C 414 B/ULS. Large Diaphragm Condenser Microphone. Description

Transcription

1 Description The AKG Model C 414 B/ULS is certainly the most ubiquitous studio condenser microphone in the United States, and very likely in the rest of the world as well. It is designed around dual back-to-back large 1 in. (25 mm) gold sputtered diaphragms for multiple pickup patterns. The microphone's pickup patterns are easily switchable among omnidirectional, cardioid, hypercardioid, and figure-eight. Additional flexibility in the studio operating environment allows a bass cut of 12 db/octave below 150 or 75 Hz and pre-preamp attenuation of either 10 or 20 db. The self noise of the microphone is a low 14 db (A weighted). On-axis sensitivity for all patterns is 12.5 mv/pa, and for unpadded operation maximum program level is 140 db for 0.5% total harmonic distortion. The C 414 B/ULS is one of the most accurate multi-pattern microphones available to the engineer. The far-field on-axis response for all four switchable patterns is remarkably flat, varying no more than +/-2 db over the range from 20 to 20 khz. C 414 B/ULS Large Diaphragm Condenser Microphone Specifications Transducer Principle: Condenser, externally polarized Frequency Range: Polar Pattern: 20 20,000 Hz Omnidirectional, cardioid, hypercardioid, and figure-eight Sensitivity at 1,000 Hz: 12.5 mv/pa =^ -38 dbv Equivalent Noise Level: 14 db-a Sound Pressure Level for 0.5% THD: 134 db, wide-band (unpadded) 140 db, 1 khz (unpadded) S/N Ratio (A-weighted): 80 db Electr. Impedance: Load Impedance: Power Requirement: Connector: Finish: Size: 180 ohms > 1,000 ohms volts nominal Phantom powering 3-pin XLR type Non-reflective black 5.6 x 1.8 x 1.4 in. (141 x 45 x 35 mm) Net/Shipping Weight: 11 oz. (320 g)/2.1 lbs. (950 g) Included Accessories: H 100 Elastic Suspension W 414 Windscreen Optional Accessories: SA 18/3 B Stand Adapter B 18 Battery supply unit N 62 E Power supply H 100 Features One of the world's most celebrated studio condenser microphones Large 25 millimeter gold sputtered diaphragm format optimized for studio applications Dual diaphragm for multiple polar patterns High acoustic level capability (140 db-spl for 0.5% THD) Low self noise (14 db-a)

2 Architects and Engineers Specifications The microphone shall provide at least four switchable pickup patterns that are nominally omnidirectional, cardioid, hypercardioid, and figure-eight. The microphone shall have maximum sensitivity along its radius, and that sensitivity shall be no less than 12.5 mv/pa for all patterns. The microphone shall provide a switchable 12 db/octave roll-off at frequencies of 75 and 150 Hz. Pre-preamp attenuation switches of -10 and -20 db shall also be provided, and Graphical Data the self noise floor of the microphone in its unpadded operation shall be no greater than 14 db (A weighted). The unpadded microphone shall operate in a wide-band sound field of 140 db- SPL with no more than 0.5 % total harmonic distortion. The microphone case shall fit within a rectangular envelope no larger than 141 x 45 x 35 mm. The microphone shall be the AKG Acoustics Model C 414 B/ULS. Omnidirectional On-axis Frequency Response (measured at 1 meter) Polar Response Cardioid On-axis Frequency Response (measured at 1 meter) Hypercardioid On-axis Frequency Response (measured at 1 meter) Figure eight On-axis Frequency Response (measured at 1 meter) Polar Response Polar Response Polar Response AKG is constantly improving and modifying its products, therefore, specifications are subject to change without notice. Limited Warranty Valid only in the United States. AKG Acoustics warrants AKG products against defects in material or workmanship for a period of three years from the date of original purchase for use, and agrees to repair or, at our option, replace any defective unit without charge for either parts or labor. Important: This warranty does not cover damage resulting from accident, misuse or abuse, lack of reasonable care, the affixing of any attachment not provided with the product, loss of parts or connecting the product to any but the specified receptacles. This warranty is void unless service or repairs are performed by an authorized service center. No responsibility is assumed for any special, incidental or consequential damages. However, the limitation of any right or remedy shall not be effective where such is prohibited or restricted by law. Simply take or ship your AKG product prepaid to our service department. Be sure to include your sales slip as proof of purchase date. (We will not repair transit damage under the no-charge terms of this warranty.) Note: No other warranty, written or oral is authorized by AKG Acoustics, Inc. This warranty gives you specific legal rights, and you may also have other rights which vary from state to state. Some states do not allow the exclusion or limitation of incidental or consequential damages or limitation on how long an implied warranty lasts, so the above exclusions and limitation may not apply to you. Microphones Headphones Wireless Microphones Wireless Headphones Headsets Electroacoustical Components AKG Acoustics GmbH Lemböckgasse 21 25, P.O.B. 158, A-1230 Vienna/AUSTRIA Tel: (43 1) *, Fax: (43 1) Internet: AKG Acoustics; A Division of Harman Pro Germany Bodenseestraße 228, D München/GERMANY Tel: (089) , Fax: (089) Arbiter Pro Audio Wilberforce Road, London NW9 6AX/ENGLAND Tel: (0181) , Fax: (0181) AKG ACOUSTICS, U.S. 914 Airpark Center Drive Nashville, TN 37217, U.S.A. Tel: (615) , Fax: (615) Studer Japan Ltd , Uehara, Shibuya-ku, Tokyo /JAPAN Tel: (813) , Fax: (813) Erikson Pro Audio 620 McCaffrey, St-Laurent, Quebec, H4T 1N1, CANADA Tel: (514) , Fax: (514) Internet: Specifications subject to change without notice. DS-C 414 B/ULS

3 C 417 MicroMic II Condenser Lavalier Microphones Description The AKG Model C 417 is an extremely smooth omnidirectional microphone intended to be worn by speakers who demand highest audio quality and complete freedom of movement. It is one of the smallest lavalier microphones available today and is available in both black and beige versions for ultimate concealing. Frequency response extends from 20 Hz to 20 khz, with a 4 db rise at 8 khz for enhanced intelligibility. The C 417 can handle sound pressure levels of 126 db with only 3% THD and operates with phantom powering over a range from 9 to 52 Vdc. The C417 has a 10 ft. (3-meter) cable that is terminated in an XLR-M connector for phantom powering. The C 417/L has a 5 ft. (1.5-meter) cable terminated in a mini-xlr-f connector for use with the B 29 L battery power supply/mixer, MPAIII phantom power adapter, or with PT 40, -61, -80, -81 wireless transmitters. Specifications Transducer Principle: Pre-polarized condenser Frequency Range: Polar Pattern: 20 20,000 Hz Omnidirectional Sensitivity at 1,000 Hz: 10 mv/pa =^ -40 db Equivalent Noise Level: 32.4 db (DIN ) Sound Pressure Level for 1% THD: 118 db (for 3 % THD: 126 db) S/N Ratio (A-weighted): 60 db Electr. Impedance: Load Impedance: Power Requirement: Connectors: Finish: Size: 200 ohms 1,000 ohms 9 52 V phantom power (DIN 45596) or battery powering from B 29 L, or AKG bodypack transmitters C417/B: 1/8 mono jack C417: 3-pin XLR type C417/L: 3-pin miniature XLR Matte black or beige Dia 0.3 in. (7.5 mm) Length 0.5 in. (15 mm) Net Weight: C 417/L: 0.3 oz. (8 g) C 417: 0.3 oz. (8 g) Shipping Weight: C 417/L: 5.9 oz. (160 g) C 417: 8 oz. (220 g) Included Accessories : W 407 Windscreen H 40/1 Tie clip H 41 Tie pin Optional Accessories: B 29 L Battery power supply (for C 417 L) MPAIII Phantom adapter (for C 417 L) Features Ultra-slim profile and matte black or beige finish for unobtrusive wearing Extended low and high frequency response Omnidirectional pattern for natural speech quality High sensitivity (10 mv/pa) High acoustic level capability (126 db-spl for 3% THD)

4 Architects and Engineers Specifications The microphone shall be an omnidirectional condenser type, no larger in diameter than 0.3 in. (7.5 mm) diameter and 0.5 in. (15 mm) length. Finish shall be available in matte black (beige). On-axis frequency response shall be maintained within the range of 20 Hz to 20 khz, -8, +2 db, as measured at 1 meter. Microphone sensitivity shall be at least 10 mv/pa. The microphone shall operate in a sound field of 118 db with no greater than 1% THD. The microphone shall operate on phantom powering, covering the nominal limits of 9 to 52 volts. The microphone shall have provision for personal power supply mounting, lapel mounting, and a windscreen. The microphone shall be the AKG Acoustics Model C 417, C 417/B or C 417/L. Graphical Data On-axis Frequency Response (measured at 1 meter) Polar Response.3 in. (7.5 mm) diameter.5 in. (15 mm) length AKG is constantly improving and modifying its products, therefore, specifications are subject to change without notice. Limited Warranty Valid only in the United States. AKG Acoustics warrants AKG products against defects in material or workmanship for a period of two years from the date of original purchase for use, and agrees to repair or, at our option, replace any defective unit without charge for either parts or labor. Important: This warranty does not cover damage resulting from accident, misuse or abuse, lack of reasonable care, the affixing of any attachment not provided with the product, loss of parts or connecting the product to any but the specified receptacles. This warranty is void unless service or repairs are performed by an authorized service center. No responsibility is assumed for any special, incidental or consequential damages. However, the limitation of any right or remedy shall not be effective where such is prohibited or restricted by law. Simply take or ship your AKG product prepaid to our service department. Be sure to include your sales slip as proof of purchase date. (We will not repair transit damage under the no-charge terms of this warranty.) Note: No other warranty, written or oral is authorized by AKG Acoustics, Inc. This warranty gives you specific legal rights, and you may also have other rights which vary from state to state. Some states do not allow the exclusion or limitation of incidental or consequential damages or limitation on how long an implied warranty lasts, so the above exclusions and limitation may not apply to you. Microphones Headphones Wireless Microphones Wireless Headphones Headsets Electroacoustical Components AKG Acoustics GmbH Lemböckgasse 21 25, P.O.B. 158, A-1230 Vienna/AUSTRIA Tel: (43 1) *, Fax: (43 1) Internet: AKG Acoustics; A Division of Harman Pro Germany Bodenseestraße 228, D München/GERMANY Tel: (089) , Fax: (089) Arbiter Pro Audio Wilberforce Road, London NW9 6AX/ENGLAND Tel: (0181) , Fax: (0181) AKG ACOUSTICS, U.S. 914 Airpark Center Drive Nashville, TN 37217, U.S.A. Tel: (615) , Fax: (615) Studer Japan Ltd , Uehara, Shibuya-ku, Tokyo /JAPAN Tel: (813) , Fax: (813) Erikson Pro Audio 620 McCaffrey, St-Laurent, Quebec, H4T 1N1, CANADA Tel: (514) , Fax: (514) Internet: Specifications subject to change without notice. DS-C 417

5 MEASUREMENT MICROPHONE ECM8000 Technical Specifications MEASUREMENT MICROPHONE FEATURES s Precise electret condenser measurement microphone s Ultra-linear frequency response s Well-balanced, true omni-directional pattern s Optimally suited for room correction applications s Phantom powered, +15 V to +48 V s Rugged construction and sleek, modern design s Microphone stand adapter and windscreen for outdoor measurement included s Perfect for use with the ULTRA-CURVE DSP8000 / ULTRA-CURVE PRO DSP8024 or any other real-time analyzer s Manufactured under the BEHRINGER quality control SPECIFICATIONS Type Impedance Sensitivity Frequency response Connector Phantom power Weight The information contained in this sheet is subject to change without notice. No part of this sheet may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER and ULTRA-CURVE are registered trademarks. ALL RIGHTS RESERVED BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str , Willich-Münchheide II, Germany Tel. +49 (0) / , Fax +49 (0) / Version 1.2 July 2000 electret condenser, omni-directional 600 Ohms -60 db 15 Hz to 20 khz gold-plated XLR +15 V to +48 V app. 120 g BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated. ENGLISH

6 Opus 51 Acoustical Boundary Microphone Order # FEATURES Semi-spherical polar pattern Linear frequency response Small dimensions Battery or phantom powering Step-proof APPLICATIONS The Opus 51 is suitable for studio and stage applications such as miking instruments and is particular benefit when used upright or for grand pianos where the microphone can be placed internally. The Opus 51 can also be used within a round-table discussions system as well as stage and film applications for ambience recording. The microphone element is integrated into a solid metal plate with a heavy-duty protective surface resisting accidental damage from kicks or footsteps. The half-spherical polar pattern of the Opus 51 has a very wide and even pickup angle and is suitable for miking large sound sources simplifying the choice of microphone as it is not dependent on the distance to the sound source. A power supply is required to power the microphone that can also be used as an adapter to connect the microphone to any other phantom power source. SUPPLIED ACCESSORY CV 3 Power supply unit Order # OPTIONAL ACCESSORY ZCV Battery compartment (9 V) for CV 3 power supply unit Order # Germany Theresienstr. 8 D Heilbronn Tel. +49 (0 )71 31 / Fax +49 (0 )71 31 / info@beyerdynamic.de Internet: United States 56 Central Ave. Farmingdale, NY Tel. +1 (631) Fax +1 (631) salesusa@beyerdynamic.com Internet: Great Britain 17 Albert Drive Burgess Hill RH15 9TN Tel. +44 (0)1444 / Fax +44 (0)1444 / sales@beyerdynamic.co.uk Internet:

7 TECHNICAL SPECIFICATIONS Transducer type Condenser (back electret) Operating principle Pressure Frequency response ,000 Hz Polar pattern Semi-spherical Open circuit voltage at 1 khz mv/pa Nominal impedance Ω Load impedance kω Max. SPL at 1 khz, k 10% approx. 131 db S/N ratio rel. to 1 Pa approx. 60 db A-weighted equivalent SPL approx. 26 db Power supply V phantom power Power consumption ma Connection microphone pin LEMO-plug, unbalanced Pin 1 = ground Pin 3 = + voltage Pin 4 = AF output Connection output CV pin XLR-plug, balanced Pin 1 = ground Pin 2 = AF + Pin 3 = AF - Dimensions microphone Diameter: 70 mm Height: 10.5 mm Weight microphone g Dimensions CV 3 with ZCV Width: 57 mm Height: 23.5 mm Length: 113 mm Weight CV 3 with ZCV (without battery) g FREQUENCY RESPONSE & POLAR PATTERN This frequency response curve (measuring tolerance ± 2.5 db) and polar pattern correspond to a typical production sample for this microphone. Frequency response ± 2.5 db 0 db = 7 mv/pa WIRING DIAGRAM Photos are non-contractual. Contents subject to change without notice. beyerdynamic)))) Opus 51

8 Standard Microphones Type 4006-TL Omnidirectional Microphone, P48, Transformerless Description Specifications Related products Related pages Graphs and more DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives most value for your money. In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 khz ±2 db). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music. The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/ vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution. With the acoustic modification accessories it is possible to gain 7 different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid or mount an element over the capsule and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening. If you have a 4006, you can upgrade to 4006-TL. The upgrade includes a factory-based retrofitting to the DPA 4006-TL with transformerless preamplifier, close-miking grid, DPA 4006-TL type ring, calibration chart and new mic case.

9 Standard Microphones Type 4006-TL Omnidirectional Microphone, P48, Transformerless Description Specifications Related products Related pages Graphs and more Principle of operation: Pressure Cartridge type: 16 mm (0.63 in) pre-polarised condenser Power supply: Phantom P48 Frequency range, ± 2 db: 15 Hz - 20 khz Directional characteristics: Omnidirectional Equivalent noise level A-weighted: Typ. 15 db(a) re. 20 µpa (max. 17 db(a)) Sensitivity, nominal, ±2 db: 35 mv/pa; -29 db re. 1 V/Pa Equiv. noise level ITU-R BS.468-4: Typ. 27 db (max. 29 db) Capsule diameter: 16 mm (0.63 in) Total harmonic distortion (THD): <0.5% THD up to 129 db SPL peak <1% THD up to 135 db SPL peak Preamplifier frequency range: 20 Hz to 40 khz ±1dB Output impedance: <200 Ohm Cable drive capability: Up to 100 m (328 ft) Microphone length: 165 mm (6.5 in) Max. SPL, peak before clipping: 143 db Weight: 150 g (5.29 oz) Operating temperature range: -10 to +70 C (+14 to 158 F) Dynamic Range: Typ. 120 db S/N ratio, re. 1 khz at 1 Pa (94 db SPL): 79 db Connector: 3-pin XLR-M (Standard P48) Current consumption: 2.60 ma Find other products: Large Diaphragm Microphones Standard Microphones Surround Compact Microphones 4090-Series Miniature Microphones Headbands Adapters Reference Microphones Hydrophone Windshield Systems Amplifiers and Power Supplies

10 Standard Microphones Type 4006-TL Omnidirectional Microphone, P48, Transformerless Description Specifications Related products Related pages Graphs and more Directional characteristics of 4006-TL with Close-miking Grid DD0254 Directional characteristics of 4006-TL with Free-field Grid DD0251

11 Diffuse-field response of Type 4006-TL with Nose Cones UA0777 fitted. On-axis response of Type 4006-TL with Close-miking Grid DD0254 On-axis and diffuse-field responses of Type 4006-TL with the Diffuse-field Grid DD0297 fitted. On-axis and diffuse-field responses of Type 4006-Tl with the Free-field Grid DD0251 fitted.

12 Directional characteristics of 4006-TL with Diffuse-field Grid DD0297 Normalized directional characteristics of Type 4006-TL with Nose Cone UA0777 fitted.

13 On-axis amplitude and phase response of Type 4006-TL plotting using a linear frequency axis for evaluation of the phase response. Typical third-octave inherent-noise spectrum of Type 4006-TL Find other products: Large Diaphragm Microphones Standard Microphones Surround Compact Microphones 4090-Series Miniature Microphones Headbands Adapters Reference Microphones Hydrophone Windshield Systems Amplifiers and Power Supplies

14 4015A, 4015A Wide Cardioid Microphone 4015A, 4015A Wide Cardioid Microphone Low profile wide pickup area Natural reproduction Directional ambience pickup Exceptional for vocal Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The phantom powered DPA 4015A wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance. Limitless applications The ST4015A stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge. The SU4015A Surround Kit is supplied in a specially designed PeliTM Case, the surround matching is free of charge. For more information please visit: Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices. Completely linear, even off-axis The off-axis characteristics of the 4015A are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated. Specialists in extreme sound levels DPA s wide cardioid microphones are capable of handling extremely high sound pressure levels before clipping occurs. The 4015A even includes a 20 db pad switch in the center of the XLR connector to prevent overloading of the mic amp. Also available as matched stereo pair and surround kit Page 1 of 3

15 4015A, 4015A Wide Cardioid Microphone Directional characteristics: Wide cardioid Principle of operation: Pressure gradient Cartridge type: Pre-polarized condenser Frequency range: 20 Hz to 20 khz Frequency range, ± 2 db: 40 Hz to 20 khz Sensitivity, nominal ± 2 db at 1 khz: 10 mv/pa; -40 db re. 1 V/Pa Equivalent noise level, A-weighted: Typ. 18 db(a) re. 20 µpa (max. 20 db) Equivalent noise level, ITU-R BS.468-4: Typ. 25 db (correct with the attenuator in 0 db or -20 db setting) S/N ratio (A-weighted), re. 1 khz at 1 Pa (94 db SPL): Typ. 76 db(a) Total Harmonic Distortion (THD): < 1 % up to 139 db SPL peak Minimum load impedance: 2 kohm Dynamic range: Typ. 121 db Max. SPL, peak before clipping: 159 db Filters: 0 db / -20 db Output impedance: < 200 ohm Cable drive capability: 100 m (328 ft) Output balance principle: Impedance balancing with Active Drive Common Mode Rejection Ratio (CMRR): > 60 db Power supply (for full specifications): 48 V Phantom power (± 4 V) Current consumption: 2.8 ma Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase Color: Matte black Weight: 158 g (5.6 oz) Microphone diameter: 19 mm (0.75 in) Capsule diameter: 19 mm (0.75 in) Length: 170 mm (6.7 in) Output voltage, RMS: >5V Polarity: +V at Pin 2 for positive sound pressure Temperature range: -40 C to 45 C (-40 F to 113 F) Relative Humidity (RH): Up to 90% Matching tolerance: ± 1 db Phase deviation for kit: < 10 Diagrams 4015A, 4015A Wide Cardioid Microphone Phase response of DPA 4015A The proximity effect exhibited by the DPA 4015A Phase response of DPA 4015A The proximity effect exhibited by the DPA 4015A Page 2 of 3

16 On and off axis frequency response of DPA 4015A measured at 60 cm Directional characteristics of DPA 4015A (normalized) On and off axis frequency response of DPA 4015A measured at 60 cm Directional characteristics of DPA 4015A (normalized) Head Office US Sales Office DPA Microphones A/S DPA Microphones, Inc. Gydevang Kansas Avenue, Unit 3A DK-3450 Alleroed Longmont, CO Denmark USA Tel: Tel: Fax: Fax: DPA Microphones A/S Product features and specifications are subject to change without notice. Page 3 of 3

17 5100, 5100 Mobile Surround Microphone 5100, 5100 Mobile Surround Microphone The DPA 5100 is an exciting new mobile surround microphone whose compact size and ease of use come at no sacrifice to its stunning sound quality Video: Audio specialist Eddy B. Brixen presents an overview of the 5100's features and functionality Plug-and-play solution Pressure Microphone) technology, which mounts interference tubes on the L/C/R omni capsules, and the use of acoustic baffles that further preserve the accuracy of levels between the discreet analog output channels. The 5100 s three front microphones are time coincident to eliminate comb filtering and ensure paramount frequency consistency when downmixing to stereo or mono. In contrast, the rear microphones, which feature standard omnidirectional patterns, are optimally spaced from both each other and the front array to simulate the most natural time arrival differences. The LFE (.1) channel is comprised from a L/R sum, which is then attenuated 10 db in comparison with the signal from the main channels, in accordance with the 5.1 format. The end result of DPA s innovative design approach is a surround atmosphere that is rich, smooth and fully enveloping, great in its coherence, channel separation and localization accuracy. The 5.1 output of the 5100 runs through a multi-pin Lemo connector carrying all six channels electronically balanced, while an enclosed five-meter (16 ft), six-pair Mogami cable breaks out to six Neutrik XLR-M connectors. Accessories included: Cable, thread adapter and outdoor cover. Lightweight and portable Accessories available: stands, cables and windjammer. Rich, smooth and fully enveloping sound Discrete 5.1 analog output no processing needed The DPA 5100 is an exciting new mobile surround microphone whose compact size and ease of use come at no sacrifice to its stunning sound quality. It can be regarded as a surround ambience adder, ideal for bringing truly engaging surround ambience to sport events, documentaries and other ambience applications for especially HDTV production. No external signal processing is required. The versatile 5100 can be mounted on a camera or microphone stand, suspended, or simply handheld via a hand grip. Extremely lightweight and portable, the unit sports a surprisingly robust build quality that is also highly resilient to inclement weather conditions. A completely self-contained plug and play solution for 5.1 audio capture, the 5100 employs five miniature pressure transducers that exhibit extremely low sensitivity to wind and mechanical noise, low distortion, highly consistent low frequency response and large dynamic range. Appropriate channel separation and directionality are achieved through a combination of DPA s proprietary DiPMic (Directional For more information please visit: Page 1 of 4

18 5100, 5100 Mobile Surround Microphone Directional characteristics: Directional Principle of operation: Pressure, with interference tube Cartridge type: Pre-polarized condenser element Frequency range: L, C, R, LS, RS: 20 Hz to 20 khz; LFE: 20 Hz to 120 Hz Frequency range, ± 3 db: L, C, R: 200 Hz to 16 khz; LS, RS: 100 Hz to 12 khz; LFE: 20 Hz to 120 Hz Sensitivity, nominal ± 3 db at 1 khz: L, C, R: 26 mv/pa; LS, RS: 28 mv/pa Equivalent noise level, A-weighted: L, C, R: Typ. 18 db(a) (max. 21 db(a)); LS, RS: Typ. 20 db(a) (max. 23 db(a)) Equivalent noise level, ITU-R BS.468-4: L, C, R: Typ. 29 db (max. 32 db); LS, RS: Typ. 31 db (max. 34 db) S/N ratio (A-weighted), re. 1 khz at 1 Pa (94 db SPL): L, C, R: Typ. 76 db(a); LS, RS: Typ. 74 db(a) Total Harmonic Distortion (THD): <1% up to 123 db Dynamic range: L, C, R, LS, RS: 103 db; LFE: 100 db Max. SPL, peak before clipping: 132 db Output impedance: 50 Ohm Cable drive capability: 100 m (328 ft) Output balance principle: Active Signal balanced Common Mode Rejection Ratio (CMRR): 60 db, 50 Hz - 20 khz Power supply: 48 V Phantom power Current consumption: Typ. 5 ma (max. 5.5 ma) Connector: Lemo multipin Color: Black Weight: 500 g (17.6 oz) Diameter: W: 240 mm (9.4 in), H: 140 mm (5.5 in), D: 195 mm (7.7 in) Capsule diameter: 5.4 mm (0.2 in) Cable length: 5 m (16.4 ft) Cable color: Black Cable diameter: 9.3 mm (0.37 in) Maximum output voltage: L, C, R, LS, RS: 1,8 Vrms / 2,5 Vpeak; LFE: 1 Vrms / 1,4 Vpeak Polarity: Positive Diagrams 5100, 5100 Mobile Surround Microphone Typical frequency response of DPA 5100 at 0 degrees Typical frequency response of DPA 5100 at 120 degrees Typical frequency response of DPA 5100 at 0 degrees Typical frequency response of DPA 5100 at 150 degrees Typical frequency response of DPA 5100 at 120 degrees Typical frequency response of DPA 5100 at 180 degrees Typical frequency response of DPA 5100 at 150 degrees Typical frequency response of DPA 5100 at 180 degrees Page 2 of 4

19 Typical frequency response of DPA 5100 at 30 degrees Typical frequency response of DPA 5100 at 60 degrees Typical frequency response of DPA 5100 at 30 degrees Typical frequency response of DPA 5100 at 90 degrees Typical frequency response of DPA 5100 at 60 degrees Typical directional chacteristics of DPA 5100 (normalized): Center Typical frequency response of DPA 5100 at 90 degrees Typical directional chacteristics of DPA 5100 (normalized): Left Typical directional chacteristics of DPA 5100 (normalized): Center Typical directional chacteristics of DPA 5100 (normalized): Right Typical directional chacteristics of DPA 5100 (normalized): Left Typical directional chacteristics of DPA 5100 (normalized): Right Page 3 of 4

20 Typical directional chacteristics of DPA 5100 (normalized): Left Surround Typical directional chacteristics of DPA 5100 (normalized): Right Surround Typical directional chacteristics of DPA 5100 (normalized): Left Surround Wind noise attenuation with WJ5100 Windjammer Typical directional chacteristics of DPA 5100 (normalized): Right Surround Wind noise attenuation compared to uncovered DPA5100 at 10m/s (33 ft/s) (average of all channels and angles) Headquarters: United States: DPA Microphones A/S DPA Microphones, Inc. Gydevang N. Main St., Suite 200 DK-3450 Alleroed, Denmark Longmont, CO 80501, USA Tel: Tel: Fax: Fax: DPA Microphones A/S Product features and specifications are subject to change without notice. Page 4 of 4

21 "We struggled to find a fault. This is undeniably a great microphone ~ Audio Media magazine UMT70S FET Large diaphragm, transformerless multi-pattern studio microphone Multi-pattern large diaphragm Original M7 capsule Ultra-low noise circuit Excellent dynamics & response UTM70S Information: > Specifications > Freq response & polar patterns > Frequently asked questions The Gefell UMT70S is a multi-pattern FET microphone that features the legendary M7 dual-membrane, gold evaporated capsule with a new, stateof-the-art low-noise capsule amplifier for exceptional transient response, wide bandwidth and a natural uncolored sound. The ultra-slim design benefits the UMT70S with less acoustic field disruption around the microphone and greater placement ease when lose mic ing instruments. The UMT70S is ideal for recording, broadcast, voice-over and live sound reinforcement. Multi-pattern UMT70S - Order # G Cardioid only: MT71S - Order # G Development Early on, Gefell combined metal-film diaphragms with FET pre-amps as a means to reduce microphone self-noise, expand dynamic handling, and take advantage of the convenience of 48V phantom powering. Gefell first appeared in America in 1992 after Germany s Reunification with the launch of the original M70 Perestroika microphone. This Eastern-Block secret was quickly heralded as an incredible bargain with literally thousands being sold around the world. Almost overnight, the UMT70 became an industry favorite for voice and instruments, and was immediately honored with a prestigeous 1992 Tec Award nomination. With the shift to 24bit/96kHz recording a new microphone was developed that could properly address the demands for lower noise, wider bandwidth and the need for greater sound pressure handling. The Gefell UMT70S is the latest version of this classic featuring the same highly acclaimed M7 large diaphragm with an improved preamplifier section.

22 Design Features The Gefell UMT70S features a stylized slim-body design with a flared head that houses the capsule and the super-cool pattern selector switch. This diminutive design reduces sound pressure build-up and subsequent vortex around the mic while making placement easy when close mic ing instruments. Inside, mounted on Gefell s unique triangulated pedestal is the legendary M7 capsule. The Gefell M7 is a pressure gradient transducer, renown for its warm and natural tone. It features a dual 1-inch (25mm), 24-karat gold evaporated membrane design with a PVC substrate. The M7 is considered by many to be the finest capsule ever made. The triangulated capsule pedestal deflects unwanted body reflections away from the microphone, reducing phase cancellation and comb-filtering. This of course benefits with greater source detail, improved upper-harmonic reach, and a more articulated rendering. With the advent of digital recording and digital broadcast, the demand for improved performance set the path to upgrade the UMT70S circuitry. The introduction of a new transformerless preamplifier with a symmetrical output stage benefits the microphone with a significant reduction in selfnoise, a broader and more uniform frequency response, and an explosive transient response that is capable of 149dB. The UMT70S features a precision-machined pattern selector switch below the capsule grill that is rotated to select between the omnidirectional, cardioid and figure-8 polar curves. Mid-way down the body stem are controls for the 10dB pre-attenuation pad and the smooth low-frequency roll off (-10dB@90Hz). Using the UMT70S As a large diaphragm microphone, the Gefell UMT70S produces a warm full-bodied sound that is both natural and uncolored. With exceptionally good on and off-axis response, the side-address UMT70S is equally at home in the studio or in a live recording environment. In the omnidirectional mode, a ruler-flat bottom end is combined with a slight 2dB rise in the 10kHz region making the UMT70S ideal for ambient recording and orchestral works. In the cardioid and figure 8 modes, the UMT70S is voiced with a smooth presence rise in the 7kHz region. This response, coupled with a slight low-frequency roll-off gives the UMT70S its legendary "shimmer" making it a great choice for voice-over, solo vocal and instrument. When close mic ing, activating the low-frequency roll off gently curbs unwanted rumble and tightens bass by controlling proximity build-up further adding to the UMT70S flexibility. To reduce noise caused from vibration, the EA21 elastic suspension is recommended. The clamp-style microphone retainer inside the elastically suspended basket provides a safeguard against damage allowing the mic to be used at all angles. Hook-up is simple with a standard 3-pin XLR cable and 48V phantom powering.

23 Interpretation By combining the famous M7 capsule with an improved low-noise power supply, Gefell has once again set a new level of performance in a full bandwidth studio microphone. The combination of three well behaved patterns, greater sensitivity, exceptional signal-to-noise, above average transient response and a wide, noise free bandwidth housed in a compact body make the Gefell UMT70S a true desert island microphone. The accurate and colorless sound of the UMT70S opens the door to greater creativity and freedom, making it a superb choice for recording and particularly well suited for instrumental and vocal soloists in radio and television broadcast. Comes in it's own beautifully hand-crafted wood box. << Back Top UMT70S Specifications Next >>

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26 UMT70S Studio Condenser Three-pattern side-address condenser with dual large-diaphragm & gold evaporated membranes. Transformerless output stage for exceptional dynamics. Each pattern yields a slightly different frequency response curve: the omni adds extra air in the 10kHz region while the cardioid and figure-8 have a 7kHz presence lift for voice. Comes with deluxe wood case. Optional Accessories: Shock mount: EA92 elastic suspension Swivel adaptor: MH64 Windscreen: W76 Pop screen PO70 Cable: RNM25 Mogami Neglex 25ft Power supply: N200 Dual 48V Order # G MT71S Cardioid only version: Order # G Click pattern to view graphs Pattern: Response: Sensitivity: Level / Roll off: Self noise: Signal to noise: Maximum SPL: Dynamic Range: Power requirement: Omni, cardioid, figure 8 40Hz ~ 18kHz 13mV/Pa (cardioid pattern) -10dB pad / 90Hz 14dB-A 80dB-A 149dB with 10dB pad 120dB 48V Phantom Omni pattern response and polar pattern graphs Omni pattern

27 UMT70S Studio Condenser Three-pattern side-address condenser with dual large-diaphragm & gold evaporated membranes. Transformerless output stage for exceptional dynamics. Each pattern yields a slightly different frequency response curve: the omni adds extra air in the 10kHz region while the cardioid and figure-8 have a 7kHz presence lift for voice. Comes with deluxe wood case. Optional Accessories: Shock mount: EA92 elastic suspension Swivel adaptor: MH64 Windscreen: W76 Pop screen PO70 Cable: RNM25 Mogami Neglex 25ft Power supply: N200 Dual 48V Order # G MT71S Cardioid only version: Order # G Click pattern to view graphs Pattern: Response: Sensitivity: Level / Roll off: Self noise: Signal to noise: Maximum SPL: Dynamic Range: Power requirement: Omni, cardioid, figure 8 40Hz ~ 18kHz 13mV/Pa (cardioid pattern) -10dB pad / 90Hz 14dB-A 80dB-A 149dB with 10dB pad 120dB 48V Phantom Cardioid pattern response and polar pattern graphs Cardioid pattern

28 UMT70S Studio Condenser Three-pattern side-address condenser with dual large-diaphragm & gold evaporated membranes. Transformerless output stage for exceptional dynamics. Each pattern yields a slightly different frequency response curve: the omni adds extra air in the 10kHz region while the cardioid and figure-8 have a 7kHz presence lift for voice. Comes with deluxe wood case. Optional Accessories: Shock mount: EA92 elastic suspension Swivel adaptor: MH64 Windscreen: W76 Pop screen PO70 Cable: RNM25 Mogami Neglex 25ft Power supply: N200 Dual 48V Order # G MT71S Cardioid only version: Order # G Click pattern to view graphs Pattern: Response: Sensitivity: Level / Roll off: Self noise: Signal to noise: Maximum SPL: Dynamic Range: Power requirement: Omni, cardioid, figure 8 40Hz ~ 18kHz 13mV/Pa (cardioid pattern) -10dB pad / 90Hz 14dB-A 80dB-A 149dB with 10dB pad 120dB 48V Phantom Figure 8 pattern response and polar pattern graphs Figure 8 pattern

29 he TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically wellbalanced and provides extraordinary attenuation of signals from the rear. The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler s box. Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios. Polar pattern The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern used in most recording situations the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor. Acoustic features The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones. Features Large diaphragm cardioid microphone Pressure-gradient transducer with one-diaphragm capsule Transformerless circuitry Extremely low noise: 7 db-a Includes swivel mount Straightforward handling for homerecording and professional studios High-quality professional equipment for limited budgets Application Hints A universal cardioid mic Vocalist recording Announcer s mic for broadcasting/voice over Due to minimal self-noise: -on-air mic for radio/broadcast -very low amplitude signals -radio drama -sampling -foley/sound effects Home recording and project studios Spot mic for: -wind instruments -strings -percussion -guitar amps -drum overhead These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone. Delivery Range TLM 103 (mt) Microphone, SG 1 Stand mount swivel, Wooden box Catalog No. TLM ni TLM 103 mt... blk Selection of Accessories Power supply, N 48 i-2 (230 V)... blk Power supply, N 48 i-2 (117 V)... blk Power supply, N 48 i-2 (without plug-in mains unit)... blk Battery supply, BS 48 i... blk Auditorium hanger, MNV ni Auditorium hanger, MNV 87 mt... blk Table Stand, MF 3... blk Elastic suspension, EA 1... ni Elastic suspension, EA 1 mt... blk Popscreen, PS blk Popscreen, PS blk Windscreen, WS blk Microphone cable, IC 3 mt... blk Microphone cable, IC 4 (with stand mount swivel)... ni Microphone cable, IC 4 mt (with stand mount swivel)... blk A complete survey and detailed descriptions of all accessories are contained in the accessories catalog. Meaning of color codes: blk = black, ni = nickel

30 TLM 103 Large Diaphragm Microphone The capsule has a flat frequency response up to about 5 khz, and above that, a wide flat 4 db presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration. Electrical features With just 7 db-a / 17.5 db CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noisefree. As it is capable of handling sound pressure levels up to 138 db without distortion, the TLM 103 provides a dynamic range of 131 db, according to DIN/IEC 651. The letters TLM stand for transformerless microphone. With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. Operational safety The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103 s operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and ths even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 10 or PS 20 pop screens are recommended.

31 TLM 103 Large Diaphragm Microphone Technical Data Acoustical operating principle... Pressure gradient transducer Directional pattern... Cardioid Frequency range Hz...20 khz Sensitivity at 1 khz into 1 kohm mv/pa Rated impedance ohms Rated load impedance ohms Equivalent SPL CCIR db Equivalent SPL DIN/IEC db-a S/N ratio CCIR db S/N ratio DIN/IEC db Maximum SPL for THD 0.5% db Maximum output voltage dbu Dynamic range of the microphone amplifier DIN/IEC db Supply voltage V ± 4 V Current consumption... 3 ma Matching connector... XLR 3F Weight... approx. 500 g Diameter mm Length mm Selection of Accessories Power supply, N 48 i-2 Battery supply, BS 48 i Elastic Suspension, EA 1 (mt) Table Stand, MF 3 (in connection with IC 4) Auditorium Hanger, MNV 87 (mt) Popscreen, PS 10 Popscreen, PS 20 Windscreen, WS 87 Microphone Cable, IC 3 mt Microphone Cable, IC 4 (mt)

32 Neumann U89i The U 89 is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns. Therefore the microphone can be adapted easily to large sound sources, and those that are spread wide apart, or to sound sources to be recorded at a greater distance. The amplifier accepts sound pressure levels up to 134 db without distortion. This figure can be increased to 140 db. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz frequency. Applications The U 89 i is similar in appearance to the U 87. It is of smaller size, and lighter weight. It features five instead of three directional characteristics and a higher maximum sound pressure level which make this microphone easier adaptable to different applications. Polar patterns In addition to the usual directional polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and wide-angle cardioid characteristic. When compared to the standard cardioid pattern, the hypercardioid characteristic suppresses sound from the side more efficiently. The wide-angle polar pattern is especially useful to record large sound sources. Acoustic features The microphone is addressed from the front, marked with the Neumann logo. The large diaphragm capsule has a very smooth frequency response for all polar patterns over a wide acceptance angle. The frequency response curves are flat up to 10 khz within a pickup angle of ± 100. As a result the U 89 i has a very even diffuse-field response for all polar patterns. This is important in a reverberant environment when more reflections arrive at the microphone capsule. The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective resonance effects. The capsule it is elastically mounted to avoid any structure borne noise that could interfere with its operation. Filter and attenuation The amplifier handles sound pressure levels up to 134 db without distortion. With a self noise level of 17 db (A-weighted) the total dynamic range is 117 db. Maximum sound pressure level is 140 db when the - 6 db rotary switch is in the ON position. A low frequency roll-off at 80 Hz or 160 Hz can be activated with another rotary switch below the headgrille. This filter suppresses low frequency interference, yet maintains an even frequency response for close-up sound sources, for example, when proximity effect could adversely affect the program material. A steep high-pass filter in the LIN position prevents the output transformer of the microphone from being overloaded due to undesired subsonic frequencies. Operational safety All exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through microscopic dust particles. Features Variable large diaphragm microphone Pressure-gradient transducer with double membrane capsule Five directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8 Thereby most versatile in all recording situations Two-stage roll-off filter Switchable 10 db pre-attenuation Extended frequency range in comparison to U 87 Ai

33 Specifications Acoustical operating principle: Pressure gradient transducer Directional pattern: Omnidirectional, wide angle, cardioid, hypercardioid, figure-8 Frequency range: 20 Hz...20 khz Sensitivity at 1 khz: into 1 kohm 8 mv/pa Rated impedance: 150 ohms Rated load impedance: 1000 ohms Equivalent SPL: CCIR db Equivalent SPL: DIN/IEC db-a S/N ratio: CCIR db S/N ratio: DIN/IEC db Maximum SPL for THD: 0.5% 134 db Maximum SPL for THD: 0.5% with preattanuation 140 db Maximum output voltage: 800 mv Dynamic range of the microphone amplifier: DIN/IEC db Supply voltage: 48 V ± 4 V Current consumption: 0.8 ma Matching connector: XLR 3F Weight: 400 g Diameter: 46 mm Length: 185 m The U 89 is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns. Therefore the microphone can be adapted easily to large sound sources, and those that are spread wide apart, or to sound sources to be recorded at a greater distance. The amplifier accepts sound pressure levels up to 134 db without distortion. This figure can be increased to 140 db. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz frequency. Applications The U 89 i is similar in appearance to the U 87. It is of smaller size, and lighter weight. It features five instead of three directional characteristics and a higher maximum sound pressure level which make this microphone easier adaptable to different applications. Polar patterns In addition to the usual directional polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and wide-angle cardioid characteristic. When compared to the standard cardioid pattern, the hypercardioid characteristic suppresses sound from the side more efficiently. The wide-angle polar pattern is especially useful to record large sound sources. Acoustic features The microphone is addressed from the front, marked with the Neumann logo. The large diaphragm capsule has a very smooth frequency response for all polar patterns over a wide acceptance angle. The frequency response curves are flat up to 10 khz within a pickup angle of ± 100. As a result the U 89 i has a very even diffuse-field response for all polar patterns. This is important in a reverberant environment when more reflections arrive at the microphone capsule. The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective resonance effects. The capsule it is elastically mounted to avoid any structure borne noise that could interfere with its operation. Filter and attenuation The amplifier handles sound pressure levels up to 134 db without distortion. With a self noise level of 17 db (A-weighted) the total dynamic range is 117 db. Maximum sound pressure level is 140 db when the - 6 db rotary switch is in the ON position. A low frequency roll-off at 80 Hz or 160 Hz can be activated with another rotary switch below the headgrille. This filter suppresses low frequency interference, yet maintains an even frequency response for close-up sound sources, for example, when proximity effect could adversely affect the program material. A steep high-pass filter in the LIN position prevents the output transformer of the microphone from being overloaded due to undesired subsonic frequencies.

34 Operational safety All exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through microscopic dust particles. Features Variable large diaphragm microphone Pressure-gradient transducer with double membrane capsule Five directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8 Thereby most versatile in all recording situations Two-stage roll-off filter Switchable 10 db pre-attenuation Extended frequency range in comparison to U 87 Ai Application Hints A microphone for universal usage Use as spot mic for Wind instruments Strings Piano Specifications Acoustical operating principle: Pressure gradient transducer Directional pattern: Omnidirectional, wide angle, cardioid, hypercardioid, figure-8 Frequency range: 20 Hz...20 khz Sensitivity at 1 khz: into 1 kohm 8 mv/pa Rated impedance: 150 ohms Rated load impedance: 1000 ohms Equivalent SPL: CCIR db Equivalent SPL: DIN/IEC db-a S/N ratio: CCIR db S/N ratio: DIN/IEC db Maximum SPL for THD: 0.5% 134 db Maximum SPL for THD: 0.5% with preattanuation 140 db Maximum output voltage: 800 mv Dynamic range of the microphone amplifier: DIN/IEC db Supply voltage: 48 V ± 4 V Current consumption: 0.8 ma Matching connector: XLR 3F Weight: 400 g Diameter: 46 mm Length: 185 m

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36 Royer Labs Model R-122 Active Ribbon Velocity Microphone Operation Instructions Manual & User Guide Made in U.S.A.

37 Electrical Specifications Acoustic Operating Principle: Electro-dynamic pressure gradient Polar Pattern: Figure-8 Generating Element: 2.5 micron aluminum ribbon Frequency Range: 30HZ 15,000HZ ± 3dB Sensitivity: -39dBv Ref 1 v/pa Self Noise: <20dB Output Impedance: 200 Ohms balanced Rated Load Impedance: > 1000 Ohms Maximum SPL: > 135dB Output Connector: Male XLR 3 pin (pin 2 hot) Power Requirements: 48-Volt phantom only Supply Current: 4 ma All Royer monaural microphones are also available in matched pairs. Mechanical Specifications High-grade Neodymium magnet assembly in Royer s patented Flux-Frame 1.5 x 3/16 x 2.5-micron ribbon assembly Stainless steel internal baffle and dampener Dimensions: 206 mm L x 25 mm W (8-1/8 L x 1 W) Weight: 309 grams (10.9 ounces) Finish: Dull Satin Nickel or Matte Black Chrome Accessories: Protective wood case, protective mic sock, mic clip Optional Accessories: Shock mount, pop screen, 10dB pad Warranty Lifetime to original owner (repair or replace at Royer s option) To learn more about Royer products and their usage, visit our website at 18

38 Polar Pattern Frequency Response 19

39 M3 NT4 Multi Powered 3/4 Condenser Microphone response Acoustic Principle Output Connection Included Accessories

40 MD 421 II Microphones Dynamic Microphone Cat. No General Description The MD 421 II is one of the best known microphones in the world. Its excellent sound qualities enable it to cope with the most diverse record ing conditions and broadcasting applications. The five position bass control enhances its all-round qualities. Colour: black. Technical Data Pick-up pattern... cardioid Frequency response ,000 Hz Sensitivity (free field, no load, 1 khz)... 2 mv/pa ± 3 db Nominal impedance Ω Min. terminating impedance Ω Dimensions x 46 x 49 mm Weight...approx. 385 g Cable pictured is an accessory not supplied with the microphone Features Rugged professional microphone Five position bass roll-off switch Effective feedback rejection Clear sound reproduction Easy handling due to pronounced directivity Delivery includes: 1 MD 421 II 1 microphone clamp for 3/8 thread Bass control M Dip resulting from bass control Recommended Accessories MZT 100 table stand Cat. No MZT 441 table stand Cat. No MZT 14 mounting bolt Cat. No MZW 40 foam windshield Cat. No MZW 421 foam windshield Cat. No Profile Cardioid studio microphone, five-position bass control, frequency response 30 17,000 Hz, sensitivity (free field, no load) 2 mv/pa ± 3 db at 1 khz, nominal impedance 200 Ω, min. terminating impedance 200 Ω, dimensions 215 x 46 x 49 mm, weight approx. 385 g.

41 MD 441 U MD 441 U Microphone The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. Surface: all metal body with black simulated leather finish, sound inlet basket: nickel plated Features Benefits Excellent feedback rejection Excellent sound quality Spring capsule mounting low sensitivity to handling noise Hum compensating coil reduces electrical interference Five position bass roll-off switch compensates for proximity effect Brilliance (treble boost) switch added speech intelligibility Integral pop filter Technical Data Pick-up pattern Frequency response Sensitivity (free field, no load) (1 khz) Nominal impedance Min. terminating impedance super-cardioid 30 20,000 Hz 1.8 mv/pa ± 2 db 200 Ω Dimensions in inches x 1.3 x 1.4 Weight Optional Accessories 1 k approx oz Locking stand adapter MZA ' XLR microphone adapter MC21N Foam windshield MZW 441 Optional Accessories 1 Flexible stand adapter MZQ 441 Architect s Specifications Super-cardioid studio microphone, hum compensating coil, five position bass control, brilliance switch, integral pop filter, frequency response 30 20,000 Hz, sensitivity (free field, no load) 1.8 mv/pa ± 2 db at 1 khz, nominal impedance 200 Ω, min. terminating impedance 1 k, dimensions 270 x 33 x 36 mm, weight approx. 450 g. Sennheiser Electronic Corporation, 1 Enterprise Drive, Old Lyme, CT Telephone: Fax: Web: Sennheiser Mexico: Av. Xola 613, PH6, Col. Del Valle 03100, Mexico, DF. Telephone: (525) Fax: (525) Sennheiser Canada: 221 Labrosse Ave, Pte-Claire, PQ H9R 1A3. Telephone: Fax: Manufacturing Plant:Am Labor 1, Wedemark, Germany

42 MKH 20 P 48 Microphones RF Symmetrical Capsule Condenser Microphone Cat. No General Description The omni-directional MKH 20 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omni-directional microphones do not suffer from proximity effect. Technical Data Pick-up pattern...omni-directional Frequency response ,000 Hz Sensitivity (free field, no load, 1 khz) (8) mv/pa ± 1 db Nominal impedance Ω Min. terminating impedance... 1 kω Equivalent noise level A-weighted (DIN IEC 651) (18) db CCIR-weighted (CCIR 468-3) (28) db Max. sound pressure level (142) db at 1 khz Power supply...phantom 48 ± 4 V Supply current... 2 ma Dimensions... Ø 25 x 153 mm Weight...approx. 100 g Values in parentheses with attenuator switched on ( 10 db) Cable pictured is an accessory not supplied with the microphone Features Exceptionally flat frequency response, switchable for near and diffuse field applications High-frequency response can be accentuated by means of a pressure build-up ring Slightly increasing directivity at high frequencies to adjust tonal balance Exceptionally low inherent self-noise Transformerless and fully floating balanced output Switchable pre-attenuation Black, anodised light metal body Delivery includes: 1 MKH 20, 1 MZS 40 shock mount, 1 MZW 41 windshield, 1 pressure build-up ring Recommended Accessories MZA 14 P 48 U battery power supply unit Cat. No MZT 441 table stand Cat. No MZT 100 table stand Cat. No MZD 30 dual clip, for MS stereo Cat. No MZB 415 fish pole Cat. No MZS 40 shock mount Cat. No MZW 41 foam windshield Cat. No MZP 40 popshield Cat. No MZS 20-1 shock mount Cat. No MZW 20-1 basket windshield Cat. No MZH 20-1 hairy cover Cat. No Effect of diffuse-field correction Profile Omni-directional studio microphone with switchable diffusefield correction, switchable pre-attenuation and pressure build-up ring, frequency response 12 Hz 20,000 Hz, sensitivity (free field, no load) 25 (8) mv/pa ± 1 db at 1 khz, nominal impedance 150 Ω, min. terminating impedance 1 kω, equivalent noise level A-weighted 10 (18) db, CCIR-weighted 20 (28) db, max. SPL 134 (142) db at 1 khz, phantom powering 48 ± 4 V, supply current 2 ma, dimensions in mm Ø 25 x 153, weight approx. 100 g. Values in parentheses with attenuator switched on ( 10 db).

43 MKH 20 Supplied Accessories Shock mount MZS 40 Stand adapter MZQ 40 Windscreen MZQW 40 Optional Accessories Phantom battery power supply unit Architect s Specifications MZA 14 P 48 U Foam windshield MZW 41 Shock mount MZS 20-1 Basket windshield MZW 20-1 Long hair windcoat MZH 20-1 AC powered phantom supply for 2 mics N 48I-2 Omni-directional studio microphone with switchable diffuse-field correction, switchable pre-attenuation and pressure build-up ring, frequency response 12 Hz 20,000 Hz, sensitivity (free field, no load) 25 (8) mv/pa ± 1 db at 1 khz, nominal impedance 150 Ω, min. terminating impedance 1000 Ω, equivalent noise level A-weighted 10 (18) db, CCIR-weighted 20 (28) db, max. SPL 134 (142) db at 1 khz, phantom powering 48 ± 4 V, supply current 2 ma, dimensions in inches.98 x 6.02, weight approx. 3.5 oz. Values in parentheses with attenuator switched on ( 10 db). Sennheiser Electronic Corporation, 1 Enterprise Drive, Old Lyme, CT Telephone: Fax: Web: Sennheiser Mexico: Av. Xola 613, PH6, Col. Del Valle 03100, Mexico, DF. Telephone: (525) Fax: (525) Sennheiser Canada: 221 Labrosse Ave, Pte-Claire, PQ H9R 1A3. Telephone: Fax: Manufacturing Plant: Am Labor 1, Wedemark, Germany

44 MKH 40 P 48 Microphones RF Symmetrical Capsule Condenser Microphone Cat. No General Description The cardioid MKH 40 has a large number of applications, for example as a main microphone, especially in lightly reverberant or acoustically less perfect rooms, with instrumental groups or for speech applications. Its wide-angled, neutral directional characteristics and high level of reverse attenuation ensure an exceptionally balanced sound. Technical Data Pick-up pattern... cardioid Frequency response ,000 Hz Sensitivity (free field, no load, 1 khz) (8) mv/pa ± 1dB Nominal impedance Ω Min. terminating impedance... 1 kω Equivalent noise level A-weighted (DIN IEC 651) (18) db CCIR-weighted (CCIR 468-3) (27) db Max. sound pressure level (142) db at 1 khz Power supply...phantom 48 ± 4 V Supply current... 2 ma Dimensions... Ø 25 x 153 mm Weight...approx. 100 g Values in parentheses with attenuator switched on ( 10 db) Cable pictured is an accessory not supplied with the microphone Features Maximum front-to-back ratio Exceptionally low inherent self-noise Symmetrical transducer technology ensures extremely low distortion Transformerless and fully floating balanced output Switchable roll-off filter to compensate for proximity effects at a distance of approx. 0.5 m Switchable pre-attenuation Black, anodised light metal bodv Delivery includes: 1 MKH 40, 1 MZS 40 shock mount, 1 MZW 41 windshield Effect of switchable roll-off filter Recommended Accessories MZA 14 P 48 U battery power supply unit Cat. No MZT 441 table stand Cat. No MZT 100 table stand Cat. No MZD 30 dual clip, for MS stereo Cat. No MZB 415 fish pole Cat. No MZS 40 shock mount Cat. No MZW 41 foam windshield Cat. No MZP 40 popshield Cat. No MZS 20-1 shock mount Cat. No MZW 20-1 basket windshield Cat. No MZH 20-1 hairy cover Cat. No Profile Cardioid studio directional microphone with switchable pre-attenuation and switchable roll-off filter. Frequency response 40 Hz 20,000 Hz, sensitivity (free field, no load) 25 (8) mv/pa ± 1dB at 1 khz, nominal impedance 150 Ω, min. terminating impedance 1 kω, equivalent noise level A- weighted 12 (18) db, CCIR-weighted 21 (27) db, max. SPL 134 (142) db at 1 khz, phantom powering 48 ± 4 V, supply current 2 ma, dimensions Ø 25 x 153 mm, weight approx. 100 g. Values in parentheses with attenuator switched on ( 10 db).

45 MKH 40 Supplied Accessories Shock mount MZS 40 Stand adapter MZQ 40 Windscreen MZQW 40 Optional Accessories Phantom battery power supply unit Architect s Specifications MZA 14 P 48 U Foam windshield MZW 41 Shock mount MZS 20-1 Basket windshield MZW 20-1 Long hair windcoat MZH 20-1 AC powered phantom supply for 2 mics N 48I-2 The unit shall be a figure-of-eight studio directional microphone with switchable preattenuation and switchable roll-off filter. The frequency response shall be 40 20,000 Hz, with sensitivity (free field, no load) of 25 (8) mv/pa ± 1 db at 1 khz. The nominal impedance shall be 150 Ω, and min. terminating impedance shall be 1000 Ω.. The dimensions shall be.98 x 6.02 inches, and weigh approx. 3.5 oz. The unit shall be a Sennheiser MKH 40. Values in parentheses with attenuator switched on ( 10 db). Sennheiser Electronic Corporation, 1 Enterprise Drive, Old Lyme, CT Telephone: Fax: Web: Sennheiser Mexico: Av. Xola 613, PH6, Col. Del Valle 03100, Mexico, DF. Telephone: (525) Fax: (525) Sennheiser Canada: 221 Labrosse Ave, Pte-Claire, PQ H9R 1A3. Telephone: Fax: Manufacturing Plant: Am Labor 1, Wedemark, Germany

46 Model BETA 52 A User Guide MODEL BETA 52 A APPLICATIONS AND PLACEMENT The most common BETA 52A applications and placement techniques are listed in the following table. Keep in mind that microphone technique is largely a matter of personal taste there is no one correct microphone position. SUPERCARDIOID DYNAMIC INSTRUMENT MICROPHONE GENERAL The Shure BETA 52 A is a high output dynamic microphone with a tailored frequency response designed speci fically for kick drums and other bass instruments. It provides superb attack and punch, and delivers studio quality sound even at extremely high sound pressure levels. The BETA 52A features a modi fied supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simpli fies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the BETA 52A from the abuse and wear associated with touring. FEATURES Frequency response shaped speci fically for kick drums and bass instruments Built in dynamic locking stand adapter with integral XLR connector simpli fies setup, especially inside a kick drum Studio quality performance, even at extremely high sound pressure levels Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise Hardened steel mesh grille that resists wear and abuse Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Neodymium magnet for high signal to noise ratio output Low sensitivity to varying load impedance Legendary Shure quality and reliability Application Kick Drum Electric Bass Amplifier Suggested Microphone Placement 5 to 7.5 cm (2 to 3 in.) away from beater head, slightly off-center from beater. 20 to 30 cm (8 to 12 in.) from beater head, on-axis with beater. 20 to 30 cm (8 to 12 in.) from beater head, 15 to 20 cm (6 to 8 in.) from edge of head. 5 to 7.5 cm (2 to 3 in.) away from outside head, on-axis with beater (double head kickdrum only). 2.5 cm (1 in.) from speaker, on-axis with center of speaker cone. 2.5 cm (1 in.) from speaker, at edge of speaker cone. 10 to 15 cm (4 to 6 in.) from speaker, on-axis with center of speaker cone. 60 to 90 cm (2 to 3 ft.) from speaker, on-axis with center of speaker cone. Tone Quality Sharp attack; maximum bass sound, highest sound pressure level. Medium attack; balanced sound. Medium attack; thin, reduced bass sound. Softer attack; balanced, resonant sound. NOTE: To tighten the beat, place a pillow or blanket on bottom of drum against beater head. Sharp attack; emphasized bass. Sharp attack; higher frequency sound. Sharp attack; full, balanced sound. Soft attack; mellow, higher frequency sound. MOUNTING THE BETA 52A ON A MICROPHONE STAND The built in stand adapter features a dynamic locking system that permits adjustments to the microphone s position, but resists slipping when struck or bumped. To mount the BETA 52A on a stand and adjust its position, proceed as follows: Screw the integral stand adapter onto the end of a microphone stand (see Figure 3). Adjust the stand height and position as necessary. Pivot the BETA 52A until it is in the desired position relative to the drum head or loudspeaker. Lock the BETA 52A in place by rotating the adjustment knob on the stand adapter clockwise until it is tight. Do NOT overtighten the knob with tools. If necessary, make minor adjustments to the microphone position without loosening the adjustment knob. Connect an audio cable to the integral XLR connector. 27D2799 (Rev. 5) 2005, Shure Incorporated Printed in U.S.A.

47 SPECIFICATIONS Type Dynamic (moving coil) Frequency Response 20 to 10,000 Hz NOTE: The curve below shows on axis response at a distance of 2 feet from a uniform sound source. Your response may vary, depending on microphone position FIGURE 1 Polar Pattern Supercardioid, rotationally symmetrical about microphone axis FIGURE 2 Output Level (at 1,000 Hz) Open Circuit Voltage: 64 dbv/pa* (0.6 mv) *1 Pa = 94 db SPL Impedance Rated impedance is 150 (45 actual) for connection to microphone inputs rated low Z Phasing Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Maximum SPL 174 db at 1000 Hz (calculated) Connector Three pin professional audio connector (male XLR type) Case Silver blue enamel painted die cast metal with hardened, matte- finished steel grille Adjustable, Locking Stand Adapter Integral, dynamic locking, adjustable through 180, with standard 5/8-27 thread STAND ADAPTER Net Weight 605 grams (21.6 oz) FIGURE 3 ADJUSTMENT KNOB MICROPHONE STAND CERTIFICATION Eligible to bear CE Marking. Conforms to European EMC Directive 89/336/EEC. Meets applicable tests and performance criteria in European Standard EN55103 (1996) parts 1 and 2, for residential (E1) and light industrial (E2) environments. FURNISHED ACCESSORIES Storage Bag A25 5/8 to 3/8 (Euro) Thread Adapter A2050 OPTIONAL ACCESSORIES 7.6 m (25 ft) Cable C25E, C25F REPLACEMENT PARTS Cartridge R175 Screen and Grille Assembly RK321 Plug (connector) Assembly F1984 NOTE: Use care when removing the cartridge holder from the base to prevent breakage of the lead wires. For additional Service or parts information, please contact Shure s Service department at Outside the United States, please contact your authorized Shure Service Center. 2

48 Model SM57 Dynamic Microphone Specification Sheet MODEL SM57 UNIDIRECTIONAL DYNAMIC MICROPHONE OVERVIEW The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main FEATURES Frequency response tailored for drums, guitars, and vocals Uniform cardioid pickup pattern isolates the main sound source while reducing background noise Pneumatic shock-mount system cuts down handling noise sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. Extremely durable under the heaviest use Supplied break-resistant swivel adapter that rotates 180 Legendary Shure quality, ruggedness, and reliability

49 MODEL SM57 DYNAMIC MICROPHONE SPECIFICATIONS Type Dynamic Frequency Response 40 to 15,000 Hz Specification Sheet Impedance Rated impedance is 150Ω (310Ω actual) for connection to microphone inputs rated low impedance. Polarity Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3. CARTRIDGE CODED TERMINAL GREEN BLUE YELLOW TRANSFORMER RED BLACK INTERNAL CONNECTIONS TYPICAL FREQUENCY RESPONSE Polar Pattern Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency. Connector Three-pin professional audio connector (male XLR type) Case Dark gray, enamel-painted, die-cast steel with a polycarbonate grille and a stainless steel screen. 157 mm (6 3 / 16 in.) 32 mm 1 1 / 4 in.) 23 mm ( 29 / 32 in.) DIMENSIONS TYPICAL POLAR PATTERNS Sensitivity (at 1,000 Hz) Open Circuit Voltage: 54.5 dbv/pa* (1.9 mv) *(1 Pa = 94 db SPL) Swivel Adapter Positive-action, break-resistant, adjustable through 180, with standard 5 / 8 in.-27 thread Net Weight (without cable) 284 grams (10 oz) FURNISHED ACCESSORIES Swivel Adapter A25D Storage Bag A13 REPLACEMENT PARTS Cartridge R57 Screen and Grille Assembly RPM210 OPTIONAL ACCESSORIES Windscreen A2WS Desk Stand S37A, S39A Isolation Mount A55M Dual Mount A25M, A26M Cable (7.6 m [25 ft]) C25E, C25F 2

50 Model SM58 Dynamic Microphone Specification Sheet MODEL SM58 UNIDIRECTIONAL DYNAMIC MICROPHONE OVERVIEW FEATURES Frequency response tailored for vocals, with brightened midrange and bass rolloff Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise Pneumatic shock-mount system cuts down handling noise Effective, built-in spherical wind and pop filter SPECIFICATIONS Type Dynamic (moving coil) The Shure SM58 is a unidirectional (cardioid) dynamic vocal microphone designed for professonal vocal use in sound reinforcement and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath pop noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech the SM58 is the overwhelming choice of professionals worldwide. Supplied with break-resistant stand adapter which rotates 180 Legendary Shure quality, ruggedness, and reliability Models SM58 SM58S (With On/Off Switch) Frequency Response 50 to 15,000 Hz TYPICAL FREQUENCY RESPONSE Polar Pattern Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency (see Figure 3) TYPICAL POLAR PATTERNS Sensitivity (at 1,000 Hz Open Circuit Voltage) 54.5 dbv/pa (1.85 mv) 1 Pa = 94 db SPL Impedance Rated impedance is 150 (300 actual) for connection to microphone inputs rated low impedance Polarity Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3