story of the Cross. includes I Stand Amazed in the Presence, At the Cross, and Down at the Cross. D m 7 4. w w.

For choir and congregation The Story of the Cross. includes I Stand Amazed in the Presence, At the Cross, and Down at the Cross. D m 7 4. w w. 13 Worship allad q = 76 or choir and congregation The Story of the ross includes I Stand Amazed in the Presence, At the ross, and on at the ross m 7 31 Arranged y ennis Allen 3 B2 B B2 6 HOIR unison 1

More information

Commissioned by Luther Seminary, St. Paul, Minnesota. The Potter s Field SATB, Soprano Saxophone, and Organ, with opt. Congregation. œ œ œ œ. œ Ó.

Commissioned by Luther Seminary, St. Paul, Minnesota. The Potter s Field SATB, Soprano Saxophone, and Organ, with opt. Congregation. œ œ œ œ. œ Ó. 2 Gt: Principal 8' ' S to Gt S: Flute and String P Ped: 1' 8' S to Ped Halgrimur Petursson Tr Gracia Grindal Soprano Saxophone Organ Gt Reverently ( q = ca 100 ) 3 3 F 3 3 Ó MSM-50-530 Commissioned by

More information

Jesus, Prince of Peace includes Away in a Manger and Angels We Have Heard on High

Jesus, Prince of Peace includes Away in a Manger and Angels We Have Heard on High 30/312MD Comanion to 10/512MD ull Score l, (sub Sax/Cl), 2 Cl, erc, Har,, 2 Vln, Vla,, Vla (sub Cl), /Bsn, Bass Cl (sub /Bsn), String Reduction esus, rince of eace includes way in a Manger and ngels We

More information

Prayer for Peace SATB divisi and *Song Bowls in D and A

Prayer for Peace SATB divisi and *Song Bowls in D and A rayer for eace STB divisi and *Song Bols in D and from salms 10; 10; gnus Dei Brad Richmond Sora q = 60 lto *(shalom, acem, Ter Bass *(shalom, acem, shanti, salaam, eace) *(shalom, acem, shanti, salaam,

More information

Gwyneth Walker. Peace Attend Thee for Youth Chorus and Women s Chorus (SSA)

Gwyneth Walker. Peace Attend Thee for Youth Chorus and Women s Chorus (SSA) Gyneth Walker eace ttend Thee or Youth Chorus and Women s Chorus (SS) eace ttend Thee duration: 30 ECE TTEND THEE is an adatation o the traditional Welsh olk song ll Through the Night. This ne version

More information

Jean Mouton. (before ) Nesciens mater. This edition prepared for The Tallis Scholars. Gimell

Jean Mouton. (before ) Nesciens mater. This edition prepared for The Tallis Scholars. Gimell Jean Mouton (before 1459 1522) Nesciens mater This edition prepared for The Tallis Scholars Gimell Edited by Timothy Symons for Gimell Records COPYRIGHT NOTICE ll rights reserved. Timothy Symons and Gimell

More information

MAURIZIO MACHELLA Arrangeur, Interprete, Editeur

MAURIZIO MACHELLA Arrangeur, Interprete, Editeur MARIZIO MACHELLA Arrangeur, Interrete, Editeur Italie A roos de l'artiste Famous musician and organist, known throughout the world Italian ublisher, researcher and organist The Inet Greatest Organ Music

More information

I KNOW THAT MY REDEEMER LIVES. Preview Only. my that. Re on. earth do. j œ œ œ. once cheer was dead! joice.

I KNOW THAT MY REDEEMER LIVES. Preview Only. my that. Re on. earth do. j œ œ œ. once cheer was dead! joice. 2 SORANO ALTO TENOR BASS 4 8 12 I KNOW THAT MY REDEEMER LIES (All eople That on Earth Do Dell)* SATB voices a cappella** Eter Words y SAMEL MEDLEY (1738 1799) alt Alternate General Words y WILLIAM KETHE

More information

Bring the People Back to My Love Rosary. A Rosary for All Faiths who Love the Immaculate Heart of Mary and the Sacred Heart of Jesus

Bring the People Back to My Love Rosary. A Rosary for All Faiths who Love the Immaculate Heart of Mary and the Sacred Heart of Jesus Bring the People Back to My Love: A Rosary for All Faiths who Love the Immaculate Heart of Mary and the Sacred Heart of Jesus Content received by Reverends Jodi Cross, Penny Goode, and Kimberly Marooney

More information

A Pocket Breviary (2011)

A Pocket Breviary (2011) utler University Digital Commons @ utler University Music aculty cores chool o Music 1-1-011 ocket reviary (011) rank elice utler University, elice@butledu ollo this and additional orks at: htt://digitalcommons.butledu/ca_scores

More information

Rodgers & H. let's start at the ve-ry. with a - b - c when you sing you be-gin. sun me, a name i call my-self. pul-ling. my way.

Rodgers & H. let's start at the ve-ry. with a - b - c when you sing you be-gin. sun me, a name i call my-self. pul-ling. my way. Rodgers H ALL let's start at the ve-ry be - gi-ig a ve-ry good place to start he you read you be-gi ith a - b - c he you sig you be-gi ith do -re - mi do - re - mi the first three otes just hap-pe to be

More information

CP SOLDIER's CRY - Majeau, arr. Worthington. Soldier's Cry. drrrmm p. drrrmm. drrrmm. Talk. of trou-ble. 4 œ j w œ j w œ j w œ j w

CP SOLDIER's CRY - Majeau, arr. Worthington. Soldier's Cry. drrrmm p. drrrmm. drrrmm. Talk. of trou-ble. 4 œ j w œ j w œ j w œ j w CP 1381 - SOLDIER's CRY - Majeau arr. Worthington TTBB a caella q 86 j w j w j w j w * * solo or small grou j w j w j w j w Soldier's Cry Œ *imitate the roll of a snare drum; lots of rolled "r" - then

More information

Chr. (C.) PPM00619 $4.80 PRESS PARACLETE. With Anthems Sweet. A Carol Cantata DO NOT COPY. SATB with some divisi and organ.

Chr. (C.) PPM00619 $4.80 PRESS PARACLETE. With Anthems Sweet. A Carol Cantata DO NOT COPY. SATB with some divisi and organ. $480 Chr (C) PARACLETE PRESS With Anthems Seet A Carol Cantata SATB ith some divisi and organ Bruce Saylor Bruce Saylor Bruce Saylor, a native o Philadelhia, holds to degrees rom the uilliard School o

More information

The Little Match Girl

The Little Match Girl easily, relectively rom Four Fables ater stories o Hans Christian Andersen Words and Music by Gary Bachlund Susended Cymbal Triangle Largo m Match Girl Piano Harsichord Violin 1 Violin 2 Viola Violoncello

More information

Ioan Dobrinescu Arranger, Composer

Ioan Dobrinescu Arranger, Composer Ioan Dobrinescu Arranger Cooser Roumania Bucharest About the artist Ioan Dobrinescu was born in 1960 and studied the violin at the George Enescu Music High school and then coosition at the University o

More information

Other world, which noone. For string quartet

Other world, which noone. For string quartet Other world which noone owns For string quartet Ste Conner 1 Ste Conner Other world which no-one owns 1 revised 11 For string quartet Work-shoed and erormed by the Kreutzer Quartet in June 7 at the University

More information

Bernard Dewagtere Arranger, Composer, Director, Teacher

Bernard Dewagtere Arranger, Composer, Director, Teacher ernard Deagtere rranger, Composer, Diretor, eaher Frane, Erhin(59) out the artist More and more people ask me to make individual arrangements for them. I'm happy to do it eause I really like to help you.

More information

Richard Lambert. O magnum mysterium. Christmas motet for unaccompanied mixed voices

Richard Lambert. O magnum mysterium. Christmas motet for unaccompanied mixed voices Richard Lambert num terium Christmas motet for unaccoanied mixed voices 2 Text and translation num terium, et admirabile sacrantum, ut animalia viderent Dominum natum, jacentem in raeseio! ata Virgo, cujus

More information

We Have Come to Worship Jesus Words and Music by Mark Chadwick and Kim Chadwick Arranged by GREG WIGGINS

We Have Come to Worship Jesus Words and Music by Mark Chadwick and Kim Chadwick Arranged by GREG WIGGINS 10 We Have ome to Worship esus Words and Music y Mark hadick and Kim hadick rranged y R WIINS q = 60 (himes) 1 sus RH P sus ll Ladies P 5 sus B B sus We have come to or ship e sus ith our 7 sus n B opyright

More information

Spirit of God within Me. for Mary Arlin. Assembly, SATB Choir, Keyboard, Guitar, and Solo Instrument. œ œ œ œ. œ Œ. œ w œ œ œ.

Spirit of God within Me. for Mary Arlin. Assembly, SATB Choir, Keyboard, Guitar, and Solo Instrument. œ œ œ œ. œ Œ. œ w œ œ œ. Timothy Dudley-Smh Keyboard Spir God h Me for Mary Arl 4 VERSE 1 Unison or solo Assembly, SATB Choir, Keyboard, Guar, Solo Instrument INTRO (q = 81 84) 4 1 God h - 1 fan n n dull em - bers n hu - man heart,

More information

Holy Darkness. Assembly, Cantor, SATB Choir, Keyboard, Violin, Viola, Cello, French Horn, and Guitar. dark ness, bless ed night, heav en s

Holy Darkness. Assembly, Cantor, SATB Choir, Keyboard, Violin, Viola, Cello, French Horn, and Guitar. dark ness, bless ed night, heav en s nspired by John Cross Keyboard REFRAN : Soprano/Melody Al Tenor Bass Ho horal Series Assembly, Canr, SATB Choir, Keyboard, Violin, Viola, Cello, French Horn, and Guitar NTRO: Peacefully ( = 52 ) ly simile

More information

dedicated with special thanks to a dear lassie, Mary Lynn Lightfoot A Scottish Tribute SATB Chorus and Piano* SAB unis. g C W A A

dedicated with special thanks to a dear lassie, Mary Lynn Lightfoot A Scottish Tribute SATB Chorus and Piano* SAB unis. g C W A A dedicated wit special tanks to a dear lassie, Mary Lynn Litoot cottis ribute orus and Piano* rraned by Linda pevacek-very 3 anes: oprano lto enor ass Majestically = 58 2 2 Q Q 2 2 Q Q unis. 3 cotland te

More information

The Easter Proclamation: the Exsultet

The Easter Proclamation: the Exsultet The Deacon singing the Exsultet from an unfolding scroll before the assembly Drawing by Br. Martin Ermsparger, OSB The Easter Proclamation: the Exsultet 1 THE PASCHAL PROCLAMATION VvvvvvvvvvdvvvF%Yvv[vvvhvvvvvvv)gvvvvvhvvvvv+u+hvv[vvhvvvvvv)gvvvvvvfvvvvvGYvvvvvv/fvvvv{vvvvvvvvvvvvvvvvv1

More information

Four Irish Songs. on poems of William Allingham for ATB (2012)

Four Irish Songs. on poems of William Allingham for ATB (2012) SCOTT ILLARD our Irish Songs on oems o William Allingham or ATB (2012) 1. O Sirit o the Summertime 2. A Gravestone 3. our Ducks on a ond. The Winter ear Text: William Allingham (12-1) Alto q = 0-5 O Sirit

More information

FORGET ABOUT THE BOY

FORGET ABOUT THE BOY 177 15 1 MISS LANNERY: "oget oys, Dillmout Get youself a caay" With Geat Covictio» MILLIE: C f No caa y qq qe 2 i a cage fo me 4 Music y eaie Tesoi Lyics y Dick Scala C C C f +Clas, Tpts, Ts Tpts, T +Clas

More information

RUDOLPH, FROSTY, AND SUZY. Rudolph, the Red-Nosed Reindeer Frosty, the Snowman Suzy Snowflake

RUDOLPH, FROSTY, AND SUZY. Rudolph, the Red-Nosed Reindeer Frosty, the Snowman Suzy Snowflake 2 SOPRANO I SOPRANO II 5 ALTO PIANO RUDOLPH, FROSTY, AND SUZY Rudolph, the Red-Nosed Reindeer Frosty, the Snowman Suzy Snowlake or S.S.A. voices and piano with optional SoundPax and SoundTrax CD* Moderately

More information

MELROSE UNITED CHURCH

MELROSE UNITED CHURCH MELROSE UNITED CHURCH 86 Homewood Avenue Hamilton, Ontario L8P 2M4 905 522 1323 melrose@melroseunited.ca www.melroseunited.ca www.facebook.com/melroseunitedchurch Twitter: @melroseunited Instagram: @melroseuc

More information

Anglican Prayer Beads A Form of Contemplative Prayer

Anglican Prayer Beads A Form of Contemplative Prayer Since the earliest of times, people have used pebbles or a string of knots or beads on a cord to keep track of prayers offered to God. Virtually every major religious tradition in the world uses some form

More information

Preview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV

Preview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV 2 eace Will Come offers a uique ad heartfelt ersective o the comig of Christmas to all ay close attetio to all dyamic markigs so as to color ad shae the exressive melody ad text all the more Take extra

More information

And the Word Was Made Flesh. Verbum Caro Factum Est

And the Word Was Made Flesh. Verbum Caro Factum Est And Word Was Made Flesh Hassler / arr. Braun To-part mixed choir ith struments or keyboard C O PY And Word Was Made Flesh Verbum Caro Factum Est D O N O T Hans Leo Hassler Arranged by William Braun TERMS

More information

Roads Shining Like River Up Hill After Rain

Roads Shining Like River Up Hill After Rain Colin Riley Roads Shining Like River U Hill After Rain for unaccomanied choir and cello 2 Five Ghosts Shards based on fragments of oetry by Edward Thomas adated by Robert Macfarlane Created with funds

More information

This Is the Wood/Mirad la Cruz. Si m7 Bm7. cross, on which. œ œ œ œ œ. œ œ. Come, let us. wor - ship. Do7M Cmaj7. Cruz don - de es -

This Is the Wood/Mirad la Cruz. Si m7 Bm7. cross, on which. œ œ œ œ œ. œ œ. Come, let us. wor - ship. Do7M Cmaj7. Cruz don - de es - This Is Wood/Mird l Cruz Sntigo Fernánz Keybord ccompniment by Steve rundy Keybord/ Tecldo? sus sus. % REFRAIN/ESTRIILLO (q = c. 80) %? This is wood w.? rd ár- bol l on which / 7 / Come, let us. wor -

More information

Harlem Songs for SATB Chorus and Piano

Harlem Songs for SATB Chorus and Piano Langston Hughes Catalog No. 5771 Commissioned by the Chesapeake Chorale Paul Rardin, Artistic Director Premiere Performance May 12, 2001 Bowie, Maryland Harlem Songs for SATB Chorus and Piano 3. Tambourines

More information

Cantiga Prologue = mp

Cantiga Prologue = mp Cantiga Prologue 6 = 250 6 mp Cantiga 2 = 20 12 16 (refrain repeats) Suggested drum beat Cantiga 57 = 20 12 16 Cantiga 6 = 220 Notes: Seven bar phrases. Seems like a grouping. = 00 Cantiga 119 Cantiga

More information

Legato DMC - God Rest Ye Merry Gentlemen. Sold to Patricia Samaniego C. by J. W Pepper & Son, Inc. GOD REST YE MERRY, GENTLEMEN '#:::~ :~ !&!&!

Legato DMC - God Rest Ye Merry Gentlemen. Sold to Patricia Samaniego C. by J. W Pepper & Son, Inc. GOD REST YE MERRY, GENTLEMEN '#:::~ :~ !&!&! Legato DMC God Rest Ye Merry Gentlemen 13918, 15*45 2 ACCOMP Sold to Patricia Samaniego C by J W Pepper & Son, nc GOD REST YE MERRY, GENTLEMEN for SA TB voices, accompanied, with Djembe and optional Synth

More information

All Shall Be Well. for Assembly, SATB Choir, Keyboard, Guitar, and B$ Trumpet I & II. > w. > œ w. > œ œ.> > Œ w. b œ. œ œ œ œ œ œ œ œ. .

All Shall Be Well. for Assembly, SATB Choir, Keyboard, Guitar, and B$ Trumpet I & II. > w. > œ w. > œ œ.> > Œ w. b œ. œ œ œ œ œ œ œ œ. . Timothy Dudley-Smith Organ or Piano 16' Ped or Electric Bass & or Assemly, SATB hoir, Keyoard, Guitar, and B$ Trumpet I & II & 4 4 4 sempre marcato INTRO Vigorous, oyul (q = ca 144) sempre staccato J J

More information

Preview Only. Legal Use Requires Purchase. Recorda Me JAZZ. JOE HENDERSON Arranged by ERIC RICHARDS INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Recorda Me JAZZ. JOE HENDERSON Arranged by ERIC RICHARDS INSTRUMENTATION a division o Alred JAZZ Conductor 1st Eb Alto Saxohone 2nd Eb Alto Saxohone 1st Bb Tenor Saxohone 2nd Bb Tenor Saxohone Eb Baritone Saxohone 1st Bb Trumet 2nd Bb Trumet rd Bb Trumet 4th Bb Trumet JOE HENDERSON

More information

Twas in the Moon of Wintertime

Twas in the Moon of Wintertime Tas in the Moon o Wintertime arr Timothy C Takach $100 G T001 SATB choir, a caella arr Timothy C Takach Tas in the Moon o Wintertime or a caella SATB choir Text: Tas in the moon o intertime, When all the

More information

Full of Grace. Communications. Creative. Sample. A Child s Guide to the Rosary. by Mark Neilsen

Full of Grace. Communications. Creative. Sample. A Child s Guide to the Rosary. by Mark Neilsen Full of Grace A Child s Guide to the Rosary by Mark Neilsen Introduction The Rosary became a way of praying hundreds of years ago, when most people could not read or write. The Rosary helped them remember

More information

alexis Bakond Arranger, Composer, Director, Interpreter, Publisher, Teacher

alexis Bakond Arranger, Composer, Director, Interpreter, Publisher, Teacher aexis Bakond Arranger, Composer, Director, Interpreter, Pubisher, Teacher Cameroon, Yaoundé About the artist The sacred voca music is certainy my first reason to write, but how not to be tempted by the

More information

sacred chor al works

sacred chor al works Mårt Jansson sacred chor al works Proartitur Samles Bärreiter 1 m ut cho vald, s, ut cho vald s ör to att bli or bort vald. sa k. ri a, ry, O m ri a, ry, O m O ri a, ry, O ri a, ry, O ri a, ry, O ri

More information

POEMS FOR ANGUS. I Triple Burden. Stuart MacRae, Norman MacCaig. Energico = ca Energico = ca I know I. quasi eco.

POEMS FOR ANGUS. I Triple Burden. Stuart MacRae, Norman MacCaig. Energico = ca Energico = ca I know I. quasi eco. Norman MacCaig Energico = ca.10-120 POEMS FOR ANGUS I Triple Burden Stuart MacRae, 2009 Voice I know I had my death Violin Viola Violoncello Contrabass Energico = ca.10-120 Piano quasi eco 6 molto in me

More information

11060 With My Whole Heart R. Holland SATB $1.20 USA. With My Whole Heart. Assembly, SATB Choir, Piano, and Guitar. Dm7. j œ œ œ œ œ. . œ. œ œœ.

11060 With My Whole Heart R. Holland SATB $1.20 USA. With My Whole Heart. Assembly, SATB Choir, Piano, and Guitar. Dm7. j œ œ œ œ œ. . œ. œ œœ. 11060 R Holland SATB $120 USA horal Series Piano Œ Assembly, SATB hoir, Piano, and Guitar INTRO (q = 84 88) 4 4 F/G D7 # n r G7sus4 G7 # # /E B$/D 7 Fma7 F#m7($5) /G F/G G7 b # M Roger Holland II /E G

More information

Lighting the Advent Wreath

Lighting the Advent Wreath Lighting the Advent Wreath from St. Stephen s United Methodist Church Why are we lighting a candle? As we celebrate the beginning of the season of Advent, we join with Christians around the world to light

More information

Advent Wreath. Saint Michael the Archangel Catholic Church

Advent Wreath. Saint Michael the Archangel Catholic Church Advent Wreath Saint Michael the Archangel Catholic Church Lake Jackson, Texas December 2017 The History and Meaning of the Advent Wreath The Advent wreath is part of our long-standing Catholic tradition.

More information

...I beseech you to take the Rosary in your hands now more than ever before...

...I beseech you to take the Rosary in your hands now more than ever before... How to Pray the Rosary...God sent me to you so that I can help you. If you wish to, grasp for the Rosary. Already, the Rosary alone can do miraclesin the world and in your lives......i beseech you to take

More information

STRING ORCHESTRA CONCERT LEVEL. Preview Only. (song under the stars) INSTRUMENTATION

STRING ORCHESTRA CONCERT LEVEL. Preview Only. (song under the stars) INSTRUMENTATION STRNG ORCHESTRA CONCERT LEVEL Grade Level: ½ canzone sotto le stelle (song under the stars) elena roussanova lucas NSTRMENTATON 1 Conductor 8 1st Violin 8 2nd Violin 5 Viola 5 5 String ass Notes to the

More information