M SerieS LeGeNDArY MiCrOPHONeS MADe in GerMANY

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Penelope Gibbs
5 years ago
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1 M SerieS LEGENDARY MICROPHONES made in Germany

M SeRIES M SERIES LEGENDARY MICROPHONES MADE IN GERMANY The cult microphones of the beyerdynamic M Series combine outstanding sound characteristics with rugged quality in characteristical shape.

PERFECT SOUND CRAFTED BY HAND Producing true, natural sound has always been of highest priority at beyerdynamic.

2 M SeRIES M SERIES LEGENDARY MICROPHONES MADE IN GERMANY The cult microphones of the beyerdynamic M Series combine outstanding sound characteristics with rugged quality in characteristical shape. Hardly another microphone is linked to the history of rock and roll in quite the way that for example our ribbon microphone or the dynamic model is. PERFECT SOUND CRAFTED BY HAND Producing true, natural sound has always been of highest priority at beyerdynamic. This goes all the way back to the companies founder, Eugen Beyer, who was fascinated with the idea of recording sounds as perfectly as possible and then reproducing them just as perfectly. The dynamic microphone he invented in 1939 was a first milestone and many more followed. Since then, scores of beyerdynamic engineers have continuously invented new technologies to achieve even clearer and purer sound. The result: microphones developed and handcrafted in Germany, whose sound and quality are legendary throughout the world.

M 69 TG Being a true all-round microphone the M 69 TG delivers Transducer type................ Dynamic detailed sound for vocals, floor toms or even electric Frequency response............. 50-16,000 Hz guitars.

9 mv/pa design, it also withstands rough conditions on stage. Length...................... 182 mm Shaft diameter................ 25.5 mm High gain-before-feedback Excellent sensitivity Head diameter.

Combining legendary sound with unmatched feedback resistance it can be used in nearly every situation on stage and can also cope with difficult acoustic environments.

3 M 69 TG Being a true all-round microphone the M 69 TG delivers Transducer type Dynamic detailed sound for vocals, floor toms or even electric Frequency response ,000 Hz guitars. The wide frequency range and high sensitivity Polar pattern Hypercardioid enable a smooth, natural sound. Due to its rugged Open circuit voltage at 1 khz mv/pa design, it also withstands rough conditions on stage. Length mm Shaft diameter mm High gain-before-feedback Excellent sensitivity Head diameter mm Weight g Rugged construction The is the standard for all live applications. Combining legendary sound with unmatched feedback resistance it can be used in nearly every situation on stage and can also cope with difficult acoustic environments. Extended frequency range with very soft presence boost and exceptional bass reproduction High SPL handling capability Rugged construction Transducer type Dynamic Frequency response ,000 Hz Polar pattern Hypercardioid Open circuit voltage at 1kHz mv/pa With the pop shield PS 88 or the wind screen Length mm WS 59, the M 88 suits superb for bass drum. Shaft diameter mm Head diameter mm Weight g

M SeRIES M 130 The M 130 is a classic ribbon microphone offering two stacked ribbons ensuring pure, uncoloured sound. It s the ideal companion for authentic recordings and studio applications.

4 M SeRIES M 130 The M 130 is a classic ribbon microphone offering two stacked ribbons ensuring pure, uncoloured sound. It s the ideal companion for authentic recordings and studio applications. The figure eight polar pattern eliminates unwanted noises from the side. Transducer type...dynamic Frequency response ,000 Hz Polar pattern...figure 8 Open circuit voltage at 1 khz mv/pa Length mm Shaft diameter...23 mm Head diameter mm Weight g Double ribbon microphone Consistent figure-eight polar pattern throughout frequency response Superb transient response Compact and rugged design Characteristical warm and natural sound The double ribbon microphone is designed to meet the highest demands. It can be used for the most delicate bow instrument as well as for piano, hihat and overhead. It offers a hypercardioid polar pattern with high off-axis rejection and can also be used on stage. The small dimensions allow for an unobtrusive and flexible placement. Double ribbon microphone Hypercardioid polar pattern Extended frequency response Excellent transparency and transient response Compact and rugged design Warm and natural sound The is together with the M 130 perfect for MS stereo recordings. Transducer type...dynamic Frequency response ,000 Hz Polar pattern...hypercardioid Open circuit voltage at 1 khz mv/pa Length mm Shaft diameter...23 mm Head diameter...38 mm Weight g

5 The is optimised for a variety of different situations. Drums, percussions, stringed instruments, piano the is an all-purpose instrumental microphone offering high feedback resistance and an integrated hum-buck coil. Universal microphone for instrument miking Small dimensions for unobtrusive positioning High gain-before-feedback Rugged construction Transducer type...dynamic Frequency response ,000 Hz Polar pattern...hypercardioid Open circuit voltage at 1 khz mv/pa Length mm Shaft diameter...24 mm Weight g The is also convenient for interview and reporting purposes. The is a compact top-class large diaphragm studio microphone. It is equipped with five selectable polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, figure 8) and delivers a transparent and neutral sound in studio and on stage. Large diaphragm capsule with gold vaporised double diaphragms Elastic capsule mounting Five selectable polar patterns Switchable pre-attenuation for high sound pressure levels Switchable two-stage roll-off filter Transducer type...true condenser Polar pattern...switchable omnidirectional, wide cardioid, cardioid, hypercardioid, figure 8 Frequency response ,000 Hz Using it as main microphone, the light treble boost delivers a well balanced sound. Open circuit voltage at 1 khz...18 mv/pa Max. SPL at 1 khz db without pre-attenuation 137 db with -10 db pre-attenuation 147 db with -20 db pre-attenuation Length mm Shaft diameter...37 mm Head (L x W x H)...70 x 52 x 33 mm Weight g

6 M SeRIES MC 910 The true condenser microphone MC 910 is equipped with an omnidirectional capsule ensuring neutral sound. The small-diaphragm microphone can be used as main microphone for stereo and surround recordings as well as for individual instruments. Its switchable attenuation of 15 db also allows for usage under high sound pressure levels. Transducer type...true condenser Frequency response ,000 Hz Polar pattern...omnidirectional Open circuit voltage at 1 khz...25 mv/pa Phantom powered V Length mm Shaft diameter...21 mm Weight g Switchable pre-attenuation -15 db Switchable bass roll-off filter with 6 db/octave at 250 Hz Slight treble boost on axis With the WS 101 wind shield, the MC 910 can be used for speech and vocals. The is a high-quality small-diaphragm microphone providing a wide frequency response as well as high gain before feedback due to its cardioid polar pattern. The can be used in professional studios as well as in difficult acoustic environments where excellent sound and maximum feedback resistance are a must. Transducer type...true condenser Frequency response ,000 Hz Polar pattern...cardioid Open circuit voltage at 1 khz...30 mv/pa Phantom powered V Length mm Shaft diameter...21 mm Weight g Switchable pre-attenuation -15 db Switchable bass roll-off filter with 6 db/octave at 250 Hz Very high off-axis rejection The is also available as matched stereo pair. Ideal for XY and ORTF recordings. Elastic suspensions, wind screens and transport case are included. The supercardioid delivers a neutral sound as well as excellent gain-before-feedback eliminating noises from the rear. Miking choirs, pianos or orchestras are some of the possible applications. The is phantom powered (11-52 V) and can be used with nearly any amplifier in studio or live situations as well as installations. Transducer type...true condenser Frequency response ,000 Hz Polar pattern...supercardioid Open circuit voltage at 1 khz...40 mv/pa Phantom powered V Length mm Shaft diameter...21 mm Weight g Switchable pre-attenuation -15 db Switchable bass roll-off filter with 6 db/octave at 250 Hz Uncoloured off-axis response Due to the excellent polar pattern the is ideal for miking hihats.

7 MICROPHONE SELECTION GUIDE The following chart should help you to find the ideal microphone for your application: Instruments Bass Drum Snare Drum Rack Toms Floor Toms HiHat Cymbals Live Performance M 69 TG M 69 TG MC 910 Instruments Congas Tumbas Quintos Live Performance Bongos Timbales Djembe Cajón Hand Percussion Instruments Acoustic Guitar Banjo Balalaika Bass Guitar Cabinet Guitar Cabinet Violin Viola Cello Double Bass Live Performance M 69 TG MC 910 MC 910 MC 910 MC 910 Instruments Flute Clarinet Saxophone Trumpet Trombone Tuba Live Performance MC 910 MC 910 MC 910 MC 910 MC 910 MC 910 Instruments Piano Grandpiano Live Performance MC 910 Accordion Blues Harp Lesley Horn MC 910 MC 910 Instruments Vocals Speech Choir Live Performance M 69 TG MC 910 MC 910 MC 910 For our microphones we provide a wide range of accessories. From microphone clamps, pop or wind shields to stands, we offer everything you need for daily use on stage or in the studio. M 69 TG M 130 MC 910

com you can compose your own personal microphone based on four different worlds each with different materials, colours and designs.

8 CREATE YOUR PERSONAL MICROPHONE M(y)88 YOUR VOICE YOUR MICROPHONE Every voice is unique in its sound, volume and timbre. According to it there is the M(y) 88 an individually designed microphone, which is as unique as the voice of its owner. At you can compose your own personal microphone based on four different worlds each with different materials, colours and designs. The four available design variations open up a near endless range of possibilities for customising your M(y)88. Six of unlimited variations! beyerdynamic GmbH & Co. KG Theresienstr Heilbronn - Germany Phone +49 (0) / Fax +49 (0) / proaudio@beyerdynamic.com beyerdynamic Inc. USA 56 Central Ave. Farmingdale, NY Phone +1 (6 31) Fax +1 (6 31) salesusa@beyerdynamic-usa.com E M Series ( ) Non-contractual illustrations. Subject to change without notice.

STUDIO - DIGITAL MCD 100 (Cardioid) Digital Condenser. MCD 101 (Omnidirectional) Digital Condenser

STUDIO - DIGITAL MCD 100 (Cardioid) Digital Condenser. MCD 101 (Omnidirectional) Digital Condenser MCD 100 (Cardioid) Digital Condenser Microphone MCD 101 (Omnidirectional) Digital Condenser Microphone Due to the unique feature of placing the Analogue/Digital Converter (ADC) immediately behind the capsule,